James Iha

Live Review: The Smashing Pumpkins at The Forum

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Over the years I’ve developed an interesting relationship with The Smashing Pumpkins. One one hand I’ve thoroughly enjoyed their albums and on the other, I’ve been less than impressed with their live shows, until now. The previous three times I’ve seen The Smashing Pumpkins, were not that great at all but, on this evening that I saw them, they put all those old thoughts and feelings to rest. The Shiny and Oh So Bright tour is more than a spectacle, it’s a right of passage and a sense of realization of a band that has always been at the forefront of alternative music.

 
As the lights dimmed and the curtain opened just a tad, out walks William Patrick Corgan (he no longer goes by Billy), armed with an acoustic guitar, he starts strumming the chords of “Disarm.” What a way to start the show. Then a quick pause to allow the other members of the band join on stage as they blast off with “Rocket.” Already after two songs, my mind is blown. I’ve been waiting years to hear these songs. As the show went on, more and more favorites of mine were played like “Siva,” “Rhinoceros.” “Drown,” “Thirty-Three,” “Soma,” “Eye,” “Hummer,” “Cherub Rock,” and “Muzzle.” Of course there were the quintessential staples that were played like “Zero,” “Tonight, Tonight,” “Today,” “Bullet With Butterfly Wings,” and “1979.” One thing that made this night even more special was the inclusion of so many deep cuts like “Try, Try, Try,” “Mayonaise,” “Drown,” “For Martha,” and “Blew Away.” Even their new song “Solara” sounded superb. The production for this show was top notch as well. The videos playing behind the band were pretty trippy and drenched with different emotions to accompany the songs played. Even their cover of the Led Zeppelin classic “Stairway To Heaven” was outstanding.

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This night not only proved that The Smashing Pumpkins are back and better than ever but, it showed that real artistry is still alive. 30 years into their career, the Pumpkins, have shown that their songs stand the test of time and for the most part, their fan base is still intact, just waiting for the next great album from William and company. I will say that having Jimmy Chamberlain and James Iha back in the band really does make a difference. They have a distinct feel for how they play these songs and they really come to life with them on stage. Jeff Schroeder on guitar is a perfect addition to this group. Having been in the band since the Zeitgeist album, he too has a really great take on how to play these songs. Lastly, the addition of Jack Bates on bass was stellar. He brought a subtle yet dark eerie vibe to the low end that really complimented these songs well. Plus he’s the son of the legendary Peter Hook of Joy Division and New Order so, it’s without a doubt that he understands the proper tone.

I came in not knowing what to expect, and left the show completely blown away. The 3 and a half hour set didn’t feel like it was that long. Every aspect of this show was spot on. William sounded great and better than ever. Personally I can’t wait to see them again. What a night and setlist to remember forever. Thank you to The Smashing Pumpkins for delivering one hell of a show and playing so many of my favorite songs.

 

The Smashing Pumpkins Set List:
01) Mellon Collie and The Infinite Sadness
02) Disarm
03) Rocket
04) Siva
05) Rhinocerous
06) Space Oddity (David Bowie Cover)
07) Drown
08) Zero
09) The Everlasting Gaze
10) Stand Inside Your Love
11) Thirty-Three
12) Eye
13) Soma
14) Blew Away
15) For Martha
16) To Shelia
17) Mayonaise
18) Porcelina of the Vast Oceans
19) Landslide (Fleetwood Mac Cover)
20) Tonight, Tonight
21) Stairway To Heaven (Led Zeppelin Cover)
22) Cherub Rock
23) 1979
24) Ava Adore
25) Try, Try, Try
26) The Beginning Is The End Is The Beginning
27) Hummer
28) Today
29) Bullet With Butterfly Wings
30) Muzzle

Encore:

31) Solara
32) Baby Mine (Betty Noyes Cover)

Great Music Videos: The Smashing Pumpkins- 1979

 

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It’s a shame music videos aren’t made like they used to be. Gone are the days of proper budgets to make a great video and the narratives that came along with the video have disappeared as well. Granted there are still a few directors out there that have been able to capture the essence of yesteryears. One video I will always remember fondly was for The Smashing Pumpkins song “1979.” Directors Jonathan Dayton and Valerie Faris (Jane’s Addiction, Smashing Pumpkins, Korn, Red Hot Chili Peppers), really honed in on what Billy Corgan wrote the song about and the end result was something beautiful. It’s also crazy to think that this video is now 22 years old. My head is spinning just thinking about that. Here’s a piece of cool trivia that you’d find interesting. The video for the song “Perfect” from their Unsung Masterpiece, Adore, is a sequel to the 1979 video, and involves the same characters who are now older.

 

The Smashing Pumpkins- 1979:

 

The Smashing Pumpkins- Perfect:

New Release- Smashing Pumpkins- Solara

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I’m sure most of you know about the 3/4 reunion of The Smashing Pumpkins. They have announced a full scale US Tour and will be releasing a new album (their first with Billy, James, and Jimmy in over 18 years) to coincide with the tour. The first song released by this newly reunited Pumpkins along with longtime Corgan collaborator Jeff Shroeder is called “Solara.” It’s a very Pumpkins sounding track. The real highlight of the song is Jimmy Chamberlain’s drumming on it. Jimmy is seriously one of the most underrated drummers of the last 25-30 years. That guy is a beast behind the kit. Anyways check out the song below. I’m interested to know what you all think of it.

Smashing Pumpkins- Solara:

Unsung Masterpieces: Smashing Pumpkins- Adore

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The process of following up a career defining album is a very serious task. The amount of pressure that is put on a band to follow that up with a great deal of success is overwhelming. The Smashing Pumpkins follow up to Mellon Collie and The Infinite Sadness, Adore is one of the most daring and intriguing albums in the bands discography. Recorded following the death of Billy Corgan’s mother and his divorce, this was a significant change of style from the bands guitar driven albums. Adore saw the band venture into more electronic territory. This was in part to drummer Jimmy Chamberlain being fired from the band before the recording process. Instead the drums on the album were cut from drum machines and the assistance of drummer Matt Walker who toured with the band following Chamberlains release. During this time as well, the bands image shifted toward a more darker gothic sensibility.

Adore is the type of album that when you first listen to it, you are taken aback by it. There is a purity and solemnness to it, that delves even deeper than the bands previous works. Songs like “To Sheila,” “Crestfallen,””For Martha,” exhibit this notion. The more electronic driven songs like “Ava Adore” and “Perfect” show some similarities to classic Pumpkins material. Then there are songs like “Tear,” “Appels & Oranjes,””Pug,” “Behold! The Night Mare,” that show an added maturity to Billy Corgan’s writing.

Adore was obviously not the album that fans of the band wanted, but it was necessary to reinvigorate the band to come to terms with their issues. Over time, Adore has been one of those albums that with time and age has truly become a wonderful album. It really has a sense that if you’ve lived life and been through hell to an extent, then this album will really hit the mark. Take it for another listen, and you’ll see what I mean.

Smashing Pumpkins- Adore:

Album Debate: Smashing Pumpkins Disc 1 vs Disc 2 of Mellon Collie and the Infinite Sadness

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Since it’s been 20 years since Smashing Pumpkins double album Mellon Collie And The Infinite Sadness came out, I thought this would be a great topic for an album debate. Since it’s a double album the debate is between what disc you prefer. Disc 1 is entitled Dawn to Dusk and features classic like “Zero,” “Bullet With Butterfly Wings,” and “Tonight, Tonight” along with some great deep cuts like “An Ode To No One,” “Jellybelly,” and “Muzzle.”  This part of the album is heavier and filled with more rage. Disc 2 entitled Twilight To Starlight is loaded with songs that show a more mellow side of things. Songs like classics “1979,”  and “Thirty-Three,” really set the tone of this side of the album. Other deep cuts like “XYU,” “Bodies,” “Where Boys Fear To Tread,” also give this side a kick in the teeth to break up the solemn mellowness.

I for one am a big fan of the album and depending on my mood it differs on which one I pick. I will say though that if I ha to pick one side, I would absolutely pick Disc 1: Dawn To Dusk. I just love the way the songs all flow into each other and the way that you can get so wrapped up in the angst but all the while there is a calming sense nestled in each song.  Not to take anything away from Disc 2: Twilight To Starlight, which is an entirely different beast all on it’s own.
What side do you pick?

Smashing Pumpkins- Mellon Collie and the Infinite Sadness:

Album Rank: Smashing Pumpkins

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I’ve had a very complicated relationship with The Smashing Pumpkins over the years. I go through phases when I think wow, This is great, and then on the other hand I think gosh I can’t stand this. Lately I’ve been back to wow, this is really great. So, with that in mind, I present you the album rank of Smashing Pumpkins albums from not their best to their best.

Machina II:

Oceania:

Machina:

Monuments To An Elegy:

 

Pisces Iscariot:

Zeitgeist:

Gish:

Adore:

Siamese Dream:

Mellon Collie And The Infinite Sadness:

2 For Tuesday: Smashing Pumpkins

I’ve always had a love hate relationship with The Smashing Pumpkins. On one hand they have put out 2 of the best albums of the 90’s and the other I can’t stand Billy Corgan’s voice. Though after coming across the band Sidewave, I went back and gave them a listen again. Now I’m back liking them.

From Siamese Dream: Quiet

From Mellon Collie And The Infinite Sadness:  An Ode To No One