Progressive Rock

UNDERRATED ALBUMS: MUSHROOMHEAD- XIII

It happens all the time. You come across a band that on the surface doesn’t really peak your interest for whatever reason. It could be a song, the band name, their style and more. The fun part of it all is over time, your previous expectations begin to dissipate and you give that band a chance and the end result is quite surprising.

Only a few weeks back I was out driving and put on one of those similar artists stations on Apple Music. While winding through canyon roads, a song came on that struck me. I didn’t have the who’s playing screen on so I didn’t know who it was. But this song was quite the heavy melodic treat. When I got to a place to stop, I went back to check who it was and to my absolute surprise it was a band I was not expecting. The song was “Sun Doesn’t Rise” by Mushroomhead. Yes, I was that surprised too. It’s been years since I heard this song and probably the same amount of time since I actually last listened to Mushroomhead. Needless to say, what came next was listening to the album XIII which the song is from. The end result led to…

“Wait?! This is Mushroomhead?!! Oh damn, maybe it’s time to give them a second look.” Before I went into this album, I made sure to put aside any pre conceived notions I had about the band and went in with fresh ears. The end result is that XIII is a really really good melodic heavy album. There are elements of the time with some “nu-metal” styles but, there is way more to take away from this album and band. Throughout the album, piano is a vital and prominent instrument that propels certain songs and moments in a delicate but menacing nature. The down-tuned riffs, while they do have some nu-metal flair, you’d be surprised to hear that it’s actually more in line with Meshuggah style djent-y guitar riffs and rhythms. The album itself is hyper-focused and you hear the amount of effort being poured into XIII. As this is the bands “major label debut” the need to go full on here paid off quite well.

The way the album plays out feels very cohesive with each part being there on purpose. The 13 tracks on this album bring about a variety of styles fused together, different moods and interesting arrangements and structures. Without giving the albums away, this track by track rundown will guide you to listen to the album!

Starting XIII is “Kill Tomorrow” which out of the gate kicks things off in a great way. Then “Sun Doesn’t Rise” really takes it to another level. Really this is one of those songs that makes this an underrated record. “Mother Machine Gun” is one of the standout songs on here. The intro blends so well into how the songs continues. The melding of styles on this song is a good idea of the progressive nature of where things are headed. “Nowhere To Go” has a ballad sensibility and a great push and pull aspect. “Becoming Cold” is a track that feels like a throwback to some of the bands earlier material in the M3 era.

“One More Day” is another treat of a piano driven song. “The Dream Is Over” is a heavy stellar track that has a very deep sludgy style. “The War Inside” is the companion of the previous. Rght in the middle of the record is a left and right hook to the head. “Almost Gone” goes further into the sludge territory and gives the album a song that is a true deep cut. The last three songs “Eternal,” “Our Own Way,” and “Destroy The World Around Me” play out like three chapters of a book that you are eager to get to so you know how things are going to end and what possible direction will come next. Closing out the album is “Thirteen” an instrumental track continues on that leads to a secret song, a cover of “Crazy” by Seal.

The band themselves have chops and write good songs. The vocal combination of Jason “J Mann” Popson and Jeffrey “Nothing” Hatrix sounds stellar. Each have their own style and character in their voice which makes their back and forth and chemistry really be present. Drummer Steve “Skinny” Felton propels the songs with an ignited spirit. As the bands main producer too, Skinny knows the band inside and out. Jack Kilcoyne aka Pig Benis, has a mighty bass tone that feels like it could have been a part of Crowbar. Dave Felton aka Gravy, like Benis, has a great sludge style of guitar playing as does other guitarist Bronson. And Stitch on turntables/samples giving the songs an added texture.

At the end of the day, when you take away the gimmick aspect, the band name, the stage names, you have a really quite good band. Mushroomhead really are a solid band. To be an entity back from 1993 till now, shows there is something here. Each of their albums has it’s own moment. XIII just had something else to it that makes it what it is. This is a really great example of an underrated album that got the brush off just because of some silly media crap. Listen to what you want and like. And while you are at it, give Mushroomhead’s XIII a spin!

By: Brian Lacy

MUSHROOMHEAD- XIII:

TITLE TRACKS: TOOL- UNDERTOW

I have an interesting theory on title tracks. More often than not, the title track on an album is a deeper cut, towards the end of the album. My theory is that the “title track” is a bit of a summation of what the album encompasses. It could be musically, lyrically, thematic or the all around tonality of what the album is about. There are quite a few bands that do this on a consistent basis and I quite enjoy it. One of those bands is Tool. They have successfully done this three times (Undertow, Aenima and Lateralus). As much as I love “Lateralus” I really have to say “Undertow” might just be the best of the three. The song itself has a lot of different vibes to it. You have the heavy aspects, the syncopated rhythms, but the more progressive elements mixed with a bit of psychedelia puts this one over. “Undertow” is a song you can get lost in and it’s placement in the album sequence really lets the song become its own entity. I’m glad to see that “Undertow” made it back into the set list the past few years. More songs off of the album itself need to be played live. Less Fear Inoculum and more of the songs not played enough!!

Tool- Undertow:

Unsung Masterpieces: Dredg- Catch Without Arms

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There are quite a few bands that really work to create a piece of work that is special. They don’t compromise their artistic integrity just to sell their albums. Instead they grind it out in hope that people will listen and grasp just what they are doing. One of those bands is Dredg. Never one to follow a trend or sacrifice their art for a buck, the guys in Dredg stand by their vision and don’t disappoint. Their third album Catch Without Arms just passed the ten year mark, and it still rocks just as much as when it came out. Catch Without Arms was released on June 21, 2005. This album showed a change to a simpler, and more straightforward musical style for the band but still had a bit of the etherial tinge that El Cielo had. The album was produced by Terry Date (Deftones, Pantera, Soundgarden) and had some additional help from Queensryche guitarist Chris DeGarmo.

Catch Without Arms features great songs such as “Ode To The Sun,” “Bug Eyes,” “Not That Simple,” “The Tanbark Is Hot Lava,” “Sang Real,” and “Jamais Vu.” These songs show the forward movement of the band and it’s members ability to write individual songs. Catch Without Arms is a concept album about opposites, mainly focused on positives and negatives. Each member brings something different to the table. Singer/guitarist Gavin Hayes has a very intriguing voice that makes his lyrics come to life. Drummer Dino Campanella is one of the most underrated drummers in music. His ability is astounding, not to mention his ability to play drums and piano at the same time. This is truly something awesome to watch. Mark Engles has a guitar tone that is his own. It’s melodic and clean that fits perfectly with the nature of each song. Bassist Drew Roulette grooves right along with Dino’s drums, and his bass lines add another element to each song.

Dredg is one of the most underrated bands to come out since 2000. They really know themselves and what they are capable of. Their ability to push the boundaries of their art is uncompromising and satisfying. Give this album another listen and you’ll see why it is an unsung masterpiece

https://www.facebook.com/dredg

Dredg- Catch Without Arms:

By: Brian Lacy