Post Hardcore

Band Of The Week: In Urgency

Over the years I’ve come to really enjoy different genres more and more. In particularly, the post hardcore genre, has fast become one of my favorites. There is still the “heavy” elements to the music but, there is an added sense of melody that rings through it. Recently, I came across a band called In Urgency that has really impressed me. They have a bit of a Brand New vibe to them (which doesn’t hurt, especially since I really love Brand New), and a bit of Thrice too. Those two bands alone make for a great basis of inspiration and influence. Armed with a dual guitar and vocal attack, singers and guitarists Chris Anderson and Sam Mountain, create melodic riffs to go along with their soaring vocals. Drummer Javier Caudillo, provides the backbeat to give the music it’s pulse. While bassist Michael Capuano, provides the rhythmic accents needed to fill out the sound. In Urgency has recently released their debut full length album, Painting Parallels, which is a stunning debut full of big hooks, choruses and melody. In Urgency is definitely a band to be on the look out for.

In Urgency- Painting Parallels:

In Urgency- The Holy Ghost:

Album Review: Less Art- Strangled Light

There is something to be said for taking the time away from a main project and really letting yourself get fully immersed in something new. The members of Less Art have done just that and have made an album that stands out among all the other work they’ve done and then some. Their debut album Strangled Light is a fully inspired and influenced album. Riley and Ed Breckinridge of Thrice, Jon Howell and Ian Miller of Kowloon Walled City and on vocals Mike Minnick of Curl Up and Die have paid their respects to their influences but, taken that and turned it into something all their own.

Throughout the 9 song album, Less Art lay the foundation for heaviness and maturity. Each song feels like they spent the time to really hone in on a vibe and feeling. With each listen, you tend to pick up on a different emotion that puts you in a different headspace, in a good way. The moment the first song “Optimism As Survival” begins, the shivers begin up your spine. There is also a brutality to the album that is carried over from their main bands. When you listen to songs like “Diana The Huntress,” “Mood 7 Mind Destroyer: Guilt,” Pessimism As Denial,” and “Crushed Out” you can really hear their hardcore roots show through. Then there are songs like “Wandering Ghost,” “Shapeshifter,” What Is In It Man?,” and the closer “Strangled Light” that really show who Less Art really are. Their sheer knack to remain heavy but, at the same time vulnerable is what makes them special.

Something really intriguing about Less Art is, Ed Breckinridge is playing guitar rather than bass (as he does in Thrice) on the album. This move has really allowed him to shine as a player and writer. And with him and guitarist Jon Howell, they play off each other in a way that fits the feel of the song. The rhythm section of Riley Breckinridge and Ian Miller builds on the mold of great post-hardcore duo’s. Vocally, the emotion, pain, thoughts and ideas of Mike Minnick are beyond stellar.

Less Art’s Strangled Light, is an album that is very much needed. There is a sense of hope to these songs that when you grab a hold of, you won’t let go.

Overall Rating: A

Less Art- Strangled Light:

Album Review: Night Verses- Into The Vanishing Light

When I first heard Night Verses, I thought that this is one of the bands that is much needed in today’s stale music climate. Their debut album Lift Your Existence was an album full of epic proportions that really left a mark on me. The album is still in constant rotation in my stereo. So when I heard that Night Verses were in the studio working on their follow up album with Ross Robinson, I became even more excited about this band. The end result of their collaboration together is an album that is full of passion, inspiration, diverse music that pushes genre boundaries and vocals that are raw and powerful.

Into The Vanishing Light is an album that will take you on a journey just as a full album should. The more you listen to it all, you pick up on different things and feelings. After my first listen the flow of the album seemed to be a little disjointed, but after a couple more listens, it all began to make sense. The first track “The Future As History: I Love You Dead,” is a mood setter alright, that is set against a bit of a schizophrenic vocal delivery, but done with so much passion. The next couple songs emit pulsating music all the while a moody etherial vibe. By the time “Dialogue In Cataplexy” hits you know you are in for a ride with the way it plays out as a song with complexity and seriousness. As the rest of the album moves along the path of the journey certain songs like “Panic and Pull Your Heart Out” and “Blue Shades Of The Sun” truly leave a lasting mark. The closing song “Phoenix III” is a great encapsulation of the album and what the band has evolved into.

Night Verses have created an album that emits true artistry and vision. Singer Douglas Robinson really goes all out to ensure the words and messages come across as real and true as possible. Musically drummer Aric Improta is an absolute inspiration behind the drums. His use of time signatures and percussion adds so much more to the music. Guitarist Nick DePirro’s riffs, structures and skill is brilliant. It’s all tied together by bassist Reilly Herrera’s thunderous yet gentle playing. Working with Ross Robinson really helped to push the band to realize their potential as a band. Into The Vanishing Light is an album that separates Night Verses from their peers in the genre. I’d even go as far as to say this album could be a blueprint for the genre just as the Refused’s The Shape of Punk To Come became. Night Verses are here and deserve your undivided attention.

Night Verses- Into The Vanishing Light:

Band Of The Week: Choirs

Over the past 16 years I’ve really developed a love for the post-hardcore genre. There is something about the vulnerability of these bands that strikes a chord with me. I really love when these types of bands take it a step further and include influences you normally wouldn’t find in this type of music. All this brings me to this weeks band of the week Choirs. This Bakersfield, CA based quintet is soaking in lush post-hardcore melody. I would describe their music as a cross between Sparta, Thursday and Explosions In The Sky. The added use of ambience in their music helps to create a distance from the generic norm of post-hardcore. They have been releasing music since 2011 and are gearing up to hit the studio again very shortly. Choirs are on the path to really taking their music to the next level especially after their previous release Usalkt, which is quite captivating.

Choirs- Usalkt:

http://www.choirsofficial.com/

https://www.facebook.com/choirsofficial

Band Of The Week: Gladiators Eat Fire

Don’t let the name fool you, Gladiators Eat Fire are a force to be reckoned with. They mix parts of post-hardcore, stoner rock, and old fashioned rock and roll to form a sound that doesn’t allow you to miss. Produced by Matt Bayles (Mastodon, The Sword, Botch) their newest EP Avant Garage is quite lethal and unrelenting. This four piece hailing from Seattle is well on it’s way to leaving a mark in the scene. One can tell that these gents put it all out there when performing live, and make sure you remember their name when they are done.

Gladiators Eat Fire- Avant Garage:

http://gladiatorseatfire.com/

https://www.facebook.com/gladiatorseatfire

Unsung Masterpiece: Poison The Well- You Come Before You

There comes a time for every band to take the next step with their music. When that time comes, the final product is often times misunderstood and takes a while for the fans to come around. Then there are the new fans that come aboard and really take a liking to the change. In the early 2000’s following the success of their album Tear From The Red, Poison The Well found themselves signing to Atlantic Records and from that point started putting together what would become their third album You Come Before You. They enlisted Swedish producers Pelle Henricsson and Eskil Lövström who worked on Refused’s monumental album The Shape Of Punk To Come. Recording for the album started at the legendary Sound City Studio and then moved to Sweden. The end result of these sessions brought out the absolute best in the band. You Come Before You is the album that breaks the mold of post hardcore and allows the bands other influences to shine through. The use of melody throughout really helped to sharpen the bands edge without taking away from their hardcore roots. Opening song “Ghostchant” shows just that. Other stellar songs include “For A Bandaged Iris,” “A) The View From Here Is…B) A Brick Wall,” “Zombies Are Good For Your Health,” “Apathy Is A Cold Body,” “Sounds Like The End Of The World,” and closer “Crystal Lake.” The entire album is sensational if you are into this genre of music. It has even been talked about as one of the most influential albums of the “metalcore” genre. The band really stepped up on this album. Singer Jeff Moreira really developed an identity on this album by taking chances vocally and lyrically. The riffs, tones and all around playing from guitarists Derek Miller and Ryan Primack are crisp and heavy, allowing all the notes to come through. The rhythm section of Chris Hornbrook on drums and Geoff Bergman on bass, are one of the most in the pocket in this genre. After the record was complete, the band started a year and a half tour cycle that took them to around the world. Towards the end though, many of the band members were worn out and unsure if they wanted to continue with Poison the Well. Sadly, guitarist Derek Miller did part ways at this time.

Poison The Well would go on to release 2 more albums that further expanded upon what they started on this album. After the release of their final album The Tropic Rot, the band took a long hiatus, only recently returning to the stage in 2015 for a reunion show. Here’s to hoping they continue on. Poison The Well are one of the more underrated bands in heavy music and helped to make it acceptable to allow melody into the genre.

Poison The Well- You Come Before You:

Band Of The Week: Here Lies The Hero

Since last Friday when I saw Socionic, I’ve been listening to the band that opened the evening Here Lies The Hero. Their blend of metal and post hardcore is quite exceptional. The band formed in 2010 in Texas and relocated to Los Angeles in 2013. Since that time the band has really pushed hard to make a name for themselves, playing shows with the likes of Trivium, Norma Jean, Letlive and countless others. Their 2014 EP Adrift, is a very vulnerable yet full of optimism. Musically this band especially the guitars are technical and precise while full of heaviness and melody. Amongst their peers in this genre of music, Here Lies The Hero are quite the band to watch for. And by the indication of the new songs they played at the show I saw them at, they are moving in the right direction with what they are doing.

Adrift:

Ghosts:

Follow The Light:

Evensong:

Uncharted:

https://www.facebook.com/Hereliesthehero

http://www.hereliesthehero.com/

Unsung Masterpieces: Thrice- Vheissu

Making a statement through music and art is always a complex thing to do. On one hand you know that this is the best and most fulfilling thing you can do. So much so that the direction and influence you feel at that point is going to define you. On the other hand, there is a sense that people out there won’t get it and thus give up on you. But for those that understand and really pick up on, know that this is the album that needed to be made and up till this point, it was only a matter of time. Ten years ago, Thrice released their masterpiece called Vheissu. At first it was met with a bit of hesitation but as time settled, the album began to take on a life of it’s own. Vheissu was a dramatic and experimental departure from the bands more post hardcore roots. Thrice took chances to make an album with more substance and meaning. Not to say that their previous releases weren’t up to par, but this album just had to push past all those to leave a mark. They took a chance with adding different elements including different instruments, time signatures, and the use of electronics. All of these things really helped to ensure a true artistic approach in the writing and recording process. There are so many standout songs on this album, it’s hard to pick the absolute best. My personal favorite “The Earth Will Shake,” is a perfect example of the bands progression and how well it worked out. “Red Sky,” “Atlantic,” “For Miles,” “Like Moths To Flame,” and “Image Of The Invisible” are all standout tracks on the album. The entire record as a whole is beyond anything in the bands catalog. Take a trip back ten years ago and listen to Vheissu again.

Thrice- Vheissu:

Unsung Masterpieces: AFI- Sing The Sorrow

AFI is a band that has gone through a lot of changes stylistically throughout their career. They started out as a punk band with hardcore roots, then shifted more to the Horror punk side of things. As time went on and the band evolved they found a balance of their roots of punk and added a more goth element to their music. So in 2003, AFI released their most ambitious album up till that point, Sing The Sorrow. Their die hard fans were caught off guard by the departure of their original sound, while at the same time finding a new audience. Sing the Sorrow was produced by Butch Vig and Jerry Finn, allowing the album to be more experimental. Lyrically, the album is darker and more poetic than their previous material. I for one, when I first heard the album wasn’t really in to it at all. It just wasn’t the AFI I was a fan of. Fast forward a few years and I revisited the album and really grew to love it. There is something truly intriguing about it. The depth of the songwriting really took things to another level for the band with the use of synths, strings and the all around lyrical content. Songs like “The Leaving Song Pts. I & II,” “Bleed Black,” “Death Of Seasons,” “But Home Is Nowhere,” really show the maturity of the guys in the band. There are some songs that are a little more radio friendly like “Girls Not Grey,” “Silver and Cold,” and “Dancing Through Sunday,” but that doesn’t change the fact that the songs are really good.

This is one of those albums that with time you really come to love. There is something about Sing The Sorrow that really hits home. Sure the production on it is a little too slick and AFI has completely changed from what they once were, but the growth on this album is truly astounding. Give it another shot if you gave up on them.

AFI- Sing The Sorrow:

By: Brian Lacy

Unsung Masterpieces: Hum- You’d Prefer An Astronaut

Let’s travel back to April 1995 and taking what we all know now, we get to experience Hum’s You’d Prefer An Astronaut for all it’s glory when it came out. Hum was formed in 1989 and released two albums before reaching mainstream exposure with You’d Prefer An Astronaut. The bands 1993 album Electra 2000, was produced by Brad Wood who would soon go on to produce Sunny Day Real Estate’s album Diary. You’d Prefer An Astronaut is Hum’s major label debut album and has gone on to sell over 250,000 copies. That doesn’t seem like a lot, but just as I have said about Failure’s Fantastic Planet, pretty much anyone that picked up this album went on to start a band and become strongly influenced by Hum. Chino Moreno of Deftones has even gone on to say that this album is a big influence in terms of the tones they used. The album is full of atmosphere, depth, and great riffs. There are moments in the song “Why I Like The Robins,” that if you listen to some At the Drive In songs you can really hear Hum’s influence in them. Matt Talbott as a vocalist really knows how to project to get his lyrics across in the right way. Bryan St. Pere is one of hell of an underrated drummer. His knack for the right cymbal accents is quite astonishing. Guitarist Tim Lash blend his playing perfectly well with Talbott’s. And the bass of Jeff Dimpsey is crunchy and full of grit bit also played with the right amount of precision.

Hum have reunited a few times over the years, leaving many fans to wonder if they will come out with a new album. In June 2015, it was announced that Hum would partake in two brief tours. In August 2015, Hum will open for Failure on the east coast of the United States. After that, Hum will embark on a co-headlining tour with the band Mineral on the west coast. Sadly, after the tour was announced, drummer Bryan St. Pere parted ways with the band, but Jason Gerken of Shiner will fill in for him.

Thankfully Hum are back, and along with Failure, will continue to be a huge influence on musicians for years to come. Here’s to hoping that Hum get back in the studio and make a great new album.

Hum- You’d Prefer An Astronaut: