I am very excited and proud to present this Audioeclectica Interview with the one and only Paul Fig. Not only was Paul a part of the band Amen during their epic run, he’s been an in demand producer and engineer for the last 20 years. You’ve heard his work on records by Alice In Chains, Deftones, Ghost, Coheed And Cambria, Slipknot and so many more. We talk about growing up in LA, first musical memories, Amen, Sound City Studio, Engineering/Producing, and then some. So get comfortable and enjoy this fantastic conversation with the great Paul Fig!
For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.
Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.
Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.
This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.
Ah yes the elusive cover song. My it’s been a long while since there was a cover song article on Audioeclectica. The musical landscape these days has so many cover songs that there needed to be a moratorium on talking about them. Seriously, how flooded did things get with all the covers that were coming out?! It feels like there needs to be a bit of a refresher when it comes to cover songs. The point of a cover is to make it your own and that more often than not doesn’t happen. Thankfully there are some bands out there that know how to do it right, like Metallica. Back in 1998, Metallica released their double covers album, Garage Inc. Across two CD’s, Metallica paid tribute to the bands that inspired them from Black Sabbath, Diamond Head, The Misfits, Discharge, Thin Lizzy, Motorhead and more. The cover of Bob Seger’s “Turn The Page” is one of the best covers of all time. But there has always been one cover on this album that has been a favorite of mine and that is their version of Killing Joke’s “The Wait.” Originally this cover was included on Metallica’s 1987 Garage Days EP. The Killing Joke version appears on their 1980 debut album. When you hear “The Wait” by Killing Joke, you can instantly tell that this band inspired and influenced Metallica. In fact you more than likely have heard this song used in countless films and TV shows. Let’s get cover songs back on track! Here’s a great way to start it off!!!
XCOMM ARE THE REAL DEAL! I’ve been stoked on this band since I heard them a couple years ago. Already they’ve hit the ground hard with two banger releases in “Reasons” and “Fake I.D.” Now here we go with more and one in particular that is damn good! That’s right two songs in one! The video for them as well is fun, inquisitive, and very much them. Way to hit another one out of the park Dean Karr! The first song “Hot Pursuit” continues their hardcore/punk style with gritty vocals and charging riffs. The second song though is the one that’s going to put them over. “One And Nothing” is one hell of a great post-hardcore song. Not only does this show that each member has chops but, it shows they can write! Ross Robinson really got great things to come out of XCOMM. Really look forward to what is to come for these lads! Enjoy XCOMM!!
When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.
Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.
Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.
I’m very excited to bring you this interview. A few weeks back myself (Brian) along with my podcast co-host and friend Justin, had the opportunity to interview John Bush of Armored Saint/Category 7/ex Anthrax. We talk about growing up in Los Angeles at a very interesting time, Armored Saint, joining Anthrax and working with them, and of course, the John Bush plays Anthrax shows! Thank you John for taking the time! What a great show it was too! Our recap of The Whisky A Go Go show is here too! If you get the chance when it comes through, go see John Bush play his era of Anthrax songs. Seriously, it’s so damn good!!! Now, enjoy the interview below!!
Heavy Metal/Thrash Titans, Exodus have announced their twelfth studio album, Goliath, which will be out on March 20, 2026!! This is quite exciting as the band has welcomed back vocalist Rob Dukes and are really back to firing on all cylinders. The new album was produced by the band and mixed by Mark Lewis (Whitechapel, Cannibal Corpse, etc). “3111” the first single from this offering, is a ripper for sure. It’s classic Exodus but, with even more attitude and gusto. Interestingly, the song was inspired by the narco killings in Juarez, Mexico. The number 3,111 is the estimated number of murders that occurred in 2010 alone. The band band a video for the song but, it was banned by YouTube for it’s rather violent content. Exodus are going to be out on the road this year with a slew of great tours like Sepultura’s Final US Tour, Megadeth, and more! Be sure you get out to a show, they are legends for a reason!!
For well over thirty years now, Deftones have cemented themselves as one of rock and alternative music’s most influential and inspiring bands. Throughout their career, they’ve always pushed the boundaries of genres and constantly found new elements to add into their ten studio albums. When you listen to a band like Deftones, it can be a bit polarizing in that you expect one thing and get something else. Not every album in a band’s catalog is going to be amazing. Some right away will be “That One,” while others might take a bit to grow on the listener. And sometimes, you just have a dud. It all happens. Even a dud, albeit as a whole might not be good, there are still some moments or songs that give it a glimmer of a bright spot. RAnking albums is never easy especially when you tackle a catalog such as Deftones. And with that here’s the Audioeclectica Updated Album Rank.
Dino Cazares is a riff machine and master. There is no denying the impact he’s had on heavy music since 1990 when Fear Factory released their first album Soul Of A New Machine till now. From that time he’s written countless memorable songs and riffs that I’m sure are still replaying in your head as you read this. Over the years besides Fear Factory, Divine Heresy, Asesino and Brujeria, Dino has lent his skills and riffs to other groups and projects that are pretty stellar as well. The songs he wrote with the other gents on the Roadrunner United album are some of my favorites! Take a few moments and check these Dino guest appearances.
Who says you can’t have fun in Hardcore? Have you heard XCOMM?! I’ve been stoked on XCOMM for a bit now. As part of The Cobalt Presents we have had the pleasure of booking them a couple times and each time they have absolutely rocked the venue! Seriously, this band is no joke! The ferociousness is real and the venom being spit via the auditory assault will cause you to turn the volume as loud as you can. Their new single “Fake ID” is a righteous slab of straight forward hardcore punk. Produced by Ross Robinson, he has really been able to capture the raw intensity of Michael, Jay, Revel, Adan and Hunter. This new song is beyond fun as vocalist Michael Gatto said “‘Fake ID‘ rips! It’s about getting rejected from shows for being under 21 when all you want to do is check out a band. The video shoot was amazing — it was so funny to walk around town dressed as grandmas for a day. I thought we looked great and I love how the video concludes with us walking into the ocean…” I’m sure we can all relate to not being able to get into shows because of being under 21. This is the bands second single joining “Reasons” from their upcoming debut album, Time To Burn which is due out mid 2026 on Blowed Out Records — the label founded by legendary producer Ross Robinson, rapper Ghostemane and industry vet Bill Armstrong. So with that in mind, fire this song up loudly!
