New Release

ALBUM REVIEW: NEUROSIS- AN UNDYING LOVE FOR A BURNING WORLD

Don’t call it a comeback! The idea that Neurosis was finished was never a thought that was cemented in my mind. The bleak thought that it was never felt right and left the idea of a return after some time to be simmering in the heads of so many. The influence and inspiration that Neurosis has on so many bands you love is uncanny. So when the band surprise released their new album, An Undying Love For A Burning World, not only did it leave so many in awe that they had returned but, the announcement of Aaron Turner from Isis now in the band really was grabbing. When you listen to this album, it’s as though the band never left. Neurosis are masters for a reason and across the hour and few minutes the album plays, there is no sign of letting up nor drag.

There is an instant classic feel to An Undying Love For A Burning World. The way the album starts and transitions into each song makes this a listening experience that truly only Neurosis can make. The sludgy/doom riffs that parallel the atmospheric/etherial soundscapes mixed with the electronic/post-industrial tinges and uncompromising rhythms catapult these songs into the stratosphere. Then you add in the vocals and how they bring you to attention in a pleasant yet forceful way. Seriously, this band needs to be studied in music classes. The band’s already illustrious career knows no boundaries and the push into new territory on each record bleeds into this new one in a way that makes this truly feel like there was no stoppage.

A track by track run through of this album would be a disservice to anyone reading and listening. For an album like this one, it’s best to just sit with it and take it all in. There is so much to unpack within each song that makes listening to this record more and more fun each time. Since it’s release I purposely waited to write this so that I could take the time to really listen and hear all that is going on. The production of the recording and performances is stellar. Scott Evans of Kowloon Walled City was at the helm of recording An Undying Love For A Burning World and he dialed every tone in perfectly. Throughout the sixty four minutes, Steve Von Till, Dave Edwardson, Jason Roeder, Noah Landis and now Aaron Turner have made a modern masterpiece. This album comes at a time when we truly need Neurosis. The dark and pseudo apocalyptic nature of this band not only fits in the world we live in now but, could very well be the soundtrack to the demise. This band and album are not for the weak. The deeply poetic nature of the lyrics and music are substantial and direct in their message.

Neurosis have left a mission statement with An Undying Love For A Burning World. In this statement, it’s very pronounced that this is no letting up for this band. The soundtrack they create for us breathes life into a dark and dreary time to live in. The honesty in this album and passion radiates through each note and beat. One of the things I personally love about this album is that it doesn’t feel “nostalgic.” It’s fresh and full of fire that so many bands are missing. What a way to return! Seriously, this album is one of the best the band has made. If you’ve never listened to Neurosis, this album is actually a great starting off point. When you finish it, talk to me and I’ll steer you where to go next. In the meantime, enjoy all that An Undying Love For A Burning World has to offer.

Overall Rating: A

By: Brian Lacy

Neurosis- An Undying Love For A Burning World:

ALBUM REVIEW: POISON THE WELL- PEACE IN PLACE

Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.

Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!

Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!

Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.

Overall Rating: A

By: Brian Lacy

Poison The Well- Peace In Place:

NEW MUSIC SPOTLIGHT: GOUGE AWAY- FIGURINE

In March of 2024, the very awesome Gouge Away returned after a prolonged hiatus with their album Deep Sage. From the moment that album was released it has not left my rotation. It’s a superb album that hits all the right notes of hardcore, punk, emo, and then some. If anything Deep Sage is a modern post hardcore masterpiece. Now a couple years have passed and the craving for new Gouge Away has been tamed for the moment with the release of their new single, “Figurine.” This new song is a blast of ferocious energy and hits you in the feels quite hard. “Figurine” is more in the realm of punk than hardcore with the bite of both. Gouge Away recently signed with Run For Cover records and are gearing up for quite a year of shows including being handpicked by Foo Fighters to open a few of their shows later in 2026. I’m very much looking forward to new Gouge Away. Please let there be a headlining Los Angeles show in the near future!!! Enjoy “Figurine”!!!

Gouge Away- Figurine:

ALBUM REVIEW: LAMB OF GOD- INTO OBLIVION

For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.

Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.

Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.

This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.

Overall Rating: 9/10

By: Brian Lacy

Lamb Of God- Into Oblivion:

NEW RELEASE: SLOW CRUSH- QUE DU NOIR / HALLOWED

I’m completely enthralled by the band Slow Crush. Their style of shoegaze has struck the right chord with me. The way they mix the heaviness with the dreamy is stellar. More bands that are in this style should take note of how Slow Crush makes those dynamics work. If you haven’t already, I highly suggest you listen to their album, Thirst, it’s truly a modern masterpiece and a blueprint for modern shoegaze. Today though, Slow Crush released 2 new songs called “Que Du Noir / Hallowed” and it’s been on repeat all morning and will be throughout the rest of the day and week. The songs are dreamy and full of lush soundscapes and textures that makes you feel like you are swimming. The lyrics are quite deep but feel alive at the end. These new songs have a fun aspect to them with one song with one sung in english and the other in french. Both of them are stunning with the one in french being a tinge more mystical. Slow Crush starts a US tour this week. Be sure to catch them if you can. I know I’m going to try to! Enjoy!

Que Du Noir:

Hallowed:

NEW MUSIC SPOTLIGHT: HELD.- CONSTANT TENSION

A couple of days ago one of the most exciting new bands, Held., released a new song that has been on constant repeat on my stereo. The song is called “Constant Tension” and oh my is it intense. Songs like this that really tug at your heartstrings are exciting and build into a danger that is lacking in music today. The post-hardcore aspect of the song mixed with the raw vocal makes this an unbeatable track. This trio of Douglas Robinson, Sal Mignaro, and Josh Eppard is explosive and rich in passion. I’m very much looking forward their debut album, Grey, which is out on May 15th!

By: Brian Lacy

HELD.- Constant Tension:

SONG(S) OF THE WEEK: XCOMM- HOT PURSUIT / ONE AND NOTHING

XCOMM ARE THE REAL DEAL! I’ve been stoked on this band since I heard them a couple years ago. Already they’ve hit the ground hard with two banger releases in “Reasons” and “Fake I.D.” Now here we go with more and one in particular that is damn good! That’s right two songs in one! The video for them as well is fun, inquisitive, and very much them. Way to hit another one out of the park Dean Karr! The first song “Hot Pursuit” continues their hardcore/punk style with gritty vocals and charging riffs. The second song though is the one that’s going to put them over. “One And Nothing” is one hell of a great post-hardcore song. Not only does this show that each member has chops but, it shows they can write! Ross Robinson really got great things to come out of XCOMM. Really look forward to what is to come for these lads! Enjoy XCOMM!!

By: Brian Lacy

XCOMM- HOT PURSUIT / ONE AND NOTHING:

NEW MUSIC SPOTLIGHT: BLACK MAGNET- ROOM FULL OF HAMMERS

For quite a while now, I’ve been heavily into the band Black Magnet. I absolutely love the way the industrial, punk, metal, and bits of post-punk are put together. The last two albums, Body Prophecy and Megamantra are modern industrial classics. What I have to share with you all today is the first of two new Black Magnet songs. “Room Full Of Hammers” was written as an outlier song during the Megamantra sessions. After working and focusing on a full length, James Hammontree wanted to write in a more free-form way without any lofty goals or in the focus of an album. The end result is bone crushing and pummeling. This song is very loose sounding but full of attitude and bite for days. There’s even a really fun punk energy to this song that feels like it’s straight out of Ministry circa 1988-1991. Make sure to crank your volume up loudly for “Room Full Of Hammers!”

Black Magnet- Room Full Of Hammers:

NEW MUSIC SPOTLIGHT: POISON THE WELL- EVERYTHING HURTS

With easy passing day, we are getting closer to the release of Poison The Well’s new album, Peace In Place. A couple of weeks back they released the first single, “Thoroughbreds” which definitely hit the mark. Now the second single has been released and it’s so damn good. “Everything Hurts” has that signature quiet/loud dynamic that is the right mood and melodic tinge that makes me love Poison The Well. To top it off too, “Everything Hurts” flows quite well out of the end of “Thoroughbreds.” I do believe we have another a Top Ten album of the year coming up with Peace In Place. March 20th can’t come soon enough! And the tour with Converge… I will see you there!

Pre-Order Peace In Place HERE

Poison The Well- Everything Hurts:

Poison The Well- Thoroughbreds:

NEW RELEASE: FAILURE- THE AIR’S ON FIRE

I’m beyond excited about this. New FAILURE has arrived! “The Air’s On Fire” is the first single off their upcoming new album, Location Lost, which arrives April 24th!!! This upcoming new album will be the bands seventh studio album and features nine new songs including one with a guest spot from Paramore’s Hayley Williams. The song “The Air’s On Fire” has been unveiled as the first single from this new offering and is now streaming below. “The Air’s On Fire” is a track that was directly influenced by a back injury that vocalist/guitarist, etc. Ken Andrews suffered and a challenging recovery process that ensued from the resulting surgery. Speaking on the song, Ken said “That song is directly about my surgery and waking up. I basically coded. Everything was spinning. I kept saying, ‘Turn the air on. I’m fine—just take me home.’ I was definitely not fine.” Leave it to Failure to make an epic song from this. Failure will be touring shortly after the albums release. I highly recommend you see Failure live. It will change your life!

Pre-Order Location Lost: HERE

FAILURE- THE AIR’S ON FIRE: