Album Of The Week

ALBUM OF THE WEEK: TRAUMA RAY- CARNIVAL

What is going on with shoegaze these days? When did this subgenre become such a phenomenon? I’ve been trying to find the point of origin and it’s quite complex. Instead of trying to figure out all that at the moment, why not just enjoy the best of what’s out there. The ones that have really left a mark on me have done just that. These select bands and albums have not just found their way into constant rotation, they’ve separated themselves from the pack well enough to make a lasting impression on the genre and era. Trauma Ray is one of those bands and their latest release, the EP, Carnival, absolutely cements that.

Carnival is one of those perfect EP’s that is a burst of creativity. By opening up the writing to be more collaborative, the vast expansive inspiration is aplenty here. This unlocked a whole other world for the band to travel in. What’s interesting too is these influences are cast without biting off a duplicate rendition. If you’ve heard the bands debut, Chameleon, you can definitely hear the wings stretching here. In a way it reminds me of the band Brand New and how the more open collaboration made the band even better. What Carnival does across five songs and twenty five minutes makes you fall into a trance of lush soundscapes, dreamy vocals, riffs and melodies that caress the delicate and at times intense rhythms. The use of not just shoegaze aspects is another treat. Like many of the other great bands of this genre, there is more to Trauma Ray. Other sounds and styles like metal, alternative, sludge, doom, grunge, ambience all play a part in making this one stand out release. Each song takes on a bit of a life of its own with the way the influences shine.

It’s very refreshing to hear a band like Trauma Ray taking the sum of their parts and realizing making a record that not only showcases the individual effort but pushes the band forward into making great music. Carnival is for sure a ride and one worth riding over and over again.

Buy Carnival HERE

By: Brian Lacy

TRAUMA RAY- CARNIVAL:

Hannibal (Music Video):

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ALBUM OF THE WEEK: THE OWLING- YOU DON’T BOW YOU WILL LEARN

I love albums that you can put on and let them just take you on a ride. Then there is that feeling you get when that right chord, melody or rhythm strikes. Also, it’s really refreshing to hear a band make an actual “album” and not just a collection of songs! Let me introduce you to, The Owling! This two piece Los Angeles based band is fast becoming a favorite of mine. Their sound is the perfect mix of 90’s Rock, Doom and Sludge with a very cinematic/poetic approach. The Owling’s debut album, You Don’t Bow You Will Learn, is a of righteous slab of riffs, and driving rhythms with vocals that soar. Think about driving down an open desert highway at sunset or sunrise with the windows down and this album blasting. Are you there yet? That’s exactly how this album feels. With each listen you find a different song to be your favorite. One other aspect about You Don’t Bow You Will Learn that I really enjoy is the use of space/ambience. When you listen, at certain moments, it’s almost like the fog machine is on and you get lost in the epic nature of the song. I very much look forward to what 2026 will bring for The Owling! Check out this band and be sure to buy a copy of their debut album and see them live! Also, quick shout out to Dean Karr for his badassery of great photo’s of the band and album cover. Talk about nailing an essence in a photo!

The Owling- You Don’t Bow You Will Learn:

ALBUM OF THE WEEK: WITKIN- THINGS I MIGHT’VE SAID

In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.

Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.

I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!

Overall Rating: 9/10

Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”

Witkin- Things I Might’ve Said:

ALBUM OF THE WEEK: HO99O9- TOMORROW WE ESCAPE

A few years back my friend Adam suggested I check out the band HO99O9 (pronounced Horror). I had heard the name before and was mildly curious. Then after I checked it out, I was hooked. Not long after that, we wound up going to a sort of secret show in the back of a coffee shop in Downtown Los Angeles to see HO99O9. That show really cemented for me what this band is all about. Intense isn’t the right word, more like vicious is a better way to describe this duo. HO99O9 blurs the line between hip hop, metal, industrial, electronic and then some. Having toured with Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, Cypress Hill, and Ghostface Killah, they definitely have the pedigree behind them.

Tomorrow We Escape is the bands third full length album. This one is very direct and focused on a mission. Throughout the 11 song album, there are many twists and turns that keep you captivated and trying to guess what’s next. The chaos is controlled yet burns its own path. From the instant the first song “I Miss Home” begins all the way through to the epic closer “Godflesh,” there is no letting off the pedal. Chock full of powerful beats that pulsate even in your brain even after the song is done, hooks that feel catchy but not cheesy and an edge that is razor sharp that cuts so deep. Other standout tracks include “Escape,” “OK, I’m Reloaded,” “Upside Down, and “L.A. Riots.” There are two specific songs though that truly shine on this album. The first being “Tapeworm” which features Greg Puciato (Dillinger Escape Plan, Better Lovers, The Black Queen, etc) and it’s one hell of a song. Greg takes the song to a whole other level. Just listen and you’ll know what I mean. And the other one is “Immortal” which features Chelsea Wolfe. This track is a complete 180 for the band and it is hauntingly dreamy. There’s a soothing touch to this song.

This is the album, I’ve been waiting for HO99O9 to make. The OGM and Yeti Bones have truly found their path on Tomorrow We Escape. All the elements that were thrown into the mix have a distinct place on these songs. When you think something might be out of place or a little weird, it’s not, just go with it and let it sink in. If you are looking for a barn burner of an album, this one is for you. I highly recommend you play this one loud and make sure your windows are down, it might shatter glass!

Overall Rating: A

Review By: Brian Lacy

HO99O9- Tomorrow We Escape:

ALBUM OF THE WEEK: BLACK MAGNET- MEGAMANTRA

Over the last couple of years, Black Magnet has been a band I’ve become quite fond of. Each album has upped the ante of not just creating great industrial music but, has breathed new life into the genre. Which brings me to the album of the week, Black Magnet’s new record, Megamantra. If you are a fan of classic industrial a la Ministry, Godflesh, Broken/Downward era Nine Inch Nails then you will absolutely love Megamantra.

Black Magnet’s Megamantra is an album not for the faint of heart. This album is a hard charging, pummeling piece of work. The dark yet lush dynamics found on this record really captivate the listener. While the subject matter on the album is chock full of heavy and harsh realities, the songs are layered with an anthemic sensibility that packs obscene amounts of energy into each track. The guitars are razor sharp and the riffs hit you like a ton of bricks. The synth work on this album is on par with the likes of Nine Inch Nails and it creates an additional mood that compliments the hard driving riffs and thunderous drums (which are live- thank you Noah!!!). Throughout the 9 songs on the album, you can most definitely sense that this is a “complete album.” The whole album is a standout track. I implore you to listen to this album from start to finish.

James Hammontree, the bands founder, guitarist, and vocalist has put together a lineup for this album that truly explodes upon first listen. Compelling is a great way to describe this record. After listening to this album, one, you’ll more than likely want to start it over, because it’s that good, and two, you’ll really want to go see Black Magnet live. The way these songs flow into one another as well as the very direct approach in writing makes Megamantra one of the best albums of 2025. Black Magnet is a band for now and the future so make sure you connect with this one!

Overall Rating: A

Standout Tracks: The Whole Album

Black Magnet- Megamantra:

ALBUM OF THE WEEK: HEAVY HALO- DAMAGED DREAM

I love that feeling of putting an album on without any pre conceived thoughts and getting absolutely swept away by it. That’s exactly what happened the instant the first beat hit on Heavy Halo’s new album Damaged Dream. The moment I put this album on I was hooked. I’m not sure what I was looking for at the moment but, I knew this album was for me. Since I got this album, it has been in non stop rotation for me. Actually I’ve been aching to write about this album and share it with you all.

Heavy Halo’s sound is packed with so many things that I love like industrial, alternative rock, electronic elements and a nice splashing of gothic expression. Imagine if Nine Inch Nails, The Smashing Pumpkins, The Cure and early New Order (Movement era) all combined forces to create music, that combination is what you get on Damaged Dream. Throughout the ten songs on this album you get lost in the ambience, pulsating beats, driving guitars and great soaring melodies that add the light to a dark setting. There are hooks aplenty found throughout Damaged Dream and they are more like ear candy. Lyrically this is a deeply reflective album that hits you in all the feels in a great way. It’s a more uplifting feeling than what most bands would tend to do.

The way this album flows from start to finish is like blood flowing. It’s quite the rush. There isn’t one song on here that feels out of place. Each track is drenched with this feeling that makes you want to get up and move. Not necessarily in a “dancing way” but, more so in a way that gets you revved up for taking on a day and conquering it. I’d love to pinpoint certain songs but, it’s better if you just listen to this album from start to finish. It’s one of those albums! I really love this album. So much so that it’s definitely in my top 5 of 2025! Do yourself a favor and take some time and let Heavy Halo rock your world!

Standout Tracks: THE ENTIRE ALBUM!

Overall Rating: A

Heavy Halo- Damaged Dream:


ALBUM OF THE WEEK: BLACK MAP- HEX

Ever since I heard “I’m Just The Driver” by Black Map a few years back, I’ve been hooked on them. When I think of the band Black Map, I know I’m consistently going to be hearing a really solidly good rock record with great riffs, soaring melodic and velvety vocals, pulsating low end and thunderous drums. So it’s no surprise to me that their new album Hex, delivers the goods on this record.

From the get go the rock begins. Chock full of hooks and those driving riffs and rhythms, “Disintegrate” sets the tone for what the next eight songs bring. There are moments that remind me a bit of Thrice, Cave In and Failure throughout. The melodic sensibilities that compliment the heaviness on the album is what makes Black Map stand out. And if what the company in which I just mentioned is what this is reminiscent of, that’s some good association. The way this album flows shows that Black Map have really honed in on creating a lush album. At times too even when the music goes into a slower tempo, the weight of the lyrics and delivery of the vocals of Ben Flanagan are just as heavy as his bass, or Mark Engles guitar tone, or the earth shattering drums of Chris Robyn.

There’s a very introspectiveness to this album. In a time when there is a lot to think about and deal with, having a voice like Ben’s that melody rich and soaring with passion, gives the listener ease and connection without having to shout or scream. Though there are moments that are very direct. The guitar work on Hex is also a bit more in a progressive nature. Not in the way of Dredg, even though there are shades of it, it’s more in tune with how Failure expands upon it’s sound in a spacey way. And to top it off with Chris Robyn’s drums it’s like the icing and cherry on top as the bass lines and drums connect in a way that as I mentioned above is quite thunderous. Trust me, when you hear it live, you will definitely know! Hex is a tremendous album that packs quite a lot of goodies in it’s 32 minute running time. And it’s one of those that you’ll want to start again so you can pick out more things to enjoy about this record. And a round of applause to producer Beau Burchell who really brought out some of the best work the band has done.

Overall Rating: 9/10

Standout Tracks: ALL OF THEM!

Review By: Brian Lacy

Black Map- Hex:







ALBUM OF THE WEEK: GUILTLESS- TEETH TO SKY

For a while now, I’ve been searching for the a certain type of band to come along and ease my pain of not having Neurosis nor Isis (the band) being active. I know that sounds silly considering there are plenty of bands out there that I’ve heard that could possibly do it but, I’ve been looking for that one band to take that style a bit in a different direction and I found it. Guiltless, a fitting name for a band that definitely has that Neurosis vibe (their album is released through Neurot Recordings and guitarist/vocalist Josh Graham did work with Neurosis creating visual components). Joining forces with Sacha Dunable, Billy Graves and Dan Hawkins, members of Intronaut and Generation Of Vipers, this devastating four piece has taken the good old fashioned doom sound and added some really fun twists, turns and dynamics to push beyond that sound.

The debut album, Teeth To Sky is quite the eruption. Throughout the 8 songs and over 40 minutes of the album, the way it becomes immersive is quite the listening experience. There’s a ton of little nuances found throughout the songs that give Teeth To Sky the charm it has. Mixing doom with post metal, noise rock, ambient undertones and the twist… optimism. The addition of optimism in this style of music is quite interesting and part of the reason why it took me a minute to write this. I’ve been listening to this album for the past few weeks, eating up all the things I was looking for. As I kept listening especially listening with my really awesome headphones on, that’s when I started to figure out this album. There’s a reoccurring theme found on the album of how “one must take advantage of life” and in the times we are in, it’s pretty epic to find that in this style of music.

To describe each song and get into that would take away from the effect you’d have from listening on your own. The bludgeoning aggressiveness that is found throughout propels the album but, Teeth To Sky is more than that. This album is one of those that will grow on you as it did with me. I look forward to hearing more from Guiltless and seeing how they develop and evolve. These songs need to be played live and I would bet that the decibel levels will be astounding. Definitely give Guiltless and this crushing debut album a ton of listens. And if/when they arrive in your town, I’d go see them too!

Overall Rating: 8.5/10

By: Brian Lacy

Guiltless- Teeth To Sky:

Album Of The Week: Machinekit- GODDAMNVANITY

Well, I can officially say I have a favorite album of 2025 so far. I’ve been completely enthralled with the new album, GODDAMNVANITY by Los Angeles based industrial-techno punks, Machinekit. The ten song album is one hell of a gut punch in a totally great way. Inspired by a recurring dream of a woman singing, “Come home, Honeycomb,” Machinekit has put together an album that plays out partly like an internal breakdown that summons all the anger, hate, despair, and inspired pain into a cocoon that develops into a beautifully yet brutal show of force that on the other side comes a sense of self acceptance and growth.

GODDAMNVANITY is an album that not only strikes hard at the times we live in but, also shows the imperfections of each person. When you take that and add an abrasive yet powerful sound that is dynamic in its influences and inspirations. The way the electronic components mix with the aggressive guitars and rhythms along with tinges of ambience, noise and cinematic moments makes this for one hell of a listening experience. It’s one of those ear candy albums for you audiophiles out there.

Machinekit have drilled in on exactly their sound on this album. This album has quite a few twists and turns on it as well that leaves you wanting to keep listening again and again. Frontman, multi-instrumentalist and producer John Rojas, along with drummer Ryan Janke, guitarist Alexander Gillen, bassist Jeremey Trujeque and multi-instrumentalist, Aj Fructuoso bring the chaos needed to usher in 2025!

Overall Rating: 9/10

Machinekit- GODDAMNVANITY: