What a great year 2025 has been for music. So many great albums, tours, songs, you name it. And now the time has come for…
The 2025 Audioeclectica End Of The Year Lists begin with the list for Best Bassist. As always the stipulation for this is that an Album or EP had to be released in 2025.
Vote for your favorite in the comments section. At the end of the month, I will release the results of the readers poll.
This list is also in NO PARTICULAR ORDER!!!
01) Hunter Burgan- AFI 02) Matt Bellinger- Nine Necks 03) Jim Baglino- Deadguy 04) Sunny Faris- Blackwater Holylight 05) Sacha Dunable- Guiltless 06) Justin Forrest- SOM 07) Sydney Moore- The Anti Groupies 08) Jordan Olds- Blood Vulture 09) Kemble Walters- Chevelle 10) Zach Cooper- Coheed And Cambria
I’ve had a tradition for many years that when it’s Halloween, I have to listen to AFI’s All Hallows EP. It’s really a great Halloween companion. It sets the mood oh so sweetly. Released in October of 1999, All Hallows features three new songs and one cover. The three originals are damn good. “Fall Children” really captures the energy of AFI at the time. “The Boy Who Destroyed The World” is one of those songs that shows a bit where the band was heading into The Art Of Drowning. “Total Immortal” is one of my favorite AFI songs. I love the rawness of this song. It’s got such a great punk feel mixed with the right amount of goth/post-punk to make it quite memorable. And who can forget their awesome cover of The Misfits “Halloween.” I mean AFI and The Misfits is a perfect match. Some more fun history about this EP and era of the band is after the release, AFI would tour with Sick Of It All. Then concluding that tour, they went on to tour with Danzig. Talk about a tour!!! I’d love to see that now even. “The Boy Who Destroyed The World” was featured in Tony Hawk’s Pro Skakter 3 video game. The Offspring would go on to cover “Total Immortal” and that was featured in the Jim Carrey movie, Me, Myself and Irene. By the way, AFI’s version is way better than The Offspring’s. I really miss when bands would do one off’s like this. AFI is on quite the roll right now as their new album, Silver Bleeds The Black Sun is out and it’s fantastic! So when you’re done listening to the All Hallows EP, be sure to check out my review and listen to Sliver Bleeds The Black Sun. You can thank me later!
AFI has long been a band that evolves a bit more with each album. For many albums now, AFI have been adding more and more goth elements to the music and on this new album (studio album number 12), Silver Bleed The Black Sun, they have just gone full on with it and the end result is absolutely splendid. This album leans all the way into the post-punk influences of bands like The Cure, Joy Division, Sisters Of Mercy, Bauhaus and more.
While the album is short in time with ten songs and clocking in at 35 minutes, there isn’t one ounce of filler or out of place anything on Silver Bleeds The Black Sun. What you have is one of their most cohesive albums since Burials (which is one hell of a great album). Each song evokes a certain mood and vibe making this a grand listening experience. From the way the album opens with the haunting “The Bird Of Prey” all the way through the very punk “NOONEUNDERGROUND,” it’s a non stop ride. The twists and turns found throughout make it chock full of ear candy and sweet surprises. There’s a really fun 80’s vibe throughout the album too that tinges on new wave without taking away the darkness. While the lyrics are of a contemplative and dark nature as they would be courtesy of Davey Havok, musically Jade Puget, Hunter Burgan and Adam Carson have pushed past any preconceived notions of what they’ve done before and brought a very invigorating sound that is vibrant and alive while at the same time eerie and full of bite.
I could have gone track by track but I truly believe that takes away from the listening experience. Instead, put this album on and let it just take you where it needs to go. A band like AFI is quite interesting in that they never want to stay in one place for too long and get complacent. One of the things I’ve genuinely loved about this band is their willingness to take chances and explore all that they enjoy. I’ve said to people many times over the years that AFI is one of those bands that you should give a chance to even if it isn’t your normal cup of tea. Silver Bleeds The Black Sun is one of the best albums of 2025.
Overall Rating: 9/10
Stand Out Tracks: Blasphemy & Excess, Spear Of Truth, A World Unmade, NOONEUNDERGROUND
Ever since A.F.I. released their new single “Behind The Clock” and their upcoming 12th studio album, Silver Bleeds The Black Sky, I’ve been on a bit of an A.F.I. kick. I went back through all their albums from the start till now and put them in quite the ranking. Some might surprise you while others I think are properly ranked. Silver Bleeds The Black Sun is out on October 3rd, so prepare yourselves. I have a really good feeling about this new album! *NOTE: Number 1 and 2 can be flipped. Just depends on my mood and the day!
EDIT: This album has been updated to include Silver Bleeds The Black Sun (10/15/25)
After 5 long years, A.F.I. have returned with their first new release. “Behind The Clock” is the first single from their upcoming twelfth studio (that’s right 12 full length studio albums), Silver Bleeds The Black Sun…, which comes out October 3rd via Run For Cover Records! This new song feels like it falls in the Sing The Sorrow/Burials era which to me is awesome since those are my two favorite A.F.I. albums.
As for the rest of the album, the band as stated “‘The goal of ‘Silver Bleeds The Black Sun…‘ was to make an album with a singular mood, something dreamy and ethereal, and the band members found themselves diving headfirst into influences that had always been deeply embedded in AFI’s musical core, but now were being brought to the forefront. The result is an album that feels out of time, at once familiar and fresh, drawing on classic sounds and reinterpreting them through a modern lens. ‘Silver Bleeds The Black Sun…‘ is dark and otherworldly, but also grandiose and stately, biting and beautiful in equal measure—in other words, it’s very AFI, yet not quite like any version of the band you’ve ever heard before.’ So with that in mind, I’m quite eager to hear what they have coming up. It really feels like the gents in A.F.I. have laid it all out on this record.
NEW TOPIC!!! This one will showcase all the hidden songs at the end of albums. You know the ones you had to wait 10-20 minutes for after the last song ended.
A.F.I.’s 2003 album Sing The Sorrow was quite a success. The album saw the band shift their sound even more from their once hardcore/horror punk roots. The end result though, despite many of the bands early fans not accepting the change, was an album that is pretty damn good. The album also featured two hidden tracks at the end. After a brief silence at the end of “…Bit Home Is Nowhere”, piano music begins to play as guitarist Jade Puget’s younger brother Gibson speaks the first third of the poem. After the poem is concluded, the hidden track “This Time Imperfect” fades in, featuring a guitar playing backwards and extensive sampling. “This Time Imperfect” is a really cool song that contains a lot of the elements heard on Sing The Sorrow.
I was going through my CD collection the other day and realized how many albums A.F.I. had. So naturally, I went on a listening binge of the ones I’ve always dug. Thus we are now at the point where I have made a ranking of all their albums (I’m not including EP’s or live albums) from worst to best. Let me know what your order would be.
On January 20, 2017, AFI will release their 10th full length studio album. This self titled affair has been dubbed “The Blood Album,” and features 14 songs. The first two songs released “White Offerings” and “Snow Cats” sound like a cross between The Art of Drowning and Sing the Sorrow. So for those of you out there that have been waiting for the “rock” edge of AFI again, it looks like this is the album for you.
AFI is a band that has gone through a lot of changes stylistically throughout their career. They started out as a punk band with hardcore roots, then shifted more to the Horror punk side of things. As time went on and the band evolved they found a balance of their roots of punk and added a more goth element to their music. So in 2003, AFI released their most ambitious album up till that point, Sing The Sorrow. Their die hard fans were caught off guard by the departure of their original sound, while at the same time finding a new audience. Sing the Sorrow was produced by Butch Vig and Jerry Finn, allowing the album to be more experimental. Lyrically, the album is darker and more poetic than their previous material. I for one, when I first heard the album wasn’t really in to it at all. It just wasn’t the AFI I was a fan of. Fast forward a few years and I revisited the album and really grew to love it. There is something truly intriguing about it. The depth of the songwriting really took things to another level for the band with the use of synths, strings and the all around lyrical content. Songs like “The Leaving Song Pts. I & II,” “Bleed Black,” “Death Of Seasons,” “But Home Is Nowhere,” really show the maturity of the guys in the band. There are some songs that are a little more radio friendly like “Girls Not Grey,” “Silver and Cold,” and “Dancing Through Sunday,” but that doesn’t change the fact that the songs are really good.
This is one of those albums that with time you really come to love. There is something about Sing The Sorrow that really hits home. Sure the production on it is a little too slick and AFI has completely changed from what they once were, but the growth on this album is truly astounding. Give it another shot if you gave up on them.
When Jade Puget joined the band, he had a hand in shifting the band from the more hardcore punk they were doing and injecting a more goth vibe to the music. Over the years you can totally hear Davey Havok’s love for The Cure in his voice and lyrics. They’ve been covering “Just Like Heaven” for years, and it’s great. It’s not too far from The Cure’s version but it’s still good!
AUDIOECLECTICA 