I’ve had a tradition for many years that when it’s Halloween, I have to listen to AFI’s All Hallows EP. It’s really a great Halloween companion. It sets the mood oh so sweetly. Released in October of 1999, All Hallows features three new songs and one cover. The three originals are damn good. “Fall Children” really captures the energy of AFI at the time. “The Boy Who Destroyed The World” is one of those songs that shows a bit where the band was heading into The Art Of Drowning. “Total Immortal” is one of my favorite AFI songs. I love the rawness of this song. It’s got such a great punk feel mixed with the right amount of goth/post-punk to make it quite memorable. And who can forget their awesome cover of The Misfits “Halloween.” I mean AFI and The Misfits is a perfect match. Some more fun history about this EP and era of the band is after the release, AFI would tour with Sick Of It All. Then concluding that tour, they went on to tour with Danzig. Talk about a tour!!! I’d love to see that now even. “The Boy Who Destroyed The World” was featured in Tony Hawk’s Pro Skakter 3 video game. The Offspring would go on to cover “Total Immortal” and that was featured in the Jim Carrey movie, Me, Myself and Irene. By the way, AFI’s version is way better than The Offspring’s. I really miss when bands would do one off’s like this. AFI is on quite the roll right now as their new album, Silver Bleeds The Black Sun is out and it’s fantastic! So when you’re done listening to the All Hallows EP, be sure to check out my review and listen to Sliver Bleeds The Black Sun. You can thank me later!
I love when it’s been a long while since you’ve seen a certain band live, then you go to the show and it’s just what you wanted it to be and even a little bit more too, since it’s been that long in between shows. This past weekend I went to see Danzig (who I haven’t seen live since 2013) and one of my all time favorite bands, Down (who I haven’t seen live in almost 10 years) at The Forum. What a show it was too. Also playing this evening were Abbath (first time seeing them live) and Cro-Mags (didn’t catch them). The Forum over the last decade plus has really stepped up their game in terms of sound, and the shows they hold. Getting to see Down here was quite special (think the last time they played the Forum was when they were on tour with Heaven And Hell (Dio era Black Sabbath).
First band I saw of the evening was Abbath. It’s been a while since I’ve seen a black metal band play and they sure were good. I forgot that the main guy was also previously in Immortal. Abbath was a good choice for this show (just thought of this, why wasn’t this tour billed as the new Blackest Of The Black tour- I’ll have to inquire). It was nice to see Norwegian Black Metal still thriving and destroying. Though I didn’t see Cro-Mags, the 1, 2 punch of Hardcore Punk then Black Metal is quite the way to open a show.
Now the part that really got me, DOWN!!! I love Down. I actually get into arguments with people because I like Down more than I like Pantera. To me Down just has more substance and depth. There’s nothing like seeing Down live and firing on all cylinders. It’s truly a magical thing to see and hear. Playing songs mainly from their classic debut, NOLA, as well as a couple from their second album, Down had the crowd in the palm of their hand for the hour they were on stage. The moment they all took the stage and the first notes of “Lysergic Funeral Procession” began, you knew that you were in for one hell of a set. From there it was just classic after classic. It’s always a pleasure to hear favorites of mine like “Losing All,” “Ghosts Along The Mississippi,” one of the best Track One’s of all time “Temptation’s Wings,” and one of the best closers too in “Bury Me In Smoke.” I also love that during the “Bury Me In Smoke” Phil sang the a bit of “Nothing In Return (Walk Away)” and that absolutely was a special moment. I love that song. It’s so epic that it too should be played live! Down was on fire and everyone sounded killer. Watching Philip, Pepper, Kirk, Jimmy and Pat on stage truly having fun and ripping through a great set like that is why I love going to concerts and seeing my favorite bands, Down especially!
Danzig headlined this evening and by the time he went on and the lights went down, it was sure time for things to get a bit darker. It’s been a long time since I’ve seen Danzig live. The last time was probably the best Danzig show I have ever seen. This show is right up there though. There’s such a fun theatricalness to a Danzig show that it keeps you into it. Knowing his audience well, the set consisted of songs mostly from the first 3 albums with a few scattered ones from Danzig IV, Circle Of Snakes, and Deth Red Sabaoth. Personally I love Danzig III so getting to hear any of the songs from that album is a joy for me. The performance this evening of “How The Gods Kill” was great (you can watch it on the Audioeclectica Instagram page). Glenn is still one hell of a frontman and when he’s on like he was this evening, it’s pretty spectacular. Joining Glenn on stage was longtime Danzig collaborator and Prong’s Tommy Victor on guitar, Samhain’s Steve Zing on bass and Karl Rosquist on drums. Watching the crowd get into the show song by song was interesting. You could tell who knew more than just a handful of songs. Either way, it was a great bill all around.
DOWN Set List: 01) Lysergik Funeral