A few days ago I heard a song that really intrigued me. I must have listened to it at least a dozen times. The song is quite a cinematic one with bits of industrial, post-punk/goth vibes and a heavy side that pulsates throughout in a myriad of of ways. The band is called LVX and the song is called “Writhe.” LVX is the brainchild of Justin Hanson and Garrett Smith. Justin was the drummer of the LA based band Lesser Key, who if you haven’t heard, check it out! “Writhe” also features guitar work by Paul D’Amour, formerly of Tool as well as Lesser Key. The title of the song is quite fitting as the whole thing unfolds. I’m very interested in what else is to come from LVX. Keep your ears and eyes open for LVX as 2026 comes!
I have an interesting theory on title tracks. More often than not, the title track on an album is a deeper cut, towards the end of the album. My theory is that the “title track” is a bit of a summation of what the album encompasses. It could be musically, lyrically, thematic or the all around tonality of what the album is about. There are quite a few bands that do this on a consistent basis and I quite enjoy it. One of those bands is Tool. They have successfully done this three times (Undertow, Aenima and Lateralus). As much as I love “Lateralus” I really have to say “Undertow” might just be the best of the three. The song itself has a lot of different vibes to it. You have the heavy aspects, the syncopated rhythms, but the more progressive elements mixed with a bit of psychedelia puts this one over. “Undertow” is a song you can get lost in and it’s placement in the album sequence really lets the song become its own entity. I’m glad to see that “Undertow” made it back into the set list the past few years. More songs off of the album itself need to be played live. Less Fear Inoculum and more of the songs not played enough!!
I am not a Steely Dan fan at all. In fact to quote Seth Rogen in Knocked Up “Steely Dan gargles my balls.” Strangely though, their song “Dirty Work” seems to pop in my head from time to time. I remember an episode of The Sopranos when Tony Soprano (RIP James Gandolfini) was singing it while driving. Thankfully there is a version of this song that I can listen to and thoroughly enjoy. It’s by a super group of sorts. In 1995 Ken Andrews and Greg Edwards of Failure joined forces with Paul D’Amour (formerly of Tool) and Chris Pitman (now in the new Guns N Roses) and recorded and album of covers under the name Replicants. Enjoy the only way Steely Dan can truly be tolerated!
Tool is one of the most artistic, innovative and creative bands to come out in the past 25 years. Each of their albums have left a mark with rabid fans eating up everything that they do. Tool’s catalog though short is very deep. The subject matter of lyrics and the depths that the music creates is not for the weak. You can tell the amount of time they band spent working on the songs is worth every second. Maynard’s vocal approach is undeniable his own. Many have tried to copy him but don’t come close. Adam Jones has one of the more intriguing guitar tones and styles. Danny Carey’s drumming is said to be created by seances and summoning sprits, to which is very believable especially with the odd time signatures. Originally on bass Paul D’amour created a bass tone that ripped through the songs with such ferocity that it became the driving force of quite a few songs. Now Justin Chancellor has taken that sound and progressed it to an etherial place. A lot can be said for what their masterpiece is. Some will debate that it is Aenima or Lateralus, Undertow is an unsung Masterpiece. Songs like Intolerance, Crawl Away, Bottom, Flood, and of course Sober all have such a well of emotion and insight into the inner workings of Tool. A bit of history about the album, Undertow was recorded between October and December 1992 at Sound City Studios, and at Grandmaster Recorders, Hollywood, California, by Sylvia Massy. Some of the songs featured on the album are songs that the band decided to not release on Opiate. Henry Rollins makes a guest vocal appearance on the song “Bottom.”
Take a listen again and see what you’ve missed out the first few times you listened to Undertow.
AUDIOECLECTICA 