In only a few more days as of this writing, Mastodon will be releasing their long awaited new album, Marrow Deep. Already two stellar songs have been released from the album in “Your Ghost Again” and “Snakes For Dinner.”
Now, “In The Ruins” has been let out of the gate and it’s definitely a deep one! The song is inspired by the devastating impact of Hurricane Helene and the havoc it wreaked upon Troy and his family. The catastrophic storm severely flooded their home and destroyed personal belongings, leading to a nearly two year period of displacement that coincided with the whole band navigating the passings of Brent and Brann’s mother Michele. Talk about inspiration. Jeez!
Discovering a new band that you don’t expect is one of the best things. It could be a riff, melody, lyric, or random part that connects. No matter what it is, the feeling of finding a new band to enjoy is something else. With that in mind let me introduce you to, Ocean Sleeper.
Hailing from Australia, the home of the one and only Silverchair (yes, I know there are plenty of other Aussie bands. Silverchair was fucking awesome)! Ocean Sleeper formed in 2016 and have been honing their metalcore meets post-hardcore sound since. Now on their second album, Peace When I’m Dead, Ocean Sleeper have upped the stakes.
Armed with songs that evoke emotion, a heaviness that makes you bang your head and a crisp melodic sensibility, Ocean Sleeper will keep you awake and demand your attention. The most recent single “My Forever Drug” is addictive as it’s catchy but deep. When the chorus hits, it soars. You just have to listen. The title track “Peace When I’m Dead” screams urgency right out of the gate. “Break The Cycle” hits like broken glass against the wall. The impact of this song really gets your blood pumping.
Peace When I’m Dead arrives August 21 via Rise Records. Be on the lookout for Ocean Sleeper!
The thought of experimentation and exploration within music swings like a pendulum. Each side has its own distinct sound and feel just like Machinekit’s new EP, Body Without Organs. In a fun metaphorical sense, perhaps each organ that is missing represents the style of the music.
Across five intense and almost primitive songs, Machinekit mastermind, John Rojas, emits a mixture of electro-punk, jazz, industrial, doom, and darkwave all in a raw nature. This is where the primitive sense comes in. The vocals tear through skin and pull at your own organs. The way the songs have a visual impact gives the EP an even darker and tortured feel. The instrumentation here is direct and given a clear mission to teeter the line of precision and avant-garde.
When a release like Body Without Organs arrives, it might take a minute to fully grasp what is happening. Go with it! As each song pulls you in a twist, there’s more to uncover with each listen.
The evolution of electronic music has made for some truly intriguing and interesting music. When you hear an artist of band in this genre that really hits you, it’s a different feeling than that of a metal or rock band. It’s filled more with a pulsating and ethereal vibe. And on the latest release from Justin Hanson aka LVX, is just that and more.
“Supplicant” is a track that explores a haunting cinematic universe mixed with a prog sense that has tinges of post punk and goth. The real drums give it a very human feeling that strikes at the right chords to make a very intimate and intense track. The additional guitar parts courtesy of Paul D’Amour adds an extra layer of depth to “Supplicant.”
LVX is one to keep your ears and eyes on! I know I am!!
Artistic expression through poetry and music are so synonymous its second nature at this point. The ones that make truly unique and meaningful work always seem to evoke a very intrinsic feeling that washes over the listener. One such great example is Emma Ruth Rundle. Throughout her career, she’s consistently found a way to not only keep you intrigued but also makes you listen. In her upcoming new album, These Killing Times, Emma ushers in another dimension of her art. The latest single “Enough,” is epic and grabbing. There’s a whimsical twist that creates an incredible feeling within the song. The pulsating rhythms mixed with the nuanced melodic sensibility, makes this a great song.
After six years, Hatebreed are back with a brand new album. On November 06, Fatal Paradox will be unleashed. “Kill Count Increase” the first single is also track one on the record and set things off with a bang. The song itself is an all out heavy blast of metal and hardcore. This is a great crossover sound and song. Jamey Jasta sounds superb and aggressive as all hell. The album was produced by longtime collaborator Chris “Zeuss” Harris. Very much looking forward to this record!
The wait is almost over for new Mastodon! That’s right, the best band of the new millennium, yes I said it and stand by it, will be releasing their ninth studio album, Marrow Deep, on August 28, 2026! The band have already released the song “Your Ghost Again” and have now served up “Snakes For Dinner.” Joining Mastodon on this song is Queens Of The Stone Age’s Josh Homme. You might remember his guest appearance on “Colony Of Birchmen” from Blood Mountain.
As we all know, this is Mastodon’s first album without the late Brent Hinds. If you’ve been listening to Mastodon as long as I have, you know that when tragedy strikes, the next album is quite the gem.
We all have those bands we pay attention to. One of those you look forward to new music just to hear what directions they venture in. For the past couple of years, Machinekit has fast become a favorite of mine. They aren’t your typical electronic based band. Instead, Machinekit bends genres to create intriguing and interesting music.
Machinekit has released their first new single “Voyeurism” from their upcoming new EP, Body Without Organs (out August 3rd). “Voyeurism” is a track that has an electro/industrial vibe mixed with a stark minimalist aesthetic, making for a very intense listen.
Rock music has always been about feeling. No matter the genre, the “feel” of the music propels you to hear things in a whole different way. When the music hits right and the words convey a thought that strikes the right chord, that magic is what keeps us all coming back. These days finding a real rock band that does that is quite difficult. So many bands have sounds that while are rooted in straight rock music, it’s a convoluted mess. The Pretty Reckless though, they’re the real deal. And on album number five, Dear God, that “feel” is what sends this record to the heavens.
The Pretty Reckless have put in a really solid amount of time to write an album that feels like a hard rock albums you’d find from the 1970’s mixed with the early 90’s. Taylor Momsen, Ben Philips, Mark Damon and Jaime Perkins have quite the chemistry on this album in a very deep way. Each song is a journal entry that comes to life through Taylor’s vocals. Songs like “For I Am Death,” “When I Wake Up,” “Love Me,” “About You” and “Dear God” are quite the rock songs packed with vigor and emotion. Then you get into a mid tempo territory that gets extremely raw the further it goes. Especially on songs like “Eye Of The Storm” and “Devil In Disguise (Michelle’s Song).”
Upon first listen, the album may seem front loaded but, it actually gets deeper the further you get into the record. There’s a lot of words within the lyrics, it all plays out in a journal come to life. Sure it’s something we all do but, to have someone who grew up in an industry that will eat you up and spit you out just as easily as it will make you feel like you’re the one, it’s quite introspective and revealing. The performance in Taylor Momsen’s vocals are full of every piss and gasoline. Its blues meets grunge and a tinge of goth. Making for a nice twist and turn as it is woven into the accompanying music.
The Pretty Reckless absolutely won me over with their 2021 album Death By Rock And Roll. This is a really solid album and follow up. Definitely look forward to hearing these songs live.
The element of surprise and evolution in music is one of the many things which makes people keep coming back to a band. For Genghis Tron, both of those qualities permeate through all of their songs and albums. Just as their 2021 return did with the atmospherically heavy Dream Weapon, the way in which Genghis Tron shape shifts through genres is stunning. Their new album Signal Fire, lights a very powerful path through the start of the band into a very intricate evolution that blooms to a vibrant and visceral sound.
Being a band that can weave melody and hooks into this style of music is an art form. Across the ten songs that make up Signal Fire, there is no letting up. While the atmospheric tension from Dream Weapon is apparent, the sharp left and right turns that blend into heavier experimental territory is very exciting. Signal Fire is an urgent record that calls to the now of a very fragile time.
Starting things off with the call to arms that is “I Am All,” truly sets this album off ablaze. Moving into the title track, you can feel and hear a plethora of treats as it plays out. “Future Worship” is a blast of a track. The playfulness lets you take it all in. “Like Fotochrom” is a great “calm before the storm” track that has a fun futuristic sound. “Tomorrow Mirage” is a burner! Just one listen will wake you up. “Nothing Blooms In The Hollow” is a banger of a song. The perfect mix of classic GT with all the new and a melodic cherry on top. “Without Form” is a subtle segue into the onslaught that is “Born Prey.” By the time you’re listening to this song, the sheer magnitude of volume should evoke auditory clarity! “A Love So Pure” is a great bit of departure from the heavy while still being heavy. The more post-hardcore vibe of the song makes it a great penultimate song. Closing out the album is “New Gods” one of the best end of album songs of 2026. The hypnotic sensibility of the song mixed with the electronics makes it a bit of a psychedelic sensation.
The core of Genghis Tron is Hamilton Jordan and Michael Sochynsky. The additions of vocalist Tony Wolski and drummer Nick Yacyshyn are impeccable as each adds their own distinctive character to these songs and makes Genghis Tron into the band that comes to life. The four of them have made Signal Fire one of the best albums of 2026. It’s interesting, when listening, if you are not familiar with the band, you might think something feels out of place but, it all makes perfect sense in the end. Personally I can’t wait for the tour. One can only imagine how much these songs will come to life in that setting.
