For over forty years now, Neurosis, has been a legendary heavy band. The amount of influence and inspiration this band has emitted is astounding. Their renowned albums have over time become profound art installations into an intoxicating and dark world. Twelve studio albums that all feel unique and intriguing. Ranking these is extremely hard to do but, I do believe I’ve found a very great way to put them in perspective. That’s not to say there is a bad album in the bunch. With that in mind here’s the definitive Audioeclectica album ranking of Neurosis.
Back in 2017 when Converge released their album, The Dusk In Us. It’s quite the album for Converge. It’s one of those albums that really spans their catalog and has become a renowned record. Before the record itself was released, the first single “I Can Tell You About Pain” came out with a b-side. That b-side wound up being the very epic and captivating song “Eve.” Why this wasn’t on the album is beyond me. This actually might be my all time favorite Converge song at this point. When you listen to the seven and a half minute opus, it definitely takes you places. The way the guitars shift from doom/sludge into etherial/atmospheric sounds, to the synths creating waves, while the rhythm drives and then pummels into a colossal explosion. While “Eve” has been in the setlist for a short period of time, and performed thrity-three times, it’s one that should be in rotation a lot more. There’s really something powerful about this song in particular that more people need to experience live. I’ve never seen it performed live and it’s “the one” Converge song I’d probably go absolutely apeshit for if I saw it live. So, let’s put it out into the universe to get “Eve” added more often!!!
Holy Fawn for the last few years have become one of my favorite bands in the post-metal genre. The way this band can go from the most delicate sounds and textures then explode into a realm of heavy is otherworldly. When I saw them live a while back, it was one of those shows that really showed the magnitude at which this band plays. Now they are back with a new single, “Beneath A Lightless Star” and this track is a great summation of what Holy Fawn is all about. The etherial nature of the band shines while the heavy glistens with punishing delight. If you haven’t checked out Holy Fawn before, this is the time to do it!
It’s only April and I believe I have found the album of the year. A couple weeks back I introduced you to the band Idle Heirs. I’ve been enthralled by this album from the moment I heard it in full. The singles definitely got me right off the bat as well. The 8 tracks on the album are some of the most gut wrenching, soul bearing and intense performances I’ve heard on record. Written by Coalesce’s Sean Ingram and Multi Instrumentalist/Producer Josh Barber, Life Is Violence, just set a new standard of what the “post-metal” genre should be.
I’ve mentioned in other reviews of mine that I don’t want to dissect each song as I feel that it truly takes away from the listeners experience of the album. The rawness, intensity and emotional charge that this album brings out of oneself is quite an accomplishment. It’s one of those albums that is like a mirror that responds back to you. The personal elements found throughout this album are eye opening and cut pretty deep. The way those emotions that are poured into these songs are enough to make you uncomfortable but, in a good way that is quite introspective. The vulnerability that Sean Ingram delivers on these songs is uncanny. The deeper you listen, the more you hear all the pain, anguish, remorse, sorrow and more in his vocal performance. I can only imagine how much more his live performance of this would be. I’ve seen Coalesce and this has got to be even more intense than that. There’s that word again “intense.” That’s truly what this album is. Musically Sean and Josh Barber crafted songs that not only are heavy in the traditional senses but, allowed for all the lyrical concepts to come to life through different instruments be it a simple shuffle on the drums, atmospheric soundscapes, sludgy tones, bright tones and a plethora of more. Life Is Violence is a great title for this album as that is a great summation of what this all sounds like.
When I first heard this band/album it immediately struck a chord with me. I don’t know what I was looking for at the time but, this was the one. For the past few weeks I’ve truly soaked this album up. It’s become one of those I can’t go a day without listening to it at least once. The eruption of brilliance that is poured out over 51 minutes is pretty astounding. I’d love to know more about the recording of this album because there are so many great nuances to it, that I’m just beyond curious to know. This is seriously one of those special albums that feels magical and for lack of a better phrase “Lightning In A Bottle.” What an incredible album and foundation to start with because, I sure hope this project keeps going. This is the power of music at its finest. The connection to a record and all that it brings. Thank you Sean and Josh for what you put into this to make what I truly consider to the the album of 2025!
For a while now, I’ve been searching for the a certain type of band to come along and ease my pain of not having Neurosis nor Isis (the band) being active. I know that sounds silly considering there are plenty of bands out there that I’ve heard that could possibly do it but, I’ve been looking for that one band to take that style a bit in a different direction and I found it. Guiltless, a fitting name for a band that definitely has that Neurosis vibe (their album is released through Neurot Recordings and guitarist/vocalist Josh Graham did work with Neurosis creating visual components). Joining forces with Sacha Dunable, Billy Graves and Dan Hawkins, members of Intronaut and Generation Of Vipers, this devastating four piece has taken the good old fashioned doom sound and added some really fun twists, turns and dynamics to push beyond that sound.
The debut album, Teeth To Sky is quite the eruption. Throughout the 8 songs and over 40 minutes of the album, the way it becomes immersive is quite the listening experience. There’s a ton of little nuances found throughout the songs that give Teeth To Sky the charm it has. Mixing doom with post metal, noise rock, ambient undertones and the twist… optimism. The addition of optimism in this style of music is quite interesting and part of the reason why it took me a minute to write this. I’ve been listening to this album for the past few weeks, eating up all the things I was looking for. As I kept listening especially listening with my really awesome headphones on, that’s when I started to figure out this album. There’s a reoccurring theme found on the album of how “one must take advantage of life” and in the times we are in, it’s pretty epic to find that in this style of music.
To describe each song and get into that would take away from the effect you’d have from listening on your own. The bludgeoning aggressiveness that is found throughout propels the album but, Teeth To Sky is more than that. This album is one of those that will grow on you as it did with me. I look forward to hearing more from Guiltless and seeing how they develop and evolve. These songs need to be played live and I would bet that the decibel levels will be astounding. Definitely give Guiltless and this crushing debut album a ton of listens. And if/when they arrive in your town, I’d go see them too!
You know that feeling you get when you hear a band and it immediately strikes a chord within? That’s how I felt when I first heard Idle Heirs. I’m not sure what I was looking for at that moment but, when I heard the first song released, I knew that this was the thing I was looking for. From that point on, I’ve highly been anticipating each single release as well as the album release (which is April 11 via Relapse Records). Idle Heirs is a new band that was formed by Coalesce vocalist Sean Ingram along with producer/multi instrumentalist, Josh Barber. The sheer intensity that is poured into each song really does play with your emotions in a fantastic way. The way the songs build and erupt is different than most bands that are in the “post-metal” genre. There is a push and pull vibe with the music and that mixes so well with the vocals. I love the rawness of the performance vocally. Sean Ingram has long been an influence and inspiration to many heavy bands over the years and to hear him be even more vulnerable and expressing himself in this way is beyond a treat. Their debut album, Life Is Violence, is 8 songs of some of the most intense moments I’ve heard in an album in quite some time. Even with the three songs released you can tell that this is not for the faint of heart. Idle Heirs and their debut album is one to look out for in 2025.
The ever radtastic The Ocean are roaring back with a new album, Holocene. This new album finds the band putting together a finishing chapter on their paleontology album series while adding new elements but, still keeping with their brand of epic heaviness. Already two songs have been released from this grand album, “Parabiosis” and the more Radiohead tinged “Sea Of Reeds.” Throughout the years, The Ocean has developed a sound that while heavy, it’s more than just a band being “Heavy.” There is a deeper thought provoking aspect to the music as well as the lyrics. One of the things that makes The Ocean who they are is their ability to evolve within the songs and the subtle moments they add that make things more captivating and intriguing to the listener. In a day and age when the single song is ruling, The Ocean is making a statement with this album!
There are some bands out there that are very meticulous and worth the wait. One such band is Bossk. Throughout their career, Bossk has developed a cult following within the Post-Metal genre and has carved their own spot among their peers. Their new album, Migration, is a post-metal, cinematic and ferocious gem. The layers and textures found throughout the album expand with each listen. There is so much to this album that you will be wanting to hit the start button all over again once it’s over.
The album brings together different elements that when fused together makes for one hell of a great listen. One of my favorite things about this album is the atmospheric approach to the songs. It’s experimental and psychedelic at the same time. The push and pull of tension found in the post-metal genre is beyond strong on this release. Each moment captivates your senses and draws you in more and more. I could go on and on about the each song but, as I’ve said in other reviews, that would just take away from the element of surprise. The production on Migration is superb. The synths shine and cut through in a way that is almost haunting. The rumble of the low end and drums makes your blood flow faster and your heart pound harder. The riffs are crunchy and crisp. On the songs with vocals, even the different vocalists help to propel these songs into another dimension.
Bossk have truly created a masterpiece of an album with Migration. There is a real ebb and flow that captures you from the first note. To be able to capture these sounds and feelings makes Migration a truly remarkable album. An album like this has the ability to bring in other listeners from different genres and expand the minds of them. The richness of Migration is on full display with each song. It’s almost like they transcended while making this album which makes the future is very bright for Bossk. Serious contention for Album Of The Year is strong with this one.
In case you didn’t know, With Our Arms To The Sun are one of my favorite bands I’ve written about on Audioeclectica. They are one of those bands that have stayed true to their core and believe in what they do. It’s more than just music, it’s art. Since 2013, the band has released 4 albums and toured across the US. Now, they are gearing up to release their 5th studio album, The Mogollon Monster. This album not only shows the growth and development of the band since its inception but, also sees them expanding on taking the listener on a real sonic journey. You can get a glimpse of that by downloading their new song “Rebirth” HERE. By contributing to their Kickstarter, you are helping to finishing the mixing and mastering on the album already in progress, pressing the album as well as the marketing and distribution of the album. With Our Arms To The Sun are one of those bands that are needed in the stale music world today. Give them a listen and consider donating to help get this album out the world.
The 90’s really had a huge impact on my musical taste. There are so many great bands and albums from that time, that deserve to be acknowledged. Quicksand is one of those bands that really deserve attention. Their sound is now considered by many as the pre-cursor to what “post-hardcore” is. Released in 1993 Slip, their debut studio album, is widely considered to be one of the classic records of that genre. The powerful riffs and rhythms drive the collection of songs. Vocally, Walter Schreifels, has a deep raspy voice that really reverberates throughout the songs evoking raw energy. The guitar riffs between Schreifels and Tom Capone are loud, crunchy yet very clear to hear the notes. Alan Cage plays the drums in a subtle heavy way. His knack for hitting harder when necessary is very noticeable. Sergio Vega’s bass playing is thunderous and compliments the rhythm masterfully. Songs like “Fazer,” “Dine Alone,” “Lie and Wait,” and “Transparent” sum up this great album. Take a listen and revel in it!
