Unsung Materpieces

Unsung Masterpieces: Stabbing Westward- Darkest Days
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Back in 1998 while I was waiting for a new Nine Inch Nails record, an album was released by Stabbing Westward that would hold my attention for years to come. Darkest Days is the album I’m talking about. Stabbing Westward took their industrial influences a few steps further on this album without sacrificing their knack for writing catchy melodic songs. Singer Chris Hall’s anguish, pain and suffering all show through in his vocal performance. Something I found interesting about the album is that it’s actually a concept record. It’s made up of 4 parts,  with each depicting  a different emotional phase after a break up. The Tracks 1-4 is about sabotaging the relationship. Tracks 5-9 is about lust, hope, and longing. Tracks 10-12 is about hitting rock bottom after it’s all over. The final part is about recovery and self-respect. When I found that out a few years back, the album made a lot more sense to me. I’m sure most of you will remember the song “Save Yourself,” as it was the first single released for the album. But there is way more to the album than just that song. Songs like ” Everything I Touch,” “Drugstore,” “You Complete Me,” “Haunting Me,” “When I’m Dead,” “Torn Apart,” and “On Your Way Down” are absolute standouts. That’s not to say that the other songs aren’t as good, these ones just always seemed to have a lasting effect on me.

Stabbing Westward called it quits in the early 2000’s. Chris Hall went on to start the band The Dreaming. I’ve had the pleasure of seeing them a few times over the years, and he is still one hell of a singer and frontman. During the early years of The Dreaming it wouldn’t be shocking to hear them play a couple Stabbing Westward songs live. It was announced recently that Stabbing Westward will be reuniting for a show to celebrate their 30th anniversary, but in Chicago. Let’s hope it goes well, so we can get a full on reunion tour!!!

 

Stabbing Westward- Darkest Days:

Unsung Masterpieces: Red Hot Chili Peppers- One Hot Minute
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The year is 1995 and the Red Hot Chili Peppers are about to release their follow up to Blood Sugar Sex Magik. John Frusciante left the band and was replaced by Dave Navarro. By adding Dave Navarro, the Chili Peppers sound changed rather drastically. The lyrics grew darker, exploring the perils of drug use, depression, grief and many other themes along those lines. Navarro also added a heavier approach with his style of guitar playing. Granted this album was a bit of a detour from what the band had put out with Blood Sugar, One Hot Minute has become an album that with age, has become a true unsung masterpiece in the bands catalog. The history of the making of One Hot Minute is quite the story. Anthony Kiedis had relapsed, thus causing a slow down in the writing and recording of the album. But the end result was something special. Songs like “Warped,” “Aeroplane,” “My Friends,” “Tearjerker,” “One Hot Minute,” and “Transcending” are stellar compliments to a very underrated album.

One thing I’ve noticed over the years listening to the album is that Dave Navarro really brought something  special and different to the band. He brought a different style to the band than what John Frusciante did, leaving a signature mark on the one album he did with the band. Interestingly, One Hot Minute isn’t an album that the Chili Peppers visit often. In fact they have even come out to say that “We don’t really feel that connected to that record anymore. No special reason, not to say we would never play those songs but we don’t feel that emotionally connected to that music right now.” Which is quite sad, considering how good the album really is. Hopefully there will be a time again that they revisit some of these songs.

What do you think of One Hot Minute?

 

Red Hot Chili Peppers- One Hot Minute:

 

 

 

 

Unsung Masterpiece: Rage Against The Machine- The Battle Of Los Angeles
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The year is 1999, people are starting to get hysterical over Y2K and Rage Against The Machine are about to release their final album, the very underrated unsung masterpiece, The Battle Of Los Angeles. Debuting at number one on the billboard charts, the twelve songs on the album are armed with heavy influence from George Orwell’s 1984, making for some very eerie foreshadowing statements on what the future will bring us. Songs like “Testify,” Guerrilla Radio,” “Sleep Now In The Fire,” “Voice of the Voiceless,” and a few others have direct quotes from the book, and go on to mention more Orwellian terms. The album kicks off with 3 songs of explosive rage (pun intended haha) with “Testify,” “Guerrilla Radio,” and “Calm Like A Bomb.” Then the album shifts for a song with “Mic Check.” “Sleep Now In The Fire” takes the album back up a few notches with anger and fury, leading us into one of the best songs on the album “Born Of A Broken Man.” The next couple songs musically, tend to lean towards showing off Tom Morello’s talents with a whammy bar and a fuzz pedal. Lyrically though “Born As Ghosts” and “Maria” are strong and angry, showing off Zach De La Rocha’s venomous lyrics. “Voice Of The Voiceless” has strong connections to a favorite of the band in Mumia Abu Jamal, as well as 1984, as I mentioned above and has a bit of a funk vibe to the music. “New Millennium Homes” is a solid song, with a cool groove, that perfectly sets up my favorite Rage Against The Machine song appears on The Battle Of L.A., “Ashes In The Fall.” Lyrically and musically, Ashes brings something different to the table. This is along the same lines as how epic some songs on the first album were. The song also brings a brilliance to how tight and good Brad Wilk and Tim Commerford are together. Tom Morello’s guitar work especially in the bridge section and the ending highlight his talents even more. Closing out the album is “War Within A Breath” which picks up where Ashes leaves off, then finishes with a fury of signature Rage.

The Battle of Los Angeles to me is the second best album the band put out. In terms of songwriting and passion, this album soars above Evil Empire. Tom Morello, Brad Wilk, Tim Commerford and Zach De La Rocha were magical together. They were able to create awareness and invoke the youth to open their eyes and stand up. Something that is missing from music today. Battle is an album that upped the game a bit more for the band. Their albums stand the test of time. Keeping in mind that the band hasn’t released anything new since 1999, not much has changed in the world, making their albums more relatable than ever.

 

Rage Against The Machine- The Battle Of Los Angeles:

Unsung Masterpiece: Poison The Well- You Come Before You
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There comes a time for every band to take the next step with their music. When that time comes, the final product is often times misunderstood and takes a while for the fans to come around. Then there are the new fans that come aboard and really take a liking to the change. In the early 2000’s following the success of their album Tear From The Red, Poison The Well found themselves signing to Atlantic Records and from that point started putting together what would become their third album You Come Before You. They enlisted Swedish producers Pelle Henricsson and Eskil Lövström who worked on Refused’s monumental album  The Shape Of Punk To Come. Recording for the album started at the legendary Sound City Studio and then moved to Sweden. The end result of these sessions brought out the absolute best in the band. You Come Before You is the album that breaks the mold of post hardcore and allows the bands other influences to shine through. The use of melody throughout really helped to sharpen the bands edge without taking away from their hardcore roots. Opening song “Ghostchant” shows just that. Other stellar songs include “For A Bandaged Iris,” “A) The View From Here Is…B) A Brick Wall,” “Zombies Are Good For Your Health,” “Apathy Is A Cold Body,” “Sounds Like The End Of The World,” and closer “Crystal Lake.” The entire album is sensational if you are into this genre of music. It has even been talked about as one of the most influential albums of the “metalcore” genre. The band really stepped up on this album. Singer Jeff Moreira really developed an identity on this album by taking chances vocally and lyrically. The riffs, tones and all around playing from guitarists Derek Miller and Ryan Primack are crisp and heavy, allowing all the notes to come through. The rhythm section of Chris Hornbrook on drums and Geoff Bergman on bass, are one of the most in the pocket in this genre. After the record was complete, the band started a year and a half tour cycle that took them to around the world. Towards the end though, many of the band members were worn out and unsure if they wanted to continue with Poison the Well. Sadly, guitarist Derek Miller did part ways at this time.

Poison The Well would go on to release 2 more albums that further expanded upon what they started on this album. After the release of their final album The Tropic Rot, the band took a long hiatus, only recently returning to the stage in 2015 for a reunion show. Here’s to hoping they continue on. Poison The Well are one of the more underrated bands in heavy music and helped to make it acceptable to allow melody into the genre.

 

Poison The Well- You Come Before You:

Unsung Masterpiece: Oceansize- Everyone Into Position

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It’s a real shame when a band releases an album that is so good and then it goes unnoticed by so many people. Ten years ago the highly underrated band Oceansize released their masterpiece Everyone Into Position. This album was something special and different. The elements of prog rock, space rock, and ambience all find their right place in this album. The band themselves have mixed feeling about this album for some reason. This is one of those albums that with every listen it all starts to sink in more and more. There were bright spots for some of the songs on this album. “Music For A Nurse” was used in an ad campaign for Orange and “Meredith” was used in an episode of The OC. Many regarded this album as a regression for the times. I instead like to look at it as an album and a band that was influenced by a lot of different bands and situations. Sure this type of music for the time seemed dated to some, but to those of us who grew up in the 90’s and loved the feelings we got out of the music, Everyone Into Position was an album that we had been waiting for. Now ten years after its release, the people that disregarded this album are starting to come around to it. It’s amazing what time can do, and how peoples listening habits change. Take this album for a listen and you’ll hear a gem that has gone unappreciated. There isn’t a song on this album that warrants being skipped. Enjoy!

Oceansize- Everyone Into Position:

By: Brian Lacy

Unsung Masterpieces: Thrice- Vheissu
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Making a statement through music and art is always a complex thing to do. On one hand you know that this is the best and most fulfilling thing you can do. So much so that the direction and influence you feel at that point is going to define you. On the other hand, there is a sense that people out there won’t get it and thus give up on you. But for those that understand and really pick up on, know that this is the album that needed to be made and up till this point, it was only a matter of time. Ten years ago, Thrice released their masterpiece called Vheissu. At first it was met with a bit of hesitation but as time settled, the album began to take on a life of it’s own. Vheissu was a dramatic and experimental departure from the bands more post hardcore roots. Thrice took chances to make an album with more substance and meaning. Not to say that their previous releases weren’t up to par, but this album just had to push past all those to leave a mark. They took a chance with adding different elements including different instruments, time signatures, and the use of electronics. All of these things really helped to ensure a true artistic approach in the writing and recording process. There are so many standout songs on this album, it’s hard to pick the absolute best. My personal favorite “The Earth Will Shake,” is a perfect example of the bands progression and how well it worked out. “Red Sky,” “Atlantic,” “For Miles,” “Like Moths To Flame,” and “Image Of The Invisible” are all standout tracks on the album. The entire record as a whole is beyond anything in the bands catalog. Take a trip back ten years ago and listen to Vheissu again.

Thrice- Vheissu:

Unsung Masterpieces: Smashing Pumpkins- Adore
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The process of following up a career defining album is a very serious task. The amount of pressure that is put on a band to follow that up with a great deal of success is overwhelming. The Smashing Pumpkins follow up to Mellon Collie and The Infinite Sadness, Adore is one of the most daring and intriguing albums in the bands discography. Recorded following the death of Billy Corgan’s mother and his divorce, this was a significant change of style from the bands guitar driven albums. Adore saw the band venture into more electronic territory. This was in part to drummer Jimmy Chamberlain being fired from the band before the recording process. Instead the drums on the album were cut from drum machines and the assistance of drummer Matt Walker who toured with the band following Chamberlains release. During this time as well, the bands image shifted toward a more darker gothic sensibility.

Adore is the type of album that when you first listen to it, you are taken aback by it. There is a purity and solemnness to it, that delves even deeper than the bands previous works. Songs like “To Sheila,” “Crestfallen,””For Martha,” exhibit this notion. The more electronic driven songs like “Ava Adore” and “Perfect” show some similarities to classic Pumpkins material. Then there are songs like “Tear,” “Appels & Oranjes,””Pug,” “Behold! The Night Mare,” that show an added maturity to Billy Corgan’s writing.

Adore was obviously not the album that fans of the band wanted, but it was necessary to reinvigorate the band to come to terms with their issues. Over time, Adore has been one of those albums that with time and age has truly become a wonderful album. It really has a sense that if you’ve lived life and been through hell to an extent, then this album will really hit the mark. Take it for another listen, and you’ll see what I mean.

Smashing Pumpkins- Adore:

Unsung Masterpieces: Audioslave- Revelations
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When Audioslave broke on to the music scene they were met with very high expectations. Their debut album was a really great album, full of great songs and a renewed sense of energy for each other the members. Their second album was hit and miss. There were some really good songs but as a whole it just didn’t come across as well. When Audioslave released their third album Revelations, they finally hit the mark and found their sound. This would be their final album sadly. Rather than working with Rick Rubin on this album the band chose Brendan O’Brien, with whom both Rage Against The Machine and Soundgarden have worked with in the past. Brendan was able to really capture the essence of what this band is and was. There are more influences on this album as well delving into funk and soul. This was also the first album which Chris Cornell was sober during the making of. Audioslave did not tour on this album, instead they broke up.

Revelations though as their swan song is brilliant. The first song “Revelations” really sets the tone for the album. It’s such a great song. The songs “Wide Awake” and “Shape of Things to Come” were prominently featured in Michael Mann’s horrible film adaption of Miami Vice. Both of these songs are tremendous. “Wide Awake,” evokes some political angst as well. The song is about Hurricane Katrina and the aftermath. “Until We Fall,” is another song that really shows the progression of Audioslave. The closing song “Moth” is a bit of foreshadowing for what was about to happen to the band. The song is powerful and one of the most inspiring songs on the album. Chris Cornell’s voice really shines on this song (along with “Wide Awake”).

The entire band was clicking on all cylinders one this album. It’s shame they couldn’t last longer. Thankfully there have been news reports as of late that both Tom Morello and Chris Cornell said they would be open to working together again. Let’s hope so. I would love to see Audioslave return.

Audioslave- Revelations:

Unsung Masterpieces: Dredg- Catch Without Arms
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There are quite a few bands that really work to create a piece of work that is special. They don’t compromise their artistic integrity just to sell their albums. Instead they grind it out in hope that people will listen and grasp just what they are doing. One of those bands is Dredg. Never one to follow a trend or sacrifice their art for a buck, the guys in Dredg stand by their vision and don’t disappoint. Their third album Catch Without Arms just passed the ten year mark, and it still rocks just as much as when it came out. Catch Without Arms was released on June 21, 2005. This album showed a change to a simpler, and more straightforward musical style for the band but still had a bit of the etherial tinge that El Cielo had. The album was produced by Terry Date (Deftones, Pantera, Soundgarden) and had some additional help from Queensryche guitarist Chris DeGarmo.

Catch Without Arms features great songs such as “Ode To The Sun,” “Bug Eyes,” “Not That Simple,” “The Tanbark Is Hot Lava,” “Sang Real,” and “Jamais Vu.” These songs show the forward movement of the band and it’s members ability to write individual songs. Catch Without Arms is a concept album about opposites, mainly focused on positives and negatives. Each member brings something different to the table. Singer/guitarist Gavin Hayes has a very intriguing voice that makes his lyrics come to life. Drummer Dino Campanella is one of the most underrated drummers in music. His ability is astounding, not to mention his ability to play drums and piano at the same time. This is truly something awesome to watch. Mark Engles has a guitar tone that is his own. It’s melodic and clean that fits perfectly with the nature of each song. Bassist Drew Roulette grooves right along with Dino’s drums, and his bass lines add another element to each song.

Dredg is one of the most underrated bands to come out since 2000. They really know themselves and what they are capable of. Their ability to push the boundaries of their art is uncompromising and satisfying. Give this album another listen and you’ll see why it is an unsung masterpiece

https://www.facebook.com/dredg

Dredg- Catch Without Arms:

By: Brian Lacy

Unsung Masterpieces: AFI- Sing The Sorrow
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AFI is a band that has gone through a lot of changes stylistically throughout their career. They started out as a punk band with hardcore roots, then shifted more to the Horror punk side of things. As time went on and the band evolved they found a balance of their roots of punk and added a more goth element to their music. So in 2003, AFI released their most ambitious album up till that point, Sing The Sorrow. Their die hard fans were caught off guard by the departure of their original sound, while at the same time finding a new audience. Sing the Sorrow was produced by Butch Vig and Jerry Finn, allowing the album to be more experimental. Lyrically, the album is darker and more poetic than their previous material. I for one, when I first heard the album wasn’t really in to it at all. It just wasn’t the AFI I was a fan of. Fast forward a few years and I revisited the album and really grew to love it. There is something truly intriguing about it. The depth of the songwriting really took things to another level for the band with the use of synths, strings and the all around lyrical content. Songs like “The Leaving Song Pts. I & II,” “Bleed Black,” “Death Of Seasons,” “But Home Is Nowhere,” really show the maturity of the guys in the band. There are some songs that are a little more radio friendly like “Girls Not Grey,” “Silver and Cold,” and “Dancing Through Sunday,” but that doesn’t change the fact that the songs are really good.

This is one of those albums that with time you really come to love. There is something about Sing The Sorrow that really hits home. Sure the production on it is a little too slick and AFI has completely changed from what they once were, but the growth on this album is truly astounding. Give it another shot if you gave up on them.

AFI- Sing The Sorrow:

By: Brian Lacy