After six years, Hatebreed are back with a brand new album. On November 06, Fatal Paradox will be unleashed. “Kill Count Increase” the first single is also track one on the record and set things off with a bang. The song itself is an all out heavy blast of metal and hardcore. This is a great crossover sound and song. Jamey Jasta sounds superb and aggressive as all hell. The album was produced by longtime collaborator Chris “Zeuss” Harris. Very much looking forward to this record!
Earlier this year, Converge released their tenth studio album, Love Is Not Enough. Right out of the gate that album hit you like a pile of bricks. Then a sudden left hook came out of nowhere and the announcement of a second album to be released a few months later. And now we have arrived at that time and Hum Of Hurt, is everything you’d hoped it would be and then some.
Never a band to rest of their laurels, Converge explore every single nuance of influence and inspiration on Hum Of Hurt. There’s a very up front and confrontational approach to a lot of these songs that comes from the depths of each member of the band. One of the best aspects of the album is the sense of groove. The abstract atmospheric elements ooze out of the rhythmic grooves and blasts. While Love Is Not Enough leaned more into metal territory, Hum Of Hurt leans more into noise rock and emotional hardcore. The combination of those and their signature sound, propels this album past the previous.
Each song has its own charm and place. The sequencing of the album is tremendously satisfying. The way the album starts with the very image inducing “Slip The Noose,” you know that this is going to be a record that will tighten your heart. “Doom In Bloom” into “It Only Gets Worse” is a stellar one two punch! Then comes a trifecta of oblivion and obliteration with “Detonator,” “I Won’t Let You Go,” and “It’s Not Up To Us.” At this point catching your breath is a smart idea as “Dream Debris” sweeps you into a new realm. Just as you think the dust has settled, you’re thrust into the final three songs “It Used To Matter,” “Hum Of Hurt,” and “Nothing Is Over.”
What is accomplished here in thirty three minutes is near legendary. This is the year of Converge. It’s started out that way and it’s continued. There’s a feeling to this record too that makes you want to hear it played live in full. I can only imagine the sonic boom of intensity from that. Hum Of Hurt is a soon to be classic not just for Converge but, the genre as a whole.
When you ignite the future with the right bands, there is a good chance you can see where music is headed. For too long, modern heavy music has gotten too overproduced and frankly generic. Granted that sounds like a blanket statement, when there are bands out there that don’t fall into that trap. Instead what’s happening is a bands full of youngsters are providing a resurgence of a more raw and invigorating sound. There is one band in particular that has caught my attention for some time and has chosen the punk and hardcore route, XCOMM.
XCOMM have released their debut album, Time To Burn, and just like its title, that statement rings very true in a multitude of ways. Across eleven songs and thirty minutes, this unrelenting five piece band, rip through the gamut of the best of what hardcore punk is. While influences like Minor Threat, Black Flag and Bad Brains are the foundations of the genre and can certainly be heard here, Xcomm don’t rest on that. What you hear is part homage and the rest is pure and full of promise.
Kicking things off is “Reasons” a shotgun blast right out of the gate. This is just that start of the boiling tension that starts this album. Also the video for this song was directed by Dean Karr and perfectly executed that feeling. Check it out! Next is “Hot Pursuit/One and Nothing” a two for one song that shows that promise I mentioned earlier. Just listen. “Fake ID” is a fun barnburner of a track. And again, a fun video worth watching. “Borrowed Happiness” is a thrashy punk song that hits at the right melodic tinges. The title track “Time To Burn” is a to the point statement. “Pirates” continues the onslaught with guest vocals from Ghostmane. “Running Zeros” is a departure from the frantic frenzy. In fact this standout is song that shows another side of the band. There’s some great little subtle nods in this song as well towards those inspiring bands. “Relevance” returns to the punk sound with a snarl and crashing backdrop. “No Teeth” will definitely get circle pits going. It has that vibe right from the beat drop. “Purity” is eighty seconds of a a slamming good time. Closing out the album is “Negativity.” Don’t get that twisted though, this song packs a ton of optimism for what’s to come from XCOMM.
What Ross Robinson was able to get from XCOMM on Time To Burn is exquisite. The raw prowess of the production combined with ferocity of the songs really makes for a great listening experience. Having seen the band live, a good amount of their live energy is here in a way that only Ross can capture. Each band member has their own moments through that shows not just their musical abilities but, shows how each member plays a dynamic role in these songs.
XCOMM are without a doubt legit. They have the live show, songs and energy to make you a fan. Time To Burn is a great debut and one hell of a way to get your attention. There is a definite throwback element to this album too that, if you came of age at certain points, will remind you of that time in the best of ways. It’s worth noting too that for all the seriousness on this album, it’s also a fun record. And who can’t use a little fun in their life?!!
Late last summer when I went to see Reba Meyers play a solo show, the direct support band that evening really caught my ears. It was one of those moments when you hear a band you know nothing about and it just makes sense. That band was Melted Bodies and I just got the chance to see them again and good golly were they just as awesome.
About a month as of this writing, the debut album from Held. will be released. Since the beginning of the year, Held. has been unveiling themselves via now three singles and three intense performance videos. The first single “New You Anthem” was right out of the gate a welcome introduction. The catchiness of the riff and the chorus, if that doesn’t strike you, there’s something wrong with you. Seriously, it’s heavy, melodic, packs quite punch to the gut. Then you add in Frank Iero’s guest vocal spot and how his voice hits the perfect counter balance to vocalist/guitarist Douglas Robinson. The second single “Constant Tension” (which of the three released is my favorite. When you get to the bridge of the song, you’ll know why), is a song that could’ve been released during the 90’s evolution of “emo” music. There’s a really cool Sunny Day Real Estate/Jawbox vibe mixed with a bit of a hardcore element. The rhythm section of Josh Eppard and Sal Mignano really shines here. They are beyond tight yet combustable in the best way. I can only imagine them on stage and this song is played. The lyrical connection here is real and very personal. The honesty is pure as you can hear in Douglas again here. “Knifepoint” is the one of the three released that hits the more “alternative” side of the band so far. The syncopated riff/rhythm has a cool push and pull that hits in a very striking way with the vocal as well as the guest spot from Graham Sayle of High Vis.
So here we are at three songs into their debut and it’s shaping up to be quite the explosive one. This combination of Douglas, Sal and Josh sounds even better than you’d think. As a fan of Josh’s playing, he really gets to go for it here in Held. That’s not to say he doesn’t in Coheed And Cambria, you can just hear a different excitement in his playing here. After Douglas left Night Verses, I was pretty bummed not to get to hear him as a part of that band. I really enjoyed the two albums they made and thought they were really on to something. The Ross Robinson produced second album, Into The Vanishing Light, is very underrated and has some truly deeply gritty vocal performances by Douglas. Getting to hear Sal in a different light than The Sleeping is a treat too. As a fan of that band too, you can hear where the roots come from. The sum of the parts here in Held. is going to be something special to see live. I look forward to what’s to come. And let’s just put a proper Los Angeles show out in the universe to happen soon!
Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.
Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!
Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!
Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.
In March of 2024, the very awesome Gouge Away returned after a prolonged hiatus with their album Deep Sage. From the moment that album was released it has not left my rotation. It’s a superb album that hits all the right notes of hardcore, punk, emo, and then some. If anything Deep Sage is a modern post hardcore masterpiece. Now a couple years have passed and the craving for new Gouge Away has been tamed for the moment with the release of their new single, “Figurine.” This new song is a blast of ferocious energy and hits you in the feels quite hard. “Figurine” is more in the realm of punk than hardcore with the bite of both. Gouge Away recently signed with Run For Cover records and are gearing up for quite a year of shows including being handpicked by Foo Fighters to open a few of their shows later in 2026. I’m very much looking forward to new Gouge Away. Please let there be a headlining Los Angeles show in the near future!!! Enjoy “Figurine”!!!
XCOMM ARE THE REAL DEAL! I’ve been stoked on this band since I heard them a couple years ago. Already they’ve hit the ground hard with two banger releases in “Reasons” and “Fake I.D.” Now here we go with more and one in particular that is damn good! That’s right two songs in one! The video for them as well is fun, inquisitive, and very much them. Way to hit another one out of the park Dean Karr! The first song “Hot Pursuit” continues their hardcore/punk style with gritty vocals and charging riffs. The second song though is the one that’s going to put them over. “One And Nothing” is one hell of a great post-hardcore song. Not only does this show that each member has chops but, it shows they can write! Ross Robinson really got great things to come out of XCOMM. Really look forward to what is to come for these lads! Enjoy XCOMM!!
When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.
Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.
Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.
For a little bit now, I’ve been really getting into The Barbarians Of California. There is a fun and urgency to what they are doing and I’m all for it. Made up of longtime friends, Aaron Bruno of AWOLNATION and Eric Stenman of Tinfed, The Barbarians Of California is a return to form of sorts for both. Aaron and Eric both got started in the hardcore world and though they both went in different directions for a point, this is where the roots are. Their new song “Bomb To A Knife Fight” has a very 90’s hardcore vibe with a a sort of hip-hop undercurrent throughout. And that breakdown! Oh yeah!! Looking forward to what’s to come from The Barbarians. And you can catch them on the West Coast leg of the Poison The Well/Converge tour!!
