Album Review

ALBUM REVIEW: NEUROSIS- AN UNDYING LOVE FOR A BURNING WORLD

Don’t call it a comeback! The idea that Neurosis was finished was never a thought that was cemented in my mind. The bleak thought that it was never felt right and left the idea of a return after some time to be simmering in the heads of so many. The influence and inspiration that Neurosis has on so many bands you love is uncanny. So when the band surprise released their new album, An Undying Love For A Burning World, not only did it leave so many in awe that they had returned but, the announcement of Aaron Turner from Isis now in the band really was grabbing. When you listen to this album, it’s as though the band never left. Neurosis are masters for a reason and across the hour and few minutes the album plays, there is no sign of letting up nor drag.

There is an instant classic feel to An Undying Love For A Burning World. The way the album starts and transitions into each song makes this a listening experience that truly only Neurosis can make. The sludgy/doom riffs that parallel the atmospheric/etherial soundscapes mixed with the electronic/post-industrial tinges and uncompromising rhythms catapult these songs into the stratosphere. Then you add in the vocals and how they bring you to attention in a pleasant yet forceful way. Seriously, this band needs to be studied in music classes. The band’s already illustrious career knows no boundaries and the push into new territory on each record bleeds into this new one in a way that makes this truly feel like there was no stoppage.

A track by track run through of this album would be a disservice to anyone reading and listening. For an album like this one, it’s best to just sit with it and take it all in. There is so much to unpack within each song that makes listening to this record more and more fun each time. Since it’s release I purposely waited to write this so that I could take the time to really listen and hear all that is going on. The production of the recording and performances is stellar. Scott Evans of Kowloon Walled City was at the helm of recording An Undying Love For A Burning World and he dialed every tone in perfectly. Throughout the sixty four minutes, Steve Von Till, Dave Edwardson, Jason Roeder, Noah Landis and now Aaron Turner have made a modern masterpiece. This album comes at a time when we truly need Neurosis. The dark and pseudo apocalyptic nature of this band not only fits in the world we live in now but, could very well be the soundtrack to the demise. This band and album are not for the weak. The deeply poetic nature of the lyrics and music are substantial and direct in their message.

Neurosis have left a mission statement with An Undying Love For A Burning World. In this statement, it’s very pronounced that this is no letting up for this band. The soundtrack they create for us breathes life into a dark and dreary time to live in. The honesty in this album and passion radiates through each note and beat. One of the things I personally love about this album is that it doesn’t feel “nostalgic.” It’s fresh and full of fire that so many bands are missing. What a way to return! Seriously, this album is one of the best the band has made. If you’ve never listened to Neurosis, this album is actually a great starting off point. When you finish it, talk to me and I’ll steer you where to go next. In the meantime, enjoy all that An Undying Love For A Burning World has to offer.

Overall Rating: A

By: Brian Lacy

Neurosis- An Undying Love For A Burning World:

ALBUM REVIEW: POISON THE WELL- PEACE IN PLACE

Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.

Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!

Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!

Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.

Overall Rating: A

By: Brian Lacy

Poison The Well- Peace In Place:

ALBUM REVIEW: LAMB OF GOD- INTO OBLIVION

For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.

Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.

Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.

This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.

Overall Rating: 9/10

By: Brian Lacy

Lamb Of God- Into Oblivion:

ALBUM OF THE WEEK: TRAUMA RAY- CARNIVAL

What is going on with shoegaze these days? When did this subgenre become such a phenomenon? I’ve been trying to find the point of origin and it’s quite complex. Instead of trying to figure out all that at the moment, why not just enjoy the best of what’s out there. The ones that have really left a mark on me have done just that. These select bands and albums have not just found their way into constant rotation, they’ve separated themselves from the pack well enough to make a lasting impression on the genre and era. Trauma Ray is one of those bands and their latest release, the EP, Carnival, absolutely cements that.

Carnival is one of those perfect EP’s that is a burst of creativity. By opening up the writing to be more collaborative, the vast expansive inspiration is aplenty here. This unlocked a whole other world for the band to travel in. What’s interesting too is these influences are cast without biting off a duplicate rendition. If you’ve heard the bands debut, Chameleon, you can definitely hear the wings stretching here. In a way it reminds me of the band Brand New and how the more open collaboration made the band even better. What Carnival does across five songs and twenty five minutes makes you fall into a trance of lush soundscapes, dreamy vocals, riffs and melodies that caress the delicate and at times intense rhythms. The use of not just shoegaze aspects is another treat. Like many of the other great bands of this genre, there is more to Trauma Ray. Other sounds and styles like metal, alternative, sludge, doom, grunge, ambience all play a part in making this one stand out release. Each song takes on a bit of a life of its own with the way the influences shine.

It’s very refreshing to hear a band like Trauma Ray taking the sum of their parts and realizing making a record that not only showcases the individual effort but pushes the band forward into making great music. Carnival is for sure a ride and one worth riding over and over again.

Buy Carnival HERE

By: Brian Lacy

TRAUMA RAY- CARNIVAL:

Hannibal (Music Video):

ALBUM REVIEW: CONVERGE- LOVE IS NOT ENOUGH

When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.

Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.

Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.

Overall Rating: 9/10

By: Brian Lacy

Converge- Love Is Not Enough:

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ALBUM REVIEW: BLACKWATER HOLYLIGHT- NOT HERE NOT GONE

2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.

Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.

What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.

Overall Rating: A

By: Brian Lacy

Blackwater Holylight- Not Here Not Gone:

NEW MUSIC FRIDAY: 10/24/25

There’s always so much music being released these days it’s hard to keep up with it all at times. Luckily, you all have me to sort through it all and deliver the good stuff! As always, this batch of bands and albums is quite the eclectic one. This New Music Friday has all sorts of rock, metal, hardcore, electronic, and indie. Do check out all these bands and if they are playing near you, go see them and support your scene! At the end of the day there is no scene if there are no people there! Enjoy these picks and remember to always, Listen Eclectically! – Brian

01) The Anti-Groupies- Pretty Vicious:
The Anti-Groupies are the real deal! I’ve been a fan for quite a bit now and it’s been a blast to watch their growth not just as a live band but as songwriters. Their debut album, Pretty Vicious, is out now and it’s a righteous slab of rock. It’s got the attitude and charisma of the 90’s, a fun playfulness that has a late 70’s early 80’s glam/punk rock vibe a la Blondie and Joan Jett and a style that is bombastic. The Anti-Groupies are one of those bands that will kick you in the teeth when you see them. The fun aspect of seeing this band is there along with the feeling of wanting to mosh. Give Pretty Vicious a spin!! And on November 15 come out to The Cobalt Presents show at Bar10 at Corbin Bowl and see The Anti-Groupies live for the Highwire Daze Magazine 35th Anniversary Show!


02) Au Jus- Very Well, Then:
I find myself at times being quite intrigued with what the kids are doing musically these days. It’s been fun to watch a new generation of kids get into the things I grew up on. Sometimes there are a few bands that can capture a certain artsy essence of that time. With that in mind, let me introduce you to Au Jus and their album, Very Well, Then. This album is very much in the 90’s alternative vein with that introspective touch to it. It’s got a sort of The Smashing Pumpkins vibe mixed with Blind Melon. So it’s sort of whimsical and spacey with some sprinkles of psychedelia and shoegaze. Give Very Well, Then a spin and see where it takes you! You can catch Au Jus live Saturday October 25 at The Cobalt Presents Show at Hotel Ziggy!!


03) The Barbarians Of California- Pseudo Intellectuals Are Hating On My Band (Pure Power):
Ever since I heard The Barbarians Of California I’ve been hooked. It’s been great to hear Aaron Bruno back in the hardcore realm of things. I grew up in the same area as Aaron and watching his old band Insurgence along with a slew of others like Counterveil, Homemade and others was a blast. So it’s been really fun and a bit nostalgic to have this band around. The Barbarians released a new song recently that also features Keith Buckley of Many Eyes/ex Every Time I Die. This is just one of those really fun sing along hardcore songs. It’s infectious! That’s the word I was trying to come up with. Enjoy this one!!


04) God Alone- The Beep Test:
I love when I get sent things that I have zero about and I just put it on and then it’s game on! That’s what happened when I checked out Cork, Ireland’s, God Alone and their album, The Beep Test. It’s this crazy amalgamation of math rock, hardcore, punk, electronics and dance. I know, what? But seriously it all works quite well. The experimental nature of the album leaves you really wanting to delve into it more and more. There is so much to unpack in a glorious way, like opening presents on your birthday. I don’t want to say too much of it will give away the fun. Just put this album on and dance your feet off!


05) Jet Black Iris- How Sweet Is The Taste Of Your Infection?:
A while back a band hit me up about playing a show with The Cobalt Presents. As I always do, I checked out the band and could definitely hear something I liked. So I booked them and DAMN! Jet Black Iris really captured my attention. Firstly, the sound of the band is chock full of things I love. There’s the 90’s quiet/loud vibe but more so in the Failure way, then you add in a really cool Post-Punk element a la Joy Division as well as Interpol (mainly their first 2 albums), and then a punk vibe that sits in that metallic/melodic spot. Put all that together and you really do have one hell of a sound and Jet Black Iris definitely takes flight! Their debut album, How Sweet Is The Taste Of Your Infection?, is ten songs of pure passion poured out onto tape (well the computer these days). Jet Black Iris has fast become one of my favorite new bands. Come see them live Saturday October 25 at The Cobalt Presents Show at Hotel Ziggy!!


06) Motherless- Do You Feel Safe?:
More often than not, I’m usually in a heavy music mood. Depending on my mood depends on the level of heavy. The other day I wanted something that was HARD! So I went through my list of things to check out and put on the album Do You Feel Safe? by Motherless. After listening the eight song album, I knew I found what I was looking for and I put it on again. Punishing! That’s what this album is. It’s Metal, its got Hardcore sprinkled all over as well as dashes of Black Metal, Sludge and Doom! Motherless features members of The Atlas Moth (if you haven’t heard their album Coma Noir, you really should) and Without Waves. This album is quite intense and like I said, punishing (in the best way possible)!


07) Puscifer- Self Evident:
I’ll admit, I haven’t been the biggest fan of Puscifer. There are songs I do like a lot but, for some reason it jus wasn’t connecting with me. Then a few months ago, I sat down to do some other work and put all the Puscifer albums on and found myself enjoying it a lot more than before. So when the news came out the other day that after five years, come February 6, 2026 via Alchemy Recordings, we will get a new Puscifer album called, Normal Isn’t. This new album is supposed to align more with the Post-Punk/Goth side of the bands collective influences. The first single “Self Evident” is just that, it’s dipped and swirled in post-punk. I’m sure Beavis and Butthead would be happy with one of the lyrics too!


08) Trace Amount Featuring Fatboi Sharif- Seeing God On The L Train:
Over the past few years, I’ve been interested in where all the electronic music is going. There are so many sub-genres to it now that it almost seems made up. There are certain ones though that I’ve taken a liking too. The apocalyptic/atmospheric soundscapes with what seems like post-industrial beats has caught my ear. One artist that I’ve really enjoyed that does this style is Trace Amount (aka Brandon Gallagher). I got to see Trace Amount a few years ago open for Greg Puciato’s solo tour and Brandon’s set was one of those that set a tone sort of foreshadowed the craziness of the night. This new track though is pretty rad in that the sparce sound accompanied by the vocal deliver of Fatboi Sharif makes this a trippy song!

ALBUM REVIEW: GREYHAVEN- KEEP IT QUIET

I’m always intrigued how people get into certain bands. I love hearing different ways people have found bands and all that. I’m no different when it comes to finding bands. A while back I heard a band that caught my attention and from that point I went out of my way to listen to as much as I could from said band. The band I’m talking about is Greyhaven and they have a badass new album out called Keep It Quiet. Now four albums deep into their career, Greyhaven have released an album that not only expands upon their heavy sound but opens the gate to so many fun little nuances.

Keep It Quiet feels like the album Greyhaven have been striving to make since their formation. The balance of heaviness, melodic, and delicate moments makes this a bold statement of an album. Each song hits at a different feeling/emotion which allows the music and vocals to sink into your mind and weave an intricate web of textures and directions. This album is what separates Greyhaven from the rest of the pack. The pace at which this album explodes is another treat. And the atmospheric vibe in the background gives the album an extra dose of air in between pummeling riffs, soaring screams and melodic vocals.

From start to finish, Keep It Quiet is as cohesive as the bands 2018 album Empty Black. Songs like “Burn A Miracle,” “Night In October,” “Technicolor Blues” and ” Shatter and Burst” are without a doubt some of the heaviest on the album. “Diamond To Diamond” and “Satellite In Love” are two of my favorite songs on the record. The delicate nature of these two tracks really play well into the melodic structure. “When The Light Leaves Us” and the closing track “Cemetery Sun” are two of the most epic songs on the album each containing fun twists and turns that leave you wanting to start those songs over and over again. Like I said, this album is very cohesive and it’s best to just listen from beginning to end.

One other thing I need to mention is the production by Will Putney. Will over the past decade has really become a go to producer/engineer to get the sounds that a ton of bands in the heavy music genres are after. The way that Will can get the right tone from the guitar and perfectly compliment it with the right bass and drum sounds makes my ears tingle. Keep It Quiet is chock full of sweet ear candy moments courtesy of Will and the way he helps bands bring out the best in them.

Greyhaven have been here a while but, Keep It Quiet needs to be talked about loudly. So much so that when you are playing this album it should be played loud too! I truly hope people out there get to hear this album. I’ve heard a lot of records this year and this one has really left a lasting impact on me. Take some time and give this a listen and let it sweep you off your feet!

Overall Rating: 9/10

Review By: Brian Lacy

Greyhaven-Keep It Quiet:

ALBUM OF THE WEEK: WITKIN- THINGS I MIGHT’VE SAID

In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.

Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.

I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!

Overall Rating: 9/10

Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”

Witkin- Things I Might’ve Said: