The idea of oh, this album cover looks interesting, often leads to great discoveries. As a kid, I remember that feeling of seeing album covers that looked cool and being so intrigued by what those bands were. This day in age it’s still fun to do especially in stores but, most of the time it’s on your computer. The other day while catching up on a ton of music I hadn’t had the chance to listen to yet, I found the perfect album cover that peaked the interest that when played, listening felt just like that album cover.
Semuta, from Portland, Oregon, are making music that almost feels like you’re in a kaleidoscope. Their new album, Thoughtless/Dreamless (out October 09 on Accident Prone Records (is that a Jawbreaker reference?!?!) features their stunning title track. Clocking in at just under ten minutes (it’s basically two songs in one), “Thoughtless/Dreamless” is a song that transports you in the best way music can. The progressive elements evoke King Crimson type vibes with an atmospheric doom tonality that is reminiscent of Isis around Oceanic.
Now for the even more fun part that this is a duo! That’s right, guitarist/vocalist Benjamin Caragol and drummer Ben Stoller have crafted quite the album here. Recorded and mixed by Scott Evans (Neurosis, Kowloon Walled City) and mastered by Brad Boatright (Portrayal of Guilt, Torche), that on it’s own merit made me want to listen. And the end result from this is truly a work of art.
The last time Guns N Roses played the Rose Bowl in Pasadena, California, it was 1992. Fast Forward thirty four years and here they are again. It’s unmistakable the influence Guns N Roses has had on musicians and bands for over forty years now. The debut, Appetite For Destruction is still very much talked about.The Use Your Illusion albums have gone on to live in infamy for their great songs, arrangements and who can forget those videos (“You Could Be Mine,” “Don’t Cry,” “November Rain” and “Estranged”). And then there is Chinese Democracy. I’m probably one of the few out there that enjoy it. Take away the over produced aspects and some of the electronic elements, a couple songs and you’ve got one hell of a good album with some spectacular songs (“Better,” “Street Of Dreams,” “There Was A Time,” “Sorry,” “Madagascar,” and “Prostitute”). It’s been since 2021 when I saw GnR last, and on a whim myself and my friend Justin of Sinister Reviews, decided to head out to the Rose Bowl to see what Guns N Roses are up to.
At about 7:50pm, as the sun was almost completely set, the house music turned off, the lights off and the roar of tens of thousands of people, Guns N Roses took the stage and immediately made sure we knew where we are with “Welcome To The Jungle.” Still one of the best track one’s of all time. Over the course of the next three hours and twenty eight more songs, you knew you were in for a night. Jumping into “Bad Obsession” next was a treat. Such a good bluesy number to get things shaking a bit more as “It’s So Easy” and “Mr. Brownstone” were right after. One of the highlights of the show was when they played “Chinese Democracy.” The newer arrangement on the song plus this band, really makes this song shine. Another big highlight was “Don’t Cry.” What a song it still is and this evenings performance of it was top notch. A slew of other classics and fan favorites like “You Could Be Mine,” “Rocket Queen,” “Think About You,” “Civil War,” and “Yesterdays” were played. The three newer songs they played “Hard Skool,” “Nothin'” and “Atlas” sounded good and are definitely from the Chinese Democracy era. The encore was just a sweep of hits from “Sweet Child O’ Mine,” “November Rain,” “Nightrain” and of course “Paradise City.”
There is one aspect of this whole night that has left a bit of a sore spot with me. I’m not saying this wasn’t a really good show but, the inclusion of SEVEN COVER SONGS is too much. While I get to a point the need to play “Live And Let Die” and “Knockin On Heaven’s Door,” there is no need for anymore than that. Yes, The Spaghetti Incident exists and yes they have been playing covers since their start but, come on already. I’m sure the majority of people in the audience would have rather heard “Pretty Tied Up,” Locomotive,” “Dust N Bones,” Coma,” “Dead Horse” or like me more from Chinese Democracy, over a The Damned cover, one from Rose Tattoo (wish you a speedy recovery Angry Anderson), two Black Sabbath covers and “Slither” from Velvet Revolver. Thats five songs right there that should have been original songs. Instead of Duff singing a cover, let him sing his song “So Fine.” What’s so hard about that?! You wrote the songs! PLAY THEM!!
Axl still sounds good. While there are certain higher notes he can’t hit anymore (and he still tries), it’s nice to know he still has the passion and care to want to deliver. The songs though that featured a lower register vocal, sounded amazing. When they got to “Estranged” that’s when you could really tell how good this side of Axl still is. “Estranged” has been my favorite Guns song since I was eight years old, and to still be able to hear it live and this damn good, made my night. Just a thought, if it’s too much for Axl to hit all these notes across a three hour show, consider shortening the show! I mean it would still be a great show and then you get two openers that are really good on and you have yourself a stellar night. The band was on fire all night. Slash did Slash things and sounded great. Duff was right in the pocket all night and added a great rhythmic flair. New drummer Issac Carpenter was superb. He actually plays more like Steven Adler than any other drummer that’s sat back there. But it’s two other members that really need to get the due respect they deserve. Dizzy Reed is a gem in the band. His piano/keyboards add the right amount of texture and dynamic to the songs. There’s really a special charm with Dizzy. As well as longtime guitarist Richard Fortus. What a talent too. Great playing, great style and swagger. He fits in this band like a glove. Plus he kind of looks like Izzy Stradlin, bonus for everyone missing Izzy.
I’d be remiss if I didn’t mention that Ice Cube was the opening act. I don’t know whose idea that was (probably Axl, as he was always a fan) but, come on! Know your audience. The Black Crowes have been out with you for a few shows, they would’ve been a better choice. That’s not to say Ice Cube wasn’t good. He was fine. He did his thing up there and a chunk of the crowd was dancing and shaking their asses a bit. It’s just this wasn’t the right time or audience for that.
Guns N Roses are not about to go anywhere. It’s great to have them back and out there. Now it’s time to really work on some new music. The want is there and if done right, this could be quite the record. GnR still knows how to put on a great show. The Rose Bowl was filled with people of all ages and from different generations which makes it more fun to share the night with. Provided they aren’t obnoxious or drunk. Let’s hope that the next time Guns N Roses comes through, things are a bit different. And while they’re at it, let’s ditch the silly background images playing behind the band Pretty sure most were from five years ago too. Just show the band, that’s what the people want to see!
Overall Rating: 8.5/10
By: Brian Lacy
GUNS N ROSES SETLIST:
01) Welcome To The Jungle 02) Bad Obsession 03) It’s So Easy 04) Mr. Brownstone 05) Slither (Velvet Revolver Cover) 06) Chinese Democracy 07) Live And Let Die (Wings Cover) 08) Nice Boys (Rose Tattoo Cover) 09) Yesterdays 10) Shadow Of Your Love 11) Double Talkin’ Jive 12) Hard Skool 13) Estranged 14) Knockin On Heaven’s Door (Bob Dylan Cover) 15) You Could Be Mine 16) Nothin’ 17) Junior’s Eyes (Black Sabbath Cover) 18) Sabbath Bloody Sabbath (Black Sabbath Cover) 19) Rocket Queen 20) Don’t Cry 21) New Rose (The Damned Cover- Duff Singing) 22) Think About You 23) Atlas 24) Civil War (with snippet of Jimi Hendrix “Voodoo Child”) 25) Slash Guitar Solo 26) Sweet Child O’ Mine 27) November Rain 28) Nightrain 29) Paradise City
For quite a while now, The Pretty Reckless have been a really great rock band. One of those bands that has not gotten the due they deserve. Now five albums deep and showing all the signs of a well oiled rock band, they arrived in Los Angeles on sizzling Friday July 31, 2006 to a sold out Wiltern Theater.
At 9:00 the lights went down and a roaring crowd got louder and louder as Logan Nickolic (guitar), Jaime Perkins (drums), Mark Damon (bass) and the absolutely underrated Ben Phillips (lead guitar) took the stage. Then one of the loudest indoor audience pops I’ve heard in a long time exploded as singer Taylor Momsen hit the stage. Without a second more to wait, The Pretty Reckless stormed into a stirring performance of “Death By Rock And Roll.” The next batch of songs went back to their first two albums and upped the stakes of the evening. Just as you thought it was going to hit a more mellow tone in the set, the fantastic and heavy “For I Am Death” made the walls of the Wiltern seem like they were shaking. The onslaught of great rock continued with bangers “When I Wake Up” and Love Me” both and the former from the new album, Dear God.
Then came the moment when the show went for a more solemn tone as “Devil In Disguise (Michelle’s Song)” was played. It’s one of those songs that when you know what it’s about, really hits different. Then the vibe picked up with the title track off the record as well as two more songs from the new album. Then came a trifecta of absolute unbridled rock with “Make Me Wanna Die,” Heaven Knows,” and “Going To Hell.” Each of these songs had the crowd eating out of the bands hands. The fun jamming during the songs really helped to showcase the band as great players and how damn good they are. The way the crowd sang back at the right moments was astounding. For the encore the very melodic rocking song “About You” was played with special guest guitarist Pat Smear.
The Pretty Reckless are truly a great band that deserve more recognition for being a great rock band. They have a no frills approach to their music and songs that makes the music speak for itself. Taylor Momsen has a terrific rock n roll voice and can wail like the best of them! The band definitely needs more recognition as well. One of the tightest bands I’ve heard and seen. Each plays with a vigor that emits heavy rock. Ben Phillips especially needs to be on the lists for rock guitar players!! The Pretty Reckless are here and are guaranteed to put on one hell of a great rock show!
Overall Rating: 9/10
Review and Photos By: Brian Lacy
The Pretty Reckless Setlist:
01) Death By Rock And Roll 02) Since You’re Gone 03) Follow Me Down 04) Miss Nothing 05) For I Am Death 06) When I Wake Up 07) Love Me 08) Devil In Disguise (Michelle’s Song) 09) Dear God 10) Dark Days 11) Spell On You 12) Make Me Wanna Die 13) Heaven Knows 14) Going To Hell ENCORE: 15) About You (with Pat Smear on Guitar)
When the chance to see a band you’ve been into for well over thirty years in your “backyard,” you make that happen! On Wednesday night July 29, 2026 around 7:30pm at the Ventura County Fair, Bush took the stage set against the ocean and coastal backdrop of Ventura, California.
Opening the set was the always fun and classic “Machinehead.” Personally I’ve always thought this song has a great impact and energy to be a choice opening song. Then came “Bullet Holes” one of their newer songs from excellent album, The Kingdom. This is another great riff song and you might have heard it in John Wick 3! Next up was from their most recent album, the quite good, I Beat Loneliness, the anthemic “We’re All The Same On The Inside.” It was funny to watch crowd go absolutely silent because they weren’t familiar with these songs. Pretty much anything after Razorblade Suitcase was the cut off point for probably 99% of the crowd. Yes, myself and friend/podcast co-host Justin were the 1% that DID know these songs. Then back to a song some knew in “The Chemicals Between Us.” If you haven’t listened to the underrated The Science Of Things album, you should change that. The Land Of Milk And Honey” was next off their new album. This one was quite the live song that really upped the level than the studio version. From there a large crowd pop hit as the heavy distorted intro riff of “Everything Zen” launched like a rocket. Followed by two more newer really solidly good tracks from The Art Of Survival. “Identity” and “May Your Love Be Pure. A fun sing-along with the crowd came with “Glycerince.” I know that songs is super played out but, when you see it played live and the crowd sings it really loud back, that truly shows how timeless it is.
The next five songs were all from their latest three albums The Kingdom, The Art Of Survival and I Beat Loneliness. “Heavy Is The Ocean” is a fantastic song. While it is a track one (from The Art Of Survival), putting it in the latter part of the set was a real treat. “More Than Machines,” “Human Sand” and “Flowers On A Grave” rocked with the latter song leading Gavin from the stage all the way to the bleachers to sing with the crowd. Closing out the main set was “I Beat Loneliness” and if you haven’t heard this song, thats another one to rectify. What a song and what a way to end that part of the set. After a short breather, Gavin returned to the stage alone to begin a solo version of the classic “Swallowed” from my all time favorite Bush album, Razorblade Suitcase. The new arrangement adds to the already “heavy” nature of the song. To end the night out were classic crowd favorites “Little Things” and Comedown.” The latter of which has become quite the end of the show song with extended bridges and outros that show off how terrific the band of Chris Traynor, Corey Britz and Nik Hughes are.
Bush is still one hell of a live band. They are still putting out quality albums and songs that deserve your attention. I’m not kidding. Go check out the three newest albums, and you can thank me later. Even now as I write this, It’s still a bit of a trip to have seen Bush at the Ventura Fair. Gavin Rossdale sounds amazing. His voice like him hasn’t aged! The amount of energy he’s had from the beginning to now is passionate. One of the things about Bush now that I really like is that they don’t rest on the nostalgia of the band. As you can see there are only a handful of classic songs played and the majority was all new. And when you have albums and songs like they have put out the past few years, it’s best to keep it that way. I look forward to what comes next from Gavin, Chris, Corey and Nik.
Overall Rating: A
Overall Rating For The Crowd: C_ People need to actually care about the band you are seeing live!
Review/Photos By: Brian Lacy
BUSH SETLIST:
01) Machinehead 02) Bullet Holes 03) We’re All The Same On The Inside 04) The Chemicals Between Us 05) The Land Of Milk And Honey 06) Everything Zen 07) Identity 08) May Your Love Be Pure 09) Glycerine 10) Heavy Is The Ocean 11) More Than Machines 12) Human Sand 13) Flowers On A Grave 14) I Beat Loneliness ENCORE: 15) Swallowed 16) Little Things 17) Comedown
Queens Of The Stone Age are one of those bands that have a catalog of albums that are ever evolving. From their debut through their peak into the now, Queens have always been a group to not rest on what they’ve done before. Sure certain things will always be a part of the sound and style of the band but, the opportunity to exist in a different alternative realm, is much more interesting than being generic. And while not every album can be the best, there are those that truly stand out and a couple that really don’t quite hit the mark. Take a moment and delve into this pretty trippy catalog from Queens Of The Stone Age. And while you are listening, find something new to enjoy about these records! And now Audioeclectica’s Definitive Ranking Of The Albums By, Queens Of The Stone Age.
When you have such a distinct voice, hearing it in other bands and songs can be a real treat or pulverizing in both good and bad ways. One such voice is Chester Bennington. His time with Linkin Park literally brought his voice into millions of cars, headphones, houses, parties, arenas and more. Though not known for his guest spots, the ones he did each have their own charm. Check these out and let me know what your favorites are. Enjoy!
About a month as of this writing, the debut album from Held. will be released. Since the beginning of the year, Held. has been unveiling themselves via now three singles and three intense performance videos. The first single “New You Anthem” was right out of the gate a welcome introduction. The catchiness of the riff and the chorus, if that doesn’t strike you, there’s something wrong with you. Seriously, it’s heavy, melodic, packs quite punch to the gut. Then you add in Frank Iero’s guest vocal spot and how his voice hits the perfect counter balance to vocalist/guitarist Douglas Robinson. The second single “Constant Tension” (which of the three released is my favorite. When you get to the bridge of the song, you’ll know why), is a song that could’ve been released during the 90’s evolution of “emo” music. There’s a really cool Sunny Day Real Estate/Jawbox vibe mixed with a bit of a hardcore element. The rhythm section of Josh Eppard and Sal Mignano really shines here. They are beyond tight yet combustable in the best way. I can only imagine them on stage and this song is played. The lyrical connection here is real and very personal. The honesty is pure as you can hear in Douglas again here. “Knifepoint” is the one of the three released that hits the more “alternative” side of the band so far. The syncopated riff/rhythm has a cool push and pull that hits in a very striking way with the vocal as well as the guest spot from Graham Sayle of High Vis.
So here we are at three songs into their debut and it’s shaping up to be quite the explosive one. This combination of Douglas, Sal and Josh sounds even better than you’d think. As a fan of Josh’s playing, he really gets to go for it here in Held. That’s not to say he doesn’t in Coheed And Cambria, you can just hear a different excitement in his playing here. After Douglas left Night Verses, I was pretty bummed not to get to hear him as a part of that band. I really enjoyed the two albums they made and thought they were really on to something. The Ross Robinson produced second album, Into The Vanishing Light, is very underrated and has some truly deeply gritty vocal performances by Douglas. Getting to hear Sal in a different light than The Sleeping is a treat too. As a fan of that band too, you can hear where the roots come from. The sum of the parts here in Held. is going to be something special to see live. I look forward to what’s to come. And let’s just put a proper Los Angeles show out in the universe to happen soon!
There’s a feeling that happens when you hear a new band, where you can hear where a band is rooted but, also where it’s going. Each time the band Tredici has released a new song I’m constantly intrigued. There is something quite interesting going on here and I’m all for it. Vocally you have a band that can hit every note! I mean EVERY note! Along with the melodies it’s a one / two punch that comes out of nowhere. Rhythmically it’s right up the alley of alternative and jazz. Then you add in the keys/piano aspect as it acts to accentuate and add dramatic flair. The guitars add a whimsical touch in the bluesy realm while still being rock. On their latest single, “Bad B!tch,” Tredici goes all out to show just what the possibilities are in music these days. This is what alternative music is all about. Enjoy!
For well over twenty years now and ten full length studio albums, Trivium have cemented themselves at the forefront of heavy metal. Each of their albums shows growth as a band and as songwriters. The word consistency is synonymous with Trivium as they have truly been working hard since their debut being out on the road and in the studio. The last three albums of theirs especially have put Trivium into the upper echelon of metal bands. Currently the band is working on their eleventh album with producer Josh Wilbur. In the mean time, check out this very definitive ranking of their ten albums.
Some bands have such a distinctive sound that the instant you put one of their albums on, you just know it’s them. That’s exactly how it’s been for Corrosion Of Conformity since the early/mid 1990’s. The sound is one of those “you know it when you hear it” type of things. For those that don’t know, it’s a sound that feels like Black Sabbath went down to New Orleans and leaned heavily into the sludginess of the area and then got shot out of a cannon. At least that’s how it is when I hear Corrosion Of Conformity. Now in 2026, COC have regrouped to deliver an album that has all you’ve come to love about the band and then some. Good God / Baad Man is an album that comes out of the gate with a loose feel that makes you strap in for the ride.
This is a double album in case you were wondering. Each half of the record has its own vibe and sense of fun. That’s right, FUN! From the first note of this album there is an instant feeling of good vibes and a whole lot of fun to be had. That’s a really rare thing these days. That’s not to say the subject matter of the record isn’t urgent or personal but, the overall presentation of Good God / Baad Man feels like a celebration of life. Across the hour plus each song pulls you into the riff and rhythm. Songs like “Good God/Final Dawn,” “You And Me,” Bedouin’s Hand” and the epic “Run For Your Life” highlight the Good God side. Then you have “Baad Man,” Lose Yourself,” my favorite as of this writing in “Asleep On The Killing Floor” and the left field song “Brickman” on the Baad Man side that accentuate just how good this album is. It’s interesting too when you listen to C.O.C., the amount of bands that have blatently copped a good chunk of their style. Sometimes it can be a form of flattery while others not so much.
Much like albums of the 1970’s and early/mid 1990’s, there is a total push and pull with this album in a good way. The driving nature of the songs propel Pepper Keenan, Woody Weatherman, Bobby Landgraf and Stanton Moore into another realm. The inspired group really created a record that stands out not just amongst their peers but as a classic in their stellar catalog.
