Sweden always seems to have something good in their water when it comes to musicians. It’s really quite stunning how so many great bands can come from one region or area. Formed in Gothenberg, Sweden in 2013, Monolord have become one of stoner/doom metal’s best imports. Monolord has released five full length studio albums since their inception with their sixth and first in five years, Neverending, to be released on June 12 via Relapse Records. The new album as produced and recorded by legendary engineer, Sylvia Massy (Tool, System Of A Down). The first single “You Bastard” is a righteous slab of rifftastic, fuzzy, and crushing exploration into doom and psychedelia. The recording of this song feels so alive as well. It’s a treat to hear a record like this in these days. Personally, I am very much looking forward to what Neverending has to offer as I believe this album is going to reach new heights for Monolord. Be sure to crank the volume on this song!!
Some bands have such a distinctive sound that the instant you put one of their albums on, you just know it’s them. That’s exactly how it’s been for Corrosion Of Conformity since the early/mid 1990’s. The sound is one of those “you know it when you hear it” type of things. For those that don’t know, it’s a sound that feels like Black Sabbath went down to New Orleans and leaned heavily into the sludginess of the area and then got shot out of a cannon. At least that’s how it is when I hear Corrosion Of Conformity. Now in 2026, COC have regrouped to deliver an album that has all you’ve come to love about the band and then some. Good God / Baad Man is an album that comes out of the gate with a loose feel that makes you strap in for the ride.
This is a double album in case you were wondering. Each half of the record has its own vibe and sense of fun. That’s right, FUN! From the first note of this album there is an instant feeling of good vibes and a whole lot of fun to be had. That’s a really rare thing these days. That’s not to say the subject matter of the record isn’t urgent or personal but, the overall presentation of Good God / Baad Man feels like a celebration of life. Across the hour plus each song pulls you into the riff and rhythm. Songs like “Good God/Final Dawn,” “You And Me,” Bedouin’s Hand” and the epic “Run For Your Life” highlight the Good God side. Then you have “Baad Man,” Lose Yourself,” my favorite as of this writing in “Asleep On The Killing Floor” and the left field song “Brickman” on the Baad Man side that accentuate just how good this album is. It’s interesting too when you listen to C.O.C., the amount of bands that have blatently copped a good chunk of their style. Sometimes it can be a form of flattery while others not so much.
Much like albums of the 1970’s and early/mid 1990’s, there is a total push and pull with this album in a good way. The driving nature of the songs propel Pepper Keenan, Woody Weatherman, Bobby Landgraf and Stanton Moore into another realm. The inspired group really created a record that stands out not just amongst their peers but as a classic in their stellar catalog.
I love albums that you can put on and let them just take you on a ride. Then there is that feeling you get when that right chord, melody or rhythm strikes. Also, it’s really refreshing to hear a band make an actual “album” and not just a collection of songs! Let me introduce you to, The Owling! This two piece Los Angeles based band is fast becoming a favorite of mine. Their sound is the perfect mix of 90’s Rock, Doom and Sludge with a very cinematic/poetic approach. The Owling’s debut album, You Don’t Bow You Will Learn, is a of righteous slab of riffs, and driving rhythms with vocals that soar. Think about driving down an open desert highway at sunset or sunrise with the windows down and this album blasting. Are you there yet? That’s exactly how this album feels. With each listen you find a different song to be your favorite. One other aspect about You Don’t Bow You Will Learn that I really enjoy is the use of space/ambience. When you listen, at certain moments, it’s almost like the fog machine is on and you get lost in the epic nature of the song. I very much look forward to what 2026 will bring for The Owling! Check out this band and be sure to buy a copy of their debut album and see them live! Also, quick shout out to Dean Karr for his badassery of great photo’s of the band and album cover. Talk about nailing an essence in a photo!
My friend and podcast co-host Justin, recently went to Sacramento to the Aftershock festival (Check out his recap HERE). While he was there and we were chatting he mentioned he was going to check out High On Fire. Both of us haven’t seen them in a long time and Justin said they were fantastic. So naturally, while chatting about the band, I had a song pop in my head and it’s been playing on repeat and it’s a perfect deep cut! High On Fire if you don’t know are one hell of a band. They are one of the best at Stoner/Sludge Metal while at the same time having elements of Thrash and Doom. The song I’m focusing on comes from their 2012 album De Vermis Mysteriis, and it’s an epic track too, “King For Days.” Clocking in at a little over seven minutes, “King For Days” gives you quite the spectrum of awesomeness. Enjoy this track and check out more of High On Fire.
I thought I’d start off the new year with a great song and a killer track one to boot. I will never forget the first time I heard this song. I was 13 years old and I was chatting with one of the guys who worked at the Tower Records in my town. I recall our conversation swinging toward Pantera as I was also looking to get their live album that was out. The guy said instead of getting the 101 Proof album I should check out this other album which had Philip in it as well. The guy even went and put the CD on in the store and then a couple moments later, the CD was in my hand and in my discman back in the car on the way home. From that point on I’ve been a huge Down fan. So much so that I prefer listening to Down over Pantera. Yes it’s true but, that’s for a whole other topic for another day. The first song, “Temptation’s Wings” is one of those track one’s that the moment you first hear it, you already know you’re going to like what’s to come and the want for more just grows and grows. Interestingly, this song dates back to about 1990/1991 when Down first came to fruition. It’s got this great Sabbath meets Zeppelin vibe with a great bit of Southern Rock charm. Put it this way, I would put this song in my top 25 favorite track one’s! Looking forward to seeing Down in 2025 and having a new album out later this year. If you aren’t familiar with Down, you should rectify that and quick!
There have been so many great three piece bands over the years and it never ceases to amaze me the power of what a three piece band can emit. Recently I came across a three piece band that is putting out some serious heavy grooves along with a pummeling sound and I couldn’t wait to share them with you all. Let me introduce you to O Zorn. Armed with a sound that is part stoner/doom, sludgey and noise rock, it comes as no shock that O Zorn is going to deliver a decimating sound. Their new album, Your Killer, was recorded at Dave Grohl’s Studio 606. That along with the riffs of both Bill Kielty and Bill Meyer and the unstoppable carnage that drummer Danny Walker brings to the rhythm, has made O Zorn a force to be reckoned with in the heavy music community. Your Killer is out March 20 (via Seeing Red Records). In the mean time, check out these two songs from this upcoming “killer” of an album.
I’m quite fond of the “Stoner Metal/Rock” genre. There is enough “heavy” in the music to go around, and there is the slowed down element as well that brings it all together. Bands like Black Sabbath and Down have it down to a science and their formula has been imitated for many years now. Some bands though bring out something more than just the sludgy slowed down metal. Interstelar, a band that has been a previous band of the week, just released a new album entitled Resin, that brings something more to the table. Their blend of Sabbath and Down branded rock is mixed very well with added inspiration from The Cult and Corrosion Of Conformity. Tracks like “siLO,” “Resin,” and “Behold,” really hone in on the stoner vibe. Then there is a song like “High Horse,” that adds soothing and sweet melody, along with a vibe that puts you at ease. Lyrically the songs are on a different plane all together. They range from the social climate of today to everyday things in life, and it’s done in a way thats not intrusive or off putting, that it takes away from the mood of the music. Interstelar know how to make this genre their own and expand upon it. I “highly” recommend you take a listen to this album and hear for yourself.
The Portland music scene is getting bigger as time goes on. Stoner/Doom metal in particular is growing by leaps and bounds. Young Hunter is one of those bands that has the elements of stoner/doom but adds something else to the mix. Their use of 70’s psychedelia really makes their music stand out. There are some comparisons to Torche and Black Mountain in the way their music sounds. Their recent EP Embers At The Foot Of Dark Mountain is soothing and seductive all the while being powerful. One can tell by listening that the members of Young Hunter really have a feel for what they create.
