Author: audioeclectica

Best Albums of 2017… So Far (Updated)

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Since I last made this list, there have been a few more albums that came out that deserve to be on this list. 2017 has really shaped up to be another great year for new albums. Check out the Best Albums of 2017 so far below.

Also note, that there are still a few more months left in this year so, this list will be growing very shortly!

This list is in No Particular Order!!!

Mastodon- Emperor Of Sand:


Darkest Hour- Godless Prophets and The Migrant Flora:


With Our Arms To The Sun- Orenda:


Black Map- In Droves:


Eighteen Visions- XVIII:


Mutoid Man- War Moans:


Depeche Mode- Spirit:


Pallbearer- Heartless:


Royal Thunder- Wick:


Wear Your Wounds- Wear Your Wounds:


Spotlights-Seismic:

Brand New- Science Fiction:

Dead Cross- Dead Cross:


Less Art- Strangled Light:


Nine Inch Nails- Add Violence:


Cons- The Burden Of Knowing Why:

 

Band Of The Week: Death Bells

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As a music fan I’ve watched certain genres and influences come and go over the years. Most times when a genre gets popular again, there are so many sound a like bands that you can’t tell the difference between them. Post Punk is one of those genres that has such a distinct sound that it’s hard to make yourself stand out. Luckily there is a band from Australia that is able to do just that and they are called Death Bells. Formed in 2014 in Sydney, Death Bells has managed to channel Joy Division, Depeche Mode and The National into their own blend of post-punk mixed with somber melodies. Their upcoming debut full length album Standing At The Edge Of The World, will be released September 29th and it can’t come soon enough. The ten songs that appear on the album are chock full of melody, glistening guitars, blunt rhythms, and crisp clear vocals that would make most bands in the genre jealous of how good Death Bells are. The latest single “Only You” is a dreamy almost pop song that is drenched in melancholia and a dash of hope. Death Bells are the band the genre has been waiting for, for a long time.

Death Bells- Only You:

 

Death Bells- Something Above:

 

Death Bells- Roman Candles:

 

Death Bells- Death Bells EP:

 

Album Review: Brand New- Science Fiction

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When bands take their time to come out with a new album, that album is then dealt an extreme amount of anticipation along with high expectations. Most of the time though, the end result is pretty bland and disappointing. That is not the case though with the new album entitled Science Fiction by Brand New. Instead, this album lives up to every expectation you’d expect from the band and then some. Brand New has never been a band to repeat themselves, which makes their catalog one that stands out among their peers. Science Fiction is the long awaited follow up to 2009’s Daisy. It’s also been announced that this will be Brand New’s final album. Since it’s release, Science Fiction debuted at number one on the billboard charts. A first for the band and a welcome surprise to all.

The album itself is a deep reflection of life and all the emotions we go through. Back in 2006 when The Devil and God Are Raging Inside Me was released, Brand New set a blueprint as to what “emo” albums should be. On Science Fiction, the depth that they reached on The Devil and God is summoned once again, with a delicate and soothing yet dynamic approach. From the moment the first song “Lift Me Up” kicks in, there is a real sense of calm that descends upon the listener. As the album continues songs like ” Can’t Get It Out,”  and “Could Never Be Heaven,”  really hit at the heart strings. “Same Logic/Teeth (which is my favorite track on the album as of this writing),”  adds to their repertoire of classic songs. “Out Of Mana (one/if not the “heaviest” song on the album),” and “In The Water” almost transcend the genre. “No Control” is a mid tempo song that is very sincere. “451” is a cool bluesy song. It reminds me of a song that The Black Keys wish they could write. Closing out the album is “Batter Up” one of the best songs Brand New has ever written. Not only is it a solemn song but, it’s also a great farewell to a very influential and inspirational career.

Bands like Brand New don’t come around that often. Their ability to take their time and put out an album when the time is right and they feel the songs/album is done is almost unheard of these days. Their artistic integrity and songwriting prowess really shows on their sleeves with Science Fiction. Something else that gets overlooked with Brand New is the musicianship of all the members. Each person in this band has a place and plays their instruments with the exact feel needed to make the songs the best they can be. If this is really their “swan song,” then they really hit the mark and are giving you every ounce of themselves on this album. Science Fiction is definitely making the top ten albums of the year.

Overall Rating= A

 

Brand New- Science Fiction:

 

 

On The Rise: Spotlights

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Since starting Audioeclectica, I’ve had the great pleasure of being sent many bands to check out. As a connoisseur of music and a fan, being able to listen to so many bands and their work is quite fun. Sure, I get some duds from time to time but, when I hear a band that I dig, quite often the hairs on my arms stand up and I turn the volume up super loud so my neighbors can hear what I’m listening to. Recently, a band came across my inbox called Spotlights. I have heard the name before but never heard them. So needless to say my curiosity was peaked. And the end result of what I heard was absolutely astounding.

Spotlights are a Brooklyn-based band featuring married couple Mario and Sarah Quintero. One of the great things about Spotlights is their ability to channel different genres and make them sound like you’re hearing them for the first time. Taking bits and pieces from space rock (a la Failure), alternative rock (Siamese Dream era Smashing Pumpkins), shoe gaze (My Bloody Valentine), and a bit of an industrial/electronic vibe (more recent Nine Inch Nails comes to mind), Spotlights have created a sound that reverberates and resonates as a work of art.

Their upcoming album Seismic, will be one of the best albums you will hear all year. Each song brings about a genuine sense of passion and belief that is missing in a lot of bands these days. The production on the album, courtesy of Aaron Harris (Palms, Isis, etc) really captures the sound of the band and then some. On a side note, Aaron plays drums on the album, as well. The entire album is inspiring and deep. I can’t even pin point one song that sums the album up, you have to hear the whole thing, when it comes out October 6 via Ipecac Records.

Spotlights are a band that you NEED to pay attention to. Bands like this don’t come around too often, and they deserve all the accolades and love being thrown their way.

 

Spotlights- Learn To Breathe (From Seismic):

 

Spotlights- Tidals (Full Album):

 

Spotlights- Seismic (Pre-Order):

Ultimate Set List & Tour: Killswitch Engage w/ Jesse & Howard and Darkest Hour

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The first Dream Tour and Ultimate Set List I made was pretty amazing. The line up of Mastodon, Neurosis and O’Brother would be a tour for the ages. After that, I made a list of others that I thought would be pretty amazing. What I present to you is a dream tour that would be absolutely awesome. Imagine if this ever did come to fruition… Killswitch Engage tours with Jesse Leach AND Howard Jones. Each singer gets their own set of songs from the albums they were on, and then at the end they join each other for a few songs. Well, here is the set list that I came up with, the one I’d want to see, along with Darkest Hour as their opener and their set list. Enjoy!!

With all that in mind, here are the guidelines for this now expanded category.

1: Where would you want to see the show

2: What is the order/set lengths of the bands

3: What line up of the band would it be (If necessary)

4: Set List (In order of how the set should go)

 

Venue: 

The Worcester Palladium in Massachusetts

Order: 

1) Darkest Hour (45 mins), 2) Killswitch Engage (45 mins for Jesse, 45 mins for Howard, plus 15 mins for the Encore)

Line Up:

Darkest Hour: John Henry, Mike Schleibaum, Ryan Parrish, Kris Norris, Paul Burnette

Killswitch Engage: Jesse Leach, Howard Jones, Adam Dutkiewicz, Joel Stroetzel, Mike D’Antonio, Justin Foley

Set Lists:

Darkest Hour:

01) Doomsayer
02) No God
03) Convalescence
04) Timeless Numbers
05) So Sedated, So Secure
06) Knife In The Safe Room
07) Eclipse
08) Pay Phones and Pills
09) The Sadist Nation
10) For The Soul of the Savior

Killswtich Engage:

Jesse Set:

01) Numbered Days
02) Beyond The Flames
03) We Carry On
04) Life To Lifeless
05) You Don’t Bleed For Me
06) Cut Me Loose
07) Self Revolution
08) Fixation On The Darkness
09) In Due Time
10) Strength Of The Mind
11) Always
12) My Last Serenade
13) Vide Infra

Howard Set:

14) Daylight Dies
15) A Bid Farewell
16) A Light In A Darkened World
17) When Darkness Falls
18) World Ablaze
19) The Arms Of Sorrow
20) Breathe Life
21) Reject Yourself
22) My Curse
23) Rose Of Sharyn
24) The End Of Heartache

Jesse and Howard Together (Encore):

