Steve Albini

MUSIC DOCS: FAILURE- EVERY TIME YOU LOSE YOUR MIND

Every now and then a bands comes around that effects you in ways you didn’t think was possible. Throughout my musical journey, I’ve latched on to certain bands and albums to guide me through life. At different stages certain ones fit quite perfectly while others are the constant ones that give you that comfort and acceptance you’ve been looking for. The band Failure is one of those constant bands in my life. Ever since I heard Fantastic Planet when I was about 13 years old, I was hooked. There truly is something magical about that album and how it really connects and makes you feel every single note and nuance. If you were at their El Rey Reunion show like I was, you definitely know what I’m talking about.

When it was announced a while back that a Failure documentary was being made, that got me quite excited. I’ve read a lot about the band over the years be it from interviews (newer and older), magazine articles, and even the Golden DVD that had a mini doc about the band. The new documentary Every Time You Lose Your Mind, is a very up close and personal history of one of the most influential bands of the last 30 years. Behind the curtain and studio glass, you get a real in depth look into the history of the greatness of Failure. The interviews and stories with Ken Andrews, Greg Edwards, Kellii Scott are chock full of very insightfulness into the creative process of each album, how they formed a creative alliance and bond that was unlike anything else at the time, and all the while not knowing that what they made in such a short amount of time would wind up becoming this standard for not just songwriting but, production.

Another aspect of the documentary that is fascinating is hearing from other musicians that have felt very connected to Failure over the years. One of the ones that surprised me the most was knowing Tommy Lee of Motley Crue is a giant Failure fan. The way he talks about hearing Failure for the first time is pretty astounding. Tommy though has always been pretty keen on what’s good out there (with the exception of him making Methods Of Mayhem). Another one that I loved was Haley Williams of Paramore. She’s such a huge Failure fan and the more that I’ve listened to Paramore, you can pick up a bit of certain Failure tendencies in how she sings and phrases lyrics. Also if you get the chance check out her cover of “Stuck On You” as well as the acoustic performance she did with Ken Andrews recently of “Heliotropic.” Even Maynard from Tool and A Perfect Circle provides some cool insight to the LA scene at the time. All the interviews on this are quite interesting and tell you about how so many people got into this band.

Like all rock band stories there are ups and downs. And Failure suffered quite the loss when the band broke up. The openness and vulnerability shown by all the members really shows that this band meant something to each of them. You could tell they didn’t want it to end when it did but, at the end of the day it was the right thing to do at the time. While each member moved on to their respective other pursuits musically, for example, ON, Year Of The Rabbit, Autolux, Veruca Salt, etc, the lore of Failure grew each year becoming a cult phenomenon. While their story is a cautionary tale to an extent, it also shows that if you have the drive, willingness and right people with you, the idea of making something great is possible.

Failure’s comeback has been, in my opinion, one of the top reunions ever. Their live shows when they came back were nothing short of amazing. The albums they’ve released have picked up where they left off and added a slew of more greatness to their catalog. If you haven’t listened to Failure, you are surely missing out. So do yourself a favor, sit down put on Hulu, look for Every Time You Lose Your Mind, and let it drip all over you and take in the greatness that is Failure.

Overall Rating: A

WATCH ON HULU!!!!

ALBUM REVIEW: REBA MEYERS- CLOUDED WORLD

When I first heard Reba Meyers was going to be releasing solo material, I got quite excited. After seeing her other band Code Orange a while back, I could tell there was more to Reba than just this band. There was a ferociousness that was just waiting to be unleashed. We already knew her guitar playing was top notch but the vocals took it all to another level and showed that Reba was the one in that band that had “the whole package.” Even when Reb guested on the Greg Puciato song “Lowered,” you could tell that Reba was well on her own path. And now here we are with Reba’s first release as a solo artist, Clouded World. This six song EP is full of dark, moody and melodic grooves and deeply personal and poetic lyrics and vocals.

There are many things to unpack on this release. As I mentioned the lyrics are very personal and poetic. The vocal delivery is otherworldly. You definitely hear and feel all the words sung. This is one of my favorite things about artists like Reba, the authenticity is 100% real. Musically, there are loads of influences and inspirations packed into these songs. On one hand you have some very heavy rock driven songs that have this attitude and bite to it with soaring melodies on top. Then you have more delicate atmospheric songs that explore a more etherial side with a bit of electronic elements to further open the space. All while still being poetic.

Clouded World has fast become one of my favorite releases of 2025. I eagerly await Reba’s full length debut which will be out in 2026. The tour kicks off today, and I’m very excited to see Reba live and hear these songs come to life when the Los Angeles date comes up on August 24th. Do yourself a favor and put this record on and let it take you places you haven’t been in a while!

Overall Rating: A

Standout Tracks: ALL

Written By: Brian Lacy

Reba Meyers- Clouded World EP:

The Videos:

Clouded World:

Got Your Hold On Me:

Certain Uncertainty:

Track One: Helmet- In The Meantime

The other day Helmet announced new tour dates. That got me excited as I haven’t seen them in quite some time. Naturally, I did what I always do when I get excited about a band or music news, I put Helmet on. Meantime, their breakthrough album which features the classic “Unsung,” is one of those albums that when you put on, it fuels the day. The first track “In The Meantime” is one of those album openers that does more than sets a tone, it’s also a hard charger that has been ripped off countless times as it’s such a classic. Meantime was an album that has stood up to this day. The influence the band and album has had on music since its release is uncanny. Start your day off with this banger!

Helmet- In The Meantime:

https://youtube.com/watch?v=9346rQ1d8ik%3Fsi%3DqMQ-IB1FRroNvExD

Deep Cuts: Jawbreaker- Ache

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There are always certain songs on albums that stand out. Obviously some more than others. When you put on an album, and it hits you, that moment of clarity just feels so warm and inviting. Every time I put on the Jawbreaker album, 24 Hour Revenge Therapy, I find something else to love about it even more. Lately, the song “Ache” has really been a go to song for me when I put that album on. It’s such a great song and as a deep cut on the album, it’s truly a standout. Both musically and lyrically, it’s a great example of the dynamic depth of what Jawbreaker is so good at.

 

Jawbreaker- Ache (from 24 Hour Revenge Therapy):

 

Unsung Masterpieces: Bush- Razorblade Suitcase
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This November will be twenty years since Bush released their very underrated and unsung masterpiece Razorblade Suitcase. I can actually remember getting this album. My mom and dad had bought it for me. I came home from school and in my room was a copy of Razorblade Suitcase along with a note that said do your homework, but listen and enjoy the album. I remember putting the album on and letting it play from start to finish and thinking to myself that this is absolutely great. It was different from Sixteen Stone in a good way. There was so much more to this album in regards of depth and feeling. The album title itself, I thought was a really cool name, meant to Gavin Rossdale as a way to describe emotional baggage. What a crazy yet interesting way to describe it. Also during this time the band kept getting knocked in the press for supposedly being too much like Nirvana. This is something that I’ve never thought was true. Sure they had an album recorded by Steve Albini, and played a similar style of loud guitars and booming drums, but Gavin and Kurt were completely on the opposite sides of things.

The album is one of my favorites of all time. From the beginning growl of Gavin’s dog on “Personal Holloway,” to the dissonance of closing song “Distant Voices” and everything in between, Razorblade Suitcase was the perfect way to follow up Sixteen Stone. Lead single “Swallowed” was impactful and gritty yet full of sweet melody. Other wonderful songs like “Greedy Fly,” “Insect Kin,” “Cold Contagious,” “Bone Driven,” and “History” were absolute stand outs. Other tracks like “A Tendency To Start Fires,” “Synapse,” “Mouth,” and “Straight No Chaser,” offered something for every type of fan of the band. From the heavier tracks to the more delicate.

While Bush isn’t the most original band in the world, they are still part of the legacy of the 90’s that shouldn’t be ignored. Put the Nirvana comparisons aside and just listen and you’ll come away with an album that is deep and vulnerable. The playing and songwriting on this record is exceptional as well. Taking away the the polish of Sixteen Stone, Steve Albini put Bush in their natural element to really get at the true nature of the band. Gavin’s voice really shines on this album too. Razorblade Suitcase is often overlooked by many, but it’s not one that should be. Twenty years later this album still holds up if not better than when it first came out.

 

Bush- Razorblade Suitcase:

 

 

Music Videos:

Swallowed:

 

Greedy Fly:

 

Cold Contagious:

 

Bonedriven:

 

Personal Holloway:

 

 

 

 

Unsung Masterpieces: Neurosis- A Sun That Never Sets

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In August 2001, Neurosis put out one of the best albums since the turn of the century. After establishing themselves as a force to be reckoned with in the heavy music world and releasing 2 influential and classic albums (Through Silver and Blood & Times Of Grace), Neurosis returned with another classic A Sun That Never Sets. This album saw the band move even further away from their punk/hardcore roots and more into the experimental side of things all the while keeping with their “sludgy” sound and now incorporating a bit of a folk influence into the music. The album was again recorded by Steve Albini, and he has been able to capture the true essence of Neurosis for years now. A Sun That Never Sets is hypnotic in the way the songs all flow together to create the sound of the the world crumbling down around you. When you listen to songs like “The Tide,” “From The Hill,” “Crawl Back In,” and “Stones From The Sky (one of my personal favorite Neurosis songs ever),” you really can capture the essence of what this band is all about,

Neurosis has always been the type of band to do write what they want for themselves and not cater to any particular group. This album specifically marks the  point in their career when they just let all their influences come to play. There iis something truly special about this album. Take a listen and you will hear what I mean.

Neurosis- A Sun That Never Sets:

Album Debate: Nevermind vs In Utero

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There is a debate that has been going on for quite some time about Nirvana. There are many out there that consider Nevermind to be the holy grail of their brief catalog. Then there are those who hold In Utero in higher regard. I tend to fall in the In Utero camp. Not to take anything away from Nevermind, In Utero is just the better album in regards to the production, and songwriting. Sure “Smells Like Teen Spirit,” “Come As You Are,” “Lithium” and “Drain You” are all good songs. Those songs while meaningful just don’t connect as much as the ones on In Utero. There is more desperation anguish, and suffering in the In Utero songs. The production of the vocals really show that as well. Steve Albini’s engineering skills trump Butch Vig any day. Not to take anything away from Butch, his work on Smashing Pumpkins Siamese Dream, and all the Garbage albums are great. Nirvana just needed someone like Steve Albini to really get at the raw nature of the songs. Songs like “Scentless Apprentice,” “Heart Shaped Box,” “Rape Me,” “Milk It” and “Radio Friendly Unit Shifter” have that hard edged roar to them and the way they were produced really captures that demand to be noticed. The softer side of the album with songs like “Dumb,” “Pennyroyal Tea” and “All Apologies” embrace the very delicate nature of the band. The only song to really capture that on Nevermind was “Something In The Way.” The drums thump in more of a way that captures the true essence of how Dave Grohl plays. The bass sound has more of a dirty yet balanced sound that attaches itself to the rhythm in a clearer way. The guitars have more edge to them. They cut through the songs with an abrasive razor sharp dynamic. Vocally you can hear all of Kurt’s pain in every syllable he sings. His screams reach new heights since Steve Albini refused to double track Kurt’s vocals. It’s quite noticeable at the end of “Rape Me.” There is something else that has always bothered me about Nevermind. The way Nevermind turned out sort of has a very controlled production and compressed radio-friendly mix.That is something that is not very flattering to a rock band like Nirvana.

Granted this is all just my opinion, but I think this makes for a good debate. Sure we will never know what the next step for Nirvana would be. Though the indication of “You Know You’re Right” which was done by Adam Kasper shows that they were continuing in the direction that Steve Albini steered them in.

 

By: Brian Lacy