For a while now, I’ve been searching for the a certain type of band to come along and ease my pain of not having Neurosis nor Isis (the band) being active. I know that sounds silly considering there are plenty of bands out there that I’ve heard that could possibly do it but, I’ve been looking for that one band to take that style a bit in a different direction and I found it. Guiltless, a fitting name for a band that definitely has that Neurosis vibe (their album is released through Neurot Recordings and guitarist/vocalist Josh Graham did work with Neurosis creating visual components). Joining forces with Sacha Dunable, Billy Graves and Dan Hawkins, members of Intronaut and Generation Of Vipers, this devastating four piece has taken the good old fashioned doom sound and added some really fun twists, turns and dynamics to push beyond that sound.
The debut album, Teeth To Sky is quite the eruption. Throughout the 8 songs and over 40 minutes of the album, the way it becomes immersive is quite the listening experience. There’s a ton of little nuances found throughout the songs that give Teeth To Sky the charm it has. Mixing doom with post metal, noise rock, ambient undertones and the twist… optimism. The addition of optimism in this style of music is quite interesting and part of the reason why it took me a minute to write this. I’ve been listening to this album for the past few weeks, eating up all the things I was looking for. As I kept listening especially listening with my really awesome headphones on, that’s when I started to figure out this album. There’s a reoccurring theme found on the album of how “one must take advantage of life” and in the times we are in, it’s pretty epic to find that in this style of music.
To describe each song and get into that would take away from the effect you’d have from listening on your own. The bludgeoning aggressiveness that is found throughout propels the album but, Teeth To Sky is more than that. This album is one of those that will grow on you as it did with me. I look forward to hearing more from Guiltless and seeing how they develop and evolve. These songs need to be played live and I would bet that the decibel levels will be astounding. Definitely give Guiltless and this crushing debut album a ton of listens. And if/when they arrive in your town, I’d go see them too!
You know that feeling you get when you hear a band and it immediately strikes a chord within? That’s how I felt when I first heard Idle Heirs. I’m not sure what I was looking for at that moment but, when I heard the first song released, I knew that this was the thing I was looking for. From that point on, I’ve highly been anticipating each single release as well as the album release (which is April 11 via Relapse Records). Idle Heirs is a new band that was formed by Coalesce vocalist Sean Ingram along with producer/multi instrumentalist, Josh Barber. The sheer intensity that is poured into each song really does play with your emotions in a fantastic way. The way the songs build and erupt is different than most bands that are in the “post-metal” genre. There is a push and pull vibe with the music and that mixes so well with the vocals. I love the rawness of the performance vocally. Sean Ingram has long been an influence and inspiration to many heavy bands over the years and to hear him be even more vulnerable and expressing himself in this way is beyond a treat. Their debut album, Life Is Violence, is 8 songs of some of the most intense moments I’ve heard in an album in quite some time. Even with the three songs released you can tell that this is not for the faint of heart. Idle Heirs and their debut album is one to look out for in 2025.
Let’s travel back to 2009. Warner Brothers Records was putting together a compilation album to celebrate their 50th anniversary. A bunch of different artists and bands were chosen to cover a myriad of bands and artists that have been on the label. There are some really interesting choices on this album as to what song was picked and who is doing what. For example Mastodon does a rad version of ZZ Top’s “Just Got Paid.” The one that I really want to highlight is Adam Sandler taking on “Like A Hurricane” by Neil Young & Crazy Horse. As a big Neil fan since I was a little kid as well as an Adam Sandler fan, this was quite the great one to hear. Adam is quite underrated as a singer and guitarist and he really does a great job on this. To promote the album, Adam was a guest on The Late Show with David Letterman in 2009 and performed this on the show. What a tremendous performance it is. Enjoy this one!!
Adam Sandler (Neil Young)- Like A Hurricane (Live on Late Show w/ David Letterman, 2009):
This might come as a shock to some of you but, over the past few years, I’ve taken a liking to Linkin Park. A lot has gone on over those years and for a myriads of reasons I got drawn into it. One day I’ll elaborate on that. The 20th anniversary of their album Meteora really put it in my head that, I was hating on them for no real good reason. As I dug through their catalog and found the songs and albums I enjoyed, I made a note to come back to a few songs and highlight them. This one song in particular was a b-side from their sessions recording their third album, Minutes To Midnight. The song is “No Roads Left” and was a composition that was written mainly by Mike Shinoda and features Mike on lead vocals. There was a version recorded with Chester singing the song but, the band especially Chester thought that Mike’s version was the best one and they went with it. Sadly though, this song didn’t make the album. Had it made the album, I’m more than sure this song would have made that album better than it is. That’s not to say it’s a bad album, the sequencing of the song order is a bit iffy (but that’s for a whole other topic another day). This song is another example of good songwriting and shows that Mike Shinoda really is the glue that makes Linkin Park what it is. I’d love for this song to get it’s full due from fans as well as being added to their set lists. It’s too good to just be a b-side!
It’s not a surprise to anyone that’s been reading Audioeclectica for a while that I’m a giant fan of The Smashing Pumpkins. Their catalog is one of my all time favorites and there’s always something new to discover among all the albums, b-sides, live versions and then some. During the pandemic, The Smashing Pumpkins released an album called CYR that is quite the under appreciated album in their repetoire. After countless listens and hearing a handful of these songs live, it became very apparent to me that I need to talk more about this underrated gem. One song that I really want to showcase is the song “Birch Grove.” This songs is quite a beautiful song. The version that I’m featuring was performed by Billy Corgan solo while a guest on the Howard Stern show. I love this song even more after hearing this version, so I hope you enjoy it as much as I do. And Happy Birthday WPC!
Back in 2000, Tony Iommi of Black Sabbath released a solo album that featured 10 different singers on songs he wrote. There’s songs with Ozzy, Phil Anselmo, Serj Tankian, Henry Rollins, Ian Astbury, Billy Idol and a few others. There is one song though that has always stood out to be the most and that song is “Black Oblivion” which was written by Tony Iommi and Billy Corgan. When you hear this song you can definitely get some awesome Sabbath vibes but, there’s something more to this song. It’s an epic song for one, and two, since Billy Corgan is such a giant Sabbath fan, you can really hear how much this meant to Billy to work with Tony. This is one of those songs that if The Smashing Pumpkins added to their set next time they tour, I would absolutely lose my mind. I really do love this song. I also have another idea for this. Since there is going to be a Final Black Sabbath show, and Billy Corgan will be there, how about “Black Oblivion” gets played live and with Tony Iommi joining Billy! That would be awesome!
It’s been 10 years since I’ve seen Deftones live. I’ve seen them at least 12 times in my life before last night. I had taken a bit of a break from seeing them for a myriad of reasons but, I’m really glad that a couple friends said “Brian, I got an extra ticket and you are going to Deftones with us.” And what a show it was. Before I get into all the fun of the night, I will say this was one of the best Deftones shows I’ve been to. There is something special about this new run for them and I’m quite excited to hear what’s to come.
Just before 9pm the hype music started and all sorts of 80’s dance songs started pumping through the Forum. The looks on peoples faces was quite a sight to see as you could tell people were most definitely getting hyped up and ready for the onslaught. Then the lights went down, and Stephen Carpenter appeared on stage and then you heard the start of it all and BAM… “Be Quiet And Drive” kicks it all off and with a trademark Chino scream to really kick it off. The groove of that song had the entire crowd on their feet and immediately drawn into the show. From there it was just classics and fan favorites throughout the night. Songs from every album were played making it a well rounded set. Some of my favorite highlights were “Diamond Eyes,” “You’ve Seen The Butcher,” “Rocket Skates” the tour debuts of both “Around The Fur” and “Headup” (both of which are on the Audioeclectica Instagram page for you to view) as well as “Rosemary,” ” Hole In The Earth” and “Bored.” The production behind the band was quite awesome too. I think this is the biggest production they’ve had in a long time. The visuals playing behind the band and the different camera angles of each member made for a pretty visually stunning background. Abe Cunningham is still a beast on the drums. I find myself watching him a lot at Deftones shows cause he’s so damn good. Frank Delgado’s textures and keys really do add to these songs and live it’s even more fun to hear those nuances. Stephen Carpenter looked like he was genuinely having fun on stage more so than I’ve seen in years. Chino sounded great and his energy is absolutely infectious as it’s always been. The cardio workout he does must be something else! Then you have new comers Fred Sablan on bass who did a great job of holding that low end down. It is still a little weird not to have Chi or Sergio up there but Fred is doing a great job. And I want to give big props to Lance Jackman who has been joining the band on the road for a bit now on guitar and backing vocals. He really adds another layer to these songs that was sort of missing for a bit. All these pieces together really made for a great Deftones show and experience.
Now, this is the part of the review where I’m going to get serious. Having The Mars Volta as direct support on paper was a great idea. Whoever in their camp that came up with the idea to play only their upcoming album really needs to be slapped upside the head. That was one of the most insufferable sets I’ve sat/stood through. I’ve walked out on The Mars Volta in years past for just basically jamming on stage for however long they were on. This was a total self indulgent set. And while I get they wanted to try something new and different, it didn’t work. In fact it damn near sucked the energy out of the entire arena. It’s a shame too cause as musicians they are fantastic but, good lord are they boring. I’d rather be watching paint drip off a wall than see The Mars Volta ever again. Seriously guys, get over yourselves and play at least a good chunk of songs people would know. Selfishness as direct support is ridiculous.
The opening band Fleshwater was cool and had a fun sound that is reminiscent of more mellow Deftones and Siamese Dream era Smashing Pumpkins. They had a good energy on stage and tried their damnedest to get the crowd going but, when you have too much of a shoegaze sound it does tend to all bleed into one and it gets lost. Again, that’s not to say they aren’t a good band, they are a good one, they just need a bit more of an edge to push those songs into your chest. Also, considering that a few of the members are from the band Vein.fm, I did expect a little more but, I did enjoy what I heard.
Basically, I was there to see Deftones and they delivered a great set and one that was chock full of some of my all time favorite songs of theirs. Selling out two nights at the Forum at this stage in their career is a great accomplishment and one they should be quite proud of. This was seriously one of the best Deftones shows I’ve seen since I started to see them live back in 1998 (yeah I know I’m getting old hahaha). I look forward to the new Deftones album when it comes out and seeing them again. Hopefully next time with openers that bring it!
Review and Photos By: Brian Lacy
DEFTONES PHOTOS (not many as I was too busy watching the show):
DEFTONES SET LIST: 01) Be Quiet And Drive (Far Away) 02) My Own Summer (Shove It) 03) Diamond Eyes 04) Tempest 05) Swerve City 06) Feiticeria 07) Digital Bath 08) Prayers/Triangles 09) You’ve Seen The Butcher 10) Rocket Skates 11) Sextape 12) Around The Fur (Tour Debut) 13) Headup (Tour Debut) 14) Rosemary 15) Hole In The Earth 16) Change (In The House Of Flies 17) Genesis
Going solo is never an easy thing but, when you are such a prolific songwriter and player, sometimes you need to go at it on your own to explore ideas that might not have fallen into the realm of the main band. For Jerry Cantrell the transition between being in Alice In Chains and his solo work carries over in such a way that you can still get a bit of the Alice touch but, the work on his own delves a bit deeper into the inspirations that have guided Jerry. When you listen to his latest album, I Want Blood, you can definitely hear the way Jerry lets those inspirations guide where the songs go and it’s quite the album and listening pleasure. So when the time came for this tour, it was an absolute necessity to go.
As the time hit 9:15 and the lights went down, the energy inside the musty and sweaty Ventura Theater got really going as Jerry Cantrell hit the stage and started things off with “Psychotic Break” from his wonderful second solo album, Degredation Trip. Then just as things were getting going… BAM, we get hit with “Them Bones.” Talk about a 1, 2 punch! From that point the audience was in the palm of Jerry and his band’s hands. The songs from I Want Blood seem to have taken quite the sip of blood as each song played had a ferociousness that kept growing as each song was played. Songs like “Villified,” “Afterglow,” “Off The Rails” really hit hard and vent straight for the veins. The songs from Brighten even hit in a different way than I remember giving them a bit more of an edgy turn. Even the older solo material played from Boggy Depot and Degredation Trip sounded fresh and full of gusto. Then there’s the handful of Alice In Chains songs that were played that still give me chills no matter how many times I’ve heard those songs or seen them played live. Getting to hear “Hate To Feel” live was beyond a treat. I’ve personally been waiting years to hear that song live and wow, what a performance it was.
I really must say that the live band that is accompanying Jerry on this tour is beyond fantastic. On drums you have one of my all time favorite drummers in Roy Mayorga. The way Roy plays is amazing. He hits so hard that you feel each drum beat pulsating through your body. And his style mixed with Jerry is a real treat. On bass Eliot Lorango held that low end down with precision and you could tell this guy was truly having fun up there. On second guitar with Jerry is Zach Throne. Zach is one hell of a player too and the way he approached these songs and plays off of Jerry is quite fun to watch and hear. Then you have Greg Puciato on vocals and I could seriously write a whole article on Greg (and one day I probably will). The way Greg sings and takes these songs on is exceptional. Being a giant Layne fan and a William DuVall fan, Greg really knows how to inhabit these songs and bring his style to them. Not to mention the sheer emotion he pours into them. Jerry and Greg’s voices together is something quite special just like how Jerry and Layne were magical and same with William. The sum of all these pieces make for one hell of a performance and band. It’s not Alice and it’s not supposed to be. This is Jerry solo and it’s got it’s own special charm.
Also playing this evening was Filter. It’s been a minute since I’ve seen Filter live and they delivered a really solid opening set. Their most recent album, The Algorithim is quite a good record and the couple songs from it that were performed this evening sounded great. Now when they got to playing “Jurrasitol” that’s when I could see the crowd start to get into the show. That song is one hell of a track and I’m glad it’s been a Filter staple for a long time. Though their set was short it was a very fun set that definitely set up the tone for the rest of the night. One other song that Filter played that I’ve always loved is “Welcome To The Fold.” That song and the riff is so damn good. And of course no Filter show is ever complete without “Hey Man Nice Shot.” No matter how many times I hear that song, I still love it.
What a night for rock music and on a rainy Wednesday night, this showed that rock is for sure not dead. The place was packed and full of people having a great night. I couldn’t help myself from singing along through most of the night. As a die hard Alice In Chains fan, getting to see Jerry do his thing solo is an absolute treat. He’s a legend for a reason and there’s no shortage of great songs that he has. I look forward to more Jerry and more from Alice In Chains. This show was one of those that I will look back on quite fondly and it’s also one of those shows that has left me inspired. So I thank Jerry, Greg, Roy, Zach and Eliot for that along with Filter. Do yourself a favor and go listen to Jerry’s solo albums if you haven’t. and go listen to Filter too!
Review and Photos By: Brian Lacy
Jerry Cantrell Photos:
FILTER PICTURES:
JERRY CANTRELL SET LIST:
01) Psychotic Break 02) Them Bones 03) Vilified 04) Afterglow 05) Atone 06) Off The Rails 07) Held Your Tongue 08) Down In A Hole 09) Cut You In 10) My Song 11) I Want Blood 12) Man In The Box 13) Had To Know 14) Angel Eyes 15) Hate To Feel 16) Would
Encore 17) Let It Lie 18) Brighten 19) Rooster
FILTER SET LIST: 01) You Walk Away 02) The Drowning 03) For The Beaten 04) (Can’t You) Trip Like I Do 05) Jurrasitol 06) Take A Picture 07) Drug Boy 08) Welcome To The Fold 09) Hey Man Nice Shot
One of my favorite things about running Audioeclectica is getting to hear all sorts of bands and artists. When new music arrives in my inbox I get pretty excited to check out what’s in there. One of the bands I recently came across that has peaked my interest is a band called Heavy Halo who hail from NYC. Heavy Halo is a very interesting and compelling band as their sound is inspired by Nine Inch Nails, The Smashing Pumpkins and The Cure. When listening to the band you can pick up on the subtleties of those bands but it doesn’t sound derivative. Instead there are distinct sounds of the dark new romantic era mixed with a cinematic element that feels like you are inside a score of a film. Their latest single “New Blood” from their upcoming album, Damaged Dream (out July 25th via Silent Pendulum Records) is quite the trip of a song. The accompanying video definitely plays on the cinematic element that I talked about. I’m really excited to hear more from Heavy Halo and hopefully a Los Angeles show is in the cards soon so I can see this all live! So check out Heavy Halo and see why they are on the rise!
There are quite a few bands from the 90’s that are a huge influence and inspiration for bands today. The resurgence of that sound is coming back around and while it’s been fun to hear some of these bands, there is nothing like the ones that pioneered that sound and style. Helmet is one of those band from the 90’s that can be heard in so many bands of the last 20 plus years be it Linkin Park, Chevelle, Deftones and more. Which is why when the chance to go see Helmet play their classic album, Betty in full came up, it was an absolute no brainer to go.
From the moment Helmet took the stage and the feedback started and then launching straight into “Wilma’s Rainbow” you knew this night was going to be special. Playing Betty in order meant that I got to hear one of, if not my favorite Helmet song quite early which is “I Know.” That song is so damn good. It’s one of those too that you can tell many bands have ripped off. Throughout the play through of Betty the band kept the train rolling without breaks making the show quite an immersive experience. Betty has a plethora of great songs including “Biscuits For Smut,” “Milktoast/Milquetoast,” “Tic,” “Street Crab,” “Speechless” and the always fun “Overrated.” The whole play through of Betty was superb and the crowd was super into it. Watching people singing along, moshing, headbanging, swaying, it was all just great. Then came a whole other set featuring songs from Meantime, Aftertaste, Strap It On and their most recent albums, Dead To The World and Left. As a giant fan of Meantime and Aftertaste it was quite awesome to hear those songs especially “Driving Nowhere” from Aftertaste (which I truly believe to be one of the more underrated albums of the 90’s). They also threw in their song “Just Another Victim” from the Judgement Night soundtrack and the crowd went nuts for that one. Didn’t hurt that it was played right after “Unsung” either!
The Regent Theater was packed from the front to the back and upstairs as well. Helmet absolutely decimated the venue with the volume and aggressive performance that left me wanting to go home and riff out. I haven’t been to a show in a while where I have left feeling like that. Page Hamilton is still a force of nature on guitar and one of the most innovative guitarists. Plus those little jazz licks that he throws in just adds to the fun. This lineup of Helmet has been with Page since 2010 and you can most definitely tell how tight the band is not to mention the amount of fun they have up there. Guitarist Dan Beeman is one hell of a player and he brings it each and every night to the songs new and old. He’s got this tone that matches Page’s so well that when you hear it in unison it’s this gigantic wall of sound that will blow your hair back. Then you add in bassist Dave Case and his rumbling low end and drummer Kyle Stevenson and his thunderous groove. Add those all up and you’ve got one hell of a band. Helmet live in 2025 is one hell of a show and I will most definitely be going back again next time they are in LA.
Also playing this evening was a band I was not familiar with called Slomosa. I’ve been trying not to check out the opening bands like I used to so I could go in with fresh ears and I’m glad I did. These Norwegians kicked ass. They have this really cool style that sounds like Songs For The Deaf era Queens Of The Stone Age mixed with Master Of Reality era Black Sabbath along with a bit of Helmet in there. Slomosa is anything but slow. They are one hell of a rock band and I really hope more people get to hear them as they are now on my radar for sure!
I’ve been to a few shows already this year and I have to say this one is going to probably stay in my top ten of the year. Thank you Page, Dan, Dave and Kyle for one hell of a show and the chat! Can’t wait to see Helmet again. And if Helmet is in your neck of the woods, get out to the show! You won’t regret it!
Review and Photos By: Brian Lacy
HELMET:
SLOMOSA:
HELMET SET LIST:
Betty (Set I): 01) Wilma’s Rainbow 02) I Know 03) Biscuits For Smut 04) Milquetoast 05) Tic 06) Rollo 07) Street Crab 08) Clean 09) Vaccination 10) Beautiful Love 11) Speechless 12) The Silver Hawaiian 13) Overrated 14) Sam Hell
Set II:
15) Ironhead 16) Drunk In The Afternoon 17) Birth Defect 18) Broadcast Emotion 19) Bad Mood 20) Dislocated 21) Driving Nowhere
Set III (Encore):
22) Gun Fluff 23) Unsung 24) Just Another Victim 25) In The Meantime
AUDIOECLECTICA 