Shoegaze

ANTICIPATED ALBUMS: BLACKWATER HOLYLIGHT- NOT HERE NOT GONE

There’s something about the feeling that comes over you when you hear a band that strikes at the right time. It’s not that I haven’t listened to this band before but, the way their new music sparked a sense of “Yes! This is what I’m looking for and I wasn’t even looking.” With that in mind, Blackwater Holylight is the band I’m talking about and if you haven’t heard this fantastic band, you’ve been missing out. In 2026, January 30th to be exact, Blackwater Holylight will be releasing their new album, Not Here Not Gone (via Suicide Squeeze Records). Packed with a sound that is as much intoxicating as it is hypnotic is quite the treat. The elements of shoegaze, doom and metal mixed with the atmospheric/cinematic synths, underlying pulsing rhythms that feel like waves and vocals that soar and swoon, are exactly what I hear in Blackwater Holylight. The two songs released so far, “Heavy, Why?” and “Involuntary Haze” are whimsical and the perfect way to introduce what’s to come. A full US tour will be happening next year with two bands that have been featured on Audioeclectica, Glassing and SOM. The idea of SOM and Blackwater Holylight on the same bill is actually blowing my mind as I think and write this. Truly, I can’t wait for this new album to hit right out of 2026. Now, go check out Blackwater Holylight!

Heavy, Why?:

Involuntary Haze:


Pre-Order NOT HERE NOT GONE:

TOUR DATES:

Glassing supports 2/13-2/27. SOM supports 2/27-3/14.

Fri 2/13 – San Diego, CA – Casbah
Sat 2/14 – Phoenix, AZ – Last Exit
Sun 2/15 – Albuquerque, NM – Sister
Tue 2/17 – Austin, TX – Radio/East
Wed 2/18 – Houston, TX – White Oak
Thu 2/19 – New Orleans, LA – Siberia
Fri 2/20 – Pensacola, FL – Handlebar
Sat 2/21 – Atlanta, GA – Drunken Unicorn
Sun 2/22 – Asheville, NC – Eulogy
Tue 2/24 – Charlottesville, VA – Southern Cafe
Wed 2/25 – Baltimore, MD – Metro
Thu 2/26 – Philadelphia, PA – Johnny Brenda’s
Fri 2/27 – Brooklyn, NY – Meadows
Sat 2/28 – Braintree, MA – Widowmaker Brewing
Mon 3/02 – Youngstown, OH – Westside Bowl
Tue 3/03 – Indianapolis, IN – Black Circle
Wed 3/04 – Chicago, IL – Sleeping Village
Fri 3/06 – Denver, CO – Hi-Dive
Sat 3/07 – Denver, CO – Hi-Dive
Sun 3/08 – Salt Lake City, UT – Aces High
Tue 3/10 – Seattle, WA – Neumos
Wed 3/11 – Portland, OR – Aladdin Theater
Thu 3/12 – Sacramento, CA – Starlet
Fri 3/13 – San Francisco, CA – The Chapel
Sat 3/14 – Santa Cruz, CA – Moe’s Alley
Sat 3/21 – Los Angeles, CA – Pacific Electric

New Release: Osnova- Climbing Dues

The very awesome and cinematic LA shoegaze band, Osnova, have released a dreamy new single with “Climbing Dues.” Musically on this song Osnova weaves delicate textures and accents those with interesting melodies which then are balanced out by the sweeping vocals that accentuate the dreaminess of the song and feeling. Osnova are one of the LA bands that I’ve been watching for sometime now and I’m enjoying each and every song they put out. Their live shows are captivating in the way the music draws you in and it leaves you with a feather light feeling after. 2025 is shaping up to be a great year for Osnova, so do stay tuned to what they have coming up!

Osnova- Climbing Dues:

New Release: Osnova- Octavian

A couple months back, I ventured out to an old familiar spot I used to frequent in Hollywood, Boardners, to go see my friends in The Baby Goats during their residency for Club Decades. If you haven’t seen The Baby Goats live, I suggest you do, they are “Fun As Fuck.” No joke, they are seriously one of the most fun, entertaining live bands in Los Angeles. It was on this night that I saw a band before them that caught my attention. As they played, I kept getting more and more drawn into their dreamy soundscapes and shoegaze vibes. With that in mind, allow me to introduce you to Osnova.

The origins of Osonovo began in 2018 as former music journalist and DJ at KXLU FM in Los Angeles, Jean- Claude Vorgeack (aka JC) went looking for a drummer and Sam Ribeyro answered the call. The two would spend time bringing life to JC’s home recording demos throughout the pandemic. It wasn’t until July of 2022 that the final piece was found in vocalist Caroline McLaughlin. With the final puzzle piece in place, Osnova could now begin to hone their sound. Their sound is dreamy and cinematic with bits of shoegaze and alternative rock that all together create an atmospheric yet edgy style that stands out amongst the other shoegaze bands of their ilk. The band released its self-titled debut EP in fall of 2022, and finally made their live debut in November of the same year to a rapturous audience. Osnova has continued to find favor in the Los Angeles dark and dreamy music scene and has now partnered with LA record label Dune Altar (one of the best Indie Labels around) for the release of their latest single “OCTAVIAN,” which is otherworldly!

Osnova- Octavian:

Find Osnova Online:

Bandcamp

Instagram

Youtube

Live Review: Iress at The Resident

It’s taken me a few days to truly process what I witnessed last Thursday night at The Resident in Los Angeles and I’m still a bit at a loss of words to properly describe it. The other night, I ventured out to finally go see Iress live and it was everything I’d hoped for and more. As the lights dimmed, the sold out crowd roared as Iress took the stage. From the first note till the last of their set, I was completely hypnotized. Musically, the band moves from shoegaze, doom, slowcore and rock in such a seamless way that it all feels cinematic in how it plays out. Bassist Michael Maldonado has a menacing tone that as the songs play, you become connected to them even more as each note hits your heartbeat. Drummer Glenn Chu propels the beat even more with his precision drumming and guitarist Graham Walker adds a delicate/brightness to the songs. Then you add in the vocals of Michelle Malley, which are quite powerful and absolutely beautiful. When you put all of these elements together you truly get one hell of a tour de force. Iress’s set covered songs from their debut Prey, to their latest EP, Solace. Songs like “Blush,” “Ricochet,” “Shamed” and “Wolves” were beyond stunning live. I’m not kidding when I say that I was hypnotized watching and listening. The raw and gut wrenching power being delivered song after song was seductive and astounding. The chills I got from listening and watching, I haven’t felt that at a show in quite some time. When you listen to and or see Iress, not only do you get a band that is truly passionate about what they do but, you can truly believe it all through the journey of love, loss, pain, anguish and more. Being able to weave intricate webs of heaviness with ambience is no easy feat but, when you see Iress live it all comes to life in a hypnotic way that will leave you breathless. I can’t wait for the next time I can see Iress live. They are without a doubt one of the top 5 bands in all of the greater Los Angeles area. Do yourself a favor, go listen to Iress and see them live!

Review and Photos* By: Brian Lacy

*Photo’s aren’t the best, I was too into the show to really focus on taking pictures.

IRESS LIVE AT THE RESIDENT- 08.11.23:

IRESS ONLINE:

https://www.weareiress.com

https://weareiress.bandcamp.com

https://www.instagram.com/weareiress

https://www.facebook.com/weareiress

Anticipated Albums: Powder Pink & Sweet- Little Stories

I remember the first time I heard the term shoegaze. It was around the time that The Smashing Pumpkins released Siamese Dream and all these reviews I read and interviews kept referring to this new sub-genre called “shoegaze.” I thought what a strange term for a genre of music. Then it was explained to me (keep in mind I was only 7 or 8 when Siamese came out) and it made sense. Then later on I was exposed to the great My Bloody Valentine album, Loveless, and that’s when I truly found my deep fondness for shoegaze. Over the years the sub-genre has grown to include other elements from different genre’s making it quite a trip to listen to. There is one band that has combined shoegaze with dream pop, indie rock and a tinge of 90’s alternative rock that has captivated me. Allow me to introduce you to Powder Pink and Sweet. The band was formed in 2016 by the eclectic Cris Verso. And through the years since, Powder Pink and Sweet have carefully crafted a batch of hypnotic, dreamy and lush songs. Their upcoming EP, Little Stories, captures all the above and then some. The first single “Slightly Hopefull” is a dreamy and contemplative tune that provides quite the escape from the harsh realities of the COVID lockdown. Little Stories will be released Friday November 4th.

Powder Pink & Sweet- Slightly Hopeful:

PRE-ORDER THE EP Via BANDCAMP:

Band Of The Week: Bloody Knives

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Remember the days when you’d be out shopping for music and an album cover and or a bands name would grab your attention compelling you to check it out? Then when you put it on you are completely blown away. I recently came across this weeks band of the week Bloody Knives, after seeing a poster for their upcoming tour, and it totally had the “I must check this band out” effect. Bloody Knives hail from Austin and mix parts electronic, post punk, shoegazerock, industrial and psychedelia. Think Death From Above 1979 slowed down just a tad and My Bloody Valentine. Their newest single “Reflection Lies” from their upcoming release is awe inspiring. Their use of psychedelia takes you on a journey while listening. The moody vibes they put out through their music are euphoric and have a power to put you in a musical trance. Their previous work, especially their releases Death and Disappear are raw and unrelenting. Bloody Knives are one hell of a band and deserve to be on your radar!

 

Bloody Knives- Reflection Lies:

 

Bloody Knives- Death:

 

Bloody Knives- Disappear:

 

https://www.facebook.com/thebloodyknives

 

Unsung Masterpieces: Hum- You’d Prefer An Astronaut

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Let’s travel back to April 1995 and taking what we all know now, we get to experience Hum’s You’d Prefer An Astronaut for all it’s glory when it came out.  Hum was formed in 1989 and released two albums before reaching mainstream exposure with You’d Prefer An Astronaut. The bands 1993 album Electra 2000, was produced by Brad Wood who would soon go on to produce Sunny Day Real Estate’s album Diary. You’d Prefer An Astronaut is Hum’s major label debut album and has gone on to sell over 250,000 copies. That doesn’t seem like a lot, but just as I have said about Failure’s Fantastic Planet, pretty much anyone that picked up this album went on to start a band and become strongly influenced by Hum. Chino Moreno of Deftones has even gone on to say that this album is a big influence in terms of the tones they used. The album is full of atmosphere, depth, and great riffs. There are moments in the song “Why I Like The Robins,” that if you listen to some At the Drive In songs you can really hear Hum’s influence in them. Matt Talbott as a vocalist really knows how to project to get his lyrics across in the right way. Bryan St. Pere is one of hell of an underrated drummer. His knack for the right cymbal  accents is quite astonishing. Guitarist Tim Lash blend his playing perfectly well with Talbott’s. And the bass of Jeff Dimpsey is crunchy and full of grit bit also played with the right amount of precision.

Hum have reunited a few times over the years, leaving many fans to wonder if they will come out with a new album. In June 2015, it was announced that Hum would partake in two brief tours. In August 2015, Hum will open for Failure on the east coast of the United States. After that, Hum will embark on a co-headlining tour with the band Mineral on the west coast. Sadly, after the tour was announced, drummer Bryan St. Pere parted ways with the band, but Jason Gerken of Shiner will fill in for him. 

Thankfully Hum are back, and along with Failure, will continue to be a huge influence on musicians for years to come. Here’s to hoping that Hum get back in the studio and make a great new album.

Hum- You’d Prefer An Astronaut:

By: Brian Lacy

Band Of The Week: With Our Arms To The Sun

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The desert has a very interesting way of bringing out creativity from those that inhabit the area. There must be something in the air. With that in mind, I bring your attention to With Our Arms to the Sun, a rock band formed in the desert of Arizona. The music is full of epic moments mixed with modern electronics to create music that has substance and plays off the old “concept album” structure. You can hear influences of Tool, Isis and little bit of shoe gaze and space rock. On their most recent release “A Far Away Wonder,” the drums were engineered by Aaron Harris of the bands ISIS and Palms, and some songs feature a collaboration with film composer Jonathan Levi Shanes. The band describes their live shows as unique and emotional, bringing back the energy of the punk rock and grunge bands of the past who used to play to basements and art galleries. With Our Arms To The Sun are real in their approach to create music that creates an ebb and flow that play off your auditory senses and imagination. I’ve had the pleasure of seeing these guys live and they do not disappoint. They are a transcendent bright spot in a world that is lacking honesty and realism.

Cosmonaut:

Tessellation:

 

http://www.withourarmstothesun.com/

https://www.facebook.com/WithOurArmsToTheSun

 

By: Brian Lacy

Band Of The Week: Machines Learning

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The 90’s sound of quiet to loud has always played a large role in rock music. The ability to take a delicate melodic part and transition it to a loud and heavy part takes the right amount of patience and creativity. Machines Learning have honed their craft of being able to do just that. Hailing from San Diego, California, this three piece band has taken their influences of Sonic Youth, My Bloody Valentine, Hum, and Sunny Day Real Estate and blended them into a powerful sound. Singer/Guitarist Paul William Balmer has a very subtle yet very textured voice that compliments the loud dirty guitars. The bass sound that Bradley Botbyl has borders on the 90’s sound and the more modern sludge of heavier bands. The drums are thunderous when it needs to be and understated when those softer parts come in. Machines Learning have released 2 exquisite EP’s, and from the sound of them , they are surely headed on the right path.

 

 

https://www.facebook.com/machineslearning

http://machineslearning.bandcamp.com/

 

By: Brian Lacy

Band Of The Week: Interstelar

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There are lots of bands out trying to do the whole stoner/sludge rock thing. Few can really do it justice. Enter Interstelar who can. Formed in 2010 in Los Angeles this group of guys have taken their influences of Kyuss, The Cult, Black Sabbath and mixed it with a bit of shoe gaze a la My Bloody Valentine. They released their debut EP in 2011 and are currently recording for a new release with Warren Riker (producer of Down 1-3). Musically they show how tight they are. The guitar tone is not so dirty that you can’t hear the notes, and the solos are intricate yet simple as to not take away from the rhythmic nature of the genre. The bass tracks blend perfectly with the drums. Vocally there are times as though Ian Astbury and Maynard got morphed into one. Their new track Hold It takes them up a notch and shows their craft as songwriters and has a bit more melody. Interstelar are one band in the genre that should not go unnoticed!

https://www.facebook.com/interstelarLA

http://interstelar.bandcamp.com/

http://interstelar.com/

By: Brian Lacy