Ever since A.F.I. released their new single “Behind The Clock” and their upcoming 12th studio album, Silver Bleeds The Black Sky, I’ve been on a bit of an A.F.I. kick. I went back through all their albums from the start till now and put them in quite the ranking. Some might surprise you while others I think are properly ranked. Silver Bleeds The Black Sun is out on October 3rd, so prepare yourselves. I have a really good feeling about this new album! *NOTE: Number 1 and 2 can be flipped. Just depends on my mood and the day!
EDIT: This album has been updated to include Silver Bleeds The Black Sun (10/15/25)
These are never easy to write. Especially when it’s someone that has played a huge role in your musical upbringing. Ever since I was a little kid, Ozzy has been a staple in my musical life. From the first time I heard his solo work, well first I saw videos on MTV, it got me rather interested in his music. Then I heard about Black Sabbath when I was about 5 or 6 and that changed it all. Black Sabbath with Ozzy had this dark, menacing sound that was unlike anything else. From their debut through Sabotage, you really can’t go wrong with the Ozzy catalog of Sabbath. Even his solo work be it with Randy Rhodes, Jake E. Lee, Zakk Wylde, or others took heavy music to other levels. Ozzy was more than just a singer he was the epitome of what being a “frontman” is all about in a band. The way Ozzy could get the crowd really going was a sight to see all on its own. When you saw and Ozzy show or even Sabbath, you knew you were getting not only a show but a night that would be remembered forever. I had the pleasure of meeting Ozzy a couple times in my life and he was nothing but, genuine, nice and personable. It’s a huge loss for his family and fans across the world. There will never be another Ozzy and that’s how it should be. He was one of one! An inspiration and influence on so many and a legend that will never die! The fact that Ozzy got to perform one last time and go out on his own terms is quite the way to go! My condolences go out to the entire Osbourne family and all the bandmates, and fans everywhere.
We are coming up to the halfway point of 2025 and I thought now would be a good time to do a Best Of 2025… So Far. In here you’ll find what I think are the best albums released so far as well as the best concerts I’ve seen all year!
Best Albums Of 2025… So Far: ALBUMS!!!!
01) Idle Heirs- Life Is Violence This album is my absolute favorite of the year so far and I don’t think anything is going to over take it unless Nine Inch Nails puts out their new album this year. I love this album and everything it entails. The sheer rawness and atmospheric nature of it all as well as the devastating nature of it and how real it all comes to life.
02) Linkin Park- From Zero (Deluxe Edition) From Zero is already a great album. It’s not the best thing this band has ever done (Meteora and A Thousand Suns take that prize) but, this album is phenomenal. And I’m being absolutely serious. When it came out towards the end of 2024 it left a lasting impression on me and now with the 3 additional songs added, it just takes it to a whole other level. It’s criminal how good this album is!!!!
03) Guiltless- Teeth To Sky This album is another that is still in rotation and I keep finding more and more to love about this record. As I mentioned in my album of the week feature, having a band play music like this but, flipping the script and making it optimistic instead of straight doom and gloom, really puts this album up high.
04) Spiritbox- Tsunami Sea I’ve quite enjoyed this album. It’s a really well put together album with some really killer songs on it. It’s a really solid second album as well that is quite cohesive. I just recently went to see Spiritbox live and they are a really good live band and these songs definitely go harder than on album as one would expect. It’s going to be interesting to see and hear where they go next.
05) Coheed And Cambria- Vaxis III: The Father Of Make Believe Coheed is back!!! Not that they went away, I mean it more in that after the past two albums which felt kind of long and more of a collection of songs, they are back with an “album” that really kicks ass. If you are a fan of albums such as In Keeping Secrets and Good Apollo Part IV, then you’ll really dig this one. It’s a really good album that has a great flow to it. And there also feels like a renewed sense of the band on this one too as the performances really are kicked up a few notches!
06) Youth Code- Yours, With Malice I’ve been a Youth Code fan for quite some time so, when it came time for this record to arrive, I was pretty stoked and it’s a banger! Though only an EP, Yours, With Malice doesn’t lose a beat with the punishing and menacing beats pulsating along with vocals that reflect the trying times and harsh reality of it all.
07) Tonguecutter- Minnow When I first heard Tonguecutter’s Minnow, I thought I was in a time machine back to 1993 in a great way. This band and album have been a really cool surprise to hear in 2025. They make music that I’ve always loved and give it a bump in energy. Really look forward to more from Tonguecutter. They are one of those bands if the right people hear it will really resonate!
08) Black Map- Hex I’ve been a fan since the first single dropped and Black Map keeps getting better! Hex is one hell of an album. It’s short, concise and very direct in its approach. Throughout the 9 songs and 32 minutes, you are taken on a ride of great riffs and rhythms along with soaring melodic vocals. I keep finding myself listening to this album as whole more so than picking songs. Give this one a good spin!!
09) SOM- Let The Light In I remember seeing SOM open for Holy Fawn a couple years back and I was hooked from that point. Their new album, Let The Light In, is a tremendous album that really expands upon their already epic nature. I find myself listening to this a lot when I need something a bit more calming or relaxing as their post-metal sound reaches new heights.
10) Machinekit- Goddamn Vanity This LA techno-punk band is awesome! The new album, Goddamn Vanity, strikes quite hard. It’s abrasive and quite powerful. The way this album gut punches you is superb. The aggressive nature of this album is harks back to late 80’s Ministry and Broken era Nine Inch Nails. Also, their live show is one of the most fun and energetic shows you can see!
BEST CONCERTS OF 2025… SO FAR:
01) Poison The Well, Glassjaw, Better Lovers at Hollywood Palladium 02) Snot at SoHo Santa Barabara 03) Helmet and Slomosa at The Regent Theater 04) Jerry Cantrell and Filter at Ventura Theater 05) Danzig and Down at Forum 06) Meshuggah, Cannibal Corpse & Carcass at Forum 07) Deftones at Forum 08) Spiritbox at Hollywood Palladium 09) Kerry King at Fonda Theater 10) All Cobalt/Audioeclectica shows!
The other day I heard a song that was absolutely pummeling and punishing and it put a giant smile on my face. That song is called “Endless” and it’s by the mighty, Black Magnet. If you aren’t familiar with Black Magnet you should change that. Black Magnet have been a favorite of mine since I heard them a few years back. Their 2022 album Body Prophecy, is an unsung masterpiece and they are one hell of a band. Black Magnet are one of a handful of industrial metal bands that have really put the genre back on the map. This new song “Endless” is as relentless as it is raw. It reminds me of Broken era Nine Inch Nails and Psalm 69 era Ministry. It’s heavy and chock full of electronic goodies to discover with each listen. Black Magnet’s new album, Megamantra, is set for release on Federal Prisoner June 27th, 2025. I know I will be picking this up for damn sure!
It’s only April and I believe I have found the album of the year. A couple weeks back I introduced you to the band Idle Heirs. I’ve been enthralled by this album from the moment I heard it in full. The singles definitely got me right off the bat as well. The 8 tracks on the album are some of the most gut wrenching, soul bearing and intense performances I’ve heard on record. Written by Coalesce’s Sean Ingram and Multi Instrumentalist/Producer Josh Barber, Life Is Violence, just set a new standard of what the “post-metal” genre should be.
I’ve mentioned in other reviews of mine that I don’t want to dissect each song as I feel that it truly takes away from the listeners experience of the album. The rawness, intensity and emotional charge that this album brings out of oneself is quite an accomplishment. It’s one of those albums that is like a mirror that responds back to you. The personal elements found throughout this album are eye opening and cut pretty deep. The way those emotions that are poured into these songs are enough to make you uncomfortable but, in a good way that is quite introspective. The vulnerability that Sean Ingram delivers on these songs is uncanny. The deeper you listen, the more you hear all the pain, anguish, remorse, sorrow and more in his vocal performance. I can only imagine how much more his live performance of this would be. I’ve seen Coalesce and this has got to be even more intense than that. There’s that word again “intense.” That’s truly what this album is. Musically Sean and Josh Barber crafted songs that not only are heavy in the traditional senses but, allowed for all the lyrical concepts to come to life through different instruments be it a simple shuffle on the drums, atmospheric soundscapes, sludgy tones, bright tones and a plethora of more. Life Is Violence is a great title for this album as that is a great summation of what this all sounds like.
When I first heard this band/album it immediately struck a chord with me. I don’t know what I was looking for at the time but, this was the one. For the past few weeks I’ve truly soaked this album up. It’s become one of those I can’t go a day without listening to it at least once. The eruption of brilliance that is poured out over 51 minutes is pretty astounding. I’d love to know more about the recording of this album because there are so many great nuances to it, that I’m just beyond curious to know. This is seriously one of those special albums that feels magical and for lack of a better phrase “Lightning In A Bottle.” What an incredible album and foundation to start with because, I sure hope this project keeps going. This is the power of music at its finest. The connection to a record and all that it brings. Thank you Sean and Josh for what you put into this to make what I truly consider to the the album of 2025!
I love when it’s been a long while since you’ve seen a certain band live, then you go to the show and it’s just what you wanted it to be and even a little bit more too, since it’s been that long in between shows. This past weekend I went to see Danzig (who I haven’t seen live since 2013) and one of my all time favorite bands, Down (who I haven’t seen live in almost 10 years) at The Forum. What a show it was too. Also playing this evening were Abbath (first time seeing them live) and Cro-Mags (didn’t catch them). The Forum over the last decade plus has really stepped up their game in terms of sound, and the shows they hold. Getting to see Down here was quite special (think the last time they played the Forum was when they were on tour with Heaven And Hell (Dio era Black Sabbath).
First band I saw of the evening was Abbath. It’s been a while since I’ve seen a black metal band play and they sure were good. I forgot that the main guy was also previously in Immortal. Abbath was a good choice for this show (just thought of this, why wasn’t this tour billed as the new Blackest Of The Black tour- I’ll have to inquire). It was nice to see Norwegian Black Metal still thriving and destroying. Though I didn’t see Cro-Mags, the 1, 2 punch of Hardcore Punk then Black Metal is quite the way to open a show.
Now the part that really got me, DOWN!!! I love Down. I actually get into arguments with people because I like Down more than I like Pantera. To me Down just has more substance and depth. There’s nothing like seeing Down live and firing on all cylinders. It’s truly a magical thing to see and hear. Playing songs mainly from their classic debut, NOLA, as well as a couple from their second album, Down had the crowd in the palm of their hand for the hour they were on stage. The moment they all took the stage and the first notes of “Lysergic Funeral Procession” began, you knew that you were in for one hell of a set. From there it was just classic after classic. It’s always a pleasure to hear favorites of mine like “Losing All,” “Ghosts Along The Mississippi,” one of the best Track One’s of all time “Temptation’s Wings,” and one of the best closers too in “Bury Me In Smoke.” I also love that during the “Bury Me In Smoke” Phil sang the a bit of “Nothing In Return (Walk Away)” and that absolutely was a special moment. I love that song. It’s so epic that it too should be played live! Down was on fire and everyone sounded killer. Watching Philip, Pepper, Kirk, Jimmy and Pat on stage truly having fun and ripping through a great set like that is why I love going to concerts and seeing my favorite bands, Down especially!
Danzig headlined this evening and by the time he went on and the lights went down, it was sure time for things to get a bit darker. It’s been a long time since I’ve seen Danzig live. The last time was probably the best Danzig show I have ever seen. This show is right up there though. There’s such a fun theatricalness to a Danzig show that it keeps you into it. Knowing his audience well, the set consisted of songs mostly from the first 3 albums with a few scattered ones from Danzig IV, Circle Of Snakes, and Deth Red Sabaoth. Personally I love Danzig III so getting to hear any of the songs from that album is a joy for me. The performance this evening of “How The Gods Kill” was great (you can watch it on the Audioeclectica Instagram page). Glenn is still one hell of a frontman and when he’s on like he was this evening, it’s pretty spectacular. Joining Glenn on stage was longtime Danzig collaborator and Prong’s Tommy Victor on guitar, Samhain’s Steve Zing on bass and Karl Rosquist on drums. Watching the crowd get into the show song by song was interesting. You could tell who knew more than just a handful of songs. Either way, it was a great bill all around.
DOWN Set List: 01) Lysergik Funeral Procession 02) Lifer 03) Hail The Leaf 04) Ghosts Along The Mississippi 05) Pillars Of Eternity 06) Temptation’s Wings 07) Stone The Crow 08) Eyes Of The South 09) Bury Me In Smoke
DANZIG Set List: 01) Skin Carver 02) Brand New God 03) Twist Of Cain 04) Evil Thing 05) Hammer Of The Gods 06) How The Gods Kill 07) Her Black Wings 08) Killer Wolf 09) Black Hell 10) Tired Of Being Alive 11) The Hunter (Albert King Cover) 12) Am I Demon 13) Not Of This World 14) Mother ENCORE: 15) She Rides 16) Dirty Black Summer 17) Do You Wear The Mark
It’s not everyday that you get to have a second career this far into your career. 5 years ago when Slayer hung it up (or so they said- I even remember telling my friend Justin at the last Slayer show, “Give them 5 years and I would bet they will be back playing festivals at least.”). Well that premonition came true right at the same time Kerry King announced his debut solo album, From Hell I Rise. Technically I could say it’s his second since Slayer’s last album, Repentless, was basically a Kerry solo album but, From Hell I Rise, gave us all another chance to keep riding the Slayer wave.
A few months before this show at the Fonda, I went with a few friends to see Lamb Of God and Mastodon on the Ashes Of Leviathan tour. On that tour they had Kerry opening up for them. While the set was short, it definitely led me to want to see the show when they came through as a headliner as they left a lasting impression on me.
Kerry King’s live band is one hell of a group of guys. First on vocals you have Mark Osegueda from Death Angel. Mark’s one hell of a vocalist and does a superb job here. Even with the moments that sound like Tom Araya, Mark really has come into his own with these songs. On drums you have the ferocious Paul Bostaph. We all know what he’s capable of. Then on bass you have Kyle Sanders. Who if you don’t know if the older brother of Mastodon’s Troy Sanders and was a part of bands like Bloodsimple, Hellyeah, Medication and more. Kyle has one hell of a thunderous low end delivery and the way he plays is outstanding. And on the other lead guitar is one of my favorite guitar players, Phil Demmel. Phil is an absolute beast on the guitar. The leads he added to Kerry’s songs take those ones to all new heights.
The live show for Kerry and company is quite intense as you’d expect. There is no shortage of aggression and heaviness permeating from the stage to audience. The Fonda in Hollywood is one of my favorite spots to see a show as it’s big but not too big and just intimate enough to feel like you are really close. Kerry’s set included all songs from the debut album like my favorites such as “Toxic,” “Shrapnel,” “Tension,” and “Residue” as well as 2 stellar Iron Maiden covers (“Purgatory and “Killers”), and a handful of Slayer songs including of course “Raining Blood.” Though it was cool to hear “At Dawn They Sleep” from Hell Awaits as well as “Disciple” from God Hates Us All. The band throughout the set was on absolute fire from the get go. The way Kerry and Phil play off each other is quite the the sight to see and hear. If you are missing Slayer, get yourself to a Kerry show and it will help with the withdrawls. One other thing before I close this out, I get that this is the Kerry King solo band now but, with a lineup of gents like this, I really hope that when it comes time to write the next album, these guys especially Phil Demmel, are brought in to write cause, if they do, I can definitely see the next album being one that just DESTROYS!
Review By: Brian Lacy (sorry no photos- was too into watching the show)
Set List:
01) Where I Reign 02) Rage 03) Trophies Of The Tyrant 04) Residue 05) Two Fists 06) Idle Hands 07) Repentless (Slayer Cover) 08) Toxic 09) Tension 10) Everything I Hate About You 11) Disciple (Slayer Cover) 12) Purgatory (Iron Maiden Cover) 13) Killers (Iron Maiden Cover) 14) Crucifixation 15) At Dawn They Sleep (Slayer Cover) 16) Shrapnel 17) Raining Blood (Slayer Cover) 18) Black Magic (Slayer Cover) 19) From Hell I Rise
One of the things I love most about bands that craft actual albums is the detail they put into it. Not just the music but also the subject matter and how it relates to certain topics and imagery. A few weeks back a band was brought to my attention and I’ve really been digging what they are cooking up. Allow me to introduce you to High Command. This band is more than just your regular metal band, they take it to another level. Taking their metal cues from the likes of Dio, Mercyful Fate, with a bit of Obituarty, a tinge of Bathory and a dash of Discharge, High Command have crafted a sound that feels fresh with a throwback sense. It’s something I like to call, “Epic Metal.” I know, just what we need, another sub-genre but, it fits. The bands latest and upcoming second album, Eclipse Of The Dual Moons, the band have upped their storytelling game and expanded upon where their first album left off. The band place themselves as omniscient narrators of the world they have created making for a very intriguing and visceral listening experience. It’s refreshing to hear a band like High Command take such time and pride to craft something on a deeper level than the atypical topics. I look forward to hearing where the band continues to go with this and evolve. Cheers to High Command on a well chosen path!
PRE-ORDER: High Command- Eclipse Of The Dual Moons:
There are a lot of bands out there that catch a lot of flack. Sometimes it is justified and others well it’s just unwarranted. Recently,while putting together some topic ideas for an upcoming podcast and radio show (stay tuned for that!!!), a thought crossed my mind. Why do people hate on Godsmack so much? I will admit that their name isn’t the most original and at times the lyrics are a bit juvenile but, Godsmack are a band that is absolutely necessary. Think of them more as a gateway band into heavy music. Godsmack are a really solid hard/heavy rock band, mixing bit of Alice In Chains and “Black Album” era Metallica. They emit a sense of accessibility and melody, that sometimes gets lost in translation as you delve into heavier genres. For someone that is young and is starting to get into “rock” music, a band like Godsmack is a great place to start.
The reason I mention all this and single out Godsmack, is because of how good their second album Awake is. They really stepped up their game from their debut. The sound of the album kept a “raw” edge to it, without sounding too polished. The songs were riff heavy but with a ton of groove to them. For a second record, the band shows a sense of maturity throughout the music written. You can tell on the first single “Awake” that they were trying to separate themselves from being lumped into the “nu-metal” tag, by adding guitar solos, and the song being 5 minutes long. “Sick of Life” and “Greed” are solid rock songs, minus the lyrics. Other tracks on the album like “Mistakes,” “Trippin,” “Forgive Me,” “Vampires,” “The Journey,” and “Spiral” really make this album as good as it is. The production on this album was top notch as well.
Godsmack delivered a solid heavy rock album, and continue to do so. Over the years, the juvenile lyrics have subsided and matured. Awake showed a range of songwriting. Songs that weren’t all about depression and hopelessness. Instead themes of reincarnation, and rebirth were very prevalent. The band also has a secret weapon in bassist Robbie Merrill. He has a feel to the way he plays that stands out. Guitarist Tony Rombola, is a student of the 70’s and early 90’s. He’s able to blend those two together just as Jerry Cantrell, but on a simpler level. Sully Erna, on this album started to come into his own. It wasn’t until their fourth album though, that he really found his own voice. The drums on this album are something else to be intrigued by. Tommy Stewart laid down some really great grooves. Though I will say, Shannon Larkin has really taken the songs from the first two albums and made them his own. He’s a true underrated drummer, that should get a ton more credit.
Say what you want about them but, know this, without bands like Godsmack, generations of kids wouldn’t get into heavier music. Take a listen to Godsmack’s Awake and just appreciate the music if anything.
In 2001 Rammstein released a masterpiece of an album called Mutter (Mother in English). The eleven songs on this album stretch beyond their normal hard pounding industrial metal sound. The band used the incorporation of strings in certain songs and added more melody throughout. There is also an underlying concept to the album as well. Rammstein has also been a band that has always come with a bit of controversy. For example the album’s cover image is a photograph of a dead fetus. One other fun fact before I delve into the album. During this time Rammstein appeared in the ever forgettable Vin Diesel film XXX. The band is seen in the opening scene, performing their song “Feuer Frei!”
The album kicks off with “Mein Herz Brennt (My Heart Burns).” Beginning with a delicate string section and Till Lindemann quietly and hauntingly speaking then the heavy comes crashing down. There is also a huge melodic swing that starts in this song and expands throughout the entire album. “Links 2-3-4 (Left 2,3,4)” is the typical type of song that Rammstein is known for. The guitar tone that is found throughout their albums shines big and bright on this album. Paul Landers and Richard Kruspe have a knack for heavy distorted guitars all the while playing with a steady hand that helps the clarity shine. “Sonne (Sun)” The churning guitar guides this song perfectly into a deeply melodic chorus. Also the keyboards by Christian “Flake” Florenz are very prominent on this song. “Sonne” is one of my favorite songs on the album. “Ich Will (I Want)” has a little bit of a dance vibe to it. Christian Schneider’s drums and Oliver Riedel’s bass balance each other out tremendously on this song. Showing the power of their rhythm section. “Feuer Frei (Fire At Will)” is another of the classic signature Rammstein songs. “Mutter (Mother)” is my favorite track on this album. It’s such an intriguing song. You can hear the passion in the voice and the way it’s written and played. “Spieluhr (Music Box)” is a very strange song and almost doesn’t fit, but musically it has some interesting parts. “Zwitter (Hermaphrodite)” has a very pulsating guitar riff, thrusting the song into familiar territory. “Rein Raus (In/Out)” has a similar feel to Du Hast but with more melody. “Adios (Goodbye)” is a gem of melodic goodness. Closing the album is “Nebel (Fog)” is one of the slowest, delicate songs Rammstein has ever created. There are moments that harken back to the textures of the song “Mutter.”
This album is one of those that you should play all the way through to fully grasp. There is something really intriguing and exciting about this album.
