Sweden always seems to have something good in their water when it comes to musicians. It’s really quite stunning how so many great bands can come from one region or area. Formed in Gothenberg, Sweden in 2013, Monolord have become one of stoner/doom metal’s best imports. Monolord has released five full length studio albums since their inception with their sixth and first in five years, Neverending, to be released on June 12 via Relapse Records. The new album as produced and recorded by legendary engineer, Sylvia Massy (Tool, System Of A Down). The first single “You Bastard” is a righteous slab of rifftastic, fuzzy, and crushing exploration into doom and psychedelia. The recording of this song feels so alive as well. It’s a treat to hear a record like this in these days. Personally, I am very much looking forward to what Neverending has to offer as I believe this album is going to reach new heights for Monolord. Be sure to crank the volume on this song!!
About a month as of this writing, the debut album from Held. will be released. Since the beginning of the year, Held. has been unveiling themselves via now three singles and three intense performance videos. The first single “New You Anthem” was right out of the gate a welcome introduction. The catchiness of the riff and the chorus, if that doesn’t strike you, there’s something wrong with you. Seriously, it’s heavy, melodic, packs quite punch to the gut. Then you add in Frank Iero’s guest vocal spot and how his voice hits the perfect counter balance to vocalist/guitarist Douglas Robinson. The second single “Constant Tension” (which of the three released is my favorite. When you get to the bridge of the song, you’ll know why), is a song that could’ve been released during the 90’s evolution of “emo” music. There’s a really cool Sunny Day Real Estate/Jawbox vibe mixed with a bit of a hardcore element. The rhythm section of Josh Eppard and Sal Mignano really shines here. They are beyond tight yet combustable in the best way. I can only imagine them on stage and this song is played. The lyrical connection here is real and very personal. The honesty is pure as you can hear in Douglas again here. “Knifepoint” is the one of the three released that hits the more “alternative” side of the band so far. The syncopated riff/rhythm has a cool push and pull that hits in a very striking way with the vocal as well as the guest spot from Graham Sayle of High Vis.
So here we are at three songs into their debut and it’s shaping up to be quite the explosive one. This combination of Douglas, Sal and Josh sounds even better than you’d think. As a fan of Josh’s playing, he really gets to go for it here in Held. That’s not to say he doesn’t in Coheed And Cambria, you can just hear a different excitement in his playing here. After Douglas left Night Verses, I was pretty bummed not to get to hear him as a part of that band. I really enjoyed the two albums they made and thought they were really on to something. The Ross Robinson produced second album, Into The Vanishing Light, is very underrated and has some truly deeply gritty vocal performances by Douglas. Getting to hear Sal in a different light than The Sleeping is a treat too. As a fan of that band too, you can hear where the roots come from. The sum of the parts here in Held. is going to be something special to see live. I look forward to what’s to come. And let’s just put a proper Los Angeles show out in the universe to happen soon!
There’s a feeling that happens when you hear a new band, where you can hear where a band is rooted but, also where it’s going. Each time the band Tredici has released a new song I’m constantly intrigued. There is something quite interesting going on here and I’m all for it. Vocally you have a band that can hit every note! I mean EVERY note! Along with the melodies it’s a one / two punch that comes out of nowhere. Rhythmically it’s right up the alley of alternative and jazz. Then you add in the keys/piano aspect as it acts to accentuate and add dramatic flair. The guitars add a whimsical touch in the bluesy realm while still being rock. On their latest single, “Bad B!tch,” Tredici goes all out to show just what the possibilities are in music these days. This is what alternative music is all about. Enjoy!
It’s only been about a month since Converge released their tenth studio album, Love Is Not Enough. That album has not left my rotation since. Now, we get word that another album is on its way in the form of, Hum Of Hurt. When the band got together to write for their new album, they had a wealth of material. As work began the band realized they had two separate albums and charged forward as such. The first song released from this new album is the title track, “Hum Of Hurt” and it’s a blistering song that confronts one’s inner self. What a song! Converge are truly on a creative run and what a time to be here for it. Hum Of Hurt will be out on June 5th! Enjoy!
Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.
Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!
Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!
Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.
In March of 2024, the very awesome Gouge Away returned after a prolonged hiatus with their album Deep Sage. From the moment that album was released it has not left my rotation. It’s a superb album that hits all the right notes of hardcore, punk, emo, and then some. If anything Deep Sage is a modern post hardcore masterpiece. Now a couple years have passed and the craving for new Gouge Away has been tamed for the moment with the release of their new single, “Figurine.” This new song is a blast of ferocious energy and hits you in the feels quite hard. “Figurine” is more in the realm of punk than hardcore with the bite of both. Gouge Away recently signed with Run For Cover records and are gearing up for quite a year of shows including being handpicked by Foo Fighters to open a few of their shows later in 2026. I’m very much looking forward to new Gouge Away. Please let there be a headlining Los Angeles show in the near future!!! Enjoy “Figurine”!!!
For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.
Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.
Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.
This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.
I’m completely enthralled by the band Slow Crush. Their style of shoegaze has struck the right chord with me. The way they mix the heaviness with the dreamy is stellar. More bands that are in this style should take note of how Slow Crush makes those dynamics work. If you haven’t already, I highly suggest you listen to their album, Thirst, it’s truly a modern masterpiece and a blueprint for modern shoegaze. Today though, Slow Crush released 2 new songs called “Que Du Noir / Hallowed” and it’s been on repeat all morning and will be throughout the rest of the day and week. The songs are dreamy and full of lush soundscapes and textures that makes you feel like you are swimming. The lyrics are quite deep but feel alive at the end. These new songs have a fun aspect to them with one song with one sung in english and the other in french. Both of them are stunning with the one in french being a tinge more mystical. Slow Crush starts a US tour this week. Be sure to catch them if you can. I know I’m going to try to! Enjoy!
XCOMM ARE THE REAL DEAL! I’ve been stoked on this band since I heard them a couple years ago. Already they’ve hit the ground hard with two banger releases in “Reasons” and “Fake I.D.” Now here we go with more and one in particular that is damn good! That’s right two songs in one! The video for them as well is fun, inquisitive, and very much them. Way to hit another one out of the park Dean Karr! The first song “Hot Pursuit” continues their hardcore/punk style with gritty vocals and charging riffs. The second song though is the one that’s going to put them over. “One And Nothing” is one hell of a great post-hardcore song. Not only does this show that each member has chops but, it shows they can write! Ross Robinson really got great things to come out of XCOMM. Really look forward to what is to come for these lads! Enjoy XCOMM!!
For quite a while now, I’ve been heavily into the band Black Magnet. I absolutely love the way the industrial, punk, metal, and bits of post-punk are put together. The last two albums, Body Prophecy and Megamantra are modern industrial classics. What I have to share with you all today is the first of two new Black Magnet songs. “Room Full Of Hammers” was written as an outlier song during the Megamantra sessions. After working and focusing on a full length, James Hammontree wanted to write in a more free-form way without any lofty goals or in the focus of an album. The end result is bone crushing and pummeling. This song is very loose sounding but full of attitude and bite for days. There’s even a really fun punk energy to this song that feels like it’s straight out of Ministry circa 1988-1991. Make sure to crank your volume up loudly for “Room Full Of Hammers!”
