In 1989, Metallica was just about to become a household name. And Justice For All, the bands fourth album, was truly was a monumental album for heavy music. There is no denying the impact this album has had over the years. The songs are beyond classics and the influence has only grown.
We all know what happened at the Grammy Awards in that year with Jethro Tull beating out Metallica for the first Heavy Metal Grammy. While they didn’t win that, they did however perform that night and won the audience over that was in attendance as well as watching at home.
Metallica have been on top of the world since this point and with no signs of slowing down anytime soon. Take a moment to enjoy this classic and memorable TV performance of “One” by Metallica.
The Smashing Pumpkins have always been a prolific band in terms of albums, live shows and songs. The songwriting and arrangements are some of the best ever. Billy Corgan has written so many great songs, sometimes it’s hard to keep up with them all.
Recently, I was revisiting the Pumpkins album, Zeitgeist. I distinctly remember when this album came out. It was one of those moments where one of your favorite bands return. Zeitgeist is a polarizing album with songs that now, almost twenty years later, ring more true than ever. There is a particular song though on this record that has always been a favorite of mine. And that song is “Stellar.”
“Stellar” is an absolute gem. There are shades of early Pumpkins on this song but, it doesn’t rely on that to shine. Clocking in at six and a half minutes, “Stellar” shoots you to the stars. The “big rock” sound that the albums production has too, showcases this song. The shoegaze vibe mixed with a bit of new wave and a dose of seventies era pop a la Cheap Trick is brilliant.
If you were lucky enough to see The Smashing Pumpkins 2008 on their European tour, there’s a good chance you might have heard this wonderful song. The live band during this run was fun to watch and hear. At the time of the release as well, if you bought the gray edition of Zeitgeist, which was a Best Buy exclusive, “Stellar” was found on this version along with “Ma Belle” and “Death From Above.” Zeitgeist is a hard album to find but if you find it in the wild, buy it, it’s so worth it.
Nine Inch Nails are one of those bands that truly have masterful deep cuts. You can go through each album and find premium choice cuts all throughout. Hesitation Marks is a great example of a Nine Inch Nails album with amazing deep cuts. I’ve recently been diving deeper into this record and it’s been quite the trip. The latter half of the album contains my favorite song off the record in “Various Methods Of Escape” but, that’s not the song that has been compelled to write this. The song that peaked my thought process on this was “In Two.” What a song! The way the quiet synth layers open the song, then sway into the drum loops and pulsating bass mixed with the delicate piano is slightly hypnotic. Then you add in the vocals which compliment all the dynamic parts so perfectly. The lyrics match the music in the best way possible. It’s also noteworthy to mention that Adrien Belew of King Crimson and Lindsey Buckingham of Fleetwood Mac play guitar on this song. One other stupendous aspect of “In Two” is how the ending flows so well into “While I’m Still Here.” Seriously, you can’t go wrong with Hesitation Marks!
The year is 2006 and Alice In Chains have begun their triumphant return. Getting out there and bringing the songs we all know and love back to life was one of those things that the universe got right. When this all started going again, you could tell that the fans were really glad to have Alice back. Granted the late Layne Staley was not a part of this but, William DuVall has truly shown he is up for the job and does a stellar job. During Alice In Chains summer festival run in Europe back in 2006, the band welcomed a very special guest to join them on stage for “Would?” That guest was the one and only James Hetfield of Metallica. This version of “Would?” is fantastic and will give you chills for sure. I still hope for the day we can get a Metallica and Alice In Chains tour! Can you imagine the how awesome that would be? I sure can! Enjoy this really memorable performance!!
Today would’ve been Scott Weiland’s 58th birthday. Scott was one of those talents that truly had a gift of song. The way he wrote lyrics, conjuring sweet melodies, and his performances, there was no denying Scott was one of the best. With it being Scott’s birthday, why not highlight one of my all time favorite Stone Temple Pilots songs, “Atlanta.” This song is absolutely divine. There’s moments throughout the song that makes it feel like The Doors are a part of the song. And I do LOVE The Doors. I still remember the first time I heard this song when I bought the CD and got it home. I wound up putting “Atlanta” on repeat for at least a good hour. It’s also one of the best ending the night songs as you pull into the garage or parking spot. STP has always had a knack for writing great songs with a vibe. “Atlanta” is a great example of that! Happy Birthday Scott!
Atlanta (Through The Eyes/Ears Of Robert, Dean and Eric):
I’m not sure where or how Incubus popped in my head the other day. It was definitely out of nowhere and then suddenly I wound up with their song “Sick Sad Little World” playing in my head on repeat. I’ve always enjoyed this song. In fact I’d dare say it’s one of the best songs in the Incubus catalog. So, as it always tends to happen, I went down the rabbit hole of Incubus and remembered their captivating performance at Red Rocks in Colorado that happened during the A Crow Left Of The Murder tour cycle. This version of “Sick Sad Little World” is otherworldly and epic! The song is already epic by nature but with the extended version and added live goodies, it just makes the song so much better! Here’s to hoping Incubus can at least get back to this level on their upcoming new album!
Incubus- Sick Sad Little World (Live At Red Rocks / 2004):
Ever since Bush released their new album, The Art Of Survival back in October, I’ve been delving back into their catalog. If you haven’t heard their new album, I recommend it a lot! It’s quite good. It picks up where their previous album, The Kingdom left off. While going back through the albums, I remembered one song that I fell in love with many years ago when I was listening to Sixteen Stone. That song would be “Alien.” This deep cut is tremendous. It’s the song that should’ve ended Sixteen Stone, in my opinion. When you get to this song in order of the album, there is something about it that sort of encapsulates the themes of the record. Lyrically it can be taken in different ways but, it always felt like a song that was rooted in a sense of pain and loneliness. Gavin’s voice on the track carry the emotions in an interesting sway with the music. It feels epic while at the same time a mission statement of a song. “Alien” is one of the songs in Bush’s catalog that needs to be a part of their set list. Take a few moments to delve into this one!
Ever since I went to see The Smashing Pumpkins a coiuple weeks ago, I’ve been reliving the show in my head. One of the moments of the show that really stood out to me was when they played their cover of The Talking Heads “Once In A Lifetime.” The original version is still astounding and this version, especially the arrangement the Pumpkins put together takes on a life of its own. I still can’t get over how damn good this was.
The deep cut is something that I feel has become a lost element of music today. Everything is so focused on singles and the “hit” that so much of the time, there are songs that get left out and bypassed. As you’ve noticed the past couple years that my level of postings about The Smashing Pumpkins has gone up over that time and that’s because I’ve really delved deep in their catalog. One of the albums that I’ve truly come to love is 2007’s, Zeitgeist. Not only does this album foreshadow a lot of what our society has become but, it’s also one hell of a great album start to finish. There is a particular song on Zeitgeist that I keep going back to and that is track 3, “Bleeding The Orchid.” This song is quite interesting and profound. The song is indirectly inspired by the death of Alice In Chains singer Layne Staley and it also features a bit of an homage to the band with the harmonies you hear in the song. Also the guitar solo on this track by Billy Corgan further proves my point that he is truly an underrated guitarist. This song is one that I really wish would make it’s way into upcoming set lists as it’s an absolutely great and touching song.
The Smashing Pumpkins- Bleeding The Orchid (Live at The Viper Room, 2010):
Radiohead is one of those bands that are truly awesome. Their evolution as a band has been one of the most interesting to listen to and watch happen. The Bends will always be my favorite album of theirs but, 2000’s Kid A is a very close second. That album is one of the best since the change of the century and ever! Not only is it a fantastic album it also has my all time favorite Radiohead song on it, “How To Disappear Completely.” This song is so beautiful and haunting. I still remember the first time I heard Kid A and when it got to this song, I immediately had to put it on again. It’s one of those songs that just has all the right elements and arrangements, plus where it was placed in the sequence of the album is something else too. “How To Disappear Completely” is one of those songs too that isn’t played live too often (only 188 times since Kid A was released according to Setlist.fm) but, when it is, the crowd truly listens and lets the song take over. Singer Thom Yorke has said that this song is “the most beautiful thing we’ve done.” An interesting tidbit about this song, guitarist Jonny Greenwood is the only one in the band with music theory training and According to longtime producer/collaborator Nigel Godrich, when the band heard Greenwood’s score “they all just sort of burst into giggles, because they couldn’t do what he’d written, because it was impossible – or impossible for them, anyway.” Needless to say they figured it out and it became one of the most epic songs they would play live.
Radiohead- How To Disappear Completely (Live 2001):
