The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.
Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.
The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.
Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!
2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.
Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.
What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.
There’s always so much music being released these days it’s hard to keep up with it all at times. Luckily, you all have me to sort through it all and deliver the good stuff! As always, this batch of bands and albums is quite the eclectic one. This New Music Friday has all sorts of rock, metal, hardcore, electronic, and indie. Do check out all these bands and if they are playing near you, go see them and support your scene! At the end of the day there is no scene if there are no people there! Enjoy these picks and remember to always, Listen Eclectically! – Brian
01) The Anti-Groupies- Pretty Vicious: The Anti-Groupies are the real deal! I’ve been a fan for quite a bit now and it’s been a blast to watch their growth not just as a live band but as songwriters. Their debut album, Pretty Vicious, is out now and it’s a righteous slab of rock. It’s got the attitude and charisma of the 90’s, a fun playfulness that has a late 70’s early 80’s glam/punk rock vibe a la Blondie and Joan Jett and a style that is bombastic. The Anti-Groupies are one of those bands that will kick you in the teeth when you see them. The fun aspect of seeing this band is there along with the feeling of wanting to mosh. Give Pretty Vicious a spin!! And on November 15 come out to The Cobalt Presents show at Bar10 at Corbin Bowl and see The Anti-Groupies live for the Highwire Daze Magazine 35th Anniversary Show!
02) Au Jus- Very Well, Then: I find myself at times being quite intrigued with what the kids are doing musically these days. It’s been fun to watch a new generation of kids get into the things I grew up on. Sometimes there are a few bands that can capture a certain artsy essence of that time. With that in mind, let me introduce you to Au Jus and their album, Very Well, Then. This album is very much in the 90’s alternative vein with that introspective touch to it. It’s got a sort of The Smashing Pumpkins vibe mixed with Blind Melon. So it’s sort of whimsical and spacey with some sprinkles of psychedelia and shoegaze. Give Very Well, Then a spin and see where it takes you! You can catch Au Jus live Saturday October 25 at The Cobalt Presents Show at Hotel Ziggy!!
03) The Barbarians Of California- Pseudo Intellectuals Are Hating On My Band (Pure Power): Ever since I heard The Barbarians Of California I’ve been hooked. It’s been great to hear Aaron Bruno back in the hardcore realm of things. I grew up in the same area as Aaron and watching his old band Insurgence along with a slew of others like Counterveil, Homemade and others was a blast. So it’s been really fun and a bit nostalgic to have this band around. The Barbarians released a new song recently that also features Keith Buckley of Many Eyes/ex Every Time I Die. This is just one of those really fun sing along hardcore songs. It’s infectious! That’s the word I was trying to come up with. Enjoy this one!!
04) God Alone- The Beep Test: I love when I get sent things that I have zero about and I just put it on and then it’s game on! That’s what happened when I checked out Cork, Ireland’s, God Alone and their album, The Beep Test. It’s this crazy amalgamation of math rock, hardcore, punk, electronics and dance. I know, what? But seriously it all works quite well. The experimental nature of the album leaves you really wanting to delve into it more and more. There is so much to unpack in a glorious way, like opening presents on your birthday. I don’t want to say too much of it will give away the fun. Just put this album on and dance your feet off!
05) Jet Black Iris- How Sweet Is The Taste Of Your Infection?: A while back a band hit me up about playing a show with The Cobalt Presents. As I always do, I checked out the band and could definitely hear something I liked. So I booked them and DAMN! Jet Black Iris really captured my attention. Firstly, the sound of the band is chock full of things I love. There’s the 90’s quiet/loud vibe but more so in the Failure way, then you add in a really cool Post-Punk element a la Joy Division as well as Interpol (mainly their first 2 albums), and then a punk vibe that sits in that metallic/melodic spot. Put all that together and you really do have one hell of a sound and Jet Black Iris definitely takes flight! Their debut album, How Sweet Is The Taste Of Your Infection?, is ten songs of pure passion poured out onto tape (well the computer these days). Jet Black Iris has fast become one of my favorite new bands. Come see them live Saturday October 25 at The Cobalt Presents Show at Hotel Ziggy!!
06) Motherless- Do You Feel Safe?: More often than not, I’m usually in a heavy music mood. Depending on my mood depends on the level of heavy. The other day I wanted something that was HARD! So I went through my list of things to check out and put on the album Do You Feel Safe? by Motherless. After listening the eight song album, I knew I found what I was looking for and I put it on again. Punishing! That’s what this album is. It’s Metal, its got Hardcore sprinkled all over as well as dashes of Black Metal, Sludge and Doom! Motherless features members of The Atlas Moth (if you haven’t heard their album Coma Noir, you really should) and Without Waves. This album is quite intense and like I said, punishing (in the best way possible)!
07) Puscifer- Self Evident: I’ll admit, I haven’t been the biggest fan of Puscifer. There are songs I do like a lot but, for some reason it jus wasn’t connecting with me. Then a few months ago, I sat down to do some other work and put all the Puscifer albums on and found myself enjoying it a lot more than before. So when the news came out the other day that after five years, come February 6, 2026 via Alchemy Recordings, we will get a new Puscifer album called, Normal Isn’t. This new album is supposed to align more with the Post-Punk/Goth side of the bands collective influences. The first single “Self Evident” is just that, it’s dipped and swirled in post-punk. I’m sure Beavis and Butthead would be happy with one of the lyrics too!
08) Trace Amount Featuring Fatboi Sharif- Seeing God On The L Train: Over the past few years, I’ve been interested in where all the electronic music is going. There are so many sub-genres to it now that it almost seems made up. There are certain ones though that I’ve taken a liking too. The apocalyptic/atmospheric soundscapes with what seems like post-industrial beats has caught my ear. One artist that I’ve really enjoyed that does this style is Trace Amount (aka Brandon Gallagher). I got to see Trace Amount a few years ago open for Greg Puciato’s solo tour and Brandon’s set was one of those that set a tone sort of foreshadowed the craziness of the night. This new track though is pretty rad in that the sparce sound accompanied by the vocal deliver of Fatboi Sharif makes this a trippy song!
I’m always intrigued how people get into certain bands. I love hearing different ways people have found bands and all that. I’m no different when it comes to finding bands. A while back I heard a band that caught my attention and from that point I went out of my way to listen to as much as I could from said band. The band I’m talking about is Greyhaven and they have a badass new album out called Keep It Quiet. Now four albums deep into their career, Greyhaven have released an album that not only expands upon their heavy sound but opens the gate to so many fun little nuances.
Keep It Quiet feels like the album Greyhaven have been striving to make since their formation. The balance of heaviness, melodic, and delicate moments makes this a bold statement of an album. Each song hits at a different feeling/emotion which allows the music and vocals to sink into your mind and weave an intricate web of textures and directions. This album is what separates Greyhaven from the rest of the pack. The pace at which this album explodes is another treat. And the atmospheric vibe in the background gives the album an extra dose of air in between pummeling riffs, soaring screams and melodic vocals.
From start to finish, Keep It Quiet is as cohesive as the bands 2018 album Empty Black. Songs like “Burn A Miracle,” “Night In October,” “Technicolor Blues” and ” Shatter and Burst” are without a doubt some of the heaviest on the album. “Diamond To Diamond” and “Satellite In Love” are two of my favorite songs on the record. The delicate nature of these two tracks really play well into the melodic structure. “When The Light Leaves Us” and the closing track “Cemetery Sun” are two of the most epic songs on the album each containing fun twists and turns that leave you wanting to start those songs over and over again. Like I said, this album is very cohesive and it’s best to just listen from beginning to end.
One other thing I need to mention is the production by Will Putney. Will over the past decade has really become a go to producer/engineer to get the sounds that a ton of bands in the heavy music genres are after. The way that Will can get the right tone from the guitar and perfectly compliment it with the right bass and drum sounds makes my ears tingle. Keep It Quiet is chock full of sweet ear candy moments courtesy of Will and the way he helps bands bring out the best in them.
Greyhaven have been here a while but, Keep It Quiet needs to be talked about loudly. So much so that when you are playing this album it should be played loud too! I truly hope people out there get to hear this album. I’ve heard a lot of records this year and this one has really left a lasting impact on me. Take some time and give this a listen and let it sweep you off your feet!
In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.
Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.
I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!
Overall Rating: 9/10
Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”
AFI has long been a band that evolves a bit more with each album. For many albums now, AFI have been adding more and more goth elements to the music and on this new album (studio album number 12), Silver Bleed The Black Sun, they have just gone full on with it and the end result is absolutely splendid. This album leans all the way into the post-punk influences of bands like The Cure, Joy Division, Sisters Of Mercy, Bauhaus and more.
While the album is short in time with ten songs and clocking in at 35 minutes, there isn’t one ounce of filler or out of place anything on Silver Bleeds The Black Sun. What you have is one of their most cohesive albums since Burials (which is one hell of a great album). Each song evokes a certain mood and vibe making this a grand listening experience. From the way the album opens with the haunting “The Bird Of Prey” all the way through the very punk “NOONEUNDERGROUND,” it’s a non stop ride. The twists and turns found throughout make it chock full of ear candy and sweet surprises. There’s a really fun 80’s vibe throughout the album too that tinges on new wave without taking away the darkness. While the lyrics are of a contemplative and dark nature as they would be courtesy of Davey Havok, musically Jade Puget, Hunter Burgan and Adam Carson have pushed past any preconceived notions of what they’ve done before and brought a very invigorating sound that is vibrant and alive while at the same time eerie and full of bite.
I could have gone track by track but I truly believe that takes away from the listening experience. Instead, put this album on and let it just take you where it needs to go. A band like AFI is quite interesting in that they never want to stay in one place for too long and get complacent. One of the things I’ve genuinely loved about this band is their willingness to take chances and explore all that they enjoy. I’ve said to people many times over the years that AFI is one of those bands that you should give a chance to even if it isn’t your normal cup of tea. Silver Bleeds The Black Sun is one of the best albums of 2025.
Overall Rating: 9/10
Stand Out Tracks: Blasphemy & Excess, Spear Of Truth, A World Unmade, NOONEUNDERGROUND
A few years back my friend Adam suggested I check out the band HO99O9 (pronounced Horror). I had heard the name before and was mildly curious. Then after I checked it out, I was hooked. Not long after that, we wound up going to a sort of secret show in the back of a coffee shop in Downtown Los Angeles to see HO99O9. That show really cemented for me what this band is all about. Intense isn’t the right word, more like vicious is a better way to describe this duo. HO99O9 blurs the line between hip hop, metal, industrial, electronic and then some. Having toured with Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, Cypress Hill, and Ghostface Killah, they definitely have the pedigree behind them.
Tomorrow We Escape is the bands third full length album. This one is very direct and focused on a mission. Throughout the 11 song album, there are many twists and turns that keep you captivated and trying to guess what’s next. The chaos is controlled yet burns its own path. From the instant the first song “I Miss Home” begins all the way through to the epic closer “Godflesh,” there is no letting off the pedal. Chock full of powerful beats that pulsate even in your brain even after the song is done, hooks that feel catchy but not cheesy and an edge that is razor sharp that cuts so deep. Other standout tracks include “Escape,” “OK, I’m Reloaded,” “Upside Down, and “L.A. Riots.” There are two specific songs though that truly shine on this album. The first being “Tapeworm” which features Greg Puciato (Dillinger Escape Plan, Better Lovers, The Black Queen, etc) and it’s one hell of a song. Greg takes the song to a whole other level. Just listen and you’ll know what I mean. And the other one is “Immortal” which features Chelsea Wolfe. This track is a complete 180 for the band and it is hauntingly dreamy. There’s a soothing touch to this song.
This is the album, I’ve been waiting for HO99O9 to make. The OGM and Yeti Bones have truly found their path on Tomorrow We Escape. All the elements that were thrown into the mix have a distinct place on these songs. When you think something might be out of place or a little weird, it’s not, just go with it and let it sink in. If you are looking for a barn burner of an album, this one is for you. I highly recommend you play this one loud and make sure your windows are down, it might shatter glass!
When I first heard Reba Meyers was going to be releasing solo material, I got quite excited. After seeing her other band Code Orange a while back, I could tell there was more to Reba than just this band. There was a ferociousness that was just waiting to be unleashed. We already knew her guitar playing was top notch but the vocals took it all to another level and showed that Reba was the one in that band that had “the whole package.” Even when Reb guested on the Greg Puciato song “Lowered,” you could tell that Reba was well on her own path. And now here we are with Reba’s first release as a solo artist, Clouded World. This six song EP is full of dark, moody and melodic grooves and deeply personal and poetic lyrics and vocals.
There are many things to unpack on this release. As I mentioned the lyrics are very personal and poetic. The vocal delivery is otherworldly. You definitely hear and feel all the words sung. This is one of my favorite things about artists like Reba, the authenticity is 100% real. Musically, there are loads of influences and inspirations packed into these songs. On one hand you have some very heavy rock driven songs that have this attitude and bite to it with soaring melodies on top. Then you have more delicate atmospheric songs that explore a more etherial side with a bit of electronic elements to further open the space. All while still being poetic.
Clouded World has fast become one of my favorite releases of 2025. I eagerly await Reba’s full length debut which will be out in 2026. The tour kicks off today, and I’m very excited to see Reba live and hear these songs come to life when the Los Angeles date comes up on August 24th. Do yourself a favor and put this record on and let it take you places you haven’t been in a while!
Over the last couple of years, Black Magnet has been a band I’ve become quite fond of. Each album has upped the ante of not just creating great industrial music but, has breathed new life into the genre. Which brings me to the album of the week, Black Magnet’s new record, Megamantra. If you are a fan of classic industrial a la Ministry, Godflesh, Broken/Downward era Nine Inch Nails then you will absolutely love Megamantra.
Black Magnet’s Megamantra is an album not for the faint of heart. This album is a hard charging, pummeling piece of work. The dark yet lush dynamics found on this record really captivate the listener. While the subject matter on the album is chock full of heavy and harsh realities, the songs are layered with an anthemic sensibility that packs obscene amounts of energy into each track. The guitars are razor sharp and the riffs hit you like a ton of bricks. The synth work on this album is on par with the likes of Nine Inch Nails and it creates an additional mood that compliments the hard driving riffs and thunderous drums (which are live- thank you Noah!!!). Throughout the 9 songs on the album, you can most definitely sense that this is a “complete album.” The whole album is a standout track. I implore you to listen to this album from start to finish.
James Hammontree, the bands founder, guitarist, and vocalist has put together a lineup for this album that truly explodes upon first listen. Compelling is a great way to describe this record. After listening to this album, one, you’ll more than likely want to start it over, because it’s that good, and two, you’ll really want to go see Black Magnet live. The way these songs flow into one another as well as the very direct approach in writing makes Megamantra one of the best albums of 2025. Black Magnet is a band for now and the future so make sure you connect with this one!
I love that feeling of putting an album on without any pre conceived thoughts and getting absolutely swept away by it. That’s exactly what happened the instant the first beat hit on Heavy Halo’s new album Damaged Dream. The moment I put this album on I was hooked. I’m not sure what I was looking for at the moment but, I knew this album was for me. Since I got this album, it has been in non stop rotation for me. Actually I’ve been aching to write about this album and share it with you all.
Heavy Halo’s sound is packed with so many things that I love like industrial, alternative rock, electronic elements and a nice splashing of gothic expression. Imagine if Nine Inch Nails, The Smashing Pumpkins, The Cure and early New Order (Movement era) all combined forces to create music, that combination is what you get on Damaged Dream. Throughout the ten songs on this album you get lost in the ambience, pulsating beats, driving guitars and great soaring melodies that add the light to a dark setting. There are hooks aplenty found throughout Damaged Dream and they are more like ear candy. Lyrically this is a deeply reflective album that hits you in all the feels in a great way. It’s a more uplifting feeling than what most bands would tend to do.
The way this album flows from start to finish is like blood flowing. It’s quite the rush. There isn’t one song on here that feels out of place. Each track is drenched with this feeling that makes you want to get up and move. Not necessarily in a “dancing way” but, more so in a way that gets you revved up for taking on a day and conquering it. I’d love to pinpoint certain songs but, it’s better if you just listen to this album from start to finish. It’s one of those albums! I really love this album. So much so that it’s definitely in my top 5 of 2025! Do yourself a favor and take some time and let Heavy Halo rock your world!
