Album Review

ALBUM REVIEW: NEUROSIS- AN UNDYING LOVE FOR A BURNING WORLD

Don’t call it a comeback! The idea that Neurosis was finished was never a thought that was cemented in my mind. The bleak thought that it was never felt right and left the idea of a return after some time to be simmering in the heads of so many. The influence and inspiration that Neurosis has on so many bands you love is uncanny. So when the band surprise released their new album, An Undying Love For A Burning World, not only did it leave so many in awe that they had returned but, the announcement of Aaron Turner from Isis now in the band really was grabbing. When you listen to this album, it’s as though the band never left. Neurosis are masters for a reason and across the hour and few minutes the album plays, there is no sign of letting up nor drag.

There is an instant classic feel to An Undying Love For A Burning World. The way the album starts and transitions into each song makes this a listening experience that truly only Neurosis can make. The sludgy/doom riffs that parallel the atmospheric/etherial soundscapes mixed with the electronic/post-industrial tinges and uncompromising rhythms catapult these songs into the stratosphere. Then you add in the vocals and how they bring you to attention in a pleasant yet forceful way. Seriously, this band needs to be studied in music classes. The band’s already illustrious career knows no boundaries and the push into new territory on each record bleeds into this new one in a way that makes this truly feel like there was no stoppage.

A track by track run through of this album would be a disservice to anyone reading and listening. For an album like this one, it’s best to just sit with it and take it all in. There is so much to unpack within each song that makes listening to this record more and more fun each time. Since it’s release I purposely waited to write this so that I could take the time to really listen and hear all that is going on. The production of the recording and performances is stellar. Scott Evans of Kowloon Walled City was at the helm of recording An Undying Love For A Burning World and he dialed every tone in perfectly. Throughout the sixty four minutes, Steve Von Till, Dave Edwardson, Jason Roeder, Noah Landis and now Aaron Turner have made a modern masterpiece. This album comes at a time when we truly need Neurosis. The dark and pseudo apocalyptic nature of this band not only fits in the world we live in now but, could very well be the soundtrack to the demise. This band and album are not for the weak. The deeply poetic nature of the lyrics and music are substantial and direct in their message.

Neurosis have left a mission statement with An Undying Love For A Burning World. In this statement, it’s very pronounced that this is no letting up for this band. The soundtrack they create for us breathes life into a dark and dreary time to live in. The honesty in this album and passion radiates through each note and beat. One of the things I personally love about this album is that it doesn’t feel “nostalgic.” It’s fresh and full of fire that so many bands are missing. What a way to return! Seriously, this album is one of the best the band has made. If you’ve never listened to Neurosis, this album is actually a great starting off point. When you finish it, talk to me and I’ll steer you where to go next. In the meantime, enjoy all that An Undying Love For A Burning World has to offer.

Overall Rating: A

By: Brian Lacy

Neurosis- An Undying Love For A Burning World:

ALBUM REVIEW: POISON THE WELL- PEACE IN PLACE

Comeback albums are not easy to make. The pressure of trying to capture a time and place from years before is enough to make one throw a fit. Especially when people want something from that particular era. The great thing about a comeback album is taking all you’ve done before and molding that into everything else since to make a record that stands up with the rest of the discography. The very awesome Poison The Well have released their first new album since 2009’s, The Tropic Rot. Peace In Place is an uncompromising and direct shot to your gut and brain type of album. Notice too how I said “album.” That’s what this is! After first reuniting in 2015 and 2016, Poison The Well made their full on return in 2020. Since then they have been giving the fans joyous tours of landmark albums like The Opposite Of December and You Come Before You and then some. Taking the time over this era has given the members of PTW the chance to really capture the essence of the band before and now.

Peace In Place is an album not for the weak. The heaviness of the lyrics, music and melodies are razor sharp and cut deep. The way this album begins with “Wax Mask,” lets you know right away this is only the calm before the eruption. From there it’s just on. The way “Primal Blooms” push the controlled chaos into an atmospheric beatdown is seemles. In fact each song transitions perfectly into each other making for a very complete listening experience that is lost amongst so many bands and albums these days. The already released one two punch of “Thoroughbreds” and “Everything Hurts” stings even more in the context of the record. “Weeping Tones” though when you hear this song, the whole picture comes to light. This part of the album feels like the turning point as well as it seeps into the absolutely devastating “A Wake Of Vultures.” Which I can see becoming a fan favorite and live staple. “Bad Bodies” keeps the pace going and injects a heavy melodic sense that has become a signature for Poison The Well for years. “Drifting Without End” has some really interesting elements that go back to the Versions era making it one of those deep cuts that offers a bit of a breath amongst the heavy. “Melted” is another gem on the album. I love the way this song sways a bit then grabs you by the throat and shakes you a bit. Ending the album is “Plague Them The Most” which is epic and intense and a great way to end the record. That’s not all though, stay for a couple minutes after for a real treat!

Peace In Place is not just an album for now it’s a new blueprint for those that cop this style. Poison The Well is back and this album shows that not only do Chris Hornbrook, Jeffery Moreira, and Ryan Primack still deliver at a top level but, the time away really shows just how integral this band is to the music we love. The way this album sounds feels lively and in your face. Vocally, the screams and delicate moments are impassioned and mature. Lyrically there is a lot to delve into but, the poetic nature lets you feel it. The guitars are bright and crisp when needed and downright nasty heavy when it’s called for. The dynamics shifting throughout really shows the influence and inspiration Poison The Well has on so many bands of today. Then you get into the drums and it’s like listening to lightning strike. The way Chris Hornbrook plays just rains down inspiration. The snare sound is so signature to Poison The Well is alive and well here and cuts through like butter. Plus the fills and pulsating driving nature of the drums guide these songs through all the temperatures of the songs. New members Vadim Tavor and Noah Harmon add their own touches to the album in a way that pays homage to the past but, it their own. Producer Will Putney, was able to really capture what Poison The Well in 2026 is!

Poison The Well is an album that is confident and shows tremendous growth. There is no mistaking where they came from and it shows in here as well. The maturity of the members personally is a real bright spot throughout listening. To be able to come back and make an album that not only marks a return but, doesn’t rely on nostalgia is remarkable. The creative push on Peace In Place is heard on each song. As far as comeback albums go, this is definitely one of the best I’ve heard. I greatly look forward to seeing Poison The Well on tour for this album as well as what the future holds. Poison The Well stood out for a reason many years ago and this album is exactly why.

Overall Rating: A

By: Brian Lacy

Poison The Well- Peace In Place:

ALBUM REVIEW: LAMB OF GOD- INTO OBLIVION

For well over twenty five years now, Lamb Of God have been at the forefront of heavy music. Their sound and style is unmistakable and quite pummeling. Never a band to stay in one place, they have expanded their sound through the course of ten studio albums. Each record carves its own place within their catalog and tells a particular story of the time. Their new album, Into Oblivion is explosive as it is urgent. What you have here is Lamb Of God firing on all cylinders and reaching into their past as well as diving into new territory.

Across the ten songs and forty minutes, there is no letting up with Into Oblivion. As the title track starts things off with quite the bang, each song after leaves it’s own mark. This album still packs the heavy and the groove that fans have come to love. What you find though is the inspiration coming through. It’s not so much an influence that comes to light, it’s the feeling. One of the strongest undercurrents found on Into Oblivion is the Swedish Melodic Death Metal style a la At The Gates and even Meshuggah. The way that inspiration finds its own niche on certain songs like “The Killing Floor” and “St. Catherine’s Wheel” is astounding. The sheer heaviness on these two will incite mosh pits for years to come. Then you have a couple songs that make sharp left turns into a more bluesy realm like “El Vacio” and “Blunt Force Blues.” The first two singles “Sepsis” and “Parasocial Christ” are very classic sounding songs with a very rage filled aggression. The latter half of the album is pretty intense. “Bully” provides some interesting social commentary and some really great melodic moments. While “A Thousand Years” feels like a storm brewing. Ending this stellar album is “Devise/Destroy” which is a great summation of the album. It’s got everything I mentioned above and more.

Into Oblivion is one of those albums that when it’s done you want to start it again. If you are driving it will definitely make that foot go heavier on the gas. Lamb Of God have been a constant in heavy music for a reason. Randy Blythe delivers vocals and meaningful lyrics with a passion that is unwavering. You can feel every word he says/sings/screams. And in this world we live in it’s nice to hear someone with common sense. Musically this band is on one hell of a run. Mark Morton and Willie Adler are one of the best guitar duos in all of music. They both have a different style and you can hear each of them on these songs. The rhythm section of drummer Art Cruz and John Campbell is oh so sweet. John is one of the best heavy music bass players and Art continues to push the boundaries of drums and percussion in this band. I say this with all due respect, Art Cruz is the better drummer for Lamb Of God. Just listen to how he plays the older songs and these new ones.

This album is one of the best of the year and it’s only March. 2026 is going to be a year to remember for great music and albums. Lamb Of God have knocked it out of the park with Into Oblivion. I look forward to these songs becoming live staples and seeing the audiences explode.

Overall Rating: 9/10

By: Brian Lacy

Lamb Of God- Into Oblivion:

ALBUM OF THE WEEK: TRAUMA RAY- CARNIVAL

What is going on with shoegaze these days? When did this subgenre become such a phenomenon? I’ve been trying to find the point of origin and it’s quite complex. Instead of trying to figure out all that at the moment, why not just enjoy the best of what’s out there. The ones that have really left a mark on me have done just that. These select bands and albums have not just found their way into constant rotation, they’ve separated themselves from the pack well enough to make a lasting impression on the genre and era. Trauma Ray is one of those bands and their latest release, the EP, Carnival, absolutely cements that.

Carnival is one of those perfect EP’s that is a burst of creativity. By opening up the writing to be more collaborative, the vast expansive inspiration is aplenty here. This unlocked a whole other world for the band to travel in. What’s interesting too is these influences are cast without biting off a duplicate rendition. If you’ve heard the bands debut, Chameleon, you can definitely hear the wings stretching here. In a way it reminds me of the band Brand New and how the more open collaboration made the band even better. What Carnival does across five songs and twenty five minutes makes you fall into a trance of lush soundscapes, dreamy vocals, riffs and melodies that caress the delicate and at times intense rhythms. The use of not just shoegaze aspects is another treat. Like many of the other great bands of this genre, there is more to Trauma Ray. Other sounds and styles like metal, alternative, sludge, doom, grunge, ambience all play a part in making this one stand out release. Each song takes on a bit of a life of its own with the way the influences shine.

It’s very refreshing to hear a band like Trauma Ray taking the sum of their parts and realizing making a record that not only showcases the individual effort but pushes the band forward into making great music. Carnival is for sure a ride and one worth riding over and over again.

Buy Carnival HERE

By: Brian Lacy

TRAUMA RAY- CARNIVAL:

Hannibal (Music Video):

UNSUNG MASTERPIECES: SLOW CRUSH- THIRST

When a genre explodes, finding the standouts becomes imperative. Over the last few years “shoegaze” has come to the forefront of modern music. Depending on what subgenre of shoegaze you listen to shows you where the inspiration comes from. Deftones and The Smashing Pumpkins in particular have struck a chord with the younger generation. That being said let me shift this to the other side of the equation. Through all my listening and searching I believe I found one of the best albums of this new era of shoegaze. The band is Slow Crush and their album, Thirst is astounding.

Slow Crush’s album Thirst is haunting, seductive, heavy, whimsical and more. Every time I put this album on I’m completely swept away by the intensity. Across ten songs and forty minutes there isn’t one moment on this album that doesn’t fit. As much as this album is shoegaze focused, there is so much more to it. First there is an undercurrent of Black Metal running through the album. There are also elements of stoner rock, alternative rock and dream pop. Sonically, Thirst is explosive, etherial and atmospheric. The vocals will sweep you off your feet and take you on a trippy journey. They crawl under your skin and give you those chills that make you pay attention. Musically too, the intricate web of layers showcases the varied influences of the band. Being able to pull in heaviness into delicate structures is not an easy thing to do. While certain moments are crushing, the more airy ones are what captivates. The hypnotic nature of the songs and production is another part that makes Thirst such a masterful album.

For each listen, you find something new to love and discover. One of my favorite parts of this album is the ending of the second song “Covet.” The use of saxophone at the end of this song is sublime. What a great part and addition to the song. It feels like a David Bowie moment that fits perfectly. It’s almost like the band steps into another world with each song. As a listener it’s rather liberating to hear an album like this. It’s not everyday you get to hear an album that ups the game of a genre. Slow Crush have defined their sound and style with Thirst. Do yourself a favor and take some time with this album and let it take over!

Overall Rating: A

By: Brian Lacy

Slow Crush- Thirst:

ALBUM REVIEW: CONVERGE- LOVE IS NOT ENOUGH

When a band such as Converge releases a new album, it’s a big deal. For well over 30 years, Converge has been at the forefront of metal and hardcore. Their signature sound is unmistakable. The sheer intensity of the vocals and lyrics will make grown men cry. Musically the intricacies, riffs and pummeling rhythms are as devastating as the most powerful storm. Without Converge we wouldn’t have so many other great bands that we enjoy today.

Which brings me to their new album Love Is Not Enough. The past few albums have been rather epic in their nature. Blood Moon, The Dusk In Us and All We Love We Leave Behind are quite the records in their own right and have their own place within the catalog and genre. Over the course of the time since their release, each of those albums holds a certain place for me. What we have here on this new album is a very direct sense of impact. Not since their album, You Fail Me, have Converge made such an urgent blast of an album. Spanning just about thirty minutes, Love Is Not Enough grabs you by the throat the second the title track kicks off the record. Throughout the ten songs the listener is thrust into the whole career of Converge. Each song is a bit of a snapshot of the best of what Converge is and has done. For those clamoring for the more spastic and heavy fast paced songs, those are here for you and for the taking. There is a thematic level of darkness and gloominess that is a radiating aspect to the album. Which gives it a very profound feeling. There is a balance of both the heavy/dark and spastic/pummeling making, Love Is Not Enough that much more impactful. Even the middle song which is instrumental, this track gives you the moment to gather yourself before the onslaught continues. There is not a song on this album that feels like it shouldn’t be here.

Converge is Converge for a reason. Their music is a true testament to what moves them. An album like Love Is Not Enough might not be the be all end all of metalcore albums but, what this album does is show everyone else trying to cop this style that, this is the way to do it. Imitation can be a form of flattery at times but, don’t mess with it in hardcore and metal. The equal parts of Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller made one hell of an album here. One that should not only be listened loudly but, one that shows there is no letting up for these gents. The standard was set long ago by Converge and they just keep moving the bar higher for everyone else. I’m personally beyond stoked on their upcoming tour with Poison The Well. That decibel levels in the venues should register on richter scales.

Overall Rating: 9/10

By: Brian Lacy

Converge- Love Is Not Enough:

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ALBUM REVIEW: BLACKWATER HOLYLIGHT- NOT HERE NOT GONE

2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.

Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.

What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.

Overall Rating: A

By: Brian Lacy

Blackwater Holylight- Not Here Not Gone:

DEBUT ALBUMS: SPLIT CHAIN- MOTIONBLUR

It’s happened to all of us I’m sure at one point or another. You hear a song/band in passing and you really dig it but don’t know who it is. Then on a random whim you hear it and then all is right for that moment. That happened recently for myself a couple months back, I had heard a band and I completely forgot the name as well as the song and then when I found out who it was, the volume sure went up. The band I’m talking about is Split Chain. If this is your introduction to them, you are in for a treat!

Split Chain is an English rock band that formed in 2023. This explosive five piece band, while still in it’s infancy is already packing quite the punch. Their first release, the single “Get Inside” came out in 2023 and it was a siren call for what was to come. A few more singles would be released as would a really fun cover of Type O Negative’s “I Don’t Wanna Be Me.” Then in later 2024 it was announced the band had signed with Epitaph Records and would begin work on their very anticipated debut album. Motionblur, would be released in July of 2025. Split Chain’s musical style incorporates bits of shoegaze, grunge, post-hardcore, and a dash of nu-metal. The combination sounds absolutely as you’d expect it to sound. It’s lush and full of space and dreaminess and on the other side there’s the heaviness and crunch.

Motionblur is one hell of a debut album. It’s one of those records you can just put on start to finish and just get lost in it. Across the eleven songs, you’ll find a very raw and dense album that is fused with soaring yet gut wrenching vocals, layered guitars that sway into the heavy and dreamy side of things, a rhythm section that thumps and kicks while also delicately ripping limbs away. The honesty found throughout is quite stunning too. You can hear it in the delivery of performances on the songs. The sonic aspect of the album is very direct in the way the album is produced. There are in your face moments of each instrument. The vocals are very up front but it doesn’t take away what the music is doing. The push and pull of both, makes these songs more haunting and personal. Each song has its own charm but, the sum of all the parts is what makes this album standout.

I love debut albums like this. You get to see and hear what the band is about but, you know there is way more to explore. Which means the what’s to come from Split Chain is going to be intense. Motionblur is authentic as it is a visceral album. Currently, Split Chain is out in Australia with Better Lovers. Their US tour with Soul Blind (another band you should know about) will be one hell of a great tour and chock full of high decibels!

By: Brian Lacy

Overall Rating: 9/10

Split Chain- Motionblur:

Split Chain Online:

▶ Store: https://splitchain.ffm.to/store ▶ Website: https://www.splitchain.uk ▶ Facebook:   / splitchainband   ▶ Instagram:   / splitchainband   ▶ YouTube:    / @splitchainband  


ALBUM RANK UPDATED: BUSH

It’s crazy to think about sometimes that you’ve been listening to a band for over thirty years. Then when you look at how old you are, it’s pretty much a lifetime of listening to a band. I still remember the first time I heard the band Bush. I distinctly remember being in the car with the radio on (106.7 KROQ) and heard “Everything Zen” and I was hooked. Now over thirty years later and ten albums deep, Bush, are still going and as good if not better than before. The second act of Bush has given new life to the old and brought a bevy of great new songs and a live show that is so energetic and quite the rocking night. That all being said, lets go through the ten Bush albums and put them in a proper rank!

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