What a great year 2025 has been for music. So many great albums, tours, songs, you name it. And now the time has come for…
The 2025 Audioeclectica End Of The Year Lists begin with the list for Best Guitar Duo. As always the stipulation for this is that an Album or EP had to be released in 2025.
Vote for your favorite in the comments section. At the end of the month, I will release the results of the readers poll.
This list is also in NO PARTICULAR ORDER!!!
01) Will Benoit/Mike Repasch-Nieves- SOM 02) Cassidy Fleeman/Isabella Broersma- The Anti Groupies 03) Josh Graham/Dan Hawkins- Guiltless 04) Chris Traynor/Gavin Rossdale- Bush 05) Chino Moreno/Stephen Carpenter- Deftones 06) Claudio Sanchez/Travis Stever- Coheed and Cambria 07) Chris Corvino/Keith Huckins- Deadguy 08) James Hammontree/Ryne Bratcher- Black Magnet 09) Patrick Jensen/Ola Englund- The Haunted 10) Jesper Stromblad/Niclas Engelin- The Halo Effect
Ever since Deftones released their new album Private Music a couple months back, it’s been in constant rotation. It’s a really good album. If you haven’t checked it out yet, you should! It’s the album that should’ve come after Koi No Yokan. If you want to read more about Private Music, you can check out my review here. Earlier this week, while in the beginning stages of putting together an Ultimate Set List for Deftones, I realized how many great songs they have that don’t get played live. And there are a bunch. One track in particular that I’ve always gravitated to is the final song on their 2003 self titled album, “Moana.” According to setlist.fm, this song has only been played live twice and both happened in 2004. That must change (no pun intended)! “Moana” is one of those signature Deftones songs with the ambience, heavy guitars, pulsating rhythms and those oh so sweet vocals! So, I’m putting it out in the universe that “Moana” needs to start getting it’s time to shine!!
I’m sure I’m not only one that has been a Deftones fan for over 30 years. What’s even crazier is seeing all these young kids now getting into the band all these years into their career. The resurgence of Deftones has been quite interesting to watch. While their past couple albums have seemed pretty lackluster and clearly not very inspired, their new album Private Music is the band we all know and love firing on all cylinders again. Everyone in the band really seems into the new album and feeling that fire again.
Private Music is the album we’ve been waiting to be the follow up to Koi No Yokan. Deftones when they are focused like this are unstoppable. The ethereal and ambient sounds mixed with the heavy and more spacey, delicate riffs, along with the always pulsating and driving rhythmic nature are at peak performance on this album. From the moment “My Mind Is A Mountain” begins you can feel the energy simmering to a boil and from there it’s an absolute trip. the ride you go on through this record is uplifting, optimistic and directly channelled. Songs like “Ecdysis,” “Infinite Source,” “Souvenir,” make up one hell of a part of the trip! These 3 songs back to back to back is otherworldly. Listening you’ll hear what I mean. “Milk Of The Madonna” should have been the first single released but, that’s a topic for a whole other time. This track has this really cool Saturday NightWrist vibe to it, giving a nice little nod to that album. Side note, Saturday Night Wrist, while it was a divided time for the band, it’s their most underrated album. There’s plenty of other throwback elements like on “Cut Hands” and “Metal Dream.” The one track though that really has me is the final song “Departing The Body.” When you listen to this song it really sinks its teeth in and gently breaks the skin and the emotion pour out is beautiful. Working with Nick Raskulinecz again really helped make this album truly complete.
Private Music is one of those albums that makes you want to put it on repeat. Deftones have been able to connect with people for years and this album is another example of how truly artistic and meaningful their music is. Chino sounds crisp, rejuvenated and roaring. Stephen Carpenter’s playing on this album is back to what we know he can do. Abe Cunningham is still one of the best drummers in all of rock not to mention, he still brings in fresh tasty beats. Frank Delgado has really come into his own over the year with his soundscapes and here it’s truly on display. Fred Sablan brings in a very full tone and uses the space to his advantage. All the best elements of Deftones are here for you to listen to!
It’s time for another fun episode of The Audioeclectica Podcast. We are now up to episode 6 and this one is all about the concerts we’ve been to since the start of the year. So far this year we’ve seen Snot, Kerry King, Helmet, Slomosa, Jerry Cantrell, Filter, Deftones, The Mars Volta, Danzig, Down, Abbath, Poison The Well, Glassjaw, Better Lovers, Meshuggah, Cannibal Corpse, Spiritbox, Obituary, Napalm Death, The Melvins, Six Feet Under and Nile. Take a listen as we recap the best parts of these show and the not so best parts!
Be sure to also check out the 10 bands/albums we mention. There’s always something good to listen to be it an older album or newer.
