Part of the fun of doing Audioeclectica as well as putting together shows with The Cobalt Presents (aka The Cobalt Cafe), is finding a ton of younger bands to showcase their music. For the past few years I’ve been a part of putting together some pretty amazing shows featuring young bands. One band in particular that we’ve had the pleasure of working with has released their debut single from their upcoming debut album, and that band is called XCOMM. It’s really great to hear young kids that get and understand the music they are playing.
XCOMM is a hardcore punk band that evokes pure raw emotion into their songs and performance. Their upcoming album was produced by the legendary Ross Robinson. “Reasons” is the first single from their record and it’s a righteous slab of hardcore that harks back to the golden era of it in the 80’s. The video for “Reasons” was also directed by one of my favorite video directors/photographers, Dean Karr. XCOMM might be kids but, if they keep this going, they are going to grow up quick and become a force to be reckoned with. I’m looking forward to what’s to come!
I love when it’s been a long while since you’ve seen a certain band live, then you go to the show and it’s just what you wanted it to be and even a little bit more too, since it’s been that long in between shows. This past weekend I went to see Danzig (who I haven’t seen live since 2013) and one of my all time favorite bands, Down (who I haven’t seen live in almost 10 years) at The Forum. What a show it was too. Also playing this evening were Abbath (first time seeing them live) and Cro-Mags (didn’t catch them). The Forum over the last decade plus has really stepped up their game in terms of sound, and the shows they hold. Getting to see Down here was quite special (think the last time they played the Forum was when they were on tour with Heaven And Hell (Dio era Black Sabbath).
First band I saw of the evening was Abbath. It’s been a while since I’ve seen a black metal band play and they sure were good. I forgot that the main guy was also previously in Immortal. Abbath was a good choice for this show (just thought of this, why wasn’t this tour billed as the new Blackest Of The Black tour- I’ll have to inquire). It was nice to see Norwegian Black Metal still thriving and destroying. Though I didn’t see Cro-Mags, the 1, 2 punch of Hardcore Punk then Black Metal is quite the way to open a show.
Now the part that really got me, DOWN!!! I love Down. I actually get into arguments with people because I like Down more than I like Pantera. To me Down just has more substance and depth. There’s nothing like seeing Down live and firing on all cylinders. It’s truly a magical thing to see and hear. Playing songs mainly from their classic debut, NOLA, as well as a couple from their second album, Down had the crowd in the palm of their hand for the hour they were on stage. The moment they all took the stage and the first notes of “Lysergic Funeral Procession” began, you knew that you were in for one hell of a set. From there it was just classic after classic. It’s always a pleasure to hear favorites of mine like “Losing All,” “Ghosts Along The Mississippi,” one of the best Track One’s of all time “Temptation’s Wings,” and one of the best closers too in “Bury Me In Smoke.” I also love that during the “Bury Me In Smoke” Phil sang the a bit of “Nothing In Return (Walk Away)” and that absolutely was a special moment. I love that song. It’s so epic that it too should be played live! Down was on fire and everyone sounded killer. Watching Philip, Pepper, Kirk, Jimmy and Pat on stage truly having fun and ripping through a great set like that is why I love going to concerts and seeing my favorite bands, Down especially!
Danzig headlined this evening and by the time he went on and the lights went down, it was sure time for things to get a bit darker. It’s been a long time since I’ve seen Danzig live. The last time was probably the best Danzig show I have ever seen. This show is right up there though. There’s such a fun theatricalness to a Danzig show that it keeps you into it. Knowing his audience well, the set consisted of songs mostly from the first 3 albums with a few scattered ones from Danzig IV, Circle Of Snakes, and Deth Red Sabaoth. Personally I love Danzig III so getting to hear any of the songs from that album is a joy for me. The performance this evening of “How The Gods Kill” was great (you can watch it on the Audioeclectica Instagram page). Glenn is still one hell of a frontman and when he’s on like he was this evening, it’s pretty spectacular. Joining Glenn on stage was longtime Danzig collaborator and Prong’s Tommy Victor on guitar, Samhain’s Steve Zing on bass and Karl Rosquist on drums. Watching the crowd get into the show song by song was interesting. You could tell who knew more than just a handful of songs. Either way, it was a great bill all around.
DOWN Set List: 01) Lysergik Funeral Procession 02) Lifer 03) Hail The Leaf 04) Ghosts Along The Mississippi 05) Pillars Of Eternity 06) Temptation’s Wings 07) Stone The Crow 08) Eyes Of The South 09) Bury Me In Smoke
DANZIG Set List: 01) Skin Carver 02) Brand New God 03) Twist Of Cain 04) Evil Thing 05) Hammer Of The Gods 06) How The Gods Kill 07) Her Black Wings 08) Killer Wolf 09) Black Hell 10) Tired Of Being Alive 11) The Hunter (Albert King Cover) 12) Am I Demon 13) Not Of This World 14) Mother ENCORE: 15) She Rides 16) Dirty Black Summer 17) Do You Wear The Mark
Over the last few weeks, I’ve been in quite the heavy music mood. I’ve been on the look out for bands that really strike a nerve and low and behold I got an email to check out a band and I’m glad I did. Recently I was introduced to Chicago based Stress Positions and it’s just what I was looking for. Their hardcore punk is infectious and blistering. Their new album, Harsh Reality is 9 songs of no holds barred hardcore punk with an attitude that can hammer nails in. When you listen to the album, not only do you get that classic hardcore punk feel, there are other little twists and turns and surprises to find throughout, which makes it quite the fun listen. Stress Positions new album, Harsh Reality, is set to be released THIS FRIDAY, December 8th on Three One G Records.
The long awaited second album from Mike Patton, Justin Pearson, Dave Lombardo and Michael Crain aka Dead Cross is just about here. On October 28th (via Ipecac Recordings), Dead Cross returns with an abrasive and socio-political 9 song record that will leave you in shambles. The album, while both a ravenous hardcore collection, and at times, a politically-charged opus, has its roots in friendship, with the band rallying together after Crain received a surprise cancer diagnosis. “Words can’t even begin to describe how much this album means to me. It’s birthed of pain and uncertainty,” explains Crain. “The slow, excruciatingly painful, and nauseating recovery from cancer treatments were the catalyst for every riff and note on this album. However, my will to live and be with my brothers Justin, Dave, Mike, and co-producer Ross Robinson, got me out of bed and running into the studio every day to get it all on tape.” And that couldn’t be more true. This album although only 9 songs is unrelenting and what you’d want in a follow up to the band’s 2017 debut.
The first song releases “Reign Of Error” has an interesting backstory to it. “’Reign of Error’ was recorded almost as quickly as it was written and I believe there’s a very good explanation for it,” adds Crain. “I haven’t told anybody this before, least of all the rest of the band or Ross, but I honestly felt a strong presence in the studio that day. Those riffs flew out of me and when Dave sat down at his kit it was almost as if we’d played that song a thousand times before. It literally just happened so fast. Bam! One take. I’m not trying to paint a dark or fantasy-like story either. Having just escaped death and still healing from my cancer treatments I was incredibly sensitive to energy and the other side. There was someone else there. Not evil but benevolent and inspiring. I honestly believe it was Dave’s old bandmate and friend Jeff. I think he just wanted to jam with his friend again and perhaps did so through me. There I said it. Whether people believe it or not I really don’t care. I’m just grateful that I had that experience.”
Personally, I’ve been very excited for this new release from Dead Cross. I throughly enjoyed the debut and am stoked on this one for sure. October 28th can’t come soon enough. Now, lets just hope they tour it!!!
There are certain albums that over the years have made quite an impact on so many bands. In the punk, hardcore/post hardcore genres specifically there is one album that is often sited as a huge inspiration not only in songwriting but also production. That album is Snapcase’s 1997 album Progression Through Unlearning. Just as The Shape Of Punk To Come by the Refused helped to change the landscape of hardcore and punk, Snapcase really ignited a fuse within the hardcore/punk community.
Interestingly, Progression Through Unlearning was actually a rebirth of sorts for the band. Their primary songwriter, guitarist Scott Dressler, left the band for graduate school. Thus leaving the rest of the guys in their tiny, dungeon-like basement practice space with a new member and a new lease on band life. The first song they wrote with their new line up was the first song on the album “Caboose.” Progression Through Unlearning was produced by the now legendary Steve Evetts. The band chose Steve based on his work on Lifetime’s Hello Bastards and Deadguy’s Fixation on a Coworker.
The finished product was 32 minutes of pure and unrelenting hardcore. The band has stated over the years that with Progression and working with Steve Evetts, it was the first time anyone had been able to capture the true essence of what Snapcase really is. Something else that makes this album stand out from all their others is the lyrical content. Progression Through Unlearning was based around the idea of self-improvement through inward reflection. It encouraged the listener to take a look at the layers that society defined them by to discover the strength buried underneath.
After Progression was released, Snapcase hit the road with bands like Deftones and Quicksand, as well as a spot on the Vans Warped Tour. The legacy of the band’s live shows and this album in particular has helped to pave the way for so many bands that came after them. The production of this album is something that sort of also lives in infamy. So many bands, including Deftones have tried to replicate what was created with Progression Through Unlearning.
Snapcase were always out there on the road and grinding it out through 2005 when they called it quits. Over the years though, Snapcase have reunited for various one off shows. Now in 2018, it seems that Snapcase are preparing for a return and it will be one welcomed with open arms.
Snapcase- Progression Through Unlearning:
Snapcase- Spike Up Your Tone (first new song in 16 years!!!!):
It’s not everyday that a project lives up to the hype these days. In fact, the majority of “new and exciting” projects fall flat and leave you with nothing but a feeling of disappointment. That is not true though of the new band Dead Cross. The band was originally formed in 2015 by drummer Dave Lombardo (Slayer & Fantomas), bassist Justin Pearson (The Locust, Head Wound City, Retox), guitarist Michael Crain (Retox), and on vocals Gabe Serbian (The Locust, Head Wound City, Retox), the latter though was replaced by the legendary Mike Patton (Faith No More, Mr. Bungle, Fantomas, etc).
Let me just cut to the chase. The debut self titled album from Dead Cross is, 10 songs and about 30 minutes of blistering hardcore punk rock that will leave you one, wanting more, two, wondering where this style of vocals Mike Patton has been for the longest time, three, damn… Dave Lombardo really is the soul of Slayer, and four, Justin and Mike have really outdone themselves in bringing back a sound that has been often copied and tired but not really done right. There are moments that really bring out the Mike Patton we all know and love, from the time he spent with The Dillinger Escape Plan, when they made Irony Is A Dead Scene. Songs like “Seizure and Desist,” “Idiopathic,” and “The Future Has Been Canceled,” really show that side of Mike. The rest of the album is full of Hardcore Punk meets Fantomas and a bit of Mr. Bungle. Other tracks like “Obedience School,” Shillelagh,” “Divine Filth,” “Grave Slave,” and “Gag Reflex,” are beyond stand out songs. The sheer magnitude of force that pummels through those songs and the rest, provided by Dave, Michael, and Justin, is astonishing. One other gem on the album is the cover of the Bauhaus classic, Bela Lugosi’s Dead. Just listen to the whole album and you’ll hear the greatness
Dead Cross is the type of band that is needed for today. In the age we are in and with what is going on, this is the type of energy that can help. The combination of Dave Lombardo and Mike Patton is always welcome and appreciated. The inclusion of Justin and Michael, really brings out something special in those two. I truly hope that Dead Cross is a band that will stay for some time. I’d really love to hear this band develop and become something kids can get inspiration and influence from.
Overall Rating= A
Seizure & Desist:
Grave Slave:
Obedience School:
PRE-ORDER THE ALBUM HERE (Album is out August 4th):
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