James Iha

Great Music Videos: The Smashing Pumpkins- 1979

 

3739

It’s a shame music videos aren’t made like they used to be. Gone are the days of proper budgets to make a great video and the narratives that came along with the video have disappeared as well. Granted there are still a few directors out there that have been able to capture the essence of yesteryears. One video I will always remember fondly was for The Smashing Pumpkins song “1979.” Directors Jonathan Dayton and Valerie Faris (Jane’s Addiction, Smashing Pumpkins, Korn, Red Hot Chili Peppers), really honed in on what Billy Corgan wrote the song about and the end result was something beautiful. It’s also crazy to think that this video is now 22 years old. My head is spinning just thinking about that. Here’s a piece of cool trivia that you’d find interesting. The video for the song “Perfect” from their Unsung Masterpiece, Adore, is a sequel to the 1979 video, and involves the same characters who are now older.

 

The Smashing Pumpkins- 1979:

 

The Smashing Pumpkins- Perfect:

New Release- Smashing Pumpkins- Solara

maxresdefault.jpg

I’m sure most of you know about the 3/4 reunion of The Smashing Pumpkins. They have announced a full scale US Tour and will be releasing a new album (their first with Billy, James, and Jimmy in over 18 years) to coincide with the tour. The first song released by this newly reunited Pumpkins along with longtime Corgan collaborator Jeff Shroeder is called “Solara.” It’s a very Pumpkins sounding track. The real highlight of the song is Jimmy Chamberlain’s drumming on it. Jimmy is seriously one of the most underrated drummers of the last 25-30 years. That guy is a beast behind the kit. Anyways check out the song below. I’m interested to know what you all think of it.

Smashing Pumpkins- Solara:

Unsung Masterpieces: Smashing Pumpkins- Adore
6b4a1443ce6697a11537102f05b00f61

The process of following up a career defining album is a very serious task. The amount of pressure that is put on a band to follow that up with a great deal of success is overwhelming. The Smashing Pumpkins follow up to Mellon Collie and The Infinite Sadness, Adore is one of the most daring and intriguing albums in the bands discography. Recorded following the death of Billy Corgan’s mother and his divorce, this was a significant change of style from the bands guitar driven albums. Adore saw the band venture into more electronic territory. This was in part to drummer Jimmy Chamberlain being fired from the band before the recording process. Instead the drums on the album were cut from drum machines and the assistance of drummer Matt Walker who toured with the band following Chamberlains release. During this time as well, the bands image shifted toward a more darker gothic sensibility.

Adore is the type of album that when you first listen to it, you are taken aback by it. There is a purity and solemnness to it, that delves even deeper than the bands previous works. Songs like “To Sheila,” “Crestfallen,””For Martha,” exhibit this notion. The more electronic driven songs like “Ava Adore” and “Perfect” show some similarities to classic Pumpkins material. Then there are songs like “Tear,” “Appels & Oranjes,””Pug,” “Behold! The Night Mare,” that show an added maturity to Billy Corgan’s writing.

Adore was obviously not the album that fans of the band wanted, but it was necessary to reinvigorate the band to come to terms with their issues. Over time, Adore has been one of those albums that with time and age has truly become a wonderful album. It really has a sense that if you’ve lived life and been through hell to an extent, then this album will really hit the mark. Take it for another listen, and you’ll see what I mean.

Smashing Pumpkins- Adore:

Album Debate: Smashing Pumpkins Disc 1 vs Disc 2 of Mellon Collie and the Infinite Sadness

8122Mvlp-vL._SL1300_

Since it’s been 20 years since Smashing Pumpkins double album Mellon Collie And The Infinite Sadness came out, I thought this would be a great topic for an album debate. Since it’s a double album the debate is between what disc you prefer. Disc 1 is entitled Dawn to Dusk and features classic like “Zero,” “Bullet With Butterfly Wings,” and “Tonight, Tonight” along with some great deep cuts like “An Ode To No One,” “Jellybelly,” and “Muzzle.”  This part of the album is heavier and filled with more rage. Disc 2 entitled Twilight To Starlight is loaded with songs that show a more mellow side of things. Songs like classics “1979,”  and “Thirty-Three,” really set the tone of this side of the album. Other deep cuts like “XYU,” “Bodies,” “Where Boys Fear To Tread,” also give this side a kick in the teeth to break up the solemn mellowness.

I for one am a big fan of the album and depending on my mood it differs on which one I pick. I will say though that if I ha to pick one side, I would absolutely pick Disc 1: Dawn To Dusk. I just love the way the songs all flow into each other and the way that you can get so wrapped up in the angst but all the while there is a calming sense nestled in each song.  Not to take anything away from Disc 2: Twilight To Starlight, which is an entirely different beast all on it’s own.
What side do you pick?

Smashing Pumpkins- Mellon Collie and the Infinite Sadness:

Album Rank: Smashing Pumpkins

3739

I’ve had a very complicated relationship with The Smashing Pumpkins over the years. I go through phases when I think wow, This is great, and then on the other hand I think gosh I can’t stand this. Lately I’ve been back to wow, this is really great. So, with that in mind, I present you the album rank of Smashing Pumpkins albums from not their best to their best.

Machina II:

Oceania:

Machina:

Monuments To An Elegy:

 

Pisces Iscariot:

Zeitgeist:

Gish:

Adore:

Siamese Dream:

Mellon Collie And The Infinite Sadness:

2 For Tuesday: Smashing Pumpkins

I’ve always had a love hate relationship with The Smashing Pumpkins. On one hand they have put out 2 of the best albums of the 90’s and the other I can’t stand Billy Corgan’s voice. Though after coming across the band Sidewave, I went back and gave them a listen again. Now I’m back liking them.

From Siamese Dream: Quiet

From Mellon Collie And The Infinite Sadness:  An Ode To No One