Rex Brown

LIVE SHOW REVIEW: PANTERA AT THE FORUM

The last time I saw Pantera take the stage was 2001. That alone is a crazy thought. Obviously we all know what happened after that. What came about in the past couple years is an absolute tribute to what the band created and tore through the 90’s with. People will find any reason to complain and be negative about it but, the bottom line is, Pantera lives on and we can all get to enjoy the songs again and be amongst those that love the band and what they bring. This evening at The Forum in Los Angeles was nothing short of a fantastic show and performance.

It’s funny, when it was first announced that Pantera was back in sorts, I had this crazy yet awesome idea in my mind and it actually came true. As the clock hit 9:00pm and the lights went down, a playback began and it happened to be “Suicide Note Part I” against a montage video of Dime and Vinnie moments. Then as that ended and the kabuki curtain dropped, BANG, “Suicide Note Part II” erupts to start everything off. I’ve thought about this for the past couple years and to see it happen was pretty badass. From there it was a barrage of classics, deep cuts and fan favorites like “Strength Beyond Strength,” 5 Minutes Alone,” “Hellbound,” “This Love,” “I’m Broken,” “Mouth For War,” one of my all time favorites “10’s,” and so many more bangers. For over an hour and 40 minutes, Phil, Rex, Zakk and Charlie ripped Los Angeles a new one! I’ve got to say it was great to hear and see Phil and Rex on stage together again and both sounded great. Zakk definitely does Dime justice on these songs. And he does it without stepping on what Dime did. He’s brought a little bit of a dirtier tone to the songs giving them a bit of new life and actually darker in vibes. Charlie if you don’t already know is a beast on the drums but, gee golly, was he murdering these drums. He’s another that does Vinnie justice as well as adding an extra pep to his step on the songs. You really couldn’t ask for two better guys to step into those roles.

Direct support for the evening were the Vikings, Amon Amarth. It’s been a while since I’ve seen these gents and they still put on a show. It’s definitely a fun time and musically it’s very metal. Those Norwegians and Swedes really know how to write metal riffs. They definitely had a great energy on stage and kept the crowd entertained and engaged. Amon are one of those bands though that once you’ve seen them, you’ve pretty much seen “their show.” And opening the show was King Parrot from Australia. I saw these guys years ago open for Down. They have a ton of energy and they mix punk, grind core and death metal into one hell of a buzz saw of noise. While only 25 minutes on stage they made the most out of it.

What a great night all together. Pantera sounded great and really delivered a great set and show. If they do continue on, and why wouldn’t they, I truly hope that they explore more of the catalog and play songs never played live, haven’t been played in years, and some more deep cuts. My favorite Pantera album is The Great Southern Trendkill and that album definitely needs more love live! If you get the chance to see this incarnation of Pantera, you should. It’s not only a blast, it really just feels good!

Overall Rating: A

Review and Photos By: Brian Lacy

Pantera Setlist:

Intro- Suicide Note Part I (tape)

01) Suicide Note Part II

02) Hellbound

03) 5 Minutes Alone

04) Strength Beyond Strength

05) Mouth For War

06) Goddamn Electric (w/ Phil Guitar Solo)

07) Becoming

08) I’m Broken

09) 10’s

10) I’ll Cast A Shadow

11) This Love

12) Cowboys From Hell

ENCORE

13) A New Level

14) Walk

15) Domination/Hollow

16) Fucking Hostile

Track One: Down- Temptation’s Wings

I thought I’d start off the new year with a great song and a killer track one to boot. I will never forget the first time I heard this song. I was 13 years old and I was chatting with one of the guys who worked at the Tower Records in my town. I recall our conversation swinging toward Pantera as I was also looking to get their live album that was out. The guy said instead of getting the 101 Proof album I should check out this other album which had Philip in it as well. The guy even went and put the CD on in the store and then a couple moments later, the CD was in my hand and in my discman back in the car on the way home. From that point on I’ve been a huge Down fan. So much so that I prefer listening to Down over Pantera. Yes it’s true but, that’s for a whole other topic for another day. The first song, “Temptation’s Wings” is one of those track one’s that the moment you first hear it, you already know you’re going to like what’s to come and the want for more just grows and grows. Interestingly, this song dates back to about 1990/1991 when Down first came to fruition. It’s got this great Sabbath meets Zeppelin vibe with a great bit of Southern Rock charm. Put it this way, I would put this song in my top 25 favorite track one’s! Looking forward to seeing Down in 2025 and having a new album out later this year. If you aren’t familiar with Down, you should rectify that and quick!

Down- Temptation’s Wings:

Down- Down I- NOLA:
https://www.youtube.com/watch?v=SG82oeXCclA&list=OLAK5uy_kj_nOYGgi9xj7tZ-yxXZ6pWH90CL_sw3o

End Of Album Songs: Down- Nothing In Return (Walk Away)
Down - Nothing In Return - YouTube

There are certain songs by my favorite bands that I can’t help but listen to on a constant basis. Some of those songs are played at perfect times of the day or night. On such song that I’ve loved since the day I first heard it is “Nothing In Return (Walk Away)” by Down off their album Down III: Over The Under. This song is epic and beautiful. There’s something so powerful about this song that it gives me chills each and every time. The vocals by Philip H. Anselmo on this song are superb. I have had the opportunity to hear this song live a couple times and it’s been one of the highlights of those Down shows. This is not only one of my all time favorite Down songs, it’s one of my favorite songs ever. As an album closer too, this is just perfect. It’s one of those songs too that when it’s over, you want to start it all over again. What a majestic song!

Down- Nothing In Return (Walk Away):

Title Tracks: Pantera- The Great Southern Trendkill
Pantera – The Great Southern Trendkill (2012, 180, Vinyl) - Discogs

I’m probably in a very small minority with what I’m about to say. To me, the best Pantera album is, The Great Southern Trendkill. This album emits a level of heavy that I think even surprised everyone involved in the making of it. I’ve always been very fond of the vocal production on this one too (courtesy of the masterful Sean Beavan working out of Trent Reznor’s studio in New Orleans). There’s something a bit more powerful and in your face about Philip’s delivery on this album. One thing is for certain, the first song on the album, the title track, “The Great Southern Trendkill” is one of the best title tracks. Everything about this song is badass. This is one of those title tracks that stands out amongst them all!


Pantera- The Great Southern Trendkill:

Soundtrack Only Songs: Pantera & Rob Halford- Light Comes Out Of Black

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Let’s travel back to 1992 and revisit the soundtrack for the Buffy The Vampire Slayer. While the movie has achieved some cult status over the years, and the TV show has been hailed, the soundtrack has become a bit of an after thought. When you look at the soundtrack though, you can see why it would be. Though there has always been one song on it that has been intriguing. That song is “Light Comes Out Of Black” by Pantera featuring Rob Halford. In an interview some years ago, Rob Halford commented on how this came to be. “I was away from Priest. Sony were working on the soundtrack. They wanted Sony artists and asked me to write a song. I hadn’t written as a solo writer for years and years and years. But it’s one of those things where you don’t know what you can do until you put your nose to the grindstone. So I wrote “Light Comes Out of Black,” and I was stuck. And I got Dime’s number, and I called him up and I said, “Here’s the deal.” And he goes, “Let’s do it. Just get in the plane and come down to Dallas.” So that’s what I did the next day, went to the studio, laid the track down in a very short space of time. Phil wandered by, said “Oh, how’s it going, ‘metal god’?” So I told him and he said, “You got a spot for me?” I said, “Pfft, here’s the mic.” So Phil joins me on the back end of the song. And it turned out really good. It’s amazing to think that that’s a Pantera song really. It is Pantera with me on lead vocals, and Phil obviously doing the outro sections. But it’s a Pantera song really.

So without anymore delay, here’s the song!
Pantera with Rob Halford- Light Comes Out Of Black:

 

 

Great B-Sides: Pantera

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I’ve been in a Pantera mood the last couple days. I’ve mainly been listening to The Great Southern Trendkill (as it’s my favorite album of theirs). While I was going through all their albums I forgot about a few b-sides and covers that they did throughout their career. So here they are. The few b-sides they have and covers. Enjoy!

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Album Rank: Pantera

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As of late I’ve started listening to Pantera again. I needed to take a break from them for a while. Though if I had some aggression I needed to get out, I made sure that The Great Southern Trendkill (My favorite Pantera album) was near by. So with all this in mind, it’s time to rank all the Pantera albums from not the best to the best.

Reinventing The Steel:

Cowboys From Hell:

The Great Southern Trendkill:

Vulgar Display Of Power:

Far Beyond Driven:

Book Review: Official Truth-101 Proof: Rex Brown of Pantera

I love to read biographies about bands and the people in them. One of the best things about these types of books are when they delve deep into the making of albums. While reading about that part I love putting the albums on and really invest myself in to what they were all about at that point. I recently read Rex Brown’s book about his time in Pantera. The stories were really interesting and it presented quite an interesting look into one of heavy musics most popular bands. The writing style was a bit juvenile but the content made it worth while. After reading the book I had more of an understanding why Pantera ended the way it did, and just how much Dimebag and Vinnie were immature. Rex really didn’t spare anyone. He blasted himself, Phil and the rest of the guys. One of the more interesting things was about how Dime and Vinnie’s father was collecting royalties from Pantera in the early days once they were signed to a major label. What a schmuck. This is a very fast read of a book and it packs quite a punch especially when it got to the murder of Dime and the other people at the Alrosa Villa in 2004. It’s well worth it if you are a Pantera fan. And even if you aren’t it shows a lot of how to deal with band dynamics and the do’s and don’ts. In a way this book is a great precursor to Philip’s book which should be out in 2015 and will undoubtably cause a lot of controversy I’m sure.

By: Brian Lacy

Unsung Masterpieces: Pantera- The Great Southern Trendkill
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There are certain albums in every bands catalog that get overlooked. Most people when they talk about Pantera talk about Vulgar Display of Power and Far Beyond Driven. In 1996, amongst a lot of band tension, Pantera was able to put together their most brutal and honest album The Great Southern Trendkill. This album is known for relentless screaming throughout the album most notably on “Suicide Note Pt.II.” Also featured on the album are some of the fastest tempos and most down-tuned guitars that the band ever recorded. It also has a more experimental nature to its songs, such as the acoustic guitar and keyboard-laden “Suicide Note Pt. I”, the long breakdowns in the middle or near the end of songs like “Suicide Note Pt. II”, “Sandblasted Skin”, “Drag The Waters” and “War Nerve”. Some of the more intricate vocals that Philip Anselmo has doen can be heard on songs such as “Suicide Note Pt. II”, “The Underground In America”, “Sandblasted Skin”, “War Nerve” and “Living Through Me (Hell’s Wrath)”. A very interesting fact about the making of Trendkill was that Phil Anselmo recorded the vocals for this release in Trent Reznor’s studio in New Orleans, while the rest of the band stayed in Dallas to work on their parts. Of all the albums Pantera released, this one is by far my favorite. The lyrics go beyond just the normal anger. Topics such as hate for the media (“War Nerve”), suicide (“Suicide Note”), drug abuse (“10’s”, “Living Through Me (Hell’s Wrath)”) the end of the world (“Floods”), trends (“The Great Southern Trendkill”, “Sandblasted Skin”) and teenage taboo on life (“The Underground In America”) are all brought up. 

1996 saw the release of Metallica’s Load, Sepultura’s Roots, Rage Against The Machine’s Evil Empire, and Korn’s Life Is Peachy. The Great Southern Trendkill stood out amongst all the other metal bands releases of 96. with the exception of Neurosis’s Through Silver and Blood. Do yourself a favor and take another listen to The Great Southern Trendkill and you’ll have a totally different appreciation for it!

The Great Southern Treadkill:

By: Brian Lacy

Album Review: Down IV- Part 2

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When Down announced they were going to go release a series of EP’s instead of a full length, I was excited. What that meant was more swamp-y, punishing riffs to go around. Not to mention More Philip Anselmo, Pepper Keenan and Jimmy Bower! Down IV Part II is 35 minutes, of sludgy riff madness. This EP is a more focused approach than Down IV Part I. Even though Rex Brown and Kirk Windstein are gone, Pat Bruders and Bobby Landgraf hold their own and bring in some fresh perspective to what Down is known for. Opening track “Steeple” is their best album opener since “Temptations Wings” from their classic debut NOLA. The riff is filled with such groove. Phil’s vocals are in top shape. “We Knew Him Well” is a solid jam with the heavy chunky riffs that down has become known for. “Hogshead Dogshead” opens with a swirling solo then jumps right into a crooning Phil. This could also be the weakest track on the album. “Conjure” has a very distinct Black Sabbath vibe. This is also one of the best songs they’ve ever written. Hopefully this becomes a live staple for all shows to come. “Sufferers’s Years” has a great intro and the guitar work throughout the song. Pepper and Bobby really play well off each other. This song really showcases that. Closing out the album is “Bacchanalia.” This song definitely has that 70’s vibe to it. Almost bordering on Thin Lizzy. Jimmy and Pat really shine as a rhythm section on this song. The outro explores the more acoustic nature of the band. This song could be foreshadowing into the realm of the next EP. 

All in all Down has made an EP that they can be proud of. If at first you aren’t into it, give it a couple more listens and immerse yourself in the EP. Your mind will be changed. Down makes music in an honest fashion. There are no gimmicks when it comes to this band. What you see and hear is what you get. And with a lineup like this, you wouldn’t expect anything less.

Click below for the album stream:

http://noisey.vice.com/blog/stream-the-new-down-iv-part-ii-ep

Video for “We Knew Him Well”

 

By: Brian Lacy