Last year while booking a show for a Cobalt Presents event, I came across a young artist that really caught my attention. When she and her band played that night, I knew this was more than just a young kid playing music. This was the real deal and there was so much more to it. Let me introduce you to AYVA. At only 17 years old, Ayva is ready to kick down the doors and rock your socks off. Armed with her PRS guitar and a deceptive voice, the moment Ayva starts rocking you can feel it. The songs are one hundred percent original and all hers. You know the saying big things come in small packages? Well that’s Ayva for sure! Mixing hard rock, alternative, punk and a bit of 70’s glam (a la T Rex or Iggy Pop solo), you get a heavy melodic sound with vocals that hit emotional cue inside as you listen. Her debut album, The Monster, is one hell of a record. Like I said, Ayva is only 17 and to write the songs she has it just shows the passion and dedication to the craft. At a time when the EP has become a standard for young bands, Ayva’s debut album is 12 songs of really great modern melodic hard rock. It’s funny, kids these days have quite the keen sense for music people like myself grew up on, and Ayva really picks great inspiration to guide her. Her latest single “Tearing Apart” is a slab of alternative rock with a heavy edge. I’m quite excited to see and hear what the future hold for Ayva. You can see Ayva Live at The Cobalt Presents/Audioeclectica’s March Showcase at Hotel Ziggy (Hollywood) on Saturday March 28th! Enjoy!
Everyone has that one band they absolutely love. That one band that every time they come to town, you drop what you are doing to go see them live. Since the year 2000 when I first saw my all time favorite band, Nine Inch Nails live, I have made it a point to be at every single Los Angeles area show they have done since as well as a few others outside of the area. Last year I had the chance to attend both nights of the Peel It Back tour. I even remember telling my friends I was with, if this tour does a second round, I have to go, this was too damn good not to see again. And low and behold not long after the first leg wrapped up, the second leg was announced. Of course this one had to be in Orange County but, it’s Nine Inch Nails, and I’ll make the trek. After this show, my total of seeing Nine Inch Nails is up to twenty two times and I’m not even close to being done seeing them. This night at the Honda Center not only was astoundingly sublime but, filled with great memories to last a lifetime (wink wink).
The way the show starts on the small B stage is something really special. The stripped down piano version of “Right Where It Belongs” is devastatingly stunning. Then you add in a bit of my all time favorite song in “Somewhat Damaged” and it’s a recipe for greatness. The emotional weight of both those songs are enough to bring tears to your eyes, as it did Trent. Then moving into a partially solo/acoustic performance of “Ruiner” was something else as well. That song in particular sounded so good with just a piano. Then to close out that section with “Piggy (Nothing Can Stop Me Now)” remix really gets the crowd’s energy pumping as Trent and band made their way to the main stage. The space in between was filled with a glorious Josh Freese drum solo section that included a snippet of “Getting Smaller” (which I hope that song makes its way into future set lists). Josh is so special in Nine Inch Nails. If you’ve seen NIN before you know what I mean. The second act on the main stage was just an onslaught of heavy classics like “Wish,””March Of The Pigs,” “Gave Up,” “Heresy.” One of the coolest moments was when “The Frail” was used as the transition out of “March Of The Pigs” into “Reptile.” Wow! What a seriously surreal section of the show. The seemlessness of the way those two songs meld together should be studied. Then we moved back to the small stage for the “Remix” section of the show. The way these remixes hit the audience is wild. If you’ve never been to a rave, this is a small glimpse into the fun you could be having. “Vessel,” and “Closer,” got the crowd jumping and dancing. Then you got hit with the How To Destroy Angels song “Parasite” and that in itself was a treat. This remix version is quite the jam. Closing out this section was the newest song “As Alive As You Need Me To Be.” This song I can’t get enough of. Watching all the camera angles this evening and how Trent, Atticus and BoyzNoize manipulate the sounds was exciting and inspiring. Sure certain parts were on tape but the live remixing really takes things to a whole other level. Now back to the main stage and more awesomness as “Mr. Self Destruct” erupted with such a loud pop that you couldn’t tell if it was Josh’s drums or the audience. The rest of the set was just choice cuts like “Less Than,” “The Hand That Feeds,” and “Head Like A Hole.” I’m personally glad to see “The Perfect Drug” still in the set. This song was for years not played live and in the last few years and tours, it’s been a prominent staple! Plus getting to watch Josh Freese on drums during that drum break is so exquisite. And as always, “Hurt” closed out the show.
The production for this show is something else. The tight camera angles mixed with the lights and visuals makes for a very intense visual show. Then you add in the music, lyrics and vocals, and it just comes together so perfectly. I’ve seen this show three times now and this one just might been the best one. I’ve seen Nine Inch Nails twenty two times now and this was one of the best tours I’ve ever seen. The addition of Stu Brooks to the band brought even more life and energy to the band live. As good as Alessandro was at his instruments his lack of energy on stage always seemed to be a damper. Stu on the other hand moves around and you can see/hear the vitality in him as the songs are played. This lineup of Trent, Atticus, Robin, Josh and Stu is one that I hope stays for a long while. Nine Inch Nails are one of the best live bands of all time. Each tour evokes something different as it should. The sheer intensity you get from a NIN show is unlike anything else. Even the most casual fan will walk out of the show a full fledged fan. The albums and songs are timeless and will be for generations to come. Who knows how much longer Trent will keep going. I surely hope he’s not done yet. Nine Inch Nails are more than just a band. If you are like me, it means so much more. Plus, we still need a full on tour for The Fragile! Just putting that out in the universe to make happen!! What a night and show. If you’ve never seen Nine Inch Nails, make a point to rectify that! You won’t be sorry!
Overall Grade: A
By: Brian Lacy
Setlist:
01) Right Where It Belongs (Acoustic, with Somewhat Damaged Outro) 02) Ruiner (Partially Acoustic) 03) Piggy (Nothing Can Stop Me Now) 04) Wish 05) March Of The Pigs 06) The Frail 07) Reptile 08) Heresy 09) Copy Of A 10) Gave Up 11) Vessel (with BoyzNoize- Remix) 12) Closer (with BoyzNoize- Remix) 13) Parasite (How To Destroy Angels Cover- with BoyzNoize- Remix) 14) As Alive As You Need Me To Be (with BoyzNoize- Remix) 15) Mr. Self Destruct 16) Less Than 17) The Perfect Drug 18) I’m Afraid Of Americans (David Bowie Cover) 19) The Hand That Feeds 20) Head Like A Hole 21) Hurt
Ah yes the elusive cover song. My it’s been a long while since there was a cover song article on Audioeclectica. The musical landscape these days has so many cover songs that there needed to be a moratorium on talking about them. Seriously, how flooded did things get with all the covers that were coming out?! It feels like there needs to be a bit of a refresher when it comes to cover songs. The point of a cover is to make it your own and that more often than not doesn’t happen. Thankfully there are some bands out there that know how to do it right, like Metallica. Back in 1998, Metallica released their double covers album, Garage Inc. Across two CD’s, Metallica paid tribute to the bands that inspired them from Black Sabbath, Diamond Head, The Misfits, Discharge, Thin Lizzy, Motorhead and more. The cover of Bob Seger’s “Turn The Page” is one of the best covers of all time. But there has always been one cover on this album that has been a favorite of mine and that is their version of Killing Joke’s “The Wait.” Originally this cover was included on Metallica’s 1987 Garage Days EP. The Killing Joke version appears on their 1980 debut album. When you hear “The Wait” by Killing Joke, you can instantly tell that this band inspired and influenced Metallica. In fact you more than likely have heard this song used in countless films and TV shows. Let’s get cover songs back on track! Here’s a great way to start it off!!!
I’m constantly intrigued by songs of a certain era that live on. You know what I’m talking about. Those songs you heard on the radio that were so popular that they became a part of the whole time. The 80’s and 90’s especially have a ton of these types of bands/songs. What’s even more interesting is the albums these songs are on, most often are pretty damn good and the deeper cuts are what makes it even better over time. One band that has become a mainstay for one hit, though they actually had other hit songs, is Lit. Their 1999 album, A Place In The Sun, produced the songs “Zip-Lock” and “Miserable” but, the one we all know most is “My Own Worst Enemy.” The instant this song starts it’s infectious. The hook is right there in the riff and then the chorus just always explodes into a singalong. Still to this day, if this song gets played at a bar, a concert or just hanging out, it always brings out a good time. I still get a silly smile on my face when this song comes on. “My Own Worst Enemy” would go on to be number one on the Billboard Modern Rock Charts as well as being the top song played on Modern Rock Radio for all of 1999. The song to this day is double platinum (sales of over 2 million) and stands as a testament to a time of 90’s rock music that is still alive and rocking. Fun fact too, “My Own Worst Enemy” is one of the most sung karaoke songs in the United States. Lit is still out on the road touring and making memories with their classics.
Ever since I was a little kid (which was a long time ago), I’ve been a fan of The Cure. That might seem weird to some but hey, it was the late 80’s and I was very into MTV. I mean, how could you not be intrigued by a band where the singer has crazy hair and wears red lipstick?! Anyways, The Cure has been one of those bands who constantly push themselves to new territory and boundaries. The lyrical content has shaped the lives of so many for well over forty years. Musically, the influence is heard in oh so many bands you love. If you’ve really never listened to The Cure, here’s what I’d like to think is quite the definitive ranking of their fourteen studio albums! Enjoy!
When a genre explodes, finding the standouts becomes imperative. Over the last few years “shoegaze” has come to the forefront of modern music. Depending on what subgenre of shoegaze you listen to shows you where the inspiration comes from. Deftones and The Smashing Pumpkins in particular have struck a chord with the younger generation. That being said let me shift this to the other side of the equation. Through all my listening and searching I believe I found one of the best albums of this new era of shoegaze. The band is Slow Crush and their album, Thirst is astounding.
Slow Crush’s album Thirst is haunting, seductive, heavy, whimsical and more. Every time I put this album on I’m completely swept away by the intensity. Across ten songs and forty minutes there isn’t one moment on this album that doesn’t fit. As much as this album is shoegaze focused, there is so much more to it. First there is an undercurrent of Black Metal running through the album. There are also elements of stoner rock, alternative rock and dream pop. Sonically, Thirst is explosive, etherial and atmospheric. The vocals will sweep you off your feet and take you on a trippy journey. They crawl under your skin and give you those chills that make you pay attention. Musically too, the intricate web of layers showcases the varied influences of the band. Being able to pull in heaviness into delicate structures is not an easy thing to do. While certain moments are crushing, the more airy ones are what captivates. The hypnotic nature of the songs and production is another part that makes Thirst such a masterful album.
For each listen, you find something new to love and discover. One of my favorite parts of this album is the ending of the second song “Covet.” The use of saxophone at the end of this song is sublime. What a great part and addition to the song. It feels like a David Bowie moment that fits perfectly. It’s almost like the band steps into another world with each song. As a listener it’s rather liberating to hear an album like this. It’s not everyday you get to hear an album that ups the game of a genre. Slow Crush have defined their sound and style with Thirst. Do yourself a favor and take some time with this album and let it take over!
2026 has already been a strange year. The world may be falling apart but, the music keeps playing! So much so that the first great album of 2026 was released at the end of January. Blackwater Holylight’s new album, Not Here Not Gone, expands upon their already dark yet light contrasts and pushes the doomgaze genre into new worlds.
Throughout the ten tracks on the album, there is no shortage of great moments and new things to discover with each listen. Not Here Not Gone is as haunting as it is seductive and sonically bombastic. The way the band can weave an intricate web of shoegaze, doom metal and indie/folk is breathtaking. There is a calm to the heaviness on this album that keeps you coming back. The way the album glistens as it begins with “How Will You Feel” opens the window to what’s to come. From there “Involuntary Haze” ups the volume and shows off the heavy nature of the band. “Bodies” riffs out with a stellar explosion that captivates from the moment it starts. “Heavy, Why?” is quite the contemplative song that is filled with crisp sonics and soaring vocals. “Giraffe” is a bit of a departure but, it’s one of those interesting ones that acts as a bridge between parts of the album. TV On The Radio’s Dave Sitek guests on this track. “Spades” returns to the heavy/gaze with more of a pulsating undertone. “Void To Be” feels like a sort of shoegazy prog rock track but with a dark pop sense. “Fade” is a delicate song that goes more cinematic as it builds. “Mourning After” is another soulful song that has a ton of ear candy to explore. Closing out the album is the epic “Poppyfields.” This is one of those songs that will stay with you long after you are done listening. In fact, it’s one of those that will make you want to put the album on again.
What Blackwater Holylight have made with Not Here Not Gone is triumphant. Sunny Faris, Eliese Dorsey and Mikayla Mayhew have cemented themselves as a force to be reckoned with. Albums like this take quite a bit of time to make and when the end result is this powerful, it’s a statement record. Personally, I’m enthralled with what I heard on this album. I can only imagine the magnitude of volume that is their live show and these songs will definitely push the decibel levels of wherever they play. Seriously, put Not Here Not Gone on and just let it take you on it’s journey.
Held. are here and they are not about to loosen their grip! This new band on the scene that has caught my attention and I’m quite excited to share this with you all. Held. is made up of Douglas Robinson (vocals/guitars) who you know from The Sleeping and formerly of Night Verses, Sal Mignaro (bass) from The Sleeping and Josh Eppard (drums) of Coheed and Cambria. The band’s debut album “GREY” is headed for a May 15th release through MNRK Heavy. Their debut single/video for “New You Anthem” is as infectious as it is direct. The melodic nature balances quite well with the post-hardcore approach throughout. I have to say too its very cool to hear Douglas’s vocals like this again. I really enjoyed the Night Verses albums he was on and was disappointed when he left the band. But that was then and Held. is Now! Another fun and cool thing about “New You Anthem” it features My Chemical Romance’s Frank Iero on vocals as well. Frank adds another layer to this already great song. The voices of Douglas and Frank compliment each other very well. And I’d be remiss if I didn’t mention how damn good Sal and Josh are as a rhythm section. I already knew Josh was a great drummer but, this just proves he’s damn good! Mark your calendars for May 15th and the release of Held.’s debut album, Grey!
It’s happened to all of us I’m sure at one point or another. You hear a song/band in passing and you really dig it but don’t know who it is. Then on a random whim you hear it and then all is right for that moment. That happened recently for myself a couple months back, I had heard a band and I completely forgot the name as well as the song and then when I found out who it was, the volume sure went up. The band I’m talking about is Split Chain. If this is your introduction to them, you are in for a treat!
Split Chain is an English rock band that formed in 2023. This explosive five piece band, while still in it’s infancy is already packing quite the punch. Their first release, the single “Get Inside” came out in 2023 and it was a siren call for what was to come. A few more singles would be released as would a really fun cover of Type O Negative’s “I Don’t Wanna Be Me.” Then in later 2024 it was announced the band had signed with Epitaph Records and would begin work on their very anticipated debut album. Motionblur, would be released in July of 2025. Split Chain’s musical style incorporates bits of shoegaze, grunge, post-hardcore, and a dash of nu-metal. The combination sounds absolutely as you’d expect it to sound. It’s lush and full of space and dreaminess and on the other side there’s the heaviness and crunch.
Motionblur is one hell of a debut album. It’s one of those records you can just put on start to finish and just get lost in it. Across the eleven songs, you’ll find a very raw and dense album that is fused with soaring yet gut wrenching vocals, layered guitars that sway into the heavy and dreamy side of things, a rhythm section that thumps and kicks while also delicately ripping limbs away. The honesty found throughout is quite stunning too. You can hear it in the delivery of performances on the songs. The sonic aspect of the album is very direct in the way the album is produced. There are in your face moments of each instrument. The vocals are very up front but it doesn’t take away what the music is doing. The push and pull of both, makes these songs more haunting and personal. Each song has its own charm but, the sum of all the parts is what makes this album standout.
I love debut albums like this. You get to see and hear what the band is about but, you know there is way more to explore. Which means the what’s to come from Split Chain is going to be intense. Motionblur is authentic as it is a visceral album. Currently, Split Chain is out in Australia with Better Lovers. Their US tour with Soul Blind (another band you should know about) will be one hell of a great tour and chock full of high decibels!
It’s crazy to think about sometimes that you’ve been listening to a band for over thirty years. Then when you look at how old you are, it’s pretty much a lifetime of listening to a band. I still remember the first time I heard the band Bush. I distinctly remember being in the car with the radio on (106.7 KROQ) and heard “Everything Zen” and I was hooked. Now over thirty years later and ten albums deep, Bush, are still going and as good if not better than before. The second act of Bush has given new life to the old and brought a bevy of great new songs and a live show that is so energetic and quite the rocking night. That all being said, lets go through the ten Bush albums and put them in a proper rank!