25) Irreversal
26) Soilborn
27) Take This Oath

Band Of The Week: China Girl

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I’m always intrigued when I hear that members from other bands that I dig get together to create a new band or project. Recently, it was announced that a new band called China Girl was going to release their debut album. This band is made up of John Jarvis (Pig Destroyer/Scour) on vocals, Derek Engemann (Cattle Decapitation/Scour) on bass, and, Dennis Sanders (Spirit In The Room) on guitar/vocals/programming. What makes this band interesting and stand out is that it’s a mix of different genres and each member brings their own influence and inspiration to the songs. Some songs are straight up metal or punk with tinges of black metal, while others show an element of sludge in some as well. There is also a bit of ambience (or space) to some songs which really helps to differentiate the songs a bit. All of these genres really help to deliver an experience when listening. Songs that really stood out to me are “China Boy,” “Cold Forever,” “No More Fun,” “Horrid,” “2 Wrongs,” and “The Hound.”

Granted though, this might not be for everyone but, that’s what makes being a music fan great. Having the opportunity these days to make the music you want and put it out there is great. It’s even better when the end result is something with substance and is inspired like China Girl. I really hope that they announce some live shows with this project/band. I’d love to see the ferociousness and power of this live.

 

China Girl- China Girl:

Cover Song: Converge (The Cure)-Disintegration

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It’s been a minute since I presented you all with an intriguing cover song. There are certain things I look for in covers, for example, how the band approaches the song, do they make it their own, does it stand out in a good way or a bad way, and is the cover relevant to the band in terms of influence and inspiration.

The Cure are one of my all time favorite bands. So when any band I like covers The Cure, I am compelled to listen. A few years back the mighty Converge did a cover of Disintegration by The Cure. I recently rediscovered this gem of a cover while going on a Converge listening spree. They really take this song to another level. I won’t say anymore about it because, I want you to listen and take it all in.

 

Converge- Disintegration:

 

The Cure- Disintegration:

Op Ed: Rock Schools

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Remember seeing School of Rock with Jack Black and then not long after all these “Rock Schools” started opening? I bet most of you, like me, thought what a great idea. Which isn’t very surprising. As of late though, there is a certain aspect of these schools that I’ve been giving a lot of thought to. There are a lot of great reasons why these schools are great; I’ll get to that as well but, there is one aspect of the whole thing that really cheapens it. Why aren’t these schools and teachers helping the kids to write their own songs? The teaching element of playing and learning other bands songs is great but when you are ONLY teaching these kids to play other peoples songs, then, I must take umbrage with these schools.

Where’s the originality? Why be complacent and teach these kids to do that? There is no reason why these kids should be relegated to play covers at these places. Obviously, they have the want and desire to play and perform, so why not take that and spark their creativity?! These kids, a lot of them are massively talented and it’s going to waste playing covers. I’d love for these kids to really start their own band and write their own songs. Look at all the singing competitions on TV. These people are being judged on singing and playing covers. There really is no sense of originality anymore. All these people are strictly “performers” at this point. The artistry is gone and American Idol, The Voice and now these “Rock Schools” have killed it for the next generation.

When the schools do showcase events, the kids are always just playing covers. It’s great that they can play the songs but, there isn’t a need for any more cover bands in the world. I can understand young kids, say less than 12 years old, jamming on covers but when you reach a certain age, there should be a switch to creating your own music. I remember the moment I wrote my first real song. I was at my house with my friend Karl, we must have been in 5th grade. I was already consumed and obsessed with music and was getting my friend really into it as well. At some point while hanging out, I picked up my guitar and started messing around with a riff, my friend Karl then joined me in humming a melody, within seconds we were writing our first song. It was a total simple punk rock song but, we really put our all into it. The song was called “Life and Death,” and we would go on to perform it a couple months later for our parents at a get together. The spark was there then, and it has remained. We were having fun and really digging on being able to write songs. I think we wrote 5 or 6 songs. To us, we weren’t happy playing covers, we wanted to do “our” thing. The name of the band was originally The Warheads and then we switched it to The Eternal Virus. To us it was real, to some people thought it was a joke but, no matter what they all thought, we did it because we loved it.

Please rock schools, embrace the creativity and desire of these kids. They are the next generation of musicians and deserve to be heard. Don’t turn them into a gimmick. Make sure they are getting the right musical education. Teach them about the influences of their favorite bands. Get them INTO music, have them study the greats of yesterday. Help them to understand the difference between being influenced and inspired.

Song Battle: Failure vs Sex Pistols- Submission

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It’s been a minute since I last did a Song Battle. I have a long list of these to go through with some very interesting “battles.” Here is one of those interesting ones to contemplate. Failure versus Sex Pistols and their songs “Submission.” What band do you think wrote the better song?

 

Failure- Submission (from the album Comfort):

 

Sex Pistols- Submission (from the album Never Mind The Bollocks…):

 

List: Best Rhythm Sections

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Rhythm Sections. The backbone of the band. The ones that are often overlooked in the band. This list is here to make sure they get their due!

As always this list is INCOMPLETE so, add who you think should be considered on this list. And… THIS LIST IS………IN NO PARTICULAR ORDER… (Ain’t nobody got time for DAT!!……. Though if you do I’ll send you a goodie bag of something cool).

Brad Wilk/Time Commerford- Rage Against The Machine/Audioslave
Mitch Mitchell/Noel Redding- The Jimi Hendrix Experience
Mike Starr (RIP)/Mike Inez/Sean Kinney- Alice In Chains
Ed Breckinridge/Riley Breckinridge- Thrice
Troy Sanders/Brann Dailor- Mastodon
Krist Novaselic/Dave Grohl- Nirvana
Liam Wilson/Chris Pennie (former)/Billy Rymer- The Dillinger Escape Plan
Nate Medel/William Goldsmith- Sunny Day Real Estate/Foo Fighters
NateMendel/Taylor Hawkins- Foo Fighters
John Baker Sanders/Barrett Martin- Mad Season
Flea/Jack Irons/Chad Smith- Red Hot Chili Peppers
Cliff Burton (RIP)/Jason Newsted (former)/Robert Trujillo/Lars Ulrich- Metallica
Ben Sheppard/Matt Cameron- Soundgarden
Jeff Ament/Dave Abbruzzese/Jack Irons- Pearl Jam
Jack Bruce/Ginger Baker- Cream
John Paul Jones/John Bonham- Led Zeppelin
Ray Manzarek/John Densmore- The Doors
John Entwistle/Keith Moon- The Who
Dee Dee Ramone/Tommy Ramone- Ramones
Glen Matlock/Paul Cook- Sex Pistols
Paul Simonon/Topper Headon- The Clash
Tom Araya/Dave Lombardo- Slayer
Frank Bello/Charlie Benate- Anthrax
Dave Ellefson/Nick Menza- Megadeth
Geezer Butler/Bill Ward- Black Sabbath
Nate Newton/Ben Koller- Converge
Caleb Scofield/JR Connors- Cave In
Simon Gallup/Lol Tolhurst- The Cure
Chi Cheng (RIP)/Sergio Vega/Abe Cunningham- Deftones
Greg Edwards/Ken Andrews/Kellii Scott- Failure
Jean-Michel Labadie/Mario Duplantier-Gojira
Duff McKagen/Steven Adler (former)/Matt Sorum (former)/Frank Ferrer- Guns N Roses
Alex Katunich (a.k.a. Dirk Lance)/Jose Pasillas- Incubus
Steve Harris/Clive Burr (RIP)/Nicko McBrain- Iron Maiden
Jeff Caxide/Aaron Harris- Isis/Palms
Eric Avery/Stephen Perkins- Jane’s Addiction
Peter Hook/Stephen Morris- Joy Division/New Order
Lemmy/Phil Talyor (RIP)/Mikkey Dee- Motorhead
Ryan Martinie/Matt McDonough- Mudvayne
Nick Cageao/Ben Koller- Mutoid Man
Dave Edwardson/Jason Roeder- Neurosis
Reilly Herrera/Aric Improta- Night Verses
Anton Dang/Michael Martens- O’Brother
Rex Brown/Vinnie Paul- Pantera
Stefan Olsdal/Steve Hewitt- Placebo
Colin Greenwood/Philip Selway- Radiohead
John Fahenstock/Jaime Miller- Snot
Robert DeLeo/Eric Kretz- Stone Temple Pilots
Paul D’Amor (former)/Justin Chancellor/Danny Carey- Tool
Peter Steele/Johnny Kelly- Type O’Negative
Adam Clayton/Larry Mullen Jr- U2
Michael Anthony/Alex Van Halen- Van Halen

Billy Gould/Mike Bordin-Faith No More