After a very long wait (as per usual with Deftones), we finally have arrived at new music! “My Mind Is A Mountain” is the first single and first track from the 10th studio album from Deftones. Private Music, will be released on August 22, 2025 and it’s definitely one that I’m highly anticipating. “My Mind Is A Mountain” contains all the elements that make Deftones who they are. This song in particular has the feel of what should have been the logical next step after Koi No Yokan. The band reunited with producer Nick Raskulinecz who previously worked with the band on Diamond Eyes and Koi No Yokan. The bands recent US tour showed a revitalized band and then truly firing on all cylinders once again! Here’s to a great new chapter for Deftones!
We are coming up to the halfway point of 2025 and I thought now would be a good time to do a Best Of 2025… So Far. In here you’ll find what I think are the best albums released so far as well as the best concerts I’ve seen all year!
Best Albums Of 2025… So Far: ALBUMS!!!!
01) Idle Heirs- Life Is Violence This album is my absolute favorite of the year so far and I don’t think anything is going to over take it unless Nine Inch Nails puts out their new album this year. I love this album and everything it entails. The sheer rawness and atmospheric nature of it all as well as the devastating nature of it and how real it all comes to life.
02) Linkin Park- From Zero (Deluxe Edition) From Zero is already a great album. It’s not the best thing this band has ever done (Meteora and A Thousand Suns take that prize) but, this album is phenomenal. And I’m being absolutely serious. When it came out towards the end of 2024 it left a lasting impression on me and now with the 3 additional songs added, it just takes it to a whole other level. It’s criminal how good this album is!!!!
03) Guiltless- Teeth To Sky This album is another that is still in rotation and I keep finding more and more to love about this record. As I mentioned in my album of the week feature, having a band play music like this but, flipping the script and making it optimistic instead of straight doom and gloom, really puts this album up high.
04) Spiritbox- Tsunami Sea I’ve quite enjoyed this album. It’s a really well put together album with some really killer songs on it. It’s a really solid second album as well that is quite cohesive. I just recently went to see Spiritbox live and they are a really good live band and these songs definitely go harder than on album as one would expect. It’s going to be interesting to see and hear where they go next.
05) Coheed And Cambria- Vaxis III: The Father Of Make Believe Coheed is back!!! Not that they went away, I mean it more in that after the past two albums which felt kind of long and more of a collection of songs, they are back with an “album” that really kicks ass. If you are a fan of albums such as In Keeping Secrets and Good Apollo Part IV, then you’ll really dig this one. It’s a really good album that has a great flow to it. And there also feels like a renewed sense of the band on this one too as the performances really are kicked up a few notches!
06) Youth Code- Yours, With Malice I’ve been a Youth Code fan for quite some time so, when it came time for this record to arrive, I was pretty stoked and it’s a banger! Though only an EP, Yours, With Malice doesn’t lose a beat with the punishing and menacing beats pulsating along with vocals that reflect the trying times and harsh reality of it all.
07) Tonguecutter- Minnow When I first heard Tonguecutter’s Minnow, I thought I was in a time machine back to 1993 in a great way. This band and album have been a really cool surprise to hear in 2025. They make music that I’ve always loved and give it a bump in energy. Really look forward to more from Tonguecutter. They are one of those bands if the right people hear it will really resonate!
08) Black Map- Hex I’ve been a fan since the first single dropped and Black Map keeps getting better! Hex is one hell of an album. It’s short, concise and very direct in its approach. Throughout the 9 songs and 32 minutes, you are taken on a ride of great riffs and rhythms along with soaring melodic vocals. I keep finding myself listening to this album as whole more so than picking songs. Give this one a good spin!!
09) SOM- Let The Light In I remember seeing SOM open for Holy Fawn a couple years back and I was hooked from that point. Their new album, Let The Light In, is a tremendous album that really expands upon their already epic nature. I find myself listening to this a lot when I need something a bit more calming or relaxing as their post-metal sound reaches new heights.
10) Machinekit- Goddamn Vanity This LA techno-punk band is awesome! The new album, Goddamn Vanity, strikes quite hard. It’s abrasive and quite powerful. The way this album gut punches you is superb. The aggressive nature of this album is harks back to late 80’s Ministry and Broken era Nine Inch Nails. Also, their live show is one of the most fun and energetic shows you can see!
BEST CONCERTS OF 2025… SO FAR:
01) Poison The Well, Glassjaw, Better Lovers at Hollywood Palladium 02) Snot at SoHo Santa Barabara 03) Helmet and Slomosa at The Regent Theater 04) Jerry Cantrell and Filter at Ventura Theater 05) Danzig and Down at Forum 06) Meshuggah, Cannibal Corpse & Carcass at Forum 07) Deftones at Forum 08) Spiritbox at Hollywood Palladium 09) Kerry King at Fonda Theater 10) All Cobalt/Audioeclectica shows!
It’s been 10 years since I’ve seen Deftones live. I’ve seen them at least 12 times in my life before last night. I had taken a bit of a break from seeing them for a myriad of reasons but, I’m really glad that a couple friends said “Brian, I got an extra ticket and you are going to Deftones with us.” And what a show it was. Before I get into all the fun of the night, I will say this was one of the best Deftones shows I’ve been to. There is something special about this new run for them and I’m quite excited to hear what’s to come.
Just before 9pm the hype music started and all sorts of 80’s dance songs started pumping through the Forum. The looks on peoples faces was quite a sight to see as you could tell people were most definitely getting hyped up and ready for the onslaught. Then the lights went down, and Stephen Carpenter appeared on stage and then you heard the start of it all and BAM… “Be Quiet And Drive” kicks it all off and with a trademark Chino scream to really kick it off. The groove of that song had the entire crowd on their feet and immediately drawn into the show. From there it was just classics and fan favorites throughout the night. Songs from every album were played making it a well rounded set. Some of my favorite highlights were “Diamond Eyes,” “You’ve Seen The Butcher,” “Rocket Skates” the tour debuts of both “Around The Fur” and “Headup” (both of which are on the Audioeclectica Instagram page for you to view) as well as “Rosemary,” ” Hole In The Earth” and “Bored.” The production behind the band was quite awesome too. I think this is the biggest production they’ve had in a long time. The visuals playing behind the band and the different camera angles of each member made for a pretty visually stunning background. Abe Cunningham is still a beast on the drums. I find myself watching him a lot at Deftones shows cause he’s so damn good. Frank Delgado’s textures and keys really do add to these songs and live it’s even more fun to hear those nuances. Stephen Carpenter looked like he was genuinely having fun on stage more so than I’ve seen in years. Chino sounded great and his energy is absolutely infectious as it’s always been. The cardio workout he does must be something else! Then you have new comers Fred Sablan on bass who did a great job of holding that low end down. It is still a little weird not to have Chi or Sergio up there but Fred is doing a great job. And I want to give big props to Lance Jackman who has been joining the band on the road for a bit now on guitar and backing vocals. He really adds another layer to these songs that was sort of missing for a bit. All these pieces together really made for a great Deftones show and experience.
Now, this is the part of the review where I’m going to get serious. Having The Mars Volta as direct support on paper was a great idea. Whoever in their camp that came up with the idea to play only their upcoming album really needs to be slapped upside the head. That was one of the most insufferable sets I’ve sat/stood through. I’ve walked out on The Mars Volta in years past for just basically jamming on stage for however long they were on. This was a total self indulgent set. And while I get they wanted to try something new and different, it didn’t work. In fact it damn near sucked the energy out of the entire arena. It’s a shame too cause as musicians they are fantastic but, good lord are they boring. I’d rather be watching paint drip off a wall than see The Mars Volta ever again. Seriously guys, get over yourselves and play at least a good chunk of songs people would know. Selfishness as direct support is ridiculous.
The opening band Fleshwater was cool and had a fun sound that is reminiscent of more mellow Deftones and Siamese Dream era Smashing Pumpkins. They had a good energy on stage and tried their damnedest to get the crowd going but, when you have too much of a shoegaze sound it does tend to all bleed into one and it gets lost. Again, that’s not to say they aren’t a good band, they are a good one, they just need a bit more of an edge to push those songs into your chest. Also, considering that a few of the members are from the band Vein.fm, I did expect a little more but, I did enjoy what I heard.
Basically, I was there to see Deftones and they delivered a great set and one that was chock full of some of my all time favorite songs of theirs. Selling out two nights at the Forum at this stage in their career is a great accomplishment and one they should be quite proud of. This was seriously one of the best Deftones shows I’ve seen since I started to see them live back in 1998 (yeah I know I’m getting old hahaha). I look forward to the new Deftones album when it comes out and seeing them again. Hopefully next time with openers that bring it!
Review and Photos By: Brian Lacy
DEFTONES PHOTOS (not many as I was too busy watching the show):
DEFTONES SET LIST: 01) Be Quiet And Drive (Far Away) 02) My Own Summer (Shove It) 03) Diamond Eyes 04) Tempest 05) Swerve City 06) Feiticeria 07) Digital Bath 08) Prayers/Triangles 09) You’ve Seen The Butcher 10) Rocket Skates 11) Sextape 12) Around The Fur (Tour Debut) 13) Headup (Tour Debut) 14) Rosemary 15) Hole In The Earth 16) Change (In The House Of Flies 17) Genesis
There is something really quite beautiful to the excitement of making music that comes to one naturally and then performing said music to a crowd that devours each and every melody, rhythm and lyric. That’s what I saw and heard last night as I attended Crosses first live show in many years and their first of a three night stay at the Masonic Lodge at the Hollywood Forever Cemetary. The room was packed from the front to the back of eager fans waiting for this night, and at 9:15, Chino and Shaun made their way to the stage and so began the “revival” of Crosses.
For the next hour and thirty plus minutes, I as everyone in the crowd was completely swept away with the goodness that permeated from the stage to the crowd. Playing a majority of songs off their new album, Goodnight, God Bless, I Love U, Delete, the moment, the first song “Initiation” started there was no turning back and rightfully so. Chino Moreno sounded on top of his game as he sang his ass off on new songs like “Invisible Hand,” “Ghost Ride (which happens to be a personal favorite off of the new album),” “Found,” “Grace,” “Last Rites,” “Pulseplagg,” “Vivien,” “Sensation,” and “Girls Float + Boys Cry (which features The Cure’s Robert Smith on the album. No, he wasn’ there).” Even when they performed “Big Youth” (which on the album features EL-P. Again, no he was not there), hearing Chino’s flow on that song brought all of us in the crowd back to quite the nostalgic time. And the few older picks they played like “This Is A Trick,” “Telepathy,” “Option,” and “Bitches Brew” which featured Chino’s signature scream that ignited the crowd as they/we all screamed along! This show was something special. Watching Chino just be in his element and letting his more playful side come out is always a good time. Then you have Shaun Lopez, musically guiding everything along with meticulous fashion. The combination of these two is quite the pair. And you can’t forget the history of Deftones and Far so, if you know then you know! The way the set played out was one of those magical ones too. Even with it being just Chino and Shaun up there, it was alive and bombastic (and if/when they add live drums again, oh damn)!
On other thing I loved about this show is the setting. It’s been quite a cool and dark modern gothic vibe for the whole aesthetic and roll out of their new album. Having the first shows back in quite some be held at the Masonic Lodge at the Hollywood Forever Cemetary was quite the way to introduce this new era. The songs, performance, the energy in the room, and the sense that for the hour and 30 plus minutes the craziness of everything in the world just seemed to be on pause while this show swept us away.
Crosses Set List:
01) Inititation 02) This Is A Trick 03) Vivien 04) Found 05) Ghost Ride 06) Pleasure 07) ThHolyGhost 08) Sensation 09) Grace 10) Bitches Brew 11) Pulseplagg 12) Holier 13) Invisible Hand 14) Girls Float + Boys Cry 15) Last Rites 16) Big Youth
One of my good friends just went to the annual Dia De Los Deftones festival. It looked like a pretty solid show especially with Knocked Loose and Rile playing alongside Deftones. After the show was over my buddy sent me some video of some songs and I naturally looked up the set list. It was nice to see some rarities played though the majority of the set was a lot of the usual suspects. Not that there’s anything wrong with those, sometimes, it would just be nice to switch it up. Which brings me to my next Ultimate Set List, an updated Deftones set. This one is pretty damn good if I say so myself.
Guideline 1: What line up of the band would it be
Guideline 2: Where would you want to see the show
Guideline 3: maximum 25 songs (In order of how the set should go)
Lineup: Chino Moreno, Abe Cunningham, Frank Delgado, Stephen Carpenter, Chi Cheng
Venue: Fonda- Los Angeles
01) Engine No. 9 02) Elite 03) Be Quiet And Drive (Far Away) 04) Good Morning Beautiful 05) Diamond Eyes 06) Kim Dracula 07) Digital Bath 08) Risk 09) When Girls Telephone Boys 10) Swerve City 11) Around The Fur 12) Rocket Skates 13) Radiant City 14) Cherry Waves 15) You’ve Seen The Butcher 16) Lhabia 17) RX Queen 18) Entombed 19) My Own Summer (Shove It) 20) Change (In The House Of Flies) ENCORE: 21) Hole In The Earth 22) Knife Party 23) Rickets 24) Minus Blindfold 25) Pink Maggit (with “Back To School”)
The sounds track to 1996’s Escape From L.A. is quite a good one. It features songs from White Zombie, Tool, Ministry, Clutch, Deftones and many more. The film itself is still a fun movie but, the soundtrack is what holds up most. One song from it that I’ve always enjoyed and have hoped for years that would be played live is the contribution from Deftones and their song “Can’t Even Breathe.” It’s an early Deftones track that is a bit of a pre-cursor to where they were headed after Adrenaline. This is one of those soundtrack only songs that should be celebrated!
AUDIOECLECTICA 