The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.
Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.
The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.
Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!
2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.
Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.
What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.
It’s happened to all of us I’m sure at one point or another. You hear a song/band in passing and you really dig it but don’t know who it is. Then on a random whim you hear it and then all is right for that moment. That happened recently for myself a couple months back, I had heard a band and I completely forgot the name as well as the song and then when I found out who it was, the volume sure went up. The band I’m talking about is Split Chain. If this is your introduction to them, you are in for a treat!
Split Chain is an English rock band that formed in 2023. This explosive five piece band, while still in it’s infancy is already packing quite the punch. Their first release, the single “Get Inside” came out in 2023 and it was a siren call for what was to come. A few more singles would be released as would a really fun cover of Type O Negative’s “I Don’t Wanna Be Me.” Then in later 2024 it was announced the band had signed with Epitaph Records and would begin work on their very anticipated debut album. Motionblur, would be released in July of 2025. Split Chain’s musical style incorporates bits of shoegaze, grunge, post-hardcore, and a dash of nu-metal. The combination sounds absolutely as you’d expect it to sound. It’s lush and full of space and dreaminess and on the other side there’s the heaviness and crunch.
Motionblur is one hell of a debut album. It’s one of those records you can just put on start to finish and just get lost in it. Across the eleven songs, you’ll find a very raw and dense album that is fused with soaring yet gut wrenching vocals, layered guitars that sway into the heavy and dreamy side of things, a rhythm section that thumps and kicks while also delicately ripping limbs away. The honesty found throughout is quite stunning too. You can hear it in the delivery of performances on the songs. The sonic aspect of the album is very direct in the way the album is produced. There are in your face moments of each instrument. The vocals are very up front but it doesn’t take away what the music is doing. The push and pull of both, makes these songs more haunting and personal. Each song has its own charm but, the sum of all the parts is what makes this album standout.
I love debut albums like this. You get to see and hear what the band is about but, you know there is way more to explore. Which means the what’s to come from Split Chain is going to be intense. Motionblur is authentic as it is a visceral album. Currently, Split Chain is out in Australia with Better Lovers. Their US tour with Soul Blind (another band you should know about) will be one hell of a great tour and chock full of high decibels!
It’s crazy to think about sometimes that you’ve been listening to a band for over thirty years. Then when you look at how old you are, it’s pretty much a lifetime of listening to a band. I still remember the first time I heard the band Bush. I distinctly remember being in the car with the radio on (106.7 KROQ) and heard “Everything Zen” and I was hooked. Now over thirty years later and ten albums deep, Bush, are still going and as good if not better than before. The second act of Bush has given new life to the old and brought a bevy of great new songs and a live show that is so energetic and quite the rocking night. That all being said, lets go through the ten Bush albums and put them in a proper rank!
I love albums that you can put on and let them just take you on a ride. Then there is that feeling you get when that right chord, melody or rhythm strikes. Also, it’s really refreshing to hear a band make an actual “album” and not just a collection of songs! Let me introduce you to, The Owling! This two piece Los Angeles based band is fast becoming a favorite of mine. Their sound is the perfect mix of 90’s Rock, Doom and Sludge with a very cinematic/poetic approach. The Owling’s debut album, You Don’t Bow You Will Learn, is a of righteous slab of riffs, and driving rhythms with vocals that soar. Think about driving down an open desert highway at sunset or sunrise with the windows down and this album blasting. Are you there yet? That’s exactly how this album feels. With each listen you find a different song to be your favorite. One other aspect about You Don’t Bow You Will Learn that I really enjoy is the use of space/ambience. When you listen, at certain moments, it’s almost like the fog machine is on and you get lost in the epic nature of the song. I very much look forward to what 2026 will bring for The Owling! Check out this band and be sure to buy a copy of their debut album and see them live! Also, quick shout out to Dean Karr for his badassery of great photo’s of the band and album cover. Talk about nailing an essence in a photo!
I’m always intrigued how people get into certain bands. I love hearing different ways people have found bands and all that. I’m no different when it comes to finding bands. A while back I heard a band that caught my attention and from that point I went out of my way to listen to as much as I could from said band. The band I’m talking about is Greyhaven and they have a badass new album out called Keep It Quiet. Now four albums deep into their career, Greyhaven have released an album that not only expands upon their heavy sound but opens the gate to so many fun little nuances.
Keep It Quiet feels like the album Greyhaven have been striving to make since their formation. The balance of heaviness, melodic, and delicate moments makes this a bold statement of an album. Each song hits at a different feeling/emotion which allows the music and vocals to sink into your mind and weave an intricate web of textures and directions. This album is what separates Greyhaven from the rest of the pack. The pace at which this album explodes is another treat. And the atmospheric vibe in the background gives the album an extra dose of air in between pummeling riffs, soaring screams and melodic vocals.
From start to finish, Keep It Quiet is as cohesive as the bands 2018 album Empty Black. Songs like “Burn A Miracle,” “Night In October,” “Technicolor Blues” and ” Shatter and Burst” are without a doubt some of the heaviest on the album. “Diamond To Diamond” and “Satellite In Love” are two of my favorite songs on the record. The delicate nature of these two tracks really play well into the melodic structure. “When The Light Leaves Us” and the closing track “Cemetery Sun” are two of the most epic songs on the album each containing fun twists and turns that leave you wanting to start those songs over and over again. Like I said, this album is very cohesive and it’s best to just listen from beginning to end.
One other thing I need to mention is the production by Will Putney. Will over the past decade has really become a go to producer/engineer to get the sounds that a ton of bands in the heavy music genres are after. The way that Will can get the right tone from the guitar and perfectly compliment it with the right bass and drum sounds makes my ears tingle. Keep It Quiet is chock full of sweet ear candy moments courtesy of Will and the way he helps bands bring out the best in them.
Greyhaven have been here a while but, Keep It Quiet needs to be talked about loudly. So much so that when you are playing this album it should be played loud too! I truly hope people out there get to hear this album. I’ve heard a lot of records this year and this one has really left a lasting impact on me. Take some time and give this a listen and let it sweep you off your feet!
In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.
Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.
I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!
Overall Rating: 9/10
Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”
AFI has long been a band that evolves a bit more with each album. For many albums now, AFI have been adding more and more goth elements to the music and on this new album (studio album number 12), Silver Bleed The Black Sun, they have just gone full on with it and the end result is absolutely splendid. This album leans all the way into the post-punk influences of bands like The Cure, Joy Division, Sisters Of Mercy, Bauhaus and more.
While the album is short in time with ten songs and clocking in at 35 minutes, there isn’t one ounce of filler or out of place anything on Silver Bleeds The Black Sun. What you have is one of their most cohesive albums since Burials (which is one hell of a great album). Each song evokes a certain mood and vibe making this a grand listening experience. From the way the album opens with the haunting “The Bird Of Prey” all the way through the very punk “NOONEUNDERGROUND,” it’s a non stop ride. The twists and turns found throughout make it chock full of ear candy and sweet surprises. There’s a really fun 80’s vibe throughout the album too that tinges on new wave without taking away the darkness. While the lyrics are of a contemplative and dark nature as they would be courtesy of Davey Havok, musically Jade Puget, Hunter Burgan and Adam Carson have pushed past any preconceived notions of what they’ve done before and brought a very invigorating sound that is vibrant and alive while at the same time eerie and full of bite.
I could have gone track by track but I truly believe that takes away from the listening experience. Instead, put this album on and let it just take you where it needs to go. A band like AFI is quite interesting in that they never want to stay in one place for too long and get complacent. One of the things I’ve genuinely loved about this band is their willingness to take chances and explore all that they enjoy. I’ve said to people many times over the years that AFI is one of those bands that you should give a chance to even if it isn’t your normal cup of tea. Silver Bleeds The Black Sun is one of the best albums of 2025.
Overall Rating: 9/10
Stand Out Tracks: Blasphemy & Excess, Spear Of Truth, A World Unmade, NOONEUNDERGROUND
A few years back my friend Adam suggested I check out the band HO99O9 (pronounced Horror). I had heard the name before and was mildly curious. Then after I checked it out, I was hooked. Not long after that, we wound up going to a sort of secret show in the back of a coffee shop in Downtown Los Angeles to see HO99O9. That show really cemented for me what this band is all about. Intense isn’t the right word, more like vicious is a better way to describe this duo. HO99O9 blurs the line between hip hop, metal, industrial, electronic and then some. Having toured with Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, Cypress Hill, and Ghostface Killah, they definitely have the pedigree behind them.
Tomorrow We Escape is the bands third full length album. This one is very direct and focused on a mission. Throughout the 11 song album, there are many twists and turns that keep you captivated and trying to guess what’s next. The chaos is controlled yet burns its own path. From the instant the first song “I Miss Home” begins all the way through to the epic closer “Godflesh,” there is no letting off the pedal. Chock full of powerful beats that pulsate even in your brain even after the song is done, hooks that feel catchy but not cheesy and an edge that is razor sharp that cuts so deep. Other standout tracks include “Escape,” “OK, I’m Reloaded,” “Upside Down, and “L.A. Riots.” There are two specific songs though that truly shine on this album. The first being “Tapeworm” which features Greg Puciato (Dillinger Escape Plan, Better Lovers, The Black Queen, etc) and it’s one hell of a song. Greg takes the song to a whole other level. Just listen and you’ll know what I mean. And the other one is “Immortal” which features Chelsea Wolfe. This track is a complete 180 for the band and it is hauntingly dreamy. There’s a soothing touch to this song.
This is the album, I’ve been waiting for HO99O9 to make. The OGM and Yeti Bones have truly found their path on Tomorrow We Escape. All the elements that were thrown into the mix have a distinct place on these songs. When you think something might be out of place or a little weird, it’s not, just go with it and let it sink in. If you are looking for a barn burner of an album, this one is for you. I highly recommend you play this one loud and make sure your windows are down, it might shatter glass!
I’ve been a bit behind on a ton of releases so I thought why not put a whole bunch of good stuff into one place. Part of the fun of Audioeclectica is the opportunity to share all sorts of different music/genres with you all. This batch is one of the most eclectic ones in quite a while. You’ve got rock, metal, alternative, and more. Enjoy these and let me know what you’re digging!
SINGLES:
The Barbarians Of California- Modern Fashion:
Last year The Barbarians Of California released their debut album, And Now I’m Just Gnashing My Teeth. It’s a total awesome throwback to the mid/late 90’s hardcore. Reminds me a bit of Snapcase, Strife and some other gems from the time. Their new single, “Modern Fashion,” is an absolute banger! Definitely check this out! Also it’s great to have Aaron Bruno and Eric Stenman back together! I grew up in the same area of these guys and their early hardcore bands were always a blast to hear and see!
Foreign Film- Santa Clara:
Are you a fan of the band Will Haven? If so then you’ll dig this for sure. Even if you aren’t a fan of Will Haven, I think you will dig Foreign Film. Made up of members of Will Haven, Foreign Film is a departure from the pulsating heaviness and instead brings about a most atmospheric and soundscape textured sound to the table. Combining influences like The Cure, Pink Floyd, Hum, and more, you can definitely hear the more cinematic approach to this. Really looking forward to more of this!
Greyhaven- Cemetery Sun:
Greyhaven is band I’ve recently gotten into. Really dig the heaviness of the band and the little intricacies found throughout the songs. There are moments when I listen to them that it reminds me of Every Time I Die with a bit more melody. This new song “Cemetery Sun” is a ripping track with soaring melodies and a whole vibe on its own. Their new album, Keep It Quiet is out October 10. Definitely be on the lookout for this one.
Paz Lenchantin- Hang Tough:
This is exciting. Paz Lenchantin formerly of A Perfect Circle, Zwan and Pixies is going to be releasing her debut solo album, Trieste, on October 17. If you are familiar with Paz, you know she is beyond talented. On her debut album, Paz mixes some really cool elements to make music that is very much aligned with a particular vibe. There’s rock throughout but the addition of folk, Latin, strings along with the drums of Josh Freese and guitars of Troy Van Leeuwen, makes this a really interesting one to vibe out to.
A little while back a friend of mine suggested I check out Soul Blind, and after doing so, I was hooked. If you are searching for a new band that really gets the 90’s sound in the right wat, Soul Blind is the one! This new track find the band embracing new ground by delving into some post-hardcore territory a la Quicksand and Deftones. Their new album, Red Sky Mourning, is out October 10.
ALBUMS:
Boneflower- Reveries:
I love when I listen to a band without knowing anything about them and it being awesome. That’s what happened when I first heard Reveries by Boneflower. The sheer intensity really drives this album. It’s chock full of emotion and musically the dynamic shapes makes for a very fun listen. If you’ve heard of the band Birds In Row, this band is for you! Definitely check out Boneflower and this album!
Chevelle- Bright As Blasphemy:
Chevelle is one of those bands that is quite consistent on releasing solid heavy rock albums. While this one might not be groundbreaking it’s still a really good album. Throughout the 9 tracks it’s very apparent that Chevelle is experimenting a bit with some different styles and textures. If the last album was the album Tool should’ve made, this new one is more in line with A Perfect Circle meets Helmet. There one song in particular that has me playing it on repeat and that track is called “Hallucinations.” What a great song! If you just want a solid heavy rock album, check out Bright As Blasphemy.
In Transmission- Betterment:
The post-hardcore genre has undergone a lot of changes over the years but, the one constant about the genre is the music is always emotionally charged and hard driving. And when I heard In Transmission’s new EP, that is exactly what I heard while at the same time adding a much deeper approach with atmospheric sounds to expand the space. Produced by Beau Burchell, Betterment is a record that shows much growth in the band as well as being songwriters. I really enjoy this one and think you will too.
Lucie Sue- Battle Station:
I’m always on the lookout for new music and the other day I got sent an album that again, I knew nothing about the artist and when I put it on, I immediately knew I was in for a treat. Lucie Sue is a force of nature for sure. Musically it’s got a punk rock edge, with a dash of Motely Crue swagger and sleeve, and a whole lot of 90’s attitude a la L7 or even Hole. Battle Station is one hell of a record that’s full of raw ferocity and razor sharp teeth that cuts through all the bullshit. I’ve been really enjoying this album and hope there’s a US tour soon!
