ALBUM OF THE WEEK: XCOMM- TIME TO BURN

When you ignite the future with the right bands, there is a good chance you can see where music is headed. For too long, modern heavy music has gotten too overproduced and frankly generic. Granted that sounds like a blanket statement, when there are bands out there that don’t fall into that trap. Instead what’s happening is a bands full of youngsters are providing a resurgence of a more raw and invigorating sound. There is one band in particular that has caught my attention for some time and has chosen the punk and hardcore route, XCOMM.

XCOMM have released their debut album, Time To Burn, and just like its title, that statement rings very true in a multitude of ways. Across eleven songs and thirty minutes, this unrelenting five piece band, rip through the gamut of the best of what hardcore punk is. While influences like Minor Threat, Black Flag and Bad Brains are the foundations of the genre and can certainly be heard here, Xcomm don’t rest on that. What you hear is part homage and the rest is pure and full of promise.

Kicking things off is “Reasons” a shotgun blast right out of the gate. This is just that start of the boiling tension that starts this album. Also the video for this song was directed by Dean Karr and perfectly executed that feeling. Check it out! Next is “Hot Pursuit/One and Nothing” a two for one song that shows that promise I mentioned earlier. Just listen. “Fake ID” is a fun barnburner of a track. And again, a fun video worth watching. “Borrowed Happiness” is a thrashy punk song that hits at the right melodic tinges. The title track “Time To Burn” is a to the point statement. “Pirates” continues the onslaught with guest vocals from Ghostmane. “Running Zeros” is a departure from the frantic frenzy. In fact this standout is song that shows another side of the band. There’s some great little subtle nods in this song as well towards those inspiring bands. “Relevance” returns to the punk sound with a snarl and crashing backdrop. “No Teeth” will definitely get circle pits going. It has that vibe right from the beat drop. “Purity” is eighty seconds of a a slamming good time. Closing out the album is “Negativity.” Don’t get that twisted though, this song packs a ton of optimism for what’s to come from XCOMM.

What Ross Robinson was able to get from XCOMM on Time To Burn is exquisite. The raw prowess of the production combined with ferocity of the songs really makes for a great listening experience. Having seen the band live, a good amount of their live energy is here in a way that only Ross can capture. Each band member has their own moments through that shows not just their musical abilities but, shows how each member plays a dynamic role in these songs.

XCOMM are without a doubt legit. They have the live show, songs and energy to make you a fan. Time To Burn is a great debut and one hell of a way to get your attention. There is a definite throwback element to this album too that, if you came of age at certain points, will remind you of that time in the best of ways. It’s worth noting too that for all the seriousness on this album, it’s also a fun record. And who can’t use a little fun in their life?!!

Overall Rating: 9/10

By: Brian Lacy

XCOMM- Time To Burn:

Music Videos:

NEW RELEASE: A PERFECT CIRCLE- STARLESS

A Perfect Circle has returned with a brand new song called “Starless.” This new song kicks off their upcoming European/UK Tour, their first in eight years.

“Starless” is a track that is guitar driven through Billy Howerdel, with a vocal delivery by Maynard James Keenan, that takes many different shapes as Josh Freese’s drums propel the song through intriguing twists and turns. This song live is going to be one that truly hits.

Very much looking forward to more new music from A Perfect Circle! And this is a very welcome back!

A Perfect Circle- Starless:

YOU MIGHT HAVE MISSED: SYSTEMATIC

Back in the early 2000s at the height of nu-metal there were a few bands that came out onto the scene only, these bands were more rock. Heavy rock to be exact. Quite a few of these bands got lumped into the nu-metal category unceremoniously. They were heavy rock bands that were more hard metal than anything else. Instead of having more to do with Korn or Deftones, there was one particular band of that era that has always had my ear. They went back to the roots and were inspired by bands like Alice In Chains, Black Sabbath, Led Zeppelin, and Metallica with nice twists and turns into sludge, blues and a hint of psychedelic rock. That band is Systematic. 

Systematic broke out in late 2000. The band gained critical attention when they were announced as one of the first signings to the label, The Music Company, which was Lars Ulrich of Metallica’s record label. The bands debut album, Somewhere In Between was released on May 22, 2001. The album was produced by Peter Collins (Queensryche, Rush, Alice Cooper) and mixed by Andy Wallace (Nirvana, Slayer, Helmet, Rage). That summer Systematic was a part of the second stage of Ozzfest. They also appeared on the HBO show, Reverb. 

Somewhere In Between is a sonic assault of pure heavy rock. The songs are written and arranged in such a way that the dynamics swing with each chord and note change. Rhythmically, it’s driving and flowing. There’s a fun tension in the way the rhythm section tightens and loosens to accentuate the down-tuned guitars. And thought he guitars are down-tuned, there’s still a clarity that shines through. Then you add in the vocals. Never hurts to have a singer that can really sing! The way the lyrics are conveyed is a sweet bonus. And the songs! There’s not one ounce of filler on this record. From “Dopesick” all the way through “Thick Skin,” it’s unrelenting. Those two tracks along with “Beginning Of The End,” “Deep Colors Bleed,” “Glass Jaw,” and, my personal favorite, “Bedsores,” are great stand out tracks. The title track packs quite the gut punch or two. 

Systematic’s second album, 2003’s Pleasure To Burn, went even more into the rock realm. This record saw a lineup change as well including Slayer drummer, Paul Bostaph joining. The band worked with producer Howard Benson on this album. Which provides a stark contrast between their debut and follow up. While Somewhere In Between was grittier and heavy, Pleasure To Burn, is the more alternative side to the band. There’s still big rock songs like “Not Like You,” “Pleasure To Burn” and “Infected.” The focus though is more on the slower mid tempo songs like “Where We Live And We Die,” “They Say (My Soul Was Lost),” and “Leaving Only Scars.” The band would go on to tour as part of the Jäegermeister Tour with Breaking Benjamin and Stereomud among other tours. Sadly though in 2004, the band announced they were disbanding. 

The members went on to form other bands and projects. Most notably, singer/guitarist Tim Narducci started the bad Spiralarms with Forbidden guitarist Craig Locicero and Stone Temple Pilots drummer Eric Kretz. I saw this lineup of the band in 2005/2006 and my what a band! Later lineups of the bad included Mark Hernandez and Chris Kontos. Bassist Johnny Chow, who was part of the Pleasure To Burn era, would join Stone Sour and Cavalera Conspiracy. Paul Bostaph went to play with Exodus and Testament before returning to Slayer. Original drummer Phillip Bailey most recently has played with (one of Audioeclectica’s favorites), Spirit In The Room. 

2026 is the twenty fifth anniversary of the release of Somewhere In Between. It’s crazy to think I’ve been listening to it for that long. And yes, it’s been in steady rotation for me since I bought it in 2001. That record really is an underrated standout from the time. Especially during a time when there was a music identity crisis, Systematic knew exactly who they were and what they wanted to do. Most recently, Systematic’s original lineup of Tim Narducci, Adam Rupel, Phillip Bailey and Nick St. Denis have announced their return. Personally I’m very excited about this. It’s about time Systematic got their due as a great heavy rock band. I look forward to what’s to come! We need rock bands like this! No more over produced, generic, played out “rock.”

By: Brian Lacy

Somewhere In Between:

Pleasure To Burn:

HBO Reverb Performance:

BEST GUITAR SOLOS: JANE’S ADDICTION- THREE DAYS

Jane’s Addiction was one of the most influential and volatile bands of all time. Their undeniable influence is still heard in bands today. The enigmatic foursome created music that was groundbreaking and genre defining. In a way alternative music wouldn’t be what it is without Jane’s Addiction.

The bands second album, Ritual De Lo Habitual is highly regarded as a masterpiece and a classic for many great reasons. While the album spawned two massive radio hits in “Stop” and “Been Caught Stealing,” it’s the albums deeper tracks that really solidified this as a groundbreaking album. In particular the song “Three Days.” The subject matter of the song deals greatly with addiction and the mortality of it, the music is what truly makes this song so special. Rather than rely on making a hard rock song, the band created an epic that is almost eleven minutes long. Surprisingly, “Three Days” was released as the second single from the album. The guitar work on this song by Dave Navarro reaches near stratospheric heights. The layers and textures Dave creates and plays with stretches the bounds of unpredictability and artistry. The guitar solo on “Three Days” is one of those that is as intriguing as it is intense. The mood and vibe it gives off matches perfectly with the lyrics and vocals. Then you add in the rhythm portion and it all clicks on levels untouched since. Dave Navarro is a pioneer of alternative rock guitar and rightfully so!

Jane’s Addiction- Three Days (Album Version):

Jane’s Addiction- Three Days (Live Version):

TRACK ONE: RAMONES- I JUST WANT TO HAVE SOMETHING TO DO

Throughout their time, the Ramones, were quite the prolific songwriters. In only a few short years, the band managed to write so many songs. Having four people in the band that had something to say be it musically or lyrical was quite profound.

By the time the Ramones hit their fourth album, they were tour de force. Their impact left an undeniable mark and impression on the kids and more. Their album Road To Ruin, was released in September of 1978. While it has gone on to become a fan favorite, and my favorite Ramones album, this record didn’t quite sell well. This was also the first album without Tommy Ramone, who was replaced by Marky Ramone. You can hear the difference in playing style between Tommy and Marky.

The first song on Road To Ruin is my all time favorite Ramones song, “I Just Want To Have Something To Do.” The song kicks off a truly great album. The mid tempo vibe the song has gives it a very different approach than being super fast. “I Just Want To Have Something To Do” is one of those songs that hits just right. There’s a frustration in the lyrics and Joey Ramone’s vocals deliver it with precision. There’s way the song is slower allows the listener to truly hear the subtle nuances that Johnny, Dee Dee and Marky play with. Johnny especially on guitar. His signature downstroke style of play shines through on this song in a great way.

Ramones are legendary for all the right reasons. Their album catalog is astoundingly good and full of great songs that have gone overlooked. Road To Ruin is a great example of a band experimenting with different styles all the while keeping their roots.

Now you have something to do by listening to “I Just Want To Have Something To Do.”

Ramones- I Just Want To Have Something To Do:

MEMORABLE LIVE PERFORMANCES: THE SMASHING PUMPKINS AT PINKPOP 1998

The Smashing Pumpkins are truly one of the most prolific bands of the last almost forty years. There is no denying the impact, influence and creativity that this band has had on so many.

Back in 1998, The Smashing Pumpkins released their album, Adore. While at the time, it divided the fan base, over time, Adore has become one of the bands most personal and intimate albums. While it may be a departure for some, Adore, actually harks back to the origins of the band, when they were more post-punk based. Funny enough too, the electronic elements on the album, was a precursor for what was to come in rock music.

The live performances during this time were something interesting and special. Drummer Jimmy Chamberlain was such a tour de force on drums that, the band recruited powerhouse Kenny Aronoff to play drums along with a couple other percussionists to make the sound come alive.

Let’s flashback to the summer of 1998, two weeks before the release of Adore. On June 1, 1998, The Smashing Pumpkins took the stage at the Pinkpop Festival in the Netherlands. The Pumpkins were selected to step in for Pearl Jam. This live performance was one of those shows that has gone on to live in infamy. The Smashing Pumpkins set blended their new darker electronic sound and incorporated some quite fun new orchestral style elements into the songs.

Enjoy this very memorable Smashing Pumpkins live show!

The Smashing Pumpkins- Live At PINKPOP, 1998:

NEW RELEASE: ANTHRAX- IT’S FOR THE KIDS

For the first time in over a decade, Anthrax, have released their first new song, “It’s For The Kids.” This new song is the first single from their upcoming album, Cursum Perficio, which will arrive September 18 via Megaforce Records. Cursum Perficio will be the band’s twelfth studio album.

This new album was produced by the band and Jay Ruston. “It’s For The Kids” is a heavy, driving song with a big hook chorus-a combination of classic Anthrax and a bit of a modern twist.

After forty five years of being a band, this new album and song, sees the group firing on all cylinders to make sure their legacy remains!

Anthrax- It’s For The Kids:

LIVE REVIEW: THE BLACK QUEEN AT CATCH ONE

After seven years away, The Black Queen made their triumphant return to the stage. The wait for this bands return was well worth it. It’s crazy to think too, that it’s been ten years since their debut album, Fever Daydream, was released. This tour is a celebration of the release of their debut as well as the unveiling of a new live lineup that is truly special.

Los Angeles is a haven for live music and home to some of the most fun venues in the country. The first time I saw The Black Queen ten years ago, was at Catch One. And now for their return they played there again and it felt just right.

As the clock struck midnight, the lights went down and the start of the intro music began to intoxicate the audience. Then Greg, Steve and Danny took the stage to a rousing applause and roar from the crown and instantly began with the great “Ice To Never.” From there it was just an incredible onslaught of banger after banger featuring “Secret Scream,” “The End Where We Start” and “That Death Cannot Touch.” The trifecta of those songs is enough to make one’s head explode with excitement. The crowd singing along too was astounding. “Maybe We Should/Non- Consent” and “Strange Quark” delivered a great sensual performance that fit the vibe on such a special way. “Distanced” was a treat too as that song has a really cool ambience that is moody in the best way. The songs from the bands second album, Infinite Games, sounded bigger than before, especially “Thrown Into The Dark.” Closing out their great set was the fantastic “Apocalypse Morning.” This song is one of my all time favorite end of album songs. The live version of this song is absolutely epic. You have to see it live to know!

The Black Queen’s return to the stage is one of those very welcoming moments. The time away has given their albums, especially Fever Daydream, to reach new heights and acclaim. The addition of Danny Lohner to the live lineup was such a great idea. He adds so much extra to the songs with the instrumentation, arrangements, as well as stage presence. Watching Greg Puciato sing his heart out next to Danny Lohner and guitarist Steve Alexander is a sight to see. The energy of all three on stage emits to the audience and makes for a complete show. Greg sounded great. The way his vocals hit is otherworldly.

Looking around the crowd throughout the show, you could tell there was an excitement in the room. Having The Black Queen back on stage is/was very much needed. I genuinely hope this live lineup stays together. There’s something special about this. And the addition of drummer Chris Pennie will absolutely put it over!

When The Black Queen comes through your town, I urge you to go. You’ll definitely thank me after!

Review/Photos By: Brian Lacy

The Black Queen Photos (I was experimenting with lighting, sorry for the quality. I was also enjoying the show too much):

The Black Queen Setlist:

01) Ice To Never

02) Secret Scream

03) The End Where We Start

04) That Death Cannot Touch

05) Maybe We Should/Non-Consent

06) Strange Quark

07) Distanced

08) Even Still I Want To

09) Thrown Into The Dark

10) Taman Shud

11) One Edge Of Two

12) Now, When I’m This

13) Apocalypse Morning

ALBUM REVIEW: HELD.- GREY

One of the albums I’ve been anticipating most of 2026 has arrived! Grey, the debut album from Held., is more than just a debut album, it’s one of the most personal and compelling albums of the year.

Grey is the album you didn’t know you needed. While many bands say they wear their heart on their sleeves, Held. is literally pouring themselves out on these songs. The melodic yet heaviness of these songs permeates through the entire album.

The way the album begins with “Defending The Earth” and the very urgent lyrics comes out of the gate with pure intensity. From there the next three songs explode in your speakers. I’m still amazed at “Constant Tension” and the heart strings it pulls on. “Waves Of Fire” is another gem of a song in the way its speed propels the second half of the album. The title track “Grey” is as emotionally charged as it is anthemic. That’s a recurring theme found throughout. It’s not so much about empowerment but, more about self awareness and realization. “I and I Against You All” is one of those songs that hits on the previous theme only this one is more empowering. “Through The Cracks” feels like a very classic post-hardcore song along the lines of Jawbox. “Broken Spacesuit/Decay And Sand” is epic. This Failure-esque song is spacey all the while introspective. Closing the record is “Emptiness: A Side Effect” a song that is an instant classic. This is one of those songs that will make you want to listen again and again. What a song. I’d go into more detail about it but that would just take away from your own listening experience.

The lyrics of singer/guitarist Douglas Robinson are beyond personal and memorable. The way he writes speaks to the listener in a way that it gets under your skin in the best way. Some of my favorite lyrics of the year are on this album. In particular the closing song has my favorite line “Side effect of every side effect you ignore.” What a line! I can hear the audience singing along to this! The rhythm section of Sal Mignano and Josh Eppard is a revelation of thunder. The way they play off each other and create a great tension that plays off the guitar. One of the other aspects of the album that stands out is the production. The way the band feels alive throughout is stellar. You can feel the energy and breath of the performances. Which is something that is missing in modern music.

Grey is hands down one of the best albums of 2026. Having a debut album hit the strides this one does is astounding. Held. have arrived and I genuinely hope are here to stay. The grasp they have on the listener via this album is one that I don’t want to let go of. This is one of the best debut albums I’ve heard in a long time. You wouldn’t even think this is a debut based on the quality of the songs and how great this band sounds.

Overall Rating: A

By: Brian Lacy

Held.- Grey:

LIVE REVIEW: POISON THE WELL & CONVERGE AT THE BELASCO

When this tour was announced it was an absolute no brainer that this was a must go. I mean, Poison The Well, Converge, The Armed and The Barbarians Of California all on one tour! Yes please!

On a quite perfect Wednesday spring night, Poison The Well, Converge and more rolled into the Belasco Theater in Los Angeles, CA, and made sure to let everyone in the downtown area know they were in town.

As the clock hit 7:00 pm, the lights went down and The Barbarians Of California took the stage and immediately went into their blend of hardcore and punk. Their infectious energy radiated through the audience for the next thirty minutes. There is an absolute fun aspect to this band that really helps to ignite the crowd and spirit of the night.

Next up was The Armed. If you haven’t had the opportunity to check out this band live, you are truly missing out. The Armed, like the Barbarians, are a fun band that demands your attention. For the next thirty minutes, The Armed blazed through their set with reckless precision that left you wanting more. I’ve had the pleasure of seen them a few times now and this might have been the most exciting show I’ve seen of theirs.

Converge! What else can be said about this band that hasn’t been said before. This band is legendary for a reason. For the next hour, Converge, delivered a set that was as brutal and beautiful as it was pummeling and destructive. Riding high off their new album, Love Is Not Enough and their upcoming other new album, Hum Of Hurt, there was no stopping Jacob, Kurt, Nate and Ben on stage. Ripping through new songs like the title track, “Bad Faith,” “To Feel Something” as well as “Hum Of Heart” and “Death In Bloom,” these new songs have fast become live fan favorites as well as future set staples. The classic songs like “Dark Horse,” “Eagles Become Vultures,” “Concubine” and “Conduit” sounded even more ferocious with age. This set and tour shows why Converge are the blueprint for so many hardcore/metal bands today.

When it was time for Poison The Well, the energy in the Belasco shifted from a very intense energy into a very welcome burst of explosive fire as “Botchla” opened their set. From that point it was game on. The band is on tour now promoting their fantastic comeback album, Peace In Place. The new songs like “Thoroughbreds,” “Everything Hurts,” and “Wax Mask” sounded gargantuan and very urgent, especially “Everything Hurts.” The choice classics played like “Ghostchant,” “Slice Paper Wrists,” “For A Bandaged Iris,” “Crystal Lake” sounded violent and crisp. The band themselves had a sense of joy while playing. Watching Chris, Ryan, Jeffery, Vadim and Noah on stage was inspiring to see as they, like Converge, created a blueprint within hardcore.

This tour was one of those that if you didn’t go to, you missed out. This was one of those lineups that showcased the old school and new school in the best way possible. Each band delivered the goods the best way they can. Having this show in the middle of the week was also a welcome break to all of life’s craziness. We need more events like this to help us all!

What a night!

Review/Photos By: Brian Lacy

The Armed Setlist:

  1. All Futures
  2. Everything’s Glitter
  3. Grace Obscure
  4. I Steal What I Want
  5. Night City Aliens
  6. Fortune’s Daughter
  7. Liar
  8. Big Shell

Converge Setlist:

  1. Love Is Not Enough
  2. Bad Faith
  3. Eagles Become Vultures 
  4. Dark Horses
  5. Under Duress
  6. Conduit
  7. Hum Of Hurt
  8. Amon Amok
  9. Distract And Divide
  10. To Feel Something 
  11. Doom In Bloom
  12. The Broken Vow
  13. We Were Never The Same
  14. I Can Tell You About Pain
  15. Concubine 

Poison The Well Setlist:

  1. Botchla
  2. Zombies Are Good For Your Health
  3. Slice Paper Wrists
  4. Thoroughbreds
  5. A Wish For Things That Work
  6. For A Bandaged Iris
  7. Everything Hurts
  8. 12/23/93
  9. Letter Thing
  10. Ghostchant
  11. Parks And What You Meant To Me
  12. Crystal Lake
  13. Artist’s Rendering Of Me
  14. Loved Ones (Excerpts From Speeches Of How Great You Were, And Will Never Be Again)
  15. Nerdy

CONVERGE PHOTOS:

Poison The Well Photos: