New Release

ALBUM OF THE WEEK: EMMA RUTH RUNDLE- THESE KILLING TIMES

When the words conveyed in a song come to life in your mind as you listen it’s beyond a treat. Suddenly your mind goes into a different state and you get lost in it all. That’s what happens when you listen to These Killing Times, the new album from Emma Ruth Rundle.

The sheer poetic nature of the songs found on These Killing Times is drenched in dark yet beautiful imagery. The vocal delivery by Emma is cinematic and enchanting. Having this be a full band album too, makes everything more heightened. There’s a soundscape element across the entire album that engulfs you like ocean waves. Don’t let that fool you though as the sheen on top of the dark only goes to the depths of apocalyptic despair.

Each song tackles its own theme and through the melodies and arrangements, it’s all unlocked and unhinged. The confrontation can feel subtle and unsettling at the same time. While the release, though cathartic, really makes you feel and think about each aspect of the song. There’s not one thing on this album that doesn’t deliver what’s it’s meant to. Even with guest appearances from Gina Gleason (Baroness), George Clarke (Deafheaven), Bryan Funck (Thou) and Marissa Nadler, they are accents to further experience the idea of the whole. To go track by track or even highlight a few songs would be a disservice to your own reaction and feeling to this album.

Albums and art like this exist in a place that is honest and pure. This is exactly Emma Ruth Rundle in this moment come to life. The folk and post punk elements hit the right notes while the atmosphere and sonic dynamics push you into another realm. These Killing Times is a great representation of the world we live in today. Emma just makes you feel less alone in it.

Overall Rating: A

By: Brian Lacy

Emma Ruth Rundle- These Killing Times:

https://emmaruthrundle.bandcamp.com/album/these-killing-times

SONG OF THE WEEK: DOWN- BLOOD OATH

It’s been twenty four hours since Down released “Blood Oath,” their first new song since 2014! Right off the bat it’s got that classic Down sound. You know that sludgy sabbath sound?! Kirk and Pepper really play off each other seamlessly. While Pat and Jimmy are locked in with an extra bit of swagger. And the. Phillip H. Anselmo sounding as crisp, clear and thunderous! Needless to say it’s been in heavy rotation since the release!

Down’s long awaited new album, Volume V, arrives on November 20th! It’s been twenty years since their last full length album! Crazy! On a personal note, I have a deep affinity for Down. So much so I get into arguments because I think Down is better than Pantera! Yeah I said it! I’ll explain that at a later date. In the meantime (pun intended since Down and Helmet are on tour together), enjoy “Blood Oath” and be sure you crank that volume!!

Down- Blood Oath:

NEW RELEASE: MASTODON- IN THE RUINS

In only a few more days as of this writing, Mastodon will be releasing their long awaited new album, Marrow Deep. Already two stellar songs have been released from the album in “Your Ghost Again” and “Snakes For Dinner.”

Now, “In The Ruins” has been let out of the gate and it’s definitely a deep one! The song is inspired by the devastating impact of Hurricane Helene and the havoc it wreaked upon Troy and his family. The catastrophic storm severely flooded their home and destroyed personal belongings, leading to a nearly two year period of displacement that coincided with the whole band navigating the passings of Brent and Brann’s mother Michele. Talk about inspiration. Jeez!

Mastodon- In The Ruins:

ALBUM REVIEW: MACHINEKIT- BODY WITHOUT ORGANS

The thought of experimentation and exploration within music swings like a pendulum. Each side has its own distinct sound and feel just like Machinekit’s new EP, Body Without Organs. In a fun metaphorical sense, perhaps each organ that is missing represents the style of the music.

Across five intense and almost primitive songs, Machinekit mastermind, John Rojas, emits a mixture of electro-punk, jazz, industrial, doom, and darkwave all in a raw nature. This is where the primitive sense comes in. The vocals tear through skin and pull at your own organs. The way the songs have a visual impact gives the EP an even darker and tortured feel. The instrumentation here is direct and given a clear mission to teeter the line of precision and avant-garde.

When a release like Body Without Organs arrives, it might take a minute to fully grasp what is happening. Go with it! As each song pulls you in a twist, there’s more to uncover with each listen.

Review By: Brian Lacy

Machinekit- Body Without Organs:

NEW RELEASE: HATEBREED- KILL COUNT INCREASE

After six years, Hatebreed are back with a brand new album. On November 06, Fatal Paradox will be unleashed. “Kill Count Increase” the first single is also track one on the record and set things off with a bang. The song itself is an all out heavy blast of metal and hardcore. This is a great crossover sound and song. Jamey Jasta sounds superb and aggressive as all hell. The album was produced by longtime collaborator Chris “Zeuss” Harris. Very much looking forward to this record!

Hatebreed- Kill Count Increase:

ALBUM OF THE WEEK: FOREIGN FILM- A LOVE LETTER

The idea of the band Will Haven going in a full on 180 degree direction than their known heaviness is beyond intriguing. Usually when you hear a band, well the majority of a band, step out of their known repertoire it can go a bit haywire. That’s not the case for Foreign Film. While there is still a bit of heavy, their debut album, A Love Letter, is an ethereal ambient melodic rock record that soars in direction that flies through the atmosphere.

Across ten songs and forty two minutes you will get lost in this new world of Will Haven’s Jeff Irwin. Along with his fellow bandmates Mitch Wheeler (drums), Adrien Contreras (bass) and Sean Bivins (guitar) he’s also joined by Rylan Kerr (guitar), Robin Florkin (piano/keys) and Tami Taracena (backing vocals), they’ve made a record that moves in a more “post” rock style that’s emotive and full of lush soundscapes. This project has long been in the making and now comes to fruition.

Each song evokes it own emotion. There’s not one song on here that feels like it repeats itself. Instead it weaves an intricate web of all sorts of inspiration making A Love Letter an album that truly captures the essence of the idea. I urge everyone to listen from start to finish to see the whole picture come to life.

Foreign Film’s A Love Letter truly is a thoughtful piece of music and art that fits stands out on its own. There’s a place for both Will Haven and Foreign Film and rightfully so. Enjoy what this album is. The evolution of what this band can be is only getting started.

Overall Rating: B+

By: Brian Lacy

Foreign Film- A Love Letter:

NEW RELEASE: MASTODON- SNAKES FOR DINNER

The wait is almost over for new Mastodon! That’s right, the best band of the new millennium, yes I said it and stand by it, will be releasing their ninth studio album, Marrow Deep, on August 28, 2026! The band have already released the song “Your Ghost Again” and have now served up “Snakes For Dinner.” Joining Mastodon on this song is Queens Of The Stone Age’s Josh Homme. You might remember his guest appearance on “Colony Of Birchmen” from Blood Mountain.

As we all know, this is Mastodon’s first album without the late Brent Hinds. If you’ve been listening to Mastodon as long as I have, you know that when tragedy strikes, the next album is quite the gem.

Mastodon- Snakes For Dinner:

Mastodon- Your Ghost Again:

NEW MUSIC SPOTLIGHT: MACHINEKIT- VOYEURISM

We all have those bands we pay attention to. One of those you look forward to new music just to hear what directions they venture in. For the past couple of years, Machinekit has fast become a favorite of mine. They aren’t your typical electronic based band. Instead, Machinekit bends genres to create intriguing and interesting music.

Machinekit has released their first new single “Voyeurism” from their upcoming new EP, Body Without Organs (out August 3rd). “Voyeurism” is a track that has an electro/industrial vibe mixed with a stark minimalist aesthetic, making for a very intense listen. 

Be sure to keep your ears open for Machinekit!

Machinekit- Voyeurism:

NEW MUSIC SPOTLIGHT: BLACK MAGNET- KEEP IT DOWNTOWN

When bands start to evolve past their origin point, most of the time it’s pretty interesting and shows real growth as songwriters. One band that I’ve had my ears tuned to since I heard them a few years back, have been subtlety showing that growth in their music. That band is Black Magnet.

Black Magnet have released some of the best modern industrial music in the last couple decades. And they’ve only been around for a handful of years. Their album Body Prophecy, is an unsung masterpiece. The follow up, Megamantra, is an all out audio assault of heavy and viciousness. That’s not to say each album didn’t have those outlier songs that hit at different elements and ideas. Which has led us to where we are now in the band’s evolution.

The mastermind behind all this is James Hammontree and on this new song, “Keep It Downtown,” the roots are still intact, only this time an alternative twist has been added to the mix. A move into post punk and more gothic undertones is now more prevalent in an exciting way. The Jesus and Mary Chain and David Bowie (you can hear his late 70’s Berlin era and early 80’s work in this) have been cited as inspirational examples into this new territory. I’d also put The Cure (Faith/Pronography era) into the fold too. “Keep It Downtown” has the grittiness of its origins with a swagger of these new distinct elements. Produced by Nick Rowe (who also co-produced Greg Puciato’s debut solo album, Child Soldier: Creators Of God, as well as being a member of the underrated, Bloodsimple), produced this song. This new collaboration between Black Magnet and Nick is something to keep your ears on!

Enjoy!

By: Brian Lacy

Black Magnet- Keep It Downtown:

Audioeclectica Interviews- James Hammontree of Black Magnet:

AUDIOECLECTICA INTERVIEWS: JAMES HAMMONTREE OF BLACK MAGNET

ALBUM OF THE WEEK: CONVERGE- HUM OF HURT

Earlier this year, Converge released their tenth studio album, Love Is Not Enough. Right out of the gate that album hit you like a pile of bricks. Then a sudden left hook came out of nowhere and the announcement of a second album to be released a few months later. And now we have arrived at that time and Hum Of Hurt, is everything you’d hoped it would be and then some.

Never a band to rest of their laurels, Converge explore every single nuance of influence and inspiration on Hum Of Hurt. There’s a very up front and confrontational approach to a lot of these songs that comes from the depths of each member of the band. One of the best aspects of the album is the sense of groove. The abstract atmospheric elements ooze out of the rhythmic grooves and blasts. While Love Is Not Enough leaned more into metal territory, Hum Of Hurt leans more into noise rock and emotional hardcore. The combination of those and their signature sound, propels this album past the previous.

Each song has its own charm and place. The sequencing of the album is tremendously satisfying. The way the album starts with the very image inducing “Slip The Noose,” you know that this is going to be a record that will tighten your heart. “Doom In Bloom” into “It Only Gets Worse” is a stellar one two punch! Then comes a trifecta of oblivion and obliteration with “Detonator,” “I Won’t Let You Go,” and “It’s Not Up To Us.” At this point catching your breath is a smart idea as “Dream Debris” sweeps you into a new realm. Just as you think the dust has settled, you’re thrust into the final three songs “It Used To Matter,” “Hum Of Hurt,” and “Nothing Is Over.”

What is accomplished here in thirty three minutes is near legendary. This is the year of Converge. It’s started out that way and it’s continued. There’s a feeling to this record too that makes you want to hear it played live in full. I can only imagine the sonic boom of intensity from that. Hum Of Hurt is a soon to be classic not just for Converge but, the genre as a whole.

Overall Rating: 9.5/10

By: Brian Lacy

Converge- Hum Of Hurt: