There are times when certain bands come along and captivate in such a way that makes you sit up and pay attention. Quite a few years back, my friend Adam, told me about this band he had been digging for a while. He passed along one song to check out and I was definitely hooked. The song was called “Polarizer” and it made me feel like that guy sitting in that chair in a very old commercial, and getting completely swept away by the sheer sonic intensity. Fast forward many years later, and here I am at The Roxy on Sunset, and oh man did the decibels rattle the spot!
As the clock struck 10:00pm and the curtain lifted, the sonic assault began. For the next hour, The Armed tore through song after song with a punk rock fury that could get a paralyzed person walking again. Ok well maybe not exactly that but, you can picture the intensity in which this show had. Playing the majority of songs from their very awesome new album, The Future Is Here And Everything Needs To Be Destroyed, there was no letting up for this band. Even when you thought, oh this will take a more mellow turn, NOPE, right back into the pummeling. The musicianship of all members was top notch throughout the set. There is a reckless abandon to an Armed show live. Their energy from the stage is beyond infectious and really makes you want to move. Then you throw in their punk/hardcore style mixed with some electronics and its a recipe for a barrage of excitement. There were a couple moments during the set that were genuine highlights for me. One being their cover of my all time favorite Nine Inch Nails song “Somewhat Damaged.” They stripped it down a bit and delivered a very convincing version. Then to close out the night, they played “Forever Scum” from their “Untitled” album, which happens to be my favorite album of The Armed’s.
If you get the chance to see The Armed, you definitely should. This band is one of those super fun, high energy bands that takes the best of punk and hardcore and makes it quite fun. It’s all serious but, there is an element of fun and danger to The Armed that makes it unhinged and slightly volatile. The Armed are a force of nature and should be on all your radars! Go check out what The Armed has in store for you!
Overall Rating: B+ (needed a better opener and more songs from Untitled)
Wow! Seriously, Wow! I have to say this show was beyond awesome. There are some bands out there that just have the right recipe for putting on a show that leaves you feeling great, inspired and ready to take on anything and Linkin Park is definitely one of those bands. This show in Los Angeles as part of their From Zero World Tour, was outstanding. Last year around this time, I went to their return show at The Forum and that one too was something special. And just like that show, it was full of so many people smiling, singing along, sharing in the joy of getting to see Linkin Park do what they do best.
At 9:05pm, the screens around the venue turned dark and a 10 minute countdown appeared, when the clock hit zero, it was on! Colin, Joe, Dave, Alex, Emily and Mike all took the stage and blasted off with the heaviest version of “Somewhere I Belong,” I’ve ever heard. I didn’t realize how good of an opener that song really is. From there it was just an onslaught of banger after banger with “Crawling,” “Up From The Bottom,” Lying From You (which is one of my all time favorite LP songs),” and “The Emptiness Machine.” Talk about a way to open a set. Those 5 songs not only set the night on fire but, the crowd participation on each of those songs was astounding, especially on “Crawling” and “Lying From You.” After that, it went into so many other great gems LP has including 2 songs from the very underrated and very awesome A Thousand Suns, “Waiting For The End (another of my all time favorite LP songs)” and “The Catalyst.” The From Zero songs really were on fire like “Two Faced,” “Overflow,” “Stained,” “Over Each Other” but, even more so on the live debut of “Unshatter,” “Heavy Is The Crown” and “I Gave You Everything I Have.” The latter of which was a real highlight for me. The explosive nature of that song ferocious. Other fun songs like “Lost” from the Meteora 20 release sounded great. It started with just Mike and Emily then it hit the gas pedal for the second chorus and was simply divine. When they played “Numb” they started the song off in a very fantastic fashion by speeding it up to make it more of a “punk” sounding song. I so want to hear it in full like that! During “In The End” the crowd participation was almost deafening. I love a good concert sing along and this one might have taken the cake this year. Of course when they played “Faint” and “Papercut” I was through the roof. Those 2 songs are in my top 5 LP songs of all time. I absolutely love those songs. The video for “Faint” is one of my all time favorites too. During the set too there were a couple of solo moments where Joe Hahn showed off his scratching skills. I forgot how damn good he is at that. Reminded me a bit of seeing them back in the Hybrid Theory era and how they would do that. Also, Mike had his solo moment with “When They Come For Me/Remember The Name” during part of that Mike likes to throw in a different rap verse from other songs and this evening he pulled out part of “High Voltage” which was pretty awesome. Closing out the night was the always fun “Bleed It Out” which also during the bridge they threw in part of “A Place For My Head” and then it was over.
If you have ever been a doubter of Linkin Park, seeing them live will change that. I had a long history of writing the band off but, I’m really glad I went back to listen and rediscover them. Having Emily and Colin in the band now has not only breathed new life into the band but, given all of us fans a reason to look forward to the future. Emily is a force of nature all on her own and these songs go even harder than before. That’s not a knock on Chester at all. Chester was great too but, with Emily it feels like the older songs are taken to new heights and the new songs are so damn good. Honestly this show and night was genuinely everything you’d want it to be. The production of the stage show was superb. It felt very immersive and intimate even though there wasn’t an empty seat or place to stand in the whole arena.
I took my daughter with me to the show as well and she had such an amazing time. She’s a huge LP fan and to see her smile, be happy and singing along was the cherry on top. Getting to share music with my daughter, friends and all of you is what makes this all fun. Seriously, if you haven’t heard From Zero, give it a listen. And the next time Linkin Park comes through town, GO!!! I know I will!
Overall Rating: A
Review and Photos By: Brian Lacy
Linkin Park Set List:
01) Somewhere I Belong 02) Crawling 03) Up From The Bottom 04) Lying From You 05) The Emptiness Machine 06) The Catalyst 07) Burn It Down 08) Stained 09) Where’d You Go (Fort Minor Cover) 10) Waiting For The End 11) Castle Of Glass 12) Two Faced 13) Joe Hahn Solo 14) When They Come For Me/Remember The Name (High Voltage Verse) 15) I Gave You Everything I Have 16) One Step Closer 17) Lost 18) Unshatter (Live Debut) 19) What I’ve Done 20) Overflow 21) Numb 22) Over Each Other 23) In The End 24) Faint ENCORE: 25) Papercut 26) Heavy Is The Crown 27) Bleed It Out (with A Place For My Head verse)
A few years back my friend Adam suggested I check out the band HO99O9 (pronounced Horror). I had heard the name before and was mildly curious. Then after I checked it out, I was hooked. Not long after that, we wound up going to a sort of secret show in the back of a coffee shop in Downtown Los Angeles to see HO99O9. That show really cemented for me what this band is all about. Intense isn’t the right word, more like vicious is a better way to describe this duo. HO99O9 blurs the line between hip hop, metal, industrial, electronic and then some. Having toured with Slipknot, Korn, Alice in Chains, Rob Zombie, Ministry, Cypress Hill, and Ghostface Killah, they definitely have the pedigree behind them.
Tomorrow We Escape is the bands third full length album. This one is very direct and focused on a mission. Throughout the 11 song album, there are many twists and turns that keep you captivated and trying to guess what’s next. The chaos is controlled yet burns its own path. From the instant the first song “I Miss Home” begins all the way through to the epic closer “Godflesh,” there is no letting off the pedal. Chock full of powerful beats that pulsate even in your brain even after the song is done, hooks that feel catchy but not cheesy and an edge that is razor sharp that cuts so deep. Other standout tracks include “Escape,” “OK, I’m Reloaded,” “Upside Down, and “L.A. Riots.” There are two specific songs though that truly shine on this album. The first being “Tapeworm” which features Greg Puciato (Dillinger Escape Plan, Better Lovers, The Black Queen, etc) and it’s one hell of a song. Greg takes the song to a whole other level. Just listen and you’ll know what I mean. And the other one is “Immortal” which features Chelsea Wolfe. This track is a complete 180 for the band and it is hauntingly dreamy. There’s a soothing touch to this song.
This is the album, I’ve been waiting for HO99O9 to make. The OGM and Yeti Bones have truly found their path on Tomorrow We Escape. All the elements that were thrown into the mix have a distinct place on these songs. When you think something might be out of place or a little weird, it’s not, just go with it and let it sink in. If you are looking for a barn burner of an album, this one is for you. I highly recommend you play this one loud and make sure your windows are down, it might shatter glass!
When it was announced that Reba Meyers would be going on a solo tour, I knew I had to go. Reba’s Clouded World EP recently was released and after my first listen through, I had a feeling live these songs would be even more special. On a quite perfect Sunday evening in Downtown Los Angeles at The Moroccan Lounge, Reba Meyers definitely left a lasting impression on me and it was one of the most genuine and artistic performances I’ve seen all year.
With minimal lights on, the right amount of ambient noise and armed with guitars galore, Reba took the stage intro t of an audience that was enthralled from the first note. Songs like “Got Your Hold On Me,” “Clouded World,” were breathtaking live. The passion that was pouring out during was real and you could feel it from the stage to the audience. One song in particular “Bring Us All Together” really struck a chord with me. There was something else about this song that gave me chills in the best way possible. It’s one of those songs that can lock you in a trance. When the set was over, I didn’t want it to end. The couple of new songs Reba played has me even more excited for what’s to come on her upcoming full length album.
I’d be remiss if I didn’t mention the direct support band of the night, Melted Bodies. This was the first time I’ve heard or seen this band and I loved every second of it. It’s part industrial metal, part punk and part experimental/psychedelic and they definitely had my attention. Playing against a very stark and dim lighting, Melted Bodies were captivating and have a driving rhythm section that is infectious. I’m definitely keeping this band on my radar!
All in all this was a great show and evening. It’s shows like this and artists like Reba that keeps me doing Audioeclectica and still loving music as much as I do. Truly you should really check out Reba’s music as well as Melted Bodies.
Every now and then a bands comes around that effects you in ways you didn’t think was possible. Throughout my musical journey, I’ve latched on to certain bands and albums to guide me through life. At different stages certain ones fit quite perfectly while others are the constant ones that give you that comfort and acceptance you’ve been looking for. The band Failure is one of those constant bands in my life. Ever since I heard Fantastic Planet when I was about 13 years old, I was hooked. There truly is something magical about that album and how it really connects and makes you feel every single note and nuance. If you were at their El Rey Reunion show like I was, you definitely know what I’m talking about.
When it was announced a while back that a Failure documentary was being made, that got me quite excited. I’ve read a lot about the band over the years be it from interviews (newer and older), magazine articles, and even the Golden DVD that had a mini doc about the band. The new documentary Every Time You Lose Your Mind, is a very up close and personal history of one of the most influential bands of the last 30 years. Behind the curtain and studio glass, you get a real in depth look into the history of the greatness of Failure. The interviews and stories with Ken Andrews, Greg Edwards, Kellii Scott are chock full of very insightfulness into the creative process of each album, how they formed a creative alliance and bond that was unlike anything else at the time, and all the while not knowing that what they made in such a short amount of time would wind up becoming this standard for not just songwriting but, production.
Another aspect of the documentary that is fascinating is hearing from other musicians that have felt very connected to Failure over the years. One of the ones that surprised me the most was knowing Tommy Lee of Motley Crue is a giant Failure fan. The way he talks about hearing Failure for the first time is pretty astounding. Tommy though has always been pretty keen on what’s good out there (with the exception of him making Methods Of Mayhem). Another one that I loved was Haley Williams of Paramore. She’s such a huge Failure fan and the more that I’ve listened to Paramore, you can pick up a bit of certain Failure tendencies in how she sings and phrases lyrics. Also if you get the chance check out her cover of “Stuck On You” as well as the acoustic performance she did with Ken Andrews recently of “Heliotropic.” Even Maynard from Tool and A Perfect Circle provides some cool insight to the LA scene at the time. All the interviews on this are quite interesting and tell you about how so many people got into this band.
Like all rock band stories there are ups and downs. And Failure suffered quite the loss when the band broke up. The openness and vulnerability shown by all the members really shows that this band meant something to each of them. You could tell they didn’t want it to end when it did but, at the end of the day it was the right thing to do at the time. While each member moved on to their respective other pursuits musically, for example, ON, Year Of The Rabbit, Autolux, Veruca Salt, etc, the lore of Failure grew each year becoming a cult phenomenon. While their story is a cautionary tale to an extent, it also shows that if you have the drive, willingness and right people with you, the idea of making something great is possible.
Failure’s comeback has been, in my opinion, one of the top reunions ever. Their live shows when they came back were nothing short of amazing. The albums they’ve released have picked up where they left off and added a slew of more greatness to their catalog. If you haven’t listened to Failure, you are surely missing out. So do yourself a favor, sit down put on Hulu, look for Every Time You Lose Your Mind, and let it drip all over you and take in the greatness that is Failure.
When I first heard Reba Meyers was going to be releasing solo material, I got quite excited. After seeing her other band Code Orange a while back, I could tell there was more to Reba than just this band. There was a ferociousness that was just waiting to be unleashed. We already knew her guitar playing was top notch but the vocals took it all to another level and showed that Reba was the one in that band that had “the whole package.” Even when Reb guested on the Greg Puciato song “Lowered,” you could tell that Reba was well on her own path. And now here we are with Reba’s first release as a solo artist, Clouded World. This six song EP is full of dark, moody and melodic grooves and deeply personal and poetic lyrics and vocals.
There are many things to unpack on this release. As I mentioned the lyrics are very personal and poetic. The vocal delivery is otherworldly. You definitely hear and feel all the words sung. This is one of my favorite things about artists like Reba, the authenticity is 100% real. Musically, there are loads of influences and inspirations packed into these songs. On one hand you have some very heavy rock driven songs that have this attitude and bite to it with soaring melodies on top. Then you have more delicate atmospheric songs that explore a more etherial side with a bit of electronic elements to further open the space. All while still being poetic.
Clouded World has fast become one of my favorite releases of 2025. I eagerly await Reba’s full length debut which will be out in 2026. The tour kicks off today, and I’m very excited to see Reba live and hear these songs come to life when the Los Angeles date comes up on August 24th. Do yourself a favor and put this record on and let it take you places you haven’t been in a while!
Over the last couple of years, Black Magnet has been a band I’ve become quite fond of. Each album has upped the ante of not just creating great industrial music but, has breathed new life into the genre. Which brings me to the album of the week, Black Magnet’s new record, Megamantra. If you are a fan of classic industrial a la Ministry, Godflesh, Broken/Downward era Nine Inch Nails then you will absolutely love Megamantra.
Black Magnet’s Megamantra is an album not for the faint of heart. This album is a hard charging, pummeling piece of work. The dark yet lush dynamics found on this record really captivate the listener. While the subject matter on the album is chock full of heavy and harsh realities, the songs are layered with an anthemic sensibility that packs obscene amounts of energy into each track. The guitars are razor sharp and the riffs hit you like a ton of bricks. The synth work on this album is on par with the likes of Nine Inch Nails and it creates an additional mood that compliments the hard driving riffs and thunderous drums (which are live- thank you Noah!!!). Throughout the 9 songs on the album, you can most definitely sense that this is a “complete album.” The whole album is a standout track. I implore you to listen to this album from start to finish.
James Hammontree, the bands founder, guitarist, and vocalist has put together a lineup for this album that truly explodes upon first listen. Compelling is a great way to describe this record. After listening to this album, one, you’ll more than likely want to start it over, because it’s that good, and two, you’ll really want to go see Black Magnet live. The way these songs flow into one another as well as the very direct approach in writing makes Megamantra one of the best albums of 2025. Black Magnet is a band for now and the future so make sure you connect with this one!
I love that feeling of putting an album on without any pre conceived thoughts and getting absolutely swept away by it. That’s exactly what happened the instant the first beat hit on Heavy Halo’s new album Damaged Dream. The moment I put this album on I was hooked. I’m not sure what I was looking for at the moment but, I knew this album was for me. Since I got this album, it has been in non stop rotation for me. Actually I’ve been aching to write about this album and share it with you all.
Heavy Halo’s sound is packed with so many things that I love like industrial, alternative rock, electronic elements and a nice splashing of gothic expression. Imagine if Nine Inch Nails, The Smashing Pumpkins, The Cure and early New Order (Movement era) all combined forces to create music, that combination is what you get on Damaged Dream. Throughout the ten songs on this album you get lost in the ambience, pulsating beats, driving guitars and great soaring melodies that add the light to a dark setting. There are hooks aplenty found throughout Damaged Dream and they are more like ear candy. Lyrically this is a deeply reflective album that hits you in all the feels in a great way. It’s a more uplifting feeling than what most bands would tend to do.
The way this album flows from start to finish is like blood flowing. It’s quite the rush. There isn’t one song on here that feels out of place. Each track is drenched with this feeling that makes you want to get up and move. Not necessarily in a “dancing way” but, more so in a way that gets you revved up for taking on a day and conquering it. I’d love to pinpoint certain songs but, it’s better if you just listen to this album from start to finish. It’s one of those albums! I really love this album. So much so that it’s definitely in my top 5 of 2025! Do yourself a favor and take some time and let Heavy Halo rock your world!
I’ve been having these mind blowing moments when I think about bands and albums these days. Mainly it’s realizing that I’ve been listening to a band or album for over 20-30 years. Growing up with all this music really has become “the soundtrack to my life.” One such band that really has me in this trance is Bush. I’ve been a fan since I first heard them at 10/11 years old. They’ve been one of those constant bands in my life. Even when Gavin went to do the Institute side project or his solo album, Gavin and especially Bush have really played a big part in my musical life.
Now on their tenth studio album, and after riding quite high off of two fantastic albums in The Kingdom and The Art Of Survival, it’s only fitting that I Beat Loneliness is the follow up to those two albums. While the past two records have really accentuated the heavy down-tuned riffs and got the band back on track, this new album really focuses on the lyrical messages and vocal delivery. From start to finish, I Beat Loneliness really connects and the relationship between the listener and these songs will definitely tap into your inner self. There is still an anger and edge to some of these songs, while others really delve more into those thoughts and feelings that can be uncomfortable. Gavin’s voice and delivery of the lyrics really shines on this album.
Another aspect of I Beat Loneliness that I find interesting is, it’s the album all the critics said their third album, The Science Of Things was production wise. The only thing that really takes the album down a notch is that the drums sound super programmed as well as flat. Because when you see the band live, it’s so in your face and bombastic that this just doesn’t sound right. The songs are there and Gavin sounds great. The heavy songs have solid good riffs and the more delicate songs are good songs but the production lacks the full emotional depth needed to convey some of these. If Steve Albini were still alive he would have been perfect to record Gavin’s vocals let alone this whole album.
All in all Bush has delivered yet again with a tremendous album. Gavin Rossdale really is underrated when it comes to songwriting as well as lyrics, melodies and vocals. As much as I love the classic Bush, the new line up with Chris Traynor, Corey Britz and Nik Hughes is the perfect complement to what Bush is doing these days.
Overall Rating: B or 8.5/10
Standout Tracks: I Beat Loneliness, I’m Here To Save Your Life, Love Me Till The Pain Fades, Don’t Be Afraid, Footsteps In The Sand
Ever since I heard “I’m Just The Driver” by Black Map a few years back, I’ve been hooked on them. When I think of the band Black Map, I know I’m consistently going to be hearing a really solidly good rock record with great riffs, soaring melodic and velvety vocals, pulsating low end and thunderous drums. So it’s no surprise to me that their new album Hex, delivers the goods on this record.
From the get go the rock begins. Chock full of hooks and those driving riffs and rhythms, “Disintegrate” sets the tone for what the next eight songs bring. There are moments that remind me a bit of Thrice, Cave In and Failure throughout. The melodic sensibilities that compliment the heaviness on the album is what makes Black Map stand out. And if what the company in which I just mentioned is what this is reminiscent of, that’s some good association. The way this album flows shows that Black Map have really honed in on creating a lush album. At times too even when the music goes into a slower tempo, the weight of the lyrics and delivery of the vocals of Ben Flanagan are just as heavy as his bass, or Mark Engles guitar tone, or the earth shattering drums of Chris Robyn.
There’s a very introspectiveness to this album. In a time when there is a lot to think about and deal with, having a voice like Ben’s that melody rich and soaring with passion, gives the listener ease and connection without having to shout or scream. Though there are moments that are very direct. The guitar work on Hex is also a bit more in a progressive nature. Not in the way of Dredg, even though there are shades of it, it’s more in tune with how Failure expands upon it’s sound in a spacey way. And to top it off with Chris Robyn’s drums it’s like the icing and cherry on top as the bass lines and drums connect in a way that as I mentioned above is quite thunderous. Trust me, when you hear it live, you will definitely know! Hex is a tremendous album that packs quite a lot of goodies in it’s 32 minute running time. And it’s one of those that you’ll want to start again so you can pick out more things to enjoy about this record. And a round of applause to producer Beau Burchell who really brought out some of the best work the band has done.
