Post Hardcore

Unsung Masterpieces: Sparta- Wiretap Scars
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The early 2000’s were full of so many bands and genres. One genre that really began to take off at this point was post-hardcore. Following the break up of one of the most exciting bands to come around in years, At The Drive In, members Jim Ward, Paul Hinojos, and Tony Hajjar formed Sparta. In 2002 Sparta released their debut album Wiretap Scars. The album brought well-earned respect and relieved some of the pressure brought on by the shadow of At the Drive-In. Opening the album is  “Cut Your Ribbon”  an explosive rock song that stuck true to the bands roots. “Air” is my all time favorite track on the album. Other tracks such as “Cataract”, “Glasshouse Tarot” and “Mye” are full of emotion and expansive melody. Jim Ward’s vocals really captivate those listening. His delivery makes his words really stand out. The music of Sparta packs enough of a crunch to really drive home the heavy parts, and at the same time can shift to a more subtle approach to highlight the more melodic parts. Wiretap Scars is one of the best albums to come out since the beginning of the 2000’s. It’s one that deserves to be in every collection.

Wiretap Scars:

 

By: Brian Lacy

Unsung Masterpieces: Sunny Day Real Estate- Diary
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Music will always stand the test of time. Certain albums will forever be revered as timeless. Some albums though don’t get the recognition they deserve. Which brings me to Sunny Day Real Estate’s debut album Diary. The album is considered by many to be a defining emo album. It has also been called the bridge between post hardcore and the emo genre. Listening to this album you can tell where Brand New gets a lot of their influence from. Lyrically there is a sense of realism throughout the album. Jeremy Enigk has a real knack for creating vocal melodies that compliments his softer voice and the words. Dan Hoerner’s guitar tone is heavy yet crisp and bright, which accents the soft vocals and the delicate nature in which Jeremy plays. Nate Mendel’s bass has a nice dirty tinge to it, adding just the right amount of distortion to balance with William Goldsmith’s heavy hitting drums. Songs like “Seven,” “In Circles,” “47,” “Grendel,” and “48” are all stand out tracks. Diary was different from those released by all the other Seattle bands at the time. It’s melodic but has a slightly heavy sound that has had a clear impact on future emo groups. It is the seventh best selling album released on Sub Pop Records, having sold more than 231,000 copies. In 2013, Diary took the first place in LA Weekly’s  list of the “Top 20 Emo Albums in History”

 Diary:

 

By: Brian Lacy

Quicksand- Slip Turns 21!!!
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The 90’s really had a huge impact on my musical taste. There are so many great bands and albums from that time, that deserve to be acknowledged. Quicksand is one of those bands that really deserve attention. Their sound is now considered by many as the pre-cursor to what “post-hardcore” is. Released in 1993  Slip, their debut studio album, is widely considered to be one of the classic records of that genre. The powerful riffs and rhythms drive the collection of songs. Vocally, Walter Schreifels, has a deep raspy voice that really reverberates throughout the songs evoking raw energy. The guitar riffs between Schreifels and Tom Capone are loud, crunchy yet very clear to hear the notes. Alan Cage plays the drums in a subtle heavy way. His knack for hitting harder when necessary is very noticeable. Sergio Vega’s bass playing is thunderous and compliments the rhythm masterfully. Songs like “Fazer,” “Dine Alone,” “Lie and Wait,” and “Transparent” sum up this great album. Take a listen and revel in it!

Slip:

 

By: Brian Lacy