It’s only been about a month since Converge released their tenth studio album, Love Is Not Enough. That album has not left my rotation since. Now, we get word that another album is on its way in the form of, Hum Of Hurt. When the band got together to write for their new album, they had a wealth of material. As work began the band realized they had two separate albums and charged forward as such. The first song released from this new album is the title track, “Hum Of Hurt” and it’s a blistering song that confronts one’s inner self. What a song! Converge are truly on a creative run and what a time to be here for it. Hum Of Hurt will be out on June 5th! Enjoy!
Don’t call it a comeback! The idea that Neurosis was finished was never a thought that was cemented in my mind. The bleak thought that it was never felt right and left the idea of a return after some time to be simmering in the heads of so many. The influence and inspiration that Neurosis has on so many bands you love is uncanny. So when the band surprise released their new album, An Undying Love For A Burning World, not only did it leave so many in awe that they had returned but, the announcement of Aaron Turner from Isis now in the band really was grabbing. When you listen to this album, it’s as though the band never left. Neurosis are masters for a reason and across the hour and few minutes the album plays, there is no sign of letting up nor drag.
There is an instant classic feel to An Undying Love For A Burning World. The way the album starts and transitions into each song makes this a listening experience that truly only Neurosis can make. The sludgy/doom riffs that parallel the atmospheric/etherial soundscapes mixed with the electronic/post-industrial tinges and uncompromising rhythms catapult these songs into the stratosphere. Then you add in the vocals and how they bring you to attention in a pleasant yet forceful way. Seriously, this band needs to be studied in music classes. The band’s already illustrious career knows no boundaries and the push into new territory on each record bleeds into this new one in a way that makes this truly feel like there was no stoppage.
A track by track run through of this album would be a disservice to anyone reading and listening. For an album like this one, it’s best to just sit with it and take it all in. There is so much to unpack within each song that makes listening to this record more and more fun each time. Since it’s release I purposely waited to write this so that I could take the time to really listen and hear all that is going on. The production of the recording and performances is stellar. Scott Evans of Kowloon Walled City was at the helm of recording An Undying Love For A Burning World and he dialed every tone in perfectly. Throughout the sixty four minutes, Steve Von Till, Dave Edwardson, Jason Roeder, Noah Landis and now Aaron Turner have made a modern masterpiece. This album comes at a time when we truly need Neurosis. The dark and pseudo apocalyptic nature of this band not only fits in the world we live in now but, could very well be the soundtrack to the demise. This band and album are not for the weak. The deeply poetic nature of the lyrics and music are substantial and direct in their message.
Neurosis have left a mission statement with An Undying Love For A Burning World. In this statement, it’s very pronounced that this is no letting up for this band. The soundtrack they create for us breathes life into a dark and dreary time to live in. The honesty in this album and passion radiates through each note and beat. One of the things I personally love about this album is that it doesn’t feel “nostalgic.” It’s fresh and full of fire that so many bands are missing. What a way to return! Seriously, this album is one of the best the band has made. If you’ve never listened to Neurosis, this album is actually a great starting off point. When you finish it, talk to me and I’ll steer you where to go next. In the meantime, enjoy all that An Undying Love For A Burning World has to offer.
Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.
Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!
Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!
Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.
For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.
Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.
Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.
This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.
2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.
Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.
What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.
There must be something about today because, the new music is pouring in today! The mighty Converge have released “We Were Never The Same” the closing song from their upcoming album, Love Is Not Enough, which is out February 13 via Epitaph Records. The title track was already a punch to the face and now the closing song is one of those gut punches that is full of pure raw emotion. Converge are one of those bands that are not one to be complacent about their music and art. This album definitely has all the makings of it being another classic for Converge! Can’t wait to hear these songs live and for this album!
I know I’m excited about this and many of you are too. Poison The Well have announced their first NEW ALBUM is 16 years!! Peace In Place will arrive on March 20, 2026 via Sharptone Records. The new album was produced by Will Putney (Better Lovers, Every Time I Die, etc) and it sounds as sharp (no pun intended) and direct as I’d hope it would. The first single “Thoroughbreds” has some reminders of the Tear From The Red era mixed with where they left off with The Tropic Rot. As a long time Poison The Well fan this is quite exciting. Their reunion show a few years back proved that their comeback was needed. Then each time they’d come back to celebrate The Opposite Of December or You Come Before You, you could feel it in the crowd that Poison The Well was coming back like a force of nature! March 20th can’t come soon enough!!
There is nothing better than starting off a new year with an album you are highly anticipating. And when said album comes out the first month of said new year, you can look at it as a precursor to great things to come. With that in mind take a few minutes to dig into these first three singles released from Blackwater Holylight’s upcoming new album, Not Here Not Gone, which arrives Friday January 30th via Suicide Squeeze Records. I’ve been thoroughly impressed by Blackwater Holylight for some time now. Their, If You Only Knew EP, was one of my favorite releases of 2025. As the table is set for Not Here Not Gone, and based off of “Heavy, Why?,” “Involuntary Haze,” and now “Bodies,” this new album is going to rock the socks off you. The delicate and etherial nature of the band mixed with the crushing riffs and pulsating rhythms, is sure to make this new offering from Blackwater Holylight one of the best releases of 2026. I’m very much looking forward to this album and the tour that will soon follow. Be sure to check this band out and let them know Brian from Audioeclectica sent you!
After 5 long years, A.F.I. have returned with their first new release. “Behind The Clock” is the first single from their upcoming twelfth studio (that’s right 12 full length studio albums), Silver Bleeds The Black Sun…, which comes out October 3rd via Run For Cover Records! This new song feels like it falls in the Sing The Sorrow/Burials era which to me is awesome since those are my two favorite A.F.I. albums.
As for the rest of the album, the band as stated “‘The goal of ‘Silver Bleeds The Black Sun…‘ was to make an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront. The result is an album that feels out of time, at once familiar and fresh, drawing on classic sounds and reinterpreting them through a modern lens. ‘Silver Bleeds The Black Sun…‘ is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.’ So with that in mind, I’m quite eager to hear what they have coming up. It really feels like the gents in A.F.I. have laid it all out on this record.
I love that feeling of putting an album on without any pre conceived thoughts and getting absolutely swept away by it. That’s exactly what happened the instant the first beat hit on Heavy Halo’s new album Damaged Dream. The moment I put this album on I was hooked. I’m not sure what I was looking for at the moment but, I knew this album was for me. Since I got this album, it has been in non stop rotation for me. Actually I’ve been aching to write about this album and share it with you all.
Heavy Halo’s sound is packed with so many things that I love like industrial, alternative rock, electronic elements and a nice splashing of gothic expression. Imagine if Nine Inch Nails, The Smashing Pumpkins, The Cure and early New Order (Movement era) all combined forces to create music, that combination is what you get on Damaged Dream. Throughout the ten songs on this album you get lost in the ambience, pulsating beats, driving guitars and great soaring melodies that add the light to a dark setting. There are hooks aplenty found throughout Damaged Dream and they are more like ear candy. Lyrically this is a deeply reflective album that hits you in all the feels in a great way. It’s a more uplifting feeling than what most bands would tend to do.
The way this album flows from start to finish is like blood flowing. It’s quite the rush. There isn’t one song on here that feels out of place. Each track is drenched with this feeling that makes you want to get up and move. Not necessarily in a “dancing way” but, more so in a way that gets you revved up for taking on a day and conquering it. I’d love to pinpoint certain songs but, it’s better if you just listen to this album from start to finish. It’s one of those albums! I really love this album. So much so that it’s definitely in my top 5 of 2025! Do yourself a favor and take some time and let Heavy Halo rock your world!
