Nine Inch Nails are one of those bands that truly have masterful deep cuts. You can go through each album and find premium choice cuts all throughout. Hesitation Marks is a great example of a Nine Inch Nails album with amazing deep cuts. I’ve recently been diving deeper into this record and it’s been quite the trip. The latter half of the album contains my favorite song off the record in “Various Methods Of Escape” but, that’s not the song that has been compelled to write this. The song that peaked my thought process on this was “In Two.” What a song! The way the quiet synth layers open the song, then sway into the drum loops and pulsating bass mixed with the delicate piano is slightly hypnotic. Then you add in the vocals which compliment all the dynamic parts so perfectly. The lyrics match the music in the best way possible. It’s also noteworthy to mention that Adrien Belew of King Crimson and Lindsey Buckingham of Fleetwood Mac play guitar on this song. One other stupendous aspect of “In Two” is how the ending flows so well into “While I’m Still Here.” Seriously, you can’t go wrong with Hesitation Marks!
More often than not, track one’s set the tone for the album and give a pretty interesting insight into what is to come. When you go back to Linkin Park’s debut album, Hybrid Theory, “Papercut” really does set the stage for the rest of the record. To this day, “Papercut” is still a live staple in Linkin Park set lists for a reason. The song itself combines elements hip-hop, metal, and drum and bass and melodic vocals. Both Mike Shinoda and the late Chester Bennington have said this song is one of their favorites in the bands catalog. The video for the song is a bit fun and a bit “huh.” Just remember that it was made in the early 2000’s and yeah hahaha. I personally to this day have always had a soft spot for this track. And now with Emily Armstrong on vocals, the song has a whole new life and sounds like a brand new song. Seriously, you can’t go wrong with “Papercut.”
The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.
Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.
The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.
Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!
2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.
Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.
What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.
When it comes to the band Sevendust, you can always count on them to be writing and making new music. It’s crazy to think that their upcoming album, One (out May 01, 2026) , will be their fifteenth studio album. Yes that’s right 15 albums in their over 30 year career. The first single off of their new album, “Is This The Real You?” is classic Sevendust. The heavy chugging riffs, syncopated rhythms and of course those soulful vocals. I’ve long been a fan of the band, let’s hope this new album really delivers and we can finally get a proper Los Angeles Headlining Tour Date in 2026!
The very awesome Thoughtcrimes have released a brand new song and it’s the perfect way to start your week! “The Violent Garden” is a blisteringly heavy song, that will rattle your brain and cause you to want to start a mosh pit. Personally, I’m very excited about new Thoughtcrimes. Their previous album, 2022’s Altered Pasts, is still an album that is in my rotation. I highly recommend that album! Thoughtcrimes will be in Europe this February supporting Igorr. Let’s hope that a US tour is in the cards for later this year! Enjoy this new Thoughtcrimes track!
I’m very excited to bring you this new Audioeclectica Interview with Justin Hanson of the new band LVX. Their debut single “Writhe” has been in my constant rotation since it’s arrival in late 2025. If you are into darkwave/goth/electronic music then you are gonna dig LVX! The conversation Justin and I had was great as we chatted about his musical origins, his band Lesser Key, the new band LVX, and a whole bunch of other fun. Be sure to keep your eyes and ears open for LVX. The video for “Writhe” arrived today as well as the release of this interview! Check out both of them below!!
Held. are here and they are not about to loosen their grip! This new band on the scene that has caught my attention and I’m quite excited to share this with you all. Held. is made up of Douglas Robinson (vocals/guitars) who you know from The Sleeping and formerly of Night Verses, Sal Mignaro (bass) from The Sleeping and Josh Eppard (drums) of Coheed and Cambria. The band’s debut album “GREY” is headed for a May 15th release through MNRK Heavy. Their debut single/video for “New You Anthem” is as infectious as it is direct. The melodic nature balances quite well with the post-hardcore approach throughout. I have to say too its very cool to hear Douglas’s vocals like this again. I really enjoyed the Night Verses albums he was on and was disappointed when he left the band. But that was then and Held. is Now! Another fun and cool thing about “New You Anthem” it features My Chemical Romance’s Frank Iero on vocals as well. Frank adds another layer to this already great song. The voices of Douglas and Frank compliment each other very well. And I’d be remiss if I didn’t mention how damn good Sal and Josh are as a rhythm section. I already knew Josh was a great drummer but, this just proves he’s damn good! Mark your calendars for May 15th and the release of Held.’s debut album, Grey!
I’m very excited to bring you this interview. A few weeks back myself (Brian) along with my podcast co-host and friend Justin, had the opportunity to interview John Bush of Armored Saint/Category 7/ex Anthrax. We talk about growing up in Los Angeles at a very interesting time, Armored Saint, joining Anthrax and working with them, and of course, the John Bush plays Anthrax shows! Thank you John for taking the time! What a great show it was too! Our recap of The Whisky A Go Go show is here too! If you get the chance when it comes through, go see John Bush play his era of Anthrax songs. Seriously, it’s so damn good!!! Now, enjoy the interview below!!
It’s happened to all of us I’m sure at one point or another. You hear a song/band in passing and you really dig it but don’t know who it is. Then on a random whim you hear it and then all is right for that moment. That happened recently for myself a couple months back, I had heard a band and I completely forgot the name as well as the song and then when I found out who it was, the volume sure went up. The band I’m talking about is Split Chain. If this is your introduction to them, you are in for a treat!
Split Chain is an English rock band that formed in 2023. This explosive five piece band, while still in it’s infancy is already packing quite the punch. Their first release, the single “Get Inside” came out in 2023 and it was a siren call for what was to come. A few more singles would be released as would a really fun cover of Type O Negative’s “I Don’t Wanna Be Me.” Then in later 2024 it was announced the band had signed with Epitaph Records and would begin work on their very anticipated debut album. Motionblur, would be released in July of 2025. Split Chain’s musical style incorporates bits of shoegaze, grunge, post-hardcore, and a dash of nu-metal. The combination sounds absolutely as you’d expect it to sound. It’s lush and full of space and dreaminess and on the other side there’s the heaviness and crunch.
Motionblur is one hell of a debut album. It’s one of those records you can just put on start to finish and just get lost in it. Across the eleven songs, you’ll find a very raw and dense album that is fused with soaring yet gut wrenching vocals, layered guitars that sway into the heavy and dreamy side of things, a rhythm section that thumps and kicks while also delicately ripping limbs away. The honesty found throughout is quite stunning too. You can hear it in the delivery of performances on the songs. The sonic aspect of the album is very direct in the way the album is produced. There are in your face moments of each instrument. The vocals are very up front but it doesn’t take away what the music is doing. The push and pull of both, makes these songs more haunting and personal. Each song has its own charm but, the sum of all the parts is what makes this album standout.
I love debut albums like this. You get to see and hear what the band is about but, you know there is way more to explore. Which means the what’s to come from Split Chain is going to be intense. Motionblur is authentic as it is a visceral album. Currently, Split Chain is out in Australia with Better Lovers. Their US tour with Soul Blind (another band you should know about) will be one hell of a great tour and chock full of high decibels!
