review

ALBUM REVIEW: NEUROSIS- AN UNDYING LOVE FOR A BURNING WORLD

Don’t call it a comeback! The idea that Neurosis was finished was never a thought that was cemented in my mind. The bleak thought that it was never felt right and left the idea of a return after some time to be simmering in the heads of so many. The influence and inspiration that Neurosis has on so many bands you love is uncanny. So when the band surprise released their new album, An Undying Love For A Burning World, not only did it leave so many in awe that they had returned but, the announcement of Aaron Turner from Isis now in the band really was grabbing. When you listen to this album, it’s as though the band never left. Neurosis are masters for a reason and across the hour and few minutes the album plays, there is no sign of letting up nor drag.

There is an instant classic feel to An Undying Love For A Burning World. The way the album starts and transitions into each song makes this a listening experience that truly only Neurosis can make. The sludgy/doom riffs that parallel the atmospheric/etherial soundscapes mixed with the electronic/post-industrial tinges and uncompromising rhythms catapult these songs into the stratosphere. Then you add in the vocals and how they bring you to attention in a pleasant yet forceful way. Seriously, this band needs to be studied in music classes. The band’s already illustrious career knows no boundaries and the push into new territory on each record bleeds into this new one in a way that makes this truly feel like there was no stoppage.

A track by track run through of this album would be a disservice to anyone reading and listening. For an album like this one, it’s best to just sit with it and take it all in. There is so much to unpack within each song that makes listening to this record more and more fun each time. Since it’s release I purposely waited to write this so that I could take the time to really listen and hear all that is going on. The production of the recording and performances is stellar. Scott Evans of Kowloon Walled City was at the helm of recording An Undying Love For A Burning World and he dialed every tone in perfectly. Throughout the sixty four minutes, Steve Von Till, Dave Edwardson, Jason Roeder, Noah Landis and now Aaron Turner have made a modern masterpiece. This album comes at a time when we truly need Neurosis. The dark and pseudo apocalyptic nature of this band not only fits in the world we live in now but, could very well be the soundtrack to the demise. This band and album are not for the weak. The deeply poetic nature of the lyrics and music are substantial and direct in their message.

Neurosis have left a mission statement with An Undying Love For A Burning World. In this statement, it’s very pronounced that this is no letting up for this band. The soundtrack they create for us breathes life into a dark and dreary time to live in. The honesty in this album and passion radiates through each note and beat. One of the things I personally love about this album is that it doesn’t feel “nostalgic.” It’s fresh and full of fire that so many bands are missing. What a way to return! Seriously, this album is one of the best the band has made. If you’ve never listened to Neurosis, this album is actually a great starting off point. When you finish it, talk to me and I’ll steer you where to go next. In the meantime, enjoy all that An Undying Love For A Burning World has to offer.

Overall Rating: A

By: Brian Lacy

Neurosis- An Undying Love For A Burning World:

ALBUM REVIEW: POISON THE WELL- PEACE IN PLACE

Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.

Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!

Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!

Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.

Overall Rating: A

By: Brian Lacy

Poison The Well- Peace In Place:

ALBUM RANK: LINKIN PARK

Ranking albums is never easy. More often than not it’s all based on opinion anyways. Which is totally fine and respectable, provided of course you have good reasoning behind your choices. Certain bands have a catalog that makes it difficult to put in an order. There might be an album that is very personal to ones self and then there is an album that is just sonically so different that it stands out so much in a great way. Linkin Park is one of those types of bands. Their early records really struck a cord with the younger audience and certain ones grew with the band, while some just wanted what they had at that moment. One thing is for certain, over time, Linkin Park has proved why they catapulted to the highest level. Take a few to delve into their catalog and discover things you most certainly have missed.

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ALBUM REVIEW: LAMB OF GOD- INTO OBLIVION

For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.

Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.

Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.

This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.

Overall Rating: 9/10

By: Brian Lacy

Lamb Of God- Into Oblivion:

BAND OF THE WEEK: AYVA

Last year while booking a show for a Cobalt Presents event, I came across a young artist that really caught my attention. When she and her band played that night, I knew this was more than just a young kid playing music. This was the real deal and there was so much more to it. Let me introduce you to AYVA. At only 17 years old, Ayva is ready to kick down the doors and rock your socks off. Armed with her PRS guitar and a deceptive voice, the moment Ayva starts rocking you can feel it. The songs are one hundred percent original and all hers. You know the saying big things come in small packages? Well that’s Ayva for sure! Mixing hard rock, alternative, punk and a bit of 70’s glam (a la T Rex or Iggy Pop solo), you get a heavy melodic sound with vocals that hit emotional cue inside as you listen. Her debut album, The Monster, is one hell of a record. Like I said, Ayva is only 17 and to write the songs she has it just shows the passion and dedication to the craft. At a time when the EP has become a standard for young bands, Ayva’s debut album is 12 songs of really great modern melodic hard rock. It’s funny, kids these days have quite the keen sense for music people like myself grew up on, and Ayva really picks great inspiration to guide her. Her latest single “Tearing Apart” is a slab of alternative rock with a heavy edge. I’m quite excited to see and hear what the future hold for Ayva. You can see Ayva Live at The Cobalt Presents/Audioeclectica’s March Showcase at Hotel Ziggy (Hollywood) on Saturday March 28th! Enjoy!

By: Brian Lacy

Ayva- Tearing Apart:

Ayva- The Monster:

AYVA ONLINE:

https://ayvamusicofficial.com/

https://www.instagram.com/ayvamusicofficial

https://www.facebook.com/ayvamusicofficial

LIVE REVIEW: NINE INCH NAILS AT HONDA CENTER

Everyone has that one band they absolutely love. That one band that every time they come to town, you drop what you are doing to go see them live. Since the year 2000 when I first saw my all time favorite band, Nine Inch Nails live, I have made it a point to be at every single Los Angeles area show they have done since as well as a few others outside of the area. Last year I had the chance to attend both nights of the Peel It Back tour. I even remember telling my friends I was with, if this tour does a second round, I have to go, this was too damn good not to see again. And low and behold not long after the first leg wrapped up, the second leg was announced. Of course this one had to be in Orange County but, it’s Nine Inch Nails, and I’ll make the trek. After this show, my total of seeing Nine Inch Nails is up to twenty two times and I’m not even close to being done seeing them. This night at the Honda Center not only was astoundingly sublime but, filled with great memories to last a lifetime (wink wink).

The way the show starts on the small B stage is something really special. The stripped down piano version of “Right Where It Belongs” is devastatingly stunning. Then you add in a bit of my all time favorite song in “Somewhat Damaged” and it’s a recipe for greatness. The emotional weight of both those songs are enough to bring tears to your eyes, as it did Trent. Then moving into a partially solo/acoustic performance of “Ruiner” was something else as well. That song in particular sounded so good with just a piano. Then to close out that section with “Piggy (Nothing Can Stop Me Now)” remix really gets the crowd’s energy pumping as Trent and band made their way to the main stage. The space in between was filled with a glorious Josh Freese drum solo section that included a snippet of “Getting Smaller” (which I hope that song makes its way into future set lists). Josh is so special in Nine Inch Nails. If you’ve seen NIN before you know what I mean. The second act on the main stage was just an onslaught of heavy classics like “Wish,””March Of The Pigs,” “Gave Up,” “Heresy.” One of the coolest moments was when “The Frail” was used as the transition out of “March Of The Pigs” into “Reptile.” Wow! What a seriously surreal section of the show. The seemlessness of the way those two songs meld together should be studied. Then we moved back to the small stage for the “Remix” section of the show. The way these remixes hit the audience is wild. If you’ve never been to a rave, this is a small glimpse into the fun you could be having. “Vessel,” and “Closer,” got the crowd jumping and dancing. Then you got hit with the How To Destroy Angels song “Parasite” and that in itself was a treat. This remix version is quite the jam. Closing out this section was the newest song “As Alive As You Need Me To Be.” This song I can’t get enough of. Watching all the camera angles this evening and how Trent, Atticus and BoyzNoize manipulate the sounds was exciting and inspiring. Sure certain parts were on tape but the live remixing really takes things to a whole other level. Now back to the main stage and more awesomness as “Mr. Self Destruct” erupted with such a loud pop that you couldn’t tell if it was Josh’s drums or the audience. The rest of the set was just choice cuts like “Less Than,” “The Hand That Feeds,” and “Head Like A Hole.” I’m personally glad to see “The Perfect Drug” still in the set. This song was for years not played live and in the last few years and tours, it’s been a prominent staple! Plus getting to watch Josh Freese on drums during that drum break is so exquisite. And as always, “Hurt” closed out the show.

The production for this show is something else. The tight camera angles mixed with the lights and visuals makes for a very intense visual show. Then you add in the music, lyrics and vocals, and it just comes together so perfectly. I’ve seen this show three times now and this one just might been the best one. I’ve seen Nine Inch Nails twenty two times now and this was one of the best tours I’ve ever seen. The addition of Stu Brooks to the band brought even more life and energy to the band live. As good as Alessandro was at his instruments his lack of energy on stage always seemed to be a damper. Stu on the other hand moves around and you can see/hear the vitality in him as the songs are played. This lineup of Trent, Atticus, Robin, Josh and Stu is one that I hope stays for a long while. Nine Inch Nails are one of the best live bands of all time. Each tour evokes something different as it should. The sheer intensity you get from a NIN show is unlike anything else. Even the most casual fan will walk out of the show a full fledged fan. The albums and songs are timeless and will be for generations to come. Who knows how much longer Trent will keep going. I surely hope he’s not done yet. Nine Inch Nails are more than just a band. If you are like me, it means so much more. Plus, we still need a full on tour for The Fragile! Just putting that out in the universe to make happen!! What a night and show. If you’ve never seen Nine Inch Nails, make a point to rectify that! You won’t be sorry!

Overall Grade: A

By: Brian Lacy

Setlist:

01) Right Where It Belongs (Acoustic, with Somewhat Damaged Outro)
02) Ruiner (Partially Acoustic)
03) Piggy (Nothing Can Stop Me Now)
04) Wish
05) March Of The Pigs
06) The Frail
07) Reptile
08) Heresy
09) Copy Of A
10) Gave Up
11) Vessel (with BoyzNoize- Remix)
12) Closer (with BoyzNoize- Remix)
13) Parasite (How To Destroy Angels Cover- with BoyzNoize- Remix)
14) As Alive As You Need Me To Be (with BoyzNoize- Remix)
15) Mr. Self Destruct
16) Less Than
17) The Perfect Drug
18) I’m Afraid Of Americans (David Bowie Cover)
19) The Hand That Feeds
20) Head Like A Hole
21) Hurt

THOSE 90’S SONGS: LIT- MY OWN WORST ENEMY

I’m constantly intrigued by songs of a certain era that live on. You know what I’m talking about. Those songs you heard on the radio that were so popular that they became a part of the whole time. The 80’s and 90’s especially have a ton of these types of bands/songs. What’s even more interesting is the albums these songs are on, most often are pretty damn good and the deeper cuts are what makes it even better over time. One band that has become a mainstay for one hit, though they actually had other hit songs, is Lit. Their 1999 album, A Place In The Sun, produced the songs “Zip-Lock” and “Miserable” but, the one we all know most is “My Own Worst Enemy.” The instant this song starts it’s infectious. The hook is right there in the riff and then the chorus just always explodes into a singalong. Still to this day, if this song gets played at a bar, a concert or just hanging out, it always brings out a good time. I still get a silly smile on my face when this song comes on. “My Own Worst Enemy” would go on to be number one on the Billboard Modern Rock Charts as well as being the top song played on Modern Rock Radio for all of 1999. The song to this day is double platinum (sales of over 2 million) and stands as a testament to a time of 90’s rock music that is still alive and rocking. Fun fact too, “My Own Worst Enemy” is one of the most sung karaoke songs in the United States. Lit is still out on the road touring and making memories with their classics.

Lit- My Own Worst Enemy:

ALBUM REVIEW: CONVERGE- LOVE IS NOT ENOUGH

When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.

Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.

Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.

Overall Rating: 9/10

By: Brian Lacy

Converge- Love Is Not Enough:

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ALBUM REVIEW: BLACKWATER HOLYLIGHT- NOT HERE NOT GONE

2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.

Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.

What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.

Overall Rating: A

By: Brian Lacy

Blackwater Holylight- Not Here Not Gone: