During my album deep dive into Killswitch Engage, I was quickly reminded of a song of theirs that is truly one of the best in their entire repertoire. For this one we go back to the band’s 2016 album, Incarnate, and find it at track eleven, “We Carry On.”
“We Carry On” what a song! There’s a deeply impassioned vocal performance by singer/lyricist, Jesse Leach throughout the album but, when you get to this song in the course of listening, there’s just something truly remarkable. The weight of the lyrics bellow out of Jesse’s heart into direct hit of optimism and hope. Guiding this vocal is music that hits the right melancholic notes with just the right amount of heaviness to push through the wall and make it past it all.
Songs like this are magnetic and beautiful. I distinctly recall when I bought this CD back in 2016 (Happy Ten Year Anniversary!! By the way), I put it on my stereo at home, grabbed my headphones, went to my favorite spot, pressed play and read the lyrics as I listened. When I got to “We Carry On” there was an instant connection to the song. One of those gems that deep in the track listing.
As great as this song is, it’s only been played live four times. And all in 2023. You lucky 4 shows! Just going to put this out in the universe to put “We Carry On” in the setlist going forward!! It’s too damn good not to play it!
Over the years as an avid concert goer I’ve seen so many bands and shows. My very first concert was in 1989. I was almost 5 years old when I went to that show (my birthday was only a couple weeks after I attended the show) and from that point I was hooked. 30 plus years later and I’ve seen some of the best bands in the world put on some of the best shows I’ve ever seen. One day I will actually sit down and try to put together a list of my absolute top ten shows I’ve ever been to. Through the years as my tastes have changed, I’ve not gone to see certain bands for many different reasons. Most of the time it’s because I don’t really like all the bands on the bill and don’t want to sit through things I won’t enjoy. I’ve already done and sat through enough opening bands in my life. During the whole world shut down, I started to go back and listen to a few bands that I haven’t listened to in a while and things started to shift for me. One of the bands I went back to was Lamb Of God. It was right around the time that they released their self titled album that I went back and delved into their catalog again. By doing so it revitalized me into a fan again. I’ll admit they had lost me a bit for a couple albums. Anyways, their self titled brought me back into the fold but, when I heard the first few songs released off their latest album, I knew what I had to do and that was go see Lamb Of God live again for the first time since 2008.
Lamb Of God are without a doubt one of the best live bands around today. Their most recent tour and stop in Los Angeles proved that. Riding high on the release of their savage and wicked album, Omens, Lamb Of God delivered one hell of a show. When the black curtain rose to cover the stage with just the band name on it and the beginning of “Memento Mori” starting, the excitement from everyone in the venue hit a level of anticipation that was about to explode, and as soon as that curtain dropped and the song kicked in, IT WAS ON! “Walk With Me In Hell” followed by “Now You’ve Got Something To Die For” absolutely kicked the audience into high gear. What a way to start the show. Through the course of the night, new songs like “Nevermore” and “Omens” were stunning to hear and live they are a whole other beast. The older songs played like “11th Hour,” “Vigil,” and “Ruin” were played with such precision and intensity that you’d think they were new songs. Other classics like “Laid To Rest” and “Omerta” were more than welcomed by the audience who seemed to get louder with each song that was played. Through the 80 minutes that Lamb Of God was on stage, they not only put it all out there, there was a definitely a renewed sense of being. The addition of Art Cruz on drums is the spark that they needed. His energy is contagious and it was found in each and every member of the band. As I mentioned before, it had been a while since I had seen Lamb live, and I’m sure glad I came back to it. Randy Blythe is one of the best frontmen. The way he takes over a crowd and has them in the palm of his hand is uncanny. His vocals have gotten better and better! Mark Morton and Willie Adler are one of the best guitar duos in the game. Both have their own style and together it makes for something quite intriguing. John Campbell is an underrated gem. His thunderous tone matches with the hard hitting and super energetic playing of Art Cruz. The five of them together have found their groove and I can’t wait for what they do next.
Joining Lamb Of God on this tour was Killswitch Engage. It’s been about ten years since I’ve seen them live and they were just as good as the last time. One of the best things about Killswitch live is that they always seem to have a good time and that filters out to the audience as well. Their set list was full of sing along songs that had the crowd singing louder than the band at times. Especially with “The End Of Heartache,” “My Curse,” “Rose Of Sharyn,” and “In Due Time.” I did hope for some more songs off of Alive Or Just Breathing but, that’s ok. We did get Howard Jones to come out at the end to join the band for “The Signal Fire” off of the bands most recent album, Atonement. Killswitch was a great band to have before Lamb destroyed.
This tour with both Lamb of God and Killswitch Engage was a really fun throwback to when they both started to come up in the early 2000’s. I remember seeing both bands back in 2003/2004 and was totally into it. Now here we are quite a few years later and both bands are still alive and kicking ass. I’m interested to hear what Killswitch does next. I’d love to hear them branch out a bit and explore some new ideas. Lamb Of God’s new album, Omens, is their best in years. It feels like a new band again. Plus I have to say it again, Art Cruz brought new life into this band that was in need of it. I would gladly go see Lamb Of God again.
01) Memento Mori 02) Walk With Me In Hell 03) Now You’ve Got Something To Die For 04) Resurrection Man 05) Nevermore 06) Ruin 07) 11th Hour 08) Omerta 09) Omens 10) Contractor 11) 512 12) Ghost Walking 13) Vigil 14) Laid To Rest 15) Redneck
Killswitch Engage Set List:
01) Strength Of The Mind 02) This Is Absolution 03) Rose Of Sharyn 04) To The Sons Of Man 05) Unleashed 06) The Crownless King 07) Hate By Design 08) Know Your Enemy 09) My Curse 10) This Fire 11) The End Of Heartache 12) In Due Time 13) Holy Diver (Dio Cover) 14) The Signal Fire (with Howard Jones)
Killswitch Engage’s album Alive Or Just Breathing is more than a game changing album, it’s a metal masterpiece. I had heard the songs “Fixation On The Darkness” and “My Last Serenade” before I heard the whole album but, when I started with track one, I knew a shift was coming in heavy music. “Numbered Days” is one hell of an opening track. Musically it’s heavy and melodic in all the right spots. Lyrically and vocally it’s powerful and gritty along with a generous helping of positivity. It’s one of those perfect album starters. The sing alongs over the years when they play this song live is so much fun to watch and listen to. It’s also interesting to hear Jesse Leach sing this song as well as Howard Jones. Both have such a commanding presence and voice that the message echoes quite loudly!
The great Two Minutes To Late Night is back with a new cover from their quarantine series. This one is really, really, really, damn good. Here you have a Bjork song “Hyperballad” covered by Stephen Brodsky (Cave In/Old Man Gloom/Mutoid Man) on vocals with Sergio Vega (Quicksand/Deftones) on bass, Adam D (Killswitch Engage/Times Of Grace) on guitar, Jordan “Gwarsenio Hall” Olds (host of 2MTLN) on guitar, Ben Chisholm (Chelsea Wolfe) on keys and Tanner Wayne (In Flames) on drums. It’s a great cover and Stephen Brodsky is absolutely amazing on this track. He’s really found a whole other voice which I hope carries over to all of his musical ventures.
Next up on Audioeclectica.com’s 2019 End Of The Year Lists, the Top 10 Guitar Duos. The stipulation is that, an album/EP had to have been released this year.
Vote for your favorite in the comments section. At the end of the month, I will release the results of the readers poll.
This list is also in NO PARTICULAR ORDER!!!
01) James “Munky” Shaffer and Brian “Head” Welch- Korn
02) John Dyer Baizley and Gina Gleason- Baroness
03) Stephen Brodsky and Adam McGrath- Cave In
04) James Root and Mick Thompson- Slipknot
05) Joel Stroetzel and Adam Dutkiewicz- Killswitch Engage
06) Albert Navarro and Nathan Najera- Seizures
07) Joe Trohman and Scott Ian- The Damned Things
08) Richard Kruspe and Paul Landers- Rammstein
09) Chelsea Wolfe and Bryan Tulao- Chelsea Wolfe
10) Andrew Diaz and Matthew Wright- Harborlights
August 16th is right around the corner and on that day, Killswitch Engage will be releasing their new album, Atonement (via Metal Blade Records). Today, the band has released a second single from their forth coming album, entitled “I Am Broken Too.” This song according to singer Jesse Leach “This song is very near and dear to my heart. I wanted the listener to feel the urgency, the heaviness of the topic as well as a possible connection. Many people suffer from mental illness in one form or another. I want nothing more than for people to feel like they are not alone in this struggle. There is always someone there to help, to listen, and to be there for you. Don’t lose hope and don’t let your brokenness consume you. Broken can be fixed, or at the very least, maintained. No one is alone in this fight.” A portion of the proceeds from this release will go towards Hope For The Day- a suicide prevention and mental health outreach non-profit.
On August 16, Killswitch Engage will release their new (and eighth) album Atonement. Today the band released the first single, “Unleashed.” Speaking on the song, singer Jesse Leach said “Unleashed’ is about inner passion and rage coming up to the surface. We all have that wild within that often stays dormant until a tragic event triggers and awakens it. This song is about that awakening within. I feel we were able to capture something raw and intense on this song and I’m stoked for everyone to hear it! The new album Atonement is a reflection of perseverance and passion through the trials and suffering of our existence.” The album also features guest spots from Howard Jones formerly of the band and now singer of Light The Torch, as well as Testatment’s Chuck Billy.
I’ve said it many times before and I stand by it, heavy music and melody go together like peanut butter and jelly. They both come from different places but when they are combined the end result is perfect. There is a band out right now that does melodic heavy music perfectly, and that band is Light The Torch. You might recognize them originally as Devil You Know but, due to a former band member causing some issues, the remaining members opted to change the name and continue on albeit on a slightly different path. The first two Devil You Know albums were more in that “djent” style but now with Light The Torch, they have gone more melodic without losing the “heavy.” Singer Howard Jones (formerly of Killswitch Engage) sounds great and just as good as he did on the Killswitch album The End Of Heartache. The riffs courtesy of guitarist Francisco Artusato aren’t over complicated, instead they have a really subtle ebb and flow of clean and distorted tones.
Their album Revival is exactly the type of melodic heavy record that you’d want to hear from this band and Howard. When you have songs like “Die Alone,” “Calm Before The Storm,” “Raise The Dead,” and “The Safety Of Disbelief,” it really shows a different side of each member and allows Howard to showcase his pure singing voice. Then you have a song like “The Sound Of Violence,” which sounds a bit like Howards pre-Killswitch band Blood Has Been Shed. Closing the album is “Judas Convention” which is a great summation of what the album has to offer.
Revival isn’t reinventing melodic heavy music but it sure gives it a shot in the arm. Having Howard Jones in this sort of shape both vocally and lyrically gives Light The Torch the guidance needed to really leave their mark on the scene. I’m just putting this out in the aether but, a Killswitch Engage/Light The Torch tour sure would make a lot of sense and would be HUGE!!
2003 saw the release of an anticipated movie that sort of (well not sort of) fell flat on its face. That movie was Freddy vs Jason. There was so much potential as to what that movie could have been but instead we got what we got. One thing that actually was cool about the movie was the soundtrack. Over the 20 songs featured on the soundtrack, you got to hear the end of the “nu-metal” era and the beginning of the “metalcore” era. You had bands like Slipknot, Killswitch Engage, Chimaira, Sevendust, Lamb Of God, Spineshank, Ill Nino, DevilDriver, Stone Sour and even Type O Negative, to name a few. Something else about this soundtrack that is worth noting is that 14 of the 20 songs on this soundtrack were previously unreleased songs by that bands.
For many years now, Howard Jones has been a well respected vocalist in the heavy music world. From his time in Blood Has Been Shed to Killswitch Engage and now with Light The Torch (formerly known as Devil You Know), Howard’s voice and lyrics have resonated with countless amounts of people. Since Light The Torch is getting set to release their new album, Revival (out March 30), I thought it would be fun to put together a bunch of songs Howard has guested on over the years.
36 Crazyfists- Elysium (from Rest Inside The Flames):
Eighteen Visions- One Hell Of A Prize Fighter (from Vanity):
Throwdown- The World Behind (from Vendetta):
Roadrunner United- The Daggar (from Roadrunner United- The All Star Sessions):
Every Time I Die- Punch-Drunk Punk Rock Romance (from Last Night In Town):
Within Temptation- Dangerous (from Hydra):
Jasta- Chasing Demons (from The Lost Chapters):
Asking Alexandria- Until The End (from From Death To Destiny):
