Punk

New Release: Bad Optix- Raid

Well this is awesome! For the longest time I’ve been hoping for an Operation Ivy reunion and though that hasn’t come to fruition just yet, this new band I will gladly accept in the mean time. Tim Armstrong (Operation Ivy, Rancid, Transplants), Jesse Michaels (Operation Ivy), Joey Castillo (Circle Jerks, The Bronx) and bassist Spencer Pollard (Trash Talk) have unveiled their new project BAD OPTIX and released their debut single “Raid.” The sound of this single features a classic Jamaican influenced ska contrasted with a vocal approach aligned with the brute force of punk for a vibe that’s updated but not completely disconnected from early ska legacy.

Officially forming in March of 2021, the ska-punk pioneers of Armstrong and Michaels, have over 35 years of history together.  Even with the gap between Op Ivy to now, Michaels says, “our creative connection seems to be stronger than ever and all the music we loved back then, we still love.” The idea to form a band came organically one day when Jesse and Tim met up purely with the intent to reconnect. Of course the topic of music came up and when Armstrong started to play some of his new tracks, Michaels was immediately inspired and sparking ideas for vocals. He explains, “As soon as we started writing together, we found that we had the same collaborative energy that we had in the past, so it was natural and fun just to keep going.” Tim also adds, “It came back, just like that. Like when we were kids. There is a special chemistry between us and I don’t take it for granted.”

Now this isn’t Operation Ivy or is it pretending to be. Instead this is something a little different with a vibe that I have a feeling once there are shows, the intensity will be ever growing and bombastic. But my fingers are still crossed hoping for that OP IVY Reunion!

BAD OPTIX- RAID:

Anticipated Albums: Dead Cross- Dead Cross II

The long awaited second album from Mike Patton, Justin Pearson, Dave Lombardo and Michael Crain aka Dead Cross is just about here. On October 28th (via Ipecac Recordings), Dead Cross returns with an abrasive and socio-political 9 song record that will leave you in shambles. The album, while both a ravenous hardcore collection, and at times, a politically-charged opus, has its roots in friendship, with the band rallying together after Crain received a surprise cancer diagnosis. “Words can’t even begin to describe how much this album means to me. It’s birthed of pain and uncertainty,” explains Crain. “The slow, excruciatingly painful, and nauseating recovery from cancer treatments were the catalyst for every riff and note on this album. However, my will to live and be with my brothers Justin, Dave, Mike, and co-producer Ross Robinson, got me out of bed and running into the studio every day to get it all on tape.” And that couldn’t be more true. This album although only 9 songs is unrelenting and what you’d want in a follow up to the band’s 2017 debut.

The first song releases “Reign Of Error” has an interesting backstory to it. “’Reign of Error’ was recorded almost as quickly as it was written and I believe there’s a very good explanation for it,” adds Crain. “I haven’t told anybody this before, least of all the rest of the band or Ross, but I honestly felt a strong presence in the studio that day. Those riffs flew out of me and when Dave sat down at his kit it was almost as if we’d played that song a thousand times before. It literally just happened so fast. Bam! One take. I’m not trying to paint a dark or fantasy-like story either. Having just escaped death and still healing from my cancer treatments I was incredibly sensitive to energy and the other side. There was someone else there. Not evil but benevolent and inspiring. I honestly believe it was Dave’s old bandmate and friend Jeff. I think he just wanted to jam with his friend again and perhaps did so through me. There I said it. Whether people believe it or not I really don’t care. I’m just grateful that I had that experience.”

Personally, I’ve been very excited for this new release from Dead Cross. I throughly enjoyed the debut and am stoked on this one for sure. October 28th can’t come soon enough. Now, lets just hope they tour it!!!


Dead Cross- Reign Of Error:

Band Of The Week: Deaf Club
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I’ve always loved heavy music. Doesn’t matter the genre, I will find bands within them that I dig. Punk music is one such genre I’ve had an affinity towards for many many years. The aggression, intensity and energy that emits from this genre is what keeps me coming back. Which now brings me to the Band Of The Week, Deaf Club. Deaf Club is a band that takes no prisoners. Their savage sound comes with a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind with a touch of metal. The band consists of Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Tommy Meehan (The Manx, Chum Out!). The pace at which the band plays, delivers the goods in such a way that is at a breakneck speed with the right amount of space between to catch your breath before the onslaught continues. Their new single “For A Good Time, Call Someone Else” is exactly what I described and then some. Their album, Productive Disruption, was was recorded by Alex Estrada and Tommy Meehan and will be out January 6, 2022 via Three One G Records. Ironically, Deaf Club’s debut LP was recorded on the same day as what would become known colloquially as The Insurrection – January 6th, 2021. Deaf Club is a relentless and ferocious band that I’m sure will be decimating venues along their path.

Deaf Club- For A Good Time, Call Someone Else:

Deaf Club- The Wait (Killing Joke Cover):

Band Of The Week: Super Thief

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When bands explore different genres and sub-genres the end result can be hit or miss. For those that it works for, the music created and the “art” of it has its way of standing out. I recently came across a band hailing from Texas called Super Thief that has been pushing the boundaries of the “noise rock” sub-genre. While exploring the influence and inspiration of bands like Sonic Youth, Shellac, and The Jesus Lizard, Super Thief as taken what they’ve learned and combined a bit of a punk tinge to make some pretty rockin tunes. Their new EP Eating Alone In My Car, is rocking chaos full of noise, grooves and riffs and rhythms that get you up and moving. Check out Super Thief. They’ve got something going on that is quite fun to listen to and full of a slew of energy.

 

Super Thief- Eating In My Car Alone:

 

Super Thief- Stuck:

On The Rise: Vein

 

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There is a band that is out and about right now that is decimating audiences where ever they play. Their debut full length is leaving a lasting mark in the heavy music circles. And the best part is they are still so young. I’m talking about the band Vein. This is one hell of a band and they deserve your attention.

Vein formed in Boston, Massachusetts in 2013. Their music takes bits and pieces from metalcore, hardcore, punk, and a hint of early nu-metal. Their debut album Errorzone, is one of 2018’s most acclaimed albums. The album in no way sounds forced or out of place. You can tell that each member of the band has studied their influences and without trying to duplicate what they’ve heard, Vein has managed to make something that sounds inspired. There is a real sense of urgency to these songs and album. It’s almost like a call to arms of the entire scene. The length of Errorzone is barely 30 minutes. That tells you that there is no letting up. The eleven songs on the album pummel from the instant the album starts to the end.

Errorzone is just the beginning for Vein. They are on to something that reaches beyond just the hardcore genre. The way they experiment shows that they have so much more to offer. It’s going to be really fun to watch this band progress over the years. Vein is here to inject their style into you and let it take over.

 

Vein- Errorzone:

 

Vein- Virus://Vibrance:

 

Band Of The Week: Entry

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Punk and hardcore have been a favorite of mine for pretty much my entire life. There is something so beautiful in the volatile and extreme nature of the music that resonates so well. There is a band in Los Angeles that is disrupting the scene and leaving one hell of a mark. The band I’m talking about is called Entry and they are fanfuckintastic. Originally formed as just a duo with screamer Sara Gregory and her partner Clayton Stevens (who plays guitar in the underrated Touche Amore), the band has now grown to a four piece that also features Christopher Dwyer of Ghost Idols on drums and Sean S on bass.  Since Their inception, Entry has fast become one of the bests underground bands in LA. Their music and live shows are full of piss and vinegar that harks back to the days that Black Flag was hitting their stride. Entry is the type of band in the punk/hardcore scene that is a real force to be reckoned with and I’d dare anyone to try and take them on!

 

Entry:

Unsung Masterpieces: Snapcase- Progression Through Unlearning
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There are certain albums that over the years have made quite an impact on so many bands. In the punk, hardcore/post hardcore genres specifically there is one album that is often sited as a huge inspiration not only in songwriting but also production. That album is Snapcase’s 1997 album Progression Through Unlearning. Just as The Shape Of Punk To Come by the Refused helped to change the landscape of hardcore and punk, Snapcase really ignited a fuse within the hardcore/punk community.

Interestingly, Progression Through Unlearning was actually a rebirth of sorts for the band. Their primary songwriter, guitarist Scott Dressler, left the band for graduate school. Thus leaving the rest of the guys in their tiny, dungeon-like basement practice space with a new member and a new lease on band life. The first song they wrote with their new line up was the first song on the album “Caboose.” Progression Through Unlearning was produced by the now legendary Steve Evetts. The band chose Steve based on his work on Lifetime’s Hello Bastards and Deadguy’s Fixation on a Coworker. 

The finished product was 32 minutes of pure and unrelenting hardcore. The band has stated over the years that with Progression and working with Steve Evetts, it was the first time anyone had been able to capture the true essence of what Snapcase really is. Something else that makes this album stand out from all their others is the lyrical content. Progression Through Unlearning was based around the idea of self-improvement through inward reflection. It encouraged the listener to take a look at the layers that society defined them by to discover the strength buried underneath.

After Progression was released, Snapcase hit the road with bands like Deftones and Quicksand, as well as a spot on the Vans Warped Tour. The legacy of the band’s live shows and this album in particular has helped to pave the way for so many bands that came after them. The production of this album is something that sort of also lives in infamy. So many bands, including Deftones have tried to replicate what was created with Progression Through Unlearning.

Snapcase were always out there on the road and grinding it out through 2005 when they called it quits. Over the years though, Snapcase have reunited for various one off shows. Now in 2018, it seems that Snapcase are preparing for a return and it will be one welcomed with open arms.

 

Snapcase- Progression Through Unlearning:

 

Snapcase- Spike Up Your Tone (first new song in 16 years!!!!):

Unsung Masterpieces: AFI- Sing The Sorrow
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AFI is a band that has gone through a lot of changes stylistically throughout their career. They started out as a punk band with hardcore roots, then shifted more to the Horror punk side of things. As time went on and the band evolved they found a balance of their roots of punk and added a more goth element to their music. So in 2003, AFI released their most ambitious album up till that point, Sing The Sorrow. Their die hard fans were caught off guard by the departure of their original sound, while at the same time finding a new audience. Sing the Sorrow was produced by Butch Vig and Jerry Finn, allowing the album to be more experimental. Lyrically, the album is darker and more poetic than their previous material. I for one, when I first heard the album wasn’t really in to it at all. It just wasn’t the AFI I was a fan of. Fast forward a few years and I revisited the album and really grew to love it. There is something truly intriguing about it. The depth of the songwriting really took things to another level for the band with the use of synths, strings and the all around lyrical content. Songs like “The Leaving Song Pts. I & II,” “Bleed Black,” “Death Of Seasons,” “But Home Is Nowhere,” really show the maturity of the guys in the band. There are some songs that are a little more radio friendly like “Girls Not Grey,” “Silver and Cold,” and “Dancing Through Sunday,” but that doesn’t change the fact that the songs are really good.

This is one of those albums that with time you really come to love. There is something about Sing The Sorrow that really hits home. Sure the production on it is a little too slick and AFI has completely changed from what they once were, but the growth on this album is truly astounding. Give it another shot if you gave up on them.

AFI- Sing The Sorrow:

By: Brian Lacy