Metalcore

TITLE TRACKS: SYLOSIS- A SIGN OF THINGS TO COME

For the past year, there’s been a band that’s been in constant rotation through my stereo. They are also one of those bands that have gotten better and better with each album. The band is Sylosis and while I’m quite enjoying their new album, The New Flesh, it’s their previous album, A Sign Of Things To Come that’s been the one on constant rotation.

While it’s not as thrashy as their earlier albums, Sylosis really moved into this new territory with a seamlessness that really just goes to show how much evolution has been achieved through the years to this point. The title track “A Sign Of Things To Come” almost feels like it should have been track one. The push and pull of melodic aspects into barreling heaviness brings you to attention. Vocally it’s got bite and an attitude that spits venom. Musically it’s grabbing without being overly catchy. The sum of all the parts together make this a great song. The live versions of it too add even more grit to an already punishingly beautiful song.

Sylosis- A Sign Of Things To Come:

Sylosis- A Sign Of Things To Come (Live):

TRIBUTE: ANDY WILLIAMS

In every band, there’s always at least one member that has a heart of gold. That one guy in the band that goes out of their way to be nice, cool and fun. While already being an absolute force of nature on stage. Which is why it’s really hard to come to terms with Andy Williams being gone.

From his time in Every Time I Die, to becoming a professional wrestler, and starting a new band, Atomic Rule, Andy Williams made sure to follow his passions. The way he played guitar with such love showed in the shows and songs. When you listen back to Every Time I Die songs, you can actually hear Andy’s parts, as they had a distinct tonality and dynamic drive. His stage presence was intimidating but also welcoming. This is a guy who attempted to set the Guinness Book Of Records for most hugs in a day. That tells you what kind of guy Andy was.

The few times I caught him wrestling on TV for AEW, was awesome to watch. As a wrestling fan growing up, seeing Andy as his character “The Butcher” felt like I was watching a classic wrestler.

I had the opportunity to meet Andy after a few Every Time I Die shows and he was always there to take time to talk with you. He was a gentle giant with a heart of gold. One of the nicest people you’d ever meet. He’d talk to you about whatever questions you had and make you feel like you were the only one there he was talking to.

Andy Williams will always be remembered and revered by so many. To all his family, friends, bandmates, and fans everywhere, my deepest condolences and sympathies. Andy was one of a kind and should be celebrated as such! Here’s to Andy!

By: Brian Lacy

My Favorite Every Time I Die Albums:

The Big Dirty:

New Junk Aesthetic:

Ex Lives:

Low Teens:

Radical:

ATOMIC RULE:

TITLE TRACKS: CHIMAIRA- THE IMPOSSIBILITY OF REASON

Every band has an album in their catalog that is a complete game changer for them. Interestingly more often than not, the title tracks for these albums are the song that encapsulates the change.

In May of 2003, Chimaira released their second album, The Impossibility Of Reason. When it came out it turned the heavy music circles into quite the frenzy. What was more in vein with their previous album is now flipped into a groove driven, metal and hardcore style that truly came when heavy music needed it.

“The Impossibility Of Reason” is found at track two and immediately punches you in the face. The hits keep coming as the verse goes fast and groovy. The chorus is a slower groove that is mosh inducing. The harmonizing solo in the bridge that takes you into the end of the song could have been pulled from the mid 80’s thrash era. The lyrics and vocals come at you with aggression and are delivered in a very strong and therapeutic manner.

The album The Impossibility Of Reason is a modern metal masterpiece. Almost twenty five years later and it still sounds fresh and alive. With Chimaira being active to a degree these days, it sure would be great to have an anniversary tour of the album when the time comes! Just putting that out in the universe!

Chimaira- The Impossibility Of Reason:

ANTICIPATED ALBUMS: OCEAN SLEEPER- PEACE WHEN I’M DEAD

Discovering a new band that you don’t expect is one of the best things. It could be a riff, melody, lyric, or random part that connects. No matter what it is, the feeling of finding a new band to enjoy is something else. With that in mind let me introduce you to, Ocean Sleeper.

Hailing from Australia, the home of the one and only Silverchair (yes, I know there are plenty of other Aussie bands. Silverchair was fucking awesome)! Ocean Sleeper formed in 2016 and have been honing their metalcore meets post-hardcore sound since. Now on their second album, Peace When I’m Dead, Ocean Sleeper have upped the stakes.

Armed with songs that evoke emotion, a heaviness that makes you bang your head and a crisp melodic sensibility, Ocean Sleeper will keep you awake and demand your attention. The most recent single “My Forever Drug” is addictive as it’s catchy but deep. When the chorus hits, it soars. You just have to listen. The title track “Peace When I’m Dead” screams urgency right out of the gate. “Break The Cycle” hits like broken glass against the wall. The impact of this song really gets your blood pumping.

Peace When I’m Dead arrives August 21 via Rise Records. Be on the lookout for Ocean Sleeper!

My Forever Drug:

Peace When I’m Dead:

Break The Cycle:

ALBUM OF THE WEEK: CONVERGE- HUM OF HURT

Earlier this year, Converge released their tenth studio album, Love Is Not Enough. Right out of the gate that album hit you like a pile of bricks. Then a sudden left hook came out of nowhere and the announcement of a second album to be released a few months later. And now we have arrived at that time and Hum Of Hurt, is everything you’d hoped it would be and then some.

Never a band to rest of their laurels, Converge explore every single nuance of influence and inspiration on Hum Of Hurt. There’s a very up front and confrontational approach to a lot of these songs that comes from the depths of each member of the band. One of the best aspects of the album is the sense of groove. The abstract atmospheric elements ooze out of the rhythmic grooves and blasts. While Love Is Not Enough leaned more into metal territory, Hum Of Hurt leans more into noise rock and emotional hardcore. The combination of those and their signature sound, propels this album past the previous.

Each song has its own charm and place. The sequencing of the album is tremendously satisfying. The way the album starts with the very image inducing “Slip The Noose,” you know that this is going to be a record that will tighten your heart. “Doom In Bloom” into “It Only Gets Worse” is a stellar one two punch! Then comes a trifecta of oblivion and obliteration with “Detonator,” “I Won’t Let You Go,” and “It’s Not Up To Us.” At this point catching your breath is a smart idea as “Dream Debris” sweeps you into a new realm. Just as you think the dust has settled, you’re thrust into the final three songs “It Used To Matter,” “Hum Of Hurt,” and “Nothing Is Over.”

What is accomplished here in thirty three minutes is near legendary. This is the year of Converge. It’s started out that way and it’s continued. There’s a feeling to this record too that makes you want to hear it played live in full. I can only imagine the sonic boom of intensity from that. Hum Of Hurt is a soon to be classic not just for Converge but, the genre as a whole.

Overall Rating: 9.5/10

By: Brian Lacy

Converge- Hum Of Hurt:

DEEP CUTS: KILLSWITCH ENGAGE- WE CARRY ON

During my album deep dive into Killswitch Engage, I was quickly reminded of a song of theirs that is truly one of the best in their entire repertoire. For this one we go back to the band’s 2016 album, Incarnate, and find it at track eleven, “We Carry On.”

“We Carry On” what a song! There’s a deeply impassioned vocal performance by singer/lyricist, Jesse Leach throughout the album but, when you get to this song in the course of listening, there’s just something truly remarkable. The weight of the lyrics bellow out of Jesse’s heart into direct hit of optimism and hope. Guiding this vocal is music that hits the right melancholic notes with just the right amount of heaviness to push through the wall and make it past it all.

Songs like this are magnetic and beautiful. I distinctly recall when I bought this CD back in 2016 (Happy Ten Year Anniversary!! By the way), I put it on my stereo at home, grabbed my headphones, went to my favorite spot, pressed play and read the lyrics as I listened. When I got to “We Carry On” there was an instant connection to the song. One of those gems that deep in the track listing.

As great as this song is, it’s only been played live four times. And all in 2023. You lucky 4 shows! Just going to put this out in the universe to put “We Carry On” in the setlist going forward!! It’s too damn good not to play it!

Killswitch Engage- We Carry On:

ALBUM RANK UPDATED: TRIVIUM

For well over twenty years now and ten full length studio albums, Trivium have cemented themselves at the forefront of heavy metal. Each of their albums shows growth as a band and as songwriters. The word consistency is synonymous with Trivium as they have truly been working hard since their debut being out on the road and in the studio. The last three albums of theirs especially have put Trivium into the upper echelon of metal bands. Currently the band is working on their eleventh album with producer Josh Wilbur. In the mean time, check out this very definitive ranking of their ten albums.

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ALBUM REVIEW: POISON THE WELL- PEACE IN PLACE

Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.

Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!

Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!

Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.

Overall Rating: A

By: Brian Lacy

Poison The Well- Peace In Place:

ALBUM REVIEW: CONVERGE- LOVE IS NOT ENOUGH

When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.

Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.

Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.

Overall Rating: 9/10

By: Brian Lacy

Converge- Love Is Not Enough:

NEW RELEASE: THOUGHTCRIMES- THE VIOLENT GARDEN

The very awesome Thoughtcrimes have released a brand new song and it’s the perfect way to start your week! “The Violent Garden” is a blisteringly heavy song, that will rattle your brain and cause you to want to start a mosh pit. Personally, I’m very excited about new Thoughtcrimes. Their previous album, 2022’s Altered Pasts, is still an album that is in my rotation. I highly recommend that album! Thoughtcrimes will be in Europe this February supporting Igorr. Let’s hope that a US tour is in the cards for later this year! Enjoy this new Thoughtcrimes track!

Thoughtcrimes- The Violent Garden: