Today is a cold and rainy day in Southern California. When I woke up this morning and looked out my window and saw the rain falling, a song popped in my head and it was one of those “OH?!” moments. I’m not entirely sure what the “OH” was all about but the song that popped up was The Smashing Pumpkins “1979” from their amazing album, Mellon Collie And The Infinite Sadness. Still wrapping my head around that album being 30 years old now. Anyways, as “1979” played in my mind and I stared out the window it reminded me of this really poignant scene in Kevin Smith’s Clerks 2, that has Dante in a very deep contemplative state about his life. This is a perfect song for this scene and I can’t believe I forgot about it. Now I feel like watching all the Clerks movies again! Enjoy this scene and song because both are great!
I’m always intrigued how people get into certain bands. I love hearing different ways people have found bands and all that. I’m no different when it comes to finding bands. A while back I heard a band that caught my attention and from that point I went out of my way to listen to as much as I could from said band. The band I’m talking about is Greyhaven and they have a badass new album out called Keep It Quiet. Now four albums deep into their career, Greyhaven have released an album that not only expands upon their heavy sound but opens the gate to so many fun little nuances.
Keep It Quiet feels like the album Greyhaven have been striving to make since their formation. The balance of heaviness, melodic, and delicate moments makes this a bold statement of an album. Each song hits at a different feeling/emotion which allows the music and vocals to sink into your mind and weave an intricate web of textures and directions. This album is what separates Greyhaven from the rest of the pack. The pace at which this album explodes is another treat. And the atmospheric vibe in the background gives the album an extra dose of air in between pummeling riffs, soaring screams and melodic vocals.
From start to finish, Keep It Quiet is as cohesive as the bands 2018 album Empty Black. Songs like “Burn A Miracle,” “Night In October,” “Technicolor Blues” and ” Shatter and Burst” are without a doubt some of the heaviest on the album. “Diamond To Diamond” and “Satellite In Love” are two of my favorite songs on the record. The delicate nature of these two tracks really play well into the melodic structure. “When The Light Leaves Us” and the closing track “Cemetery Sun” are two of the most epic songs on the album each containing fun twists and turns that leave you wanting to start those songs over and over again. Like I said, this album is very cohesive and it’s best to just listen from beginning to end.
One other thing I need to mention is the production by Will Putney. Will over the past decade has really become a go to producer/engineer to get the sounds that a ton of bands in the heavy music genres are after. The way that Will can get the right tone from the guitar and perfectly compliment it with the right bass and drum sounds makes my ears tingle. Keep It Quiet is chock full of sweet ear candy moments courtesy of Will and the way he helps bands bring out the best in them.
Greyhaven have been here a while but, Keep It Quiet needs to be talked about loudly. So much so that when you are playing this album it should be played loud too! I truly hope people out there get to hear this album. I’ve heard a lot of records this year and this one has really left a lasting impact on me. Take some time and give this a listen and let it sweep you off your feet!
In the world we live in today, it’s refreshing to hear music that takes you to a different time and place. That time and place could be at point that was more innocent or adventurous, or even a feeling that has stayed with you. All of these put together makes a great recipe for an album. The time it takes you to is around the mid/late 70’s when glam and punk are starting to become something substantial as well as transporting you to the mid 90’s when alternative music was taking off. With that in mind, I’d like to present the Album Of The Week, Witkin’s, Things I Might’ve Said.
Throughout the twelve songs found on the debut album, Veronica Witkin wears her heart on her glitzy sleeves. These songs pour out through the speakers in a way that is infectious and touching. Things I Might’ve Said is a poignant album that goes through the depths and despair of life be it depression, self loathing, losing the passion and then some. The music and lyrics that unfold throughout the album are uplifting in a very positive way that makes you want to start a new day. There is something about the way the hooks in the songs grab you. Each song has it’s own personality but, the uncanny passion and emotion delivered on these tracks is what keeps you engrossed. Musically I love the Bowie/T-Rex inspiration mixed with the best of 90’s alt rock. When you listen to the album there is a vibrant feeling mixed with the melancholy that shines quite bright. Of course there are rock songs found all throughout the Things I Might’ve Said but, the vulnerable more delicate songs really pull at the heartstrings.
I love debut albums like this. The kind of albums that you put it all out there and let yourself become who you are. Veronica Witkin and her band are definitely one to watch out for. Their live shows are chock full of fun and energy that spreads throughout the room. I personally can’t wait for Saturday October 18 at Bar10 At Corbin Bowl (in Tarzana) for Witkin’s Record Release Show! It’s going to be one hell of a fun and great night. Also playing are Vagabond, Seven 40 Seven, High Flight and Over Grip and it’s only $10! See you there and don’t forget to check out Witkin’s debut album, Things I Might’ve Said!!!
Overall Rating: 9/10
Stand Out Tracks: “Last Year’s Ashes,” “You’re So Cinematic,” “Don’t Call It A Cult,” “Drowning In The Gene Pool,” and “These Days”
I finally had the chance the other day to sit and check out a bunch of new music that was sent my way. Now some of these you might have already heard but, who cares, listen again! This is a pretty eclectic batch of bands and songs for you to check out! I hope you enjoy!
AFI has long been a band that evolves a bit more with each album. For many albums now, AFI have been adding more and more goth elements to the music and on this new album (studio album number 12), Silver Bleed The Black Sun, they have just gone full on with it and the end result is absolutely splendid. This album leans all the way into the post-punk influences of bands like The Cure, Joy Division, Sisters Of Mercy, Bauhaus and more.
While the album is short in time with ten songs and clocking in at 35 minutes, there isn’t one ounce of filler or out of place anything on Silver Bleeds The Black Sun. What you have is one of their most cohesive albums since Burials (which is one hell of a great album). Each song evokes a certain mood and vibe making this a grand listening experience. From the way the album opens with the haunting “The Bird Of Prey” all the way through the very punk “NOONEUNDERGROUND,” it’s a non stop ride. The twists and turns found throughout make it chock full of ear candy and sweet surprises. There’s a really fun 80’s vibe throughout the album too that tinges on new wave without taking away the darkness. While the lyrics are of a contemplative and dark nature as they would be courtesy of Davey Havok, musically Jade Puget, Hunter Burgan and Adam Carson have pushed past any preconceived notions of what they’ve done before and brought a very invigorating sound that is vibrant and alive while at the same time eerie and full of bite.
I could have gone track by track but I truly believe that takes away from the listening experience. Instead, put this album on and let it just take you where it needs to go. A band like AFI is quite interesting in that they never want to stay in one place for too long and get complacent. One of the things I’ve genuinely loved about this band is their willingness to take chances and explore all that they enjoy. I’ve said to people many times over the years that AFI is one of those bands that you should give a chance to even if it isn’t your normal cup of tea. Silver Bleeds The Black Sun is one of the best albums of 2025.
Overall Rating: 9/10
Stand Out Tracks: Blasphemy & Excess, Spear Of Truth, A World Unmade, NOONEUNDERGROUND
My friend and podcast co-host Justin, recently went to Sacramento to the Aftershock festival (Check out his recap HERE). While he was there and we were chatting he mentioned he was going to check out High On Fire. Both of us haven’t seen them in a long time and Justin said they were fantastic. So naturally, while chatting about the band, I had a song pop in my head and it’s been playing on repeat and it’s a perfect deep cut! High On Fire if you don’t know are one hell of a band. They are one of the best at Stoner/Sludge Metal while at the same time having elements of Thrash and Doom. The song I’m focusing on comes from their 2012 album De Vermis Mysteriis, and it’s an epic track too, “King For Days.” Clocking in at a little over seven minutes, “King For Days” gives you quite the spectrum of awesomeness. Enjoy this track and check out more of High On Fire.
I’ve spent the past week trying to put into words about how truly amazing and stunning the two nights of Nine Inch Nails were at The Forum. Those two nights were beyond magical and therapeutic for me as well as being the 20th and 21st times I’ve seen my all time favorite band. It’s astounding to me that songs written over 30 years ago can sound so fresh and invigorating. Almost to the point of taking on a whole new meaning. What Trent Reznor has been able to do with constantly being able to captivate an audience and make a show an entire experience is otherworldly.
The stage set up for this whole tour was something else too. Staring out on a small stage in the middle of the floor, Trent appears alone, at a piano, and begins playing the most absolutely beautiful stripped down version of “Right Where It Belongs.” This is one of those songs in the Nine Inch Nails catalog that will make tears start flowing and choke you up. Just when you thought it was over though, Trent pulls out my another stripped down song in “Somewhat Damaged.” Now this is my all time favorite Nine Inch Nails song and when I say this was emotional, I truly mean it. So much so that in the first 5 minutes of the show both nights, the tears were definitely filling up my eyes. From there another stripped down song in “Ruiner,” followed by the “Nothing Can Stop Me Now” remix of “Piggy” which can be found don the Further Down The Spiral remix album. I always love when Trent pulls out these versions live. It adds so much more of an extra dimension to the songs and live show.
At this point, the crowd was in the palm of Trent’s hands and then a full on onslaught of heaviness in the form of “Wish,” “March Of The Pigs,” “Reptile,” Heresy,” “Copy Of A” and “Gave Up.” It doesn’t matter how many times in my life I’ve heard those songs be it on album or live, I always seem to go apeshit. And at these 2 shows, oh did I. The way this part started with “Wish” and ended with “Gave Up” put it this way, if you still had a voice after these songs, you weren’t loud enough. By the end of “Reptile” on night one and by the end of “Wish” on night two, my voice was gone!
Then after that part of the set, Trent and Atticus moved back to the middle stage where they were joined by Boyz Noize for a set of songs that were remixed in a very awesome way. The highlight of this part was when they played “Vessel” from the very underrated and unsung masterpiece that is Year Zero. This had the crowd in a dancing frenzy. The crowd of course went nuts for “Closer” but the audience pop during the new song “As Alive As I Need You To Be” was something else. Closing out that portion was a really great remix version of “Came Back Haunted.” If you haven’t ever really given Hesitation Marks a listen, you should.
As the band headed back to the main stage after that awesome remix set, Trent and company unleashed more awesomeness with even more intensity as the band blasted “Mr. Self Destruct,” “Less Than, and “The Perfect Drug” into the stratosphere. Having Josh Freese back on the drums in Nine Inch Nails is like having him back home. Josh’s ferocious performance of “The Perfect Drug” is one of those that should be studied and watched a zillion times. It’s that good. Rounding out the set was the always fun “I’m Afraid Of American’s” which is quite the relevant song in the days we live in. As well as the staples of “The Hand That Feeds,” “Head Like A Hole,” and “Hurt.”
I’d be remiss if I didn’t talk about the production of the tour. The lights, visuals, performances, and energy of the whole thing was unlike anything I’ve been to all year. You could tell that this tour was meaningful in a myriad of different ways. Trent even said, he wasn’t going to do a tour unless it was something that was substantial. And oh boy was it. As I mentioned these were my 20th and 21st times seeing Nine Inch Nails and I can honestly say this tour is in my top five NIN shows of all time! Thank you Trent, Atticus, Robin, Josh and Alessandro for two nights of absolute gold! I can’t wait till the next time!
Overall Rating: A
Review and Photos By: Brian Lacy
Set List (Same For Both Nights): 01) Right Where It Belongs (with Somewhat Damaged) 02) Ruiner 03) Piggy (Nothing Can Stop Me Now Remix) 04) Wish 05) March Of The Pigs 06) Reptile 07) Heresy 08) Copy Of A 09) Gave Up 10) Vessel (Remix) 11) Closer (Remix) 12) As Alive As You Need Me To Be 13) Came Back Haunted (Remix) 14) Mr. Self Destruct 15) Less Than 16) The Perfect Drug 17) I’m Afraid Of Americans (David Bowie Cover) 18) The Hand That Feeds 19) Head Like A Hole 20) Hurt
There are times when certain bands come along and captivate in such a way that makes you sit up and pay attention. Quite a few years back, my friend Adam, told me about this band he had been digging for a while. He passed along one song to check out and I was definitely hooked. The song was called “Polarizer” and it made me feel like that guy sitting in that chair in a very old commercial, and getting completely swept away by the sheer sonic intensity. Fast forward many years later, and here I am at The Roxy on Sunset, and oh man did the decibels rattle the spot!
As the clock struck 10:00pm and the curtain lifted, the sonic assault began. For the next hour, The Armed tore through song after song with a punk rock fury that could get a paralyzed person walking again. Ok well maybe not exactly that but, you can picture the intensity in which this show had. Playing the majority of songs from their very awesome new album, The Future Is Here And Everything Needs To Be Destroyed, there was no letting up for this band. Even when you thought, oh this will take a more mellow turn, NOPE, right back into the pummeling. The musicianship of all members was top notch throughout the set. There is a reckless abandon to an Armed show live. Their energy from the stage is beyond infectious and really makes you want to move. Then you throw in their punk/hardcore style mixed with some electronics and its a recipe for a barrage of excitement. There were a couple moments during the set that were genuine highlights for me. One being their cover of my all time favorite Nine Inch Nails song “Somewhat Damaged.” They stripped it down a bit and delivered a very convincing version. Then to close out the night, they played “Forever Scum” from their “Untitled” album, which happens to be my favorite album of The Armed’s.
If you get the chance to see The Armed, you definitely should. This band is one of those super fun, high energy bands that takes the best of punk and hardcore and makes it quite fun. It’s all serious but, there is an element of fun and danger to The Armed that makes it unhinged and slightly volatile. The Armed are a force of nature and should be on all your radars! Go check out what The Armed has in store for you!
Overall Rating: B+ (needed a better opener and more songs from Untitled)
Welcome to episode 10 of The Audioeclectica Podcast! It’s been quite fun to be doing this. Myself and Justin thank you all for taking the time to listen and laugh! On this episode, we get into some really fun topics including why every band needs a Lars Ulrich, annoying people at concerts, as well as a favorite topic of ours, Dave Mustaine of Megadeth!
Be sure to check out our Top 5 Albums Of The Episode:
Brian’s Picks: 01) Nine Necks- Ritual/Demise 02) Institute- Distort Yourself 03) Baroness- Stone 04) Interpol- Turn On The Bright Lights 05) Filth Is Eternal- Find Out
Part of the fun of doing Audioeclectica as well as putting together shows with The Cobalt Presents (aka The Cobalt Cafe), is finding a ton of younger bands to showcase their music. For the past few years I’ve been a part of putting together some pretty amazing shows featuring young bands. One band in particular that we’ve had the pleasure of working with has released their debut single from their upcoming debut album, and that band is called XCOMM. It’s really great to hear young kids that get and understand the music they are playing.
XCOMM is a hardcore punk band that evokes pure raw emotion into their songs and performance. Their upcoming album was produced by the legendary Ross Robinson. “Reasons” is the first single from their record and it’s a righteous slab of hardcore that harks back to the golden era of it in the 80’s. The video for “Reasons” was also directed by one of my favorite video directors/photographers, Dean Karr. XCOMM might be kids but, if they keep this going, they are going to grow up quick and become a force to be reckoned with. I’m looking forward to what’s to come!
