I love albums that you can put on and let them just take you on a ride. Then there is that feeling you get when that right chord, melody or rhythm strikes. Also, it’s really refreshing to hear a band make an actual “album” and not just a collection of songs! Let me introduce you to, The Owling! This two piece Los Angeles based band is fast becoming a favorite of mine. Their sound is the perfect mix of 90’s Rock, Doom and Sludge with a very cinematic/poetic approach. The Owling’s debut album, You Don’t Bow You Will Learn, is a of righteous slab of riffs, and driving rhythms with vocals that soar. Think about driving down an open desert highway at sunset or sunrise with the windows down and this album blasting. Are you there yet? That’s exactly how this album feels. With each listen you find a different song to be your favorite. One other aspect about You Don’t Bow You Will Learn that I really enjoy is the use of space/ambience. When you listen, at certain moments, it’s almost like the fog machine is on and you get lost in the epic nature of the song. I very much look forward to what 2026 will bring for The Owling! Check out this band and be sure to buy a copy of their debut album and see them live! Also, quick shout out to Dean Karr for his badassery of great photo’s of the band and album cover. Talk about nailing an essence in a photo!
I’m always intrigued how people get into certain bands. I love hearing different ways people have found bands and all that. I’m no different when it comes to finding bands. A while back I heard a band that caught my attention and from that point I went out of my way to listen to as much as I could from said band. The band I’m talking about is Greyhaven and they have a badass new album out called Keep It Quiet. Now four albums deep into their career, Greyhaven have released an album that not only expands upon their heavy sound but opens the gate to so many fun little nuances.
Keep It Quiet feels like the album Greyhaven have been striving to make since their formation. The balance of heaviness, melodic, and delicate moments makes this a bold statement of an album. Each song hits at a different feeling/emotion which allows the music and vocals to sink into your mind and weave an intricate web of textures and directions. This album is what separates Greyhaven from the rest of the pack. The pace at which this album explodes is another treat. And the atmospheric vibe in the background gives the album an extra dose of air in between pummeling riffs, soaring screams and melodic vocals.
From start to finish, Keep It Quiet is as cohesive as the bands 2018 album Empty Black. Songs like “Burn A Miracle,” “Night In October,” “Technicolor Blues” and ” Shatter and Burst” are without a doubt some of the heaviest on the album. “Diamond To Diamond” and “Satellite In Love” are two of my favorite songs on the record. The delicate nature of these two tracks really play well into the melodic structure. “When The Light Leaves Us” and the closing track “Cemetery Sun” are two of the most epic songs on the album each containing fun twists and turns that leave you wanting to start those songs over and over again. Like I said, this album is very cohesive and it’s best to just listen from beginning to end.
One other thing I need to mention is the production by Will Putney. Will over the past decade has really become a go to producer/engineer to get the sounds that a ton of bands in the heavy music genres are after. The way that Will can get the right tone from the guitar and perfectly compliment it with the right bass and drum sounds makes my ears tingle. Keep It Quiet is chock full of sweet ear candy moments courtesy of Will and the way he helps bands bring out the best in them.
Greyhaven have been here a while but, Keep It Quiet needs to be talked about loudly. So much so that when you are playing this album it should be played loud too! I truly hope people out there get to hear this album. I’ve heard a lot of records this year and this one has really left a lasting impact on me. Take some time and give this a listen and let it sweep you off your feet!
In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.
Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.
I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!
Overall Rating: 9/10
Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”
AFI has long been a band that evolves a bit more with each album. For many albums now, AFI have been adding more and more goth elements to the music and on this new album (studio album number 12), Silver Bleed The Black Sun, they have just gone full on with it and the end result is absolutely splendid. This album leans all the way into the post-punk influences of bands like The Cure, Joy Division, Sisters Of Mercy, Bauhaus and more.
While the album is short in time with ten songs and clocking in at 35 minutes, there isn’t one ounce of filler or out of place anything on Silver Bleeds The Black Sun. What you have is one of their most cohesive albums since Burials (which is one hell of a great album). Each song evokes a certain mood and vibe making this a grand listening experience. From the way the album opens with the haunting “The Bird Of Prey” all the way through the very punk “NOONEUNDERGROUND,” it’s a non stop ride. The twists and turns found throughout make it chock full of ear candy and sweet surprises. There’s a really fun 80’s vibe throughout the album too that tinges on new wave without taking away the darkness. While the lyrics are of a contemplative and dark nature as they would be courtesy of Davey Havok, musically Jade Puget, Hunter Burgan and Adam Carson have pushed past any preconceived notions of what they’ve done before and brought a very invigorating sound that is vibrant and alive while at the same time eerie and full of bite.
I could have gone track by track but I truly believe that takes away from the listening experience. Instead, put this album on and let it just take you where it needs to go. A band like AFI is quite interesting in that they never want to stay in one place for too long and get complacent. One of the things I’ve genuinely loved about this band is their willingness to take chances and explore all that they enjoy. I’ve said to people many times over the years that AFI is one of those bands that you should give a chance to even if it isn’t your normal cup of tea. Silver Bleeds The Black Sun is one of the best albums of 2025.
Overall Rating: 9/10
Stand Out Tracks: Blasphemy & Excess, Spear Of Truth, A World Unmade, NOONEUNDERGROUND
A few years back my friend Adam suggested I check out the band HO99O9 (pronounced Horror). I had heard the name before and was mildly curious. Then after I checked it out, I was hooked. Not long after that, we wound up going to a sort of secret show in the back of a coffee shop in Downtown Los Angeles to see HO99O9. That show really cemented for me what this band is all about. Intense isn’t the right word, more like vicious is a better way to describe this duo. HO99O9 blurs the line between hip hop, metal, industrial, electronic and then some. Having toured with Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, Cypress Hill, and Ghostface Killah, they definitely have the pedigree behind them.
Tomorrow We Escape is the bands third full length album. This one is very direct and focused on a mission. Throughout the 11 song album, there are many twists and turns that keep you captivated and trying to guess what’s next. The chaos is controlled yet burns its own path. From the instant the first song “I Miss Home” begins all the way through to the epic closer “Godflesh,” there is no letting off the pedal. Chock full of powerful beats that pulsate even in your brain even after the song is done, hooks that feel catchy but not cheesy and an edge that is razor sharp that cuts so deep. Other standout tracks include “Escape,” “OK, I’m Reloaded,” “Upside Down, and “L.A. Riots.” There are two specific songs though that truly shine on this album. The first being “Tapeworm” which features Greg Puciato (Dillinger Escape Plan, Better Lovers, The Black Queen, etc) and it’s one hell of a song. Greg takes the song to a whole other level. Just listen and you’ll know what I mean. And the other one is “Immortal” which features Chelsea Wolfe. This track is a complete 180 for the band and it is hauntingly dreamy. There’s a soothing touch to this song.
This is the album, I’ve been waiting for HO99O9 to make. The OGM and Yeti Bones have truly found their path on Tomorrow We Escape. All the elements that were thrown into the mix have a distinct place on these songs. When you think something might be out of place or a little weird, it’s not, just go with it and let it sink in. If you are looking for a barn burner of an album, this one is for you. I highly recommend you play this one loud and make sure your windows are down, it might shatter glass!
I’ve been a bit behind on a ton of releases so I thought why not put a whole bunch of good stuff into one place. Part of the fun of Audioeclectica is the opportunity to share all sorts of different music/genres with you all. This batch is one of the most eclectic ones in quite a while. You’ve got rock, metal, alternative, and more. Enjoy these and let me know what you’re digging!
SINGLES:
The Barbarians Of California- Modern Fashion:
Last year The Barbarians Of California released their debut album, And Now I’m Just Gnashing My Teeth. It’s a total awesome throwback to the mid/late 90’s hardcore. Reminds me a bit of Snapcase, Strife and some other gems from the time. Their new single, “Modern Fashion,” is an absolute banger! Definitely check this out! Also it’s great to have Aaron Bruno and Eric Stenman back together! I grew up in the same area of these guys and their early hardcore bands were always a blast to hear and see!
Foreign Film- Santa Clara:
Are you a fan of the band Will Haven? If so then you’ll dig this for sure. Even if you aren’t a fan of Will Haven, I think you will dig Foreign Film. Made up of members of Will Haven, Foreign Film is a departure from the pulsating heaviness and instead brings about a most atmospheric and soundscape textured sound to the table. Combining influences like The Cure, Pink Floyd, Hum, and more, you can definitely hear the more cinematic approach to this. Really looking forward to more of this!
Greyhaven- Cemetery Sun:
Greyhaven is band I’ve recently gotten into. Really dig the heaviness of the band and the little intricacies found throughout the songs. There are moments when I listen to them that it reminds me of Every Time I Die with a bit more melody. This new song “Cemetery Sun” is a ripping track with soaring melodies and a whole vibe on its own. Their new album, Keep It Quiet is out October 10. Definitely be on the lookout for this one.
Paz Lenchantin- Hang Tough:
This is exciting. Paz Lenchantin formerly of A Perfect Circle, Zwan and Pixies is going to be releasing her debut solo album, Trieste, on October 17. If you are familiar with Paz, you know she is beyond talented. On her debut album, Paz mixes some really cool elements to make music that is very much aligned with a particular vibe. There’s rock throughout but the addition of folk, Latin, strings along with the drums of Josh Freese and guitars of Troy Van Leeuwen, makes this a really interesting one to vibe out to.
A little while back a friend of mine suggested I check out Soul Blind, and after doing so, I was hooked. If you are searching for a new band that really gets the 90’s sound in the right wat, Soul Blind is the one! This new track find the band embracing new ground by delving into some post-hardcore territory a la Quicksand and Deftones. Their new album, Red Sky Mourning, is out October 10.
ALBUMS:
Boneflower- Reveries:
I love when I listen to a band without knowing anything about them and it being awesome. That’s what happened when I first heard Reveries by Boneflower. The sheer intensity really drives this album. It’s chock full of emotion and musically the dynamic shapes makes for a very fun listen. If you’ve heard of the band Birds In Row, this band is for you! Definitely check out Boneflower and this album!
Chevelle- Bright As Blasphemy:
Chevelle is one of those bands that is quite consistent on releasing solid heavy rock albums. While this one might not be groundbreaking it’s still a really good album. Throughout the 9 tracks it’s very apparent that Chevelle is experimenting a bit with some different styles and textures. If the last album was the album Tool should’ve made, this new one is more in line with A Perfect Circle meets Helmet. There one song in particular that has me playing it on repeat and that track is called “Hallucinations.” What a great song! If you just want a solid heavy rock album, check out Bright As Blasphemy.
In Transmission- Betterment:
The post-hardcore genre has undergone a lot of changes over the years but, the one constant about the genre is the music is always emotionally charged and hard driving. And when I heard In Transmission’s new EP, that is exactly what I heard while at the same time adding a much deeper approach with atmospheric sounds to expand the space. Produced by Beau Burchell, Betterment is a record that shows much growth in the band as well as being songwriters. I really enjoy this one and think you will too.
Lucie Sue- Battle Station:
I’m always on the lookout for new music and the other day I got sent an album that again, I knew nothing about the artist and when I put it on, I immediately knew I was in for a treat. Lucie Sue is a force of nature for sure. Musically it’s got a punk rock edge, with a dash of Motely Crue swagger and sleeve, and a whole lot of 90’s attitude a la L7 or even Hole. Battle Station is one hell of a record that’s full of raw ferocity and razor sharp teeth that cuts through all the bullshit. I’ve been really enjoying this album and hope there’s a US tour soon!
I’m sure I’m not only one that has been a Deftones fan for over 30 years. What’s even crazier is seeing all these young kids now getting into the band all these years into their career. The resurgence of Deftones has been quite interesting to watch. While their past couple albums have seemed pretty lackluster and clearly not very inspired, their new album Private Music is the band we all know and love firing on all cylinders again. Everyone in the band really seems into the new album and feeling that fire again.
Private Music is the album we’ve been waiting to be the follow up to Koi No Yokan. Deftones when they are focused like this are unstoppable. The ethereal and ambient sounds mixed with the heavy and more spacey, delicate riffs, along with the always pulsating and driving rhythmic nature are at peak performance on this album. From the moment “My Mind Is A Mountain” begins you can feel the energy simmering to a boil and from there it’s an absolute trip. the ride you go on through this record is uplifting, optimistic and directly channelled. Songs like “Ecdysis,” “Infinite Source,” “Souvenir,” make up one hell of a part of the trip! These 3 songs back to back to back is otherworldly. Listening you’ll hear what I mean. “Milk Of The Madonna” should have been the first single released but, that’s a topic for a whole other time. This track has this really cool Saturday NightWrist vibe to it, giving a nice little nod to that album. Side note, Saturday Night Wrist, while it was a divided time for the band, it’s their most underrated album. There’s plenty of other throwback elements like on “Cut Hands” and “Metal Dream.” The one track though that really has me is the final song “Departing The Body.” When you listen to this song it really sinks its teeth in and gently breaks the skin and the emotion pour out is beautiful. Working with Nick Raskulinecz again really helped make this album truly complete.
Private Music is one of those albums that makes you want to put it on repeat. Deftones have been able to connect with people for years and this album is another example of how truly artistic and meaningful their music is. Chino sounds crisp, rejuvenated and roaring. Stephen Carpenter’s playing on this album is back to what we know he can do. Abe Cunningham is still one of the best drummers in all of rock not to mention, he still brings in fresh tasty beats. Frank Delgado has really come into his own over the year with his soundscapes and here it’s truly on display. Fred Sablan brings in a very full tone and uses the space to his advantage. All the best elements of Deftones are here for you to listen to!
When I first heard Reba Meyers was going to be releasing solo material, I got quite excited. After seeing her other band Code Orange a while back, I could tell there was more to Reba than just this band. There was a ferociousness that was just waiting to be unleashed. We already knew her guitar playing was top notch but the vocals took it all to another level and showed that Reba was the one in that band that had “the whole package.” Even when Reb guested on the Greg Puciato song “Lowered,” you could tell that Reba was well on her own path. And now here we are with Reba’s first release as a solo artist, Clouded World. This six song EP is full of dark, moody and melodic grooves and deeply personal and poetic lyrics and vocals.
There are many things to unpack on this release. As I mentioned the lyrics are very personal and poetic. The vocal delivery is otherworldly. You definitely hear and feel all the words sung. This is one of my favorite things about artists like Reba, the authenticity is 100% real. Musically, there are loads of influences and inspirations packed into these songs. On one hand you have some very heavy rock driven songs that have this attitude and bite to it with soaring melodies on top. Then you have more delicate atmospheric songs that explore a more etherial side with a bit of electronic elements to further open the space. All while still being poetic.
Clouded World has fast become one of my favorite releases of 2025. I eagerly await Reba’s full length debut which will be out in 2026. The tour kicks off today, and I’m very excited to see Reba live and hear these songs come to life when the Los Angeles date comes up on August 24th. Do yourself a favor and put this record on and let it take you places you haven’t been in a while!
Over the last couple of years, Black Magnet has been a band I’ve become quite fond of. Each album has upped the ante of not just creating great industrial music but, has breathed new life into the genre. Which brings me to the album of the week, Black Magnet’s new record, Megamantra. If you are a fan of classic industrial a la Ministry, Godflesh, Broken/Downward era Nine Inch Nails then you will absolutely love Megamantra.
Black Magnet’s Megamantra is an album not for the faint of heart. This album is a hard charging, pummeling piece of work. The dark yet lush dynamics found on this record really captivate the listener. While the subject matter on the album is chock full of heavy and harsh realities, the songs are layered with an anthemic sensibility that packs obscene amounts of energy into each track. The guitars are razor sharp and the riffs hit you like a ton of bricks. The synth work on this album is on par with the likes of Nine Inch Nails and it creates an additional mood that compliments the hard driving riffs and thunderous drums (which are live- thank you Noah!!!). Throughout the 9 songs on the album, you can most definitely sense that this is a “complete album.” The whole album is a standout track. I implore you to listen to this album from start to finish.
James Hammontree, the bands founder, guitarist, and vocalist has put together a lineup for this album that truly explodes upon first listen. Compelling is a great way to describe this record. After listening to this album, one, you’ll more than likely want to start it over, because it’s that good, and two, you’ll really want to go see Black Magnet live. The way these songs flow into one another as well as the very direct approach in writing makes Megamantra one of the best albums of 2025. Black Magnet is a band for now and the future so make sure you connect with this one!
I love that feeling of putting an album on without any pre conceived thoughts and getting absolutely swept away by it. That’s exactly what happened the instant the first beat hit on Heavy Halo’s new album Damaged Dream. The moment I put this album on I was hooked. I’m not sure what I was looking for at the moment but, I knew this album was for me. Since I got this album, it has been in non stop rotation for me. Actually I’ve been aching to write about this album and share it with you all.
Heavy Halo’s sound is packed with so many things that I love like industrial, alternative rock, electronic elements and a nice splashing of gothic expression. Imagine if Nine Inch Nails, The Smashing Pumpkins, The Cure and early New Order (Movement era) all combined forces to create music, that combination is what you get on Damaged Dream. Throughout the ten songs on this album you get lost in the ambience, pulsating beats, driving guitars and great soaring melodies that add the light to a dark setting. There are hooks aplenty found throughout Damaged Dream and they are more like ear candy. Lyrically this is a deeply reflective album that hits you in all the feels in a great way. It’s a more uplifting feeling than what most bands would tend to do.
The way this album flows from start to finish is like blood flowing. It’s quite the rush. There isn’t one song on here that feels out of place. Each track is drenched with this feeling that makes you want to get up and move. Not necessarily in a “dancing way” but, more so in a way that gets you revved up for taking on a day and conquering it. I’d love to pinpoint certain songs but, it’s better if you just listen to this album from start to finish. It’s one of those albums! I really love this album. So much so that it’s definitely in my top 5 of 2025! Do yourself a favor and take some time and let Heavy Halo rock your world!
AUDIOECLECTICA 