Maynard James Keenan

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ANTICIPATED ALBUMS: PUSCIFER- NORMAL ISN’T

Over the course of the last few years Puscifer has become more than a side project. In fact, I’m actually glad that it has evolved further past that aspect and into it’s own entity. While it started as a sort of tongue in cheek project, the lyrical urgency of the last album and into the latest, Normal Isn’t, shows Puscifer is more than what the surface shows. The new album, Normal Isn’t, already is emitting sweet post-punk, alternative rock and electro energy. The first single “Self Evident” strikes quite the topical nerve lyrically. Then the second “Pendulum” really ignites the post-punk fire. And the latest “ImpetuoUs” has a way about it that sways into the Nine Inch Nails realm. Which is fine by me. It does have me wondering if there is any subconscious Tapeworm memories that crept in. Just a theory. I’m quite looking forward to this new album and where else it goes. Normal Isn’t sure hits the world and officially arrives on February 06, 2026 via Puscifer Entertainment/Alchemy Recordings with a full North American tour to follow!

Self Evident:

Pendulum:

ImpetuoUs:

MEMORABLE LIVE PERFORMANCES: TOOL- CRAWL AWAY 2025

During Tool’s most recent tour in Australia, the band pulled out songs they haven’t played live in years. I don’t just mean like 5 years. We are talking 20 years plus. Songs that fans all over the world have been anticipating to make it in the set list for years. One of those that was played just so happened to be “Crawl Away.” “Crawl Away” is in my top 5 favorite Tool songs of all time. I absolutely love this song. And of course they bring it out and play it in Australia. Fun fact, “Crawl Away” up until this point had not been played live in 26 years. Yes that’s right TWENTYSIX YEARS! Up until November 22, 2025, the last time Tool played “Crawl Away” live was August 8, 1998. That’s just absurd and way to long to go without playing this song! So, here it is, “Crawl Away” LIVE for the first time in 26 years! Thankfully someone in the audience filmed it. Sorry Maynard but, this was a necessary filming!

Tool- Crawl Away (Live In Australia, 2025: First Time In 26 Years):

GREAT MUSIC VIDEOS: A PERFECT CIRCLE- 3 LIBRAS

For the past couple of weeks, I’ve had A Perfect Circle’s “3 Libras” stuck in my head. I’m not complaing about it, I love this song. It’s crazy too, to realize that it’s been 25 years since their debut album, Mer De Noms was released. As far as debut albums go, it’s definitely one of the best. Interestingly, though “Judith” was the first single, the band actually wanted “3 Libras” to be the first one released. I always find things like that interesting. The video for “3 Libras” is really a beautiful one. Directed by Paul Hunter, who made his name in the HipHop/R&B world with artists like Eminem (“The Way I Am, “Superman”), D’Angelo (“How Does It Feel”), also directed videos for Marilyn Manson (“The Dope Show,” “I Don’t Like The Drugs…”), Hole (“Malibu”), Lenny Kravitz (“Fly Away”). The video for “3 Libras” is dark, haunting, and such a compliment to a great song. The way the cinematography and cameras pull the viewer in at certain moments, to the choice of color used throughout, and the sensuality, all these things make for a great video. I miss when bands would make videos like this. Take a few minutes out of your day and really explore the music video for A Perfect Circle’s “3 Libras,” you’ll really enjoy it!

A Perfect Circle- 3 Libras:

TITLE TRACKS: TOOL- UNDERTOW

I have an interesting theory on title tracks. More often than not, the title track on an album is a deeper cut, towards the end of the album. My theory is that the “title track” is a bit of a summation of what the album encompasses. It could be musically, lyrically, thematic or the all around tonality of what the album is about. There are quite a few bands that do this on a consistent basis and I quite enjoy it. One of those bands is Tool. They have successfully done this three times (Undertow, Aenima and Lateralus). As much as I love “Lateralus” I really have to say “Undertow” might just be the best of the three. The song itself has a lot of different vibes to it. You have the heavy aspects, the syncopated rhythms, but the more progressive elements mixed with a bit of psychedelia puts this one over. “Undertow” is a song you can get lost in and it’s placement in the album sequence really lets the song become its own entity. I’m glad to see that “Undertow” made it back into the set list the past few years. More songs off of the album itself need to be played live. Less Fear Inoculum and more of the songs not played enough!!

Tool- Undertow:

Title Tracks: Tool- Lateralus

It’s been quite a while since I listened to Tool but, last night I was thinking something related to them and wound up putting Lateralus on for bed. As I listened and got to track 9, I remembered why I liked this album so much. I also believe that this was the last good thing they have put out in years (but that’s for another topic and another day). “Lateralus” was actually released as a single to radio in February of 2022 with a Radio Edit version that’s about 6 minutes long (5:47 to be exact). This is also the song most well known for using the Fibonacci sequence in its creation. I’ve also heard that this song is about an acid trip. Either way this song is awesome, epic and a phenomenal title track to a great album.

Tool- Lateralus (Album Version):

Tool- Lateralus (Live 2014):

Deep Cuts: A Perfect Circle- The Noose

I quite enjoy waking up with a song in my head. How it gets there is a story for another time. This morning I woke up with an instrumental part in my head and it didn’t take long to figure out what song it was. “The Noose” by A Perfect Circle is the song that started things off this morning and what a great track it is. It’s one of those songs that not only captivates you as your listen but, the lyrical content makes you think too. The Thirteenth Step is a concept album that pulls from the different aspects and perspectives of recovery and the 12 steps. “The Noose” definitely pulls from the step of making amends. It’s quite a song both lyrically and musically. This is one of those album/deep cuts that make an album strong and prove that a band is more than just the singles they release. One can hope that if A Perfect Circle regroups, and get back into writing/recording, that they find their way back to where they left off on The Thirteenth Step.

A Perfect Circle- The Noose:

The Noose (Live):

Track One: A Perfect Circle- The Hollow

The other day I was having a conversation with a friend and we got to talking about how fast time has gone by. While in this discussion, it somehow evolved into how old certain albums are now. One of the ones that got brought up was A Perfect Circle’s debut album, Mer De Noms, which is now 23 years old. Crazy! I still remember the day it came out and spending hours upon hours listening to it. So much so that it became my go to album in the summer of 2000. Naturally, this made me go put the album on later and it’s still as good as it was the first listen through. One of the songs I’ve always loved on that album is the opening track, “The Hollow.” It’s a damn good song and one of my all time favorite track one’s. It’s got such a great impact to start the album off and all the little nuances about the song make it all the more intriguing each time you listen. Also something that many don’t know is that this is the only song on the album that Josh Fresse doesn’t play drums on. Instead Tim Alexander from Primus is the drummer on this song. Also, “The Hollow” was the third and final single released from their debut album.

A Perfect Circle- The Hollow:

Memorable TV Performances: A Perfect Circle- 3 Libras on The Tonight Show

This morning I woke up with a part of a song in my head and it took me a minute to realize what it was and then once it hit, I knew what I was going to write about today. The song I had in my head was “3 Libras” by A Perfect Circle. To this day, this song is still one of my favorites and when it gets to that part of the album it gives me chills. One of my favorite performances of “3 Libras” actually comes from their appearance on the Tonight Show with Jay Leno (that long ago). This one is a stand out not just for how well they rocked the song but, having Paz Lenchantin play violin throughout the song and having one of my all time favorite musicians, Danny Lohner join them on bass to round it out made it that much more memorable. Revisit this gem of a performance with me!


A Perfect Circle- 3 Libras (Live on The Tonight Show with Jay Leno):

Memorable TV Performances: A Perfect Circle on Conan O’Brien

A Perfect Circle - Judith live on Conan O'Brien - YouTube

Back in the year 2000 (how fitting for this since Conan used to have a segment on his show about “The Year 2000”), while A Perfect Circle was supporting the release of their amazing debut album, Mer De Noms, and while on tour with Nine Inch Nails, they made a stop to perform “Judith” on Late Night with Conan O’Brien. This performance is absolutely killer. Josh Freese is a beast behind the kit and was such an integral part of this band. It’s too bad he wasn’t involved in their recent return along with Paz Lenchantin on bass and Troy Van Leeuwen on guitar. Either way, enjoy this gem!

 

A Perfect Circle- Judith on Late Night with Conan O’Brien: