The wait for the new Genghis Tron album is making me impatient. A few weeks ago, the band released the news that their new album, Signal Fire would be coming out on June 12 and the first single “I Am All” from said album , right out of the gate was sonically pummeling!
Now, as the impatient wait continues, Genghis Tron has dropped another new song “Born Prey” and this one is even more unrelenting than the previous. The song is a welcome return to the bands older and more abrasive side while also pushing the boundaries of where heavy music can go.
I for one am very stoked on this upcoming new Genghis Tron album. Bands like this need to be celebrated more. There’s a real uncanny amount of artistry in this band and it’s really quite stunning. Prepare yourself accordingly!
I’m declaring 2026 to be the year of Converge! The year started off with their new album, Love Is Not Enough, which came out of the gates like a bat out of hell. Then came news that there was a second album on its way, in the form of Hum Of Hurt, which arrives on June 5th!
The second single from Hum Of Hurt has arrived in “Doom In Bloom.” This song is heavy and full of a raw, unrelenting riffs and rhythms. Lyrically it’s introspective in a very optimistic way.
One of the things about Converge that I personally enjoy the most is the honesty in their music. Every album has a different meaning and feeling. The way the artwork plays into the lyrics which in turn plays out through the music. It’s an underrated aspect about Converge and what comes with each album. Bring on Hum Of Hurt, I’m ready!
During my album deep dive into Killswitch Engage, I was quickly reminded of a song of theirs that is truly one of the best in their entire repertoire. For this one we go back to the band’s 2016 album, Incarnate, and find it at track eleven, “We Carry On.”
“We Carry On” what a song! There’s a deeply impassioned vocal performance by singer/lyricist, Jesse Leach throughout the album but, when you get to this song in the course of listening, there’s just something truly remarkable. The weight of the lyrics bellow out of Jesse’s heart into direct hit of optimism and hope. Guiding this vocal is music that hits the right melancholic notes with just the right amount of heaviness to push through the wall and make it past it all.
Songs like this are magnetic and beautiful. I distinctly recall when I bought this CD back in 2016 (Happy Ten Year Anniversary!! By the way), I put it on my stereo at home, grabbed my headphones, went to my favorite spot, pressed play and read the lyrics as I listened. When I got to “We Carry On” there was an instant connection to the song. One of those gems that deep in the track listing.
As great as this song is, it’s only been played live four times. And all in 2023. You lucky 4 shows! Just going to put this out in the universe to put “We Carry On” in the setlist going forward!! It’s too damn good not to play it!
Late last year, I introduced you all to the band The Owling. Their debut album, You Don’t Bow, You Will Learn” hit me out of nowhere and was a perfect end note to the year. Now, Kal Michael (guitar/vocals) and Art Quanstrom (drums), have kept their creative flow going and have released a new EP titled, Intravenous Flow.
Intravenous Flow is quite the perfect title for this release. Clocking in at just about twenty five minutes, the way this EP plays out really feels more like an album. The title track, “Intravenous Flow” starts things off and truly does have quite the flow. The delicate nature of the guitar creates a warm texture against the ambient cymbals and drums, while the vocals float on top. In a way there’s a post punk tinge to go along with the doom riffs and thunder drums. “Hollowed” is quite possibly my favorite song by The Owling. There’s a really cool almost Neurosis vibe to this song and it’s one of those really great slow burn songs. And then comes the cover song you didn’t know you needed, Ozzy Osbourne’s “Mama I’m Coming Home.” I quite enjoy this version. The way it pays homage to the original but, sways more into Sabbath territory is treat. Closing out this record is an acoustic version of “Intravenous Flow,” And what I said prior still stands, this one truly is THE delicate one.
I haven’t had the chance to see The Owling live yet but, I sure will soon. These songs live are going to be huge! The Owling aren’t just the a typical doom/insert other genre here band. When you listen you hear substance and depth. Something that is truly missing from so much rock music these days. Take your time with this record and really listen.
The Smashing Pumpkins have always been a prolific band in terms of albums, live shows and songs. The songwriting and arrangements are some of the best ever. Billy Corgan has written so many great songs, sometimes it’s hard to keep up with them all.
Recently, I was revisiting the Pumpkins album, Zeitgeist. I distinctly remember when this album came out. It was one of those moments where one of your favorite bands return. Zeitgeist is a polarizing album with songs that now, almost twenty years later, ring more true than ever. There is a particular song though on this record that has always been a favorite of mine. And that song is “Stellar.”
“Stellar” is an absolute gem. There are shades of early Pumpkins on this song but, it doesn’t rely on that to shine. Clocking in at six and a half minutes, “Stellar” shoots you to the stars. The “big rock” sound that the albums production has too, showcases this song. The shoegaze vibe mixed with a bit of new wave and a dose of seventies era pop a la Cheap Trick is brilliant.
If you were lucky enough to see The Smashing Pumpkins 2008 on their European tour, there’s a good chance you might have heard this wonderful song. The live band during this run was fun to watch and hear. At the time of the release as well, if you bought the gray edition of Zeitgeist, which was a Best Buy exclusive, “Stellar” was found on this version along with “Ma Belle” and “Death From Above.” Zeitgeist is a hard album to find but if you find it in the wild, buy it, it’s so worth it.
It’s been a minute since there was a new Audioeclectica Podcast episode! And here we are now, a year into the all new Audioeclectica Podcast. Can’t believe it’s been a year already. This episode is our “Don’t Call It A Comeback Episode- Comeback Albums”
On this episode myself (Brian) and my co-host Justin, get into the nitty gritty of bands and their comeback albums. We discuss albums by Alice In Chains, Failure, Neurosis, Poison The Well, The Smashing Pumpkins, At The Gates, Faith No More, Soundgarden and so many more.
Grab your favorite spot and sit back for an hour while we get into all the fun!
It’s been five years since the highly influential, Quicksand, have released a new album. Their 2021 release, Distant Populations, was quite the album. So much so that even the B-Sides the band released were so good, that they should’ve been on the record. Now here we are and Walter, Sergio and Alan are roaring back with, Bring On The Psychics (out July 17 via Equal Vision Records).
Two new singles have been released from their upcoming record, including“Get To It” and “Regenerate.” Both songs grab you by the throat. “Get To It” feels like it could’ve been on their first EP or even Slip. This new album was produced by Jon Markson (Drug Church, Drain, Rollin Coffin).
Bring On The Psychics is described as an album with the band pushing past the pre conceived expectations. Across the ten songs, Walter and company examine the past through present reality. Speaking of that Walter said “For this album, I was going back to a lot of my earlier influences about ‘break down the walls’ or ‘start today,'” he explains. “Regardless of whether you’re into hardcore or youth crew, they’re really cool records because they’re speaking to the time and providing possible paths to a better future … with mosh parts. That’s the energy that I wanted to bring to this.”
Look for Quicksand to be on the road later this year into early next year! I will be there for sure!
Late last summer when I went to see Reba Meyers play a solo show, the direct support band that evening really caught my ears. It was one of those moments when you hear a band you know nothing about and it just makes sense. That band was Melted Bodies and I just got the chance to see them again and good golly were they just as awesome.
After the decline of nu-metal in the mid 2000’s, the hunger for heavier music became rabid. The polarizing “New Wave Of American Heavy Metal” took the best of the three worlds of heavy metal, hardcore and punk and laid a forever legacy and foundation for generations to come. One of the first names that comes to mind when talking about this era is Killswitch Engage.
Killswitch Engage has the unique perspective to have essentially three chapters so far. What is really interesting about this, is to hear the evolution of a band through twists and turns both professionally and personally. These lessons play out through the music and lyrics. When listening back through all their albums, certain one of course will always be classics but, hearing the others with a different thought process makes those stand out in different ways.
Below is the Audioeclectica Album Rank of all nine Killswitch Engage studio albums.
The idea of making an “album” these days seems to escape most bands. While so many are so focused on the quick song or short attention span fans, Failure have returned with their seventh album, Location Lost, and remind everyone why making an album is so important.
Location Lost is an album that shows Failure at a vulnerable and fragile state that draws from personal, societal trauma and issues. When you put this album on and the crisp sound comes bellowing out of your speakers, it’s a passionate and deep presence felt. There truly is magic between the music created by Ken Andrews, Greg Edwards and Kellii Scott. Each brings in a unique batch of influences and styles thus creating a tour de force of music and art.
Across nine songs and forty minutes, Failure does what they do best, rock! The album opens with “Crash Test Delayed” a delicate space rock song that incorporates the bands early post punk/new wave influences. For a moment you can feel like it’s 1986 but, then realize it’s 2026. “The Rising Skyline” is a beautiful mellow-dramatic piece. The collaboration with Hayley Williams is the perfect choice. Her vocals on the second verse and then intertwined with Ken and Greg’s voices, is stunning! “Solid State” picks up the energy and glistens like a twinkling star. “The Air’s On Fire” is a gem. It’s one of those songs that makes you turn up the volume. You know where too. “Halo And Grain” strikes you with a grabbing bass line that lets you glide into quite the melodic treat. “Someday Soon” is another in the post punk/new wave song, with a sweet twist of melody and delicate pulsating rhythm. The title track “Location Lost” is another treat. It has an almost Magnified era vibe to it as well. “A Way Down” is going to be a classic in the bands catalog. There’s such a fun to this song that it really makes you want to play this one while “taking a ride, with your best friend.” Closing this album is “Moonlight Understands.” The unfolding subtleness allows you to drift along into a fuzzy state that leaves you contemplative.
For those that are new to Failure, this album might not grab you at first. Stay with it though as everything you enjoy about Failure is here in this album. As I mentioned earlier, their post punk/new wave influences shine throughout. Even the production of the album pulls from some of those early albums. If you have a really great set of headphones, put them on while listening. You’ll get a whole other listen out of it. It has been talked about that this could be the final album for the band. If so, it’s a real delight to hear the honesty and passion of Ken, Greg and Kellii. I sincerely hope there is more to come from Failure. For now though, Location Lost has now been found with Failure.
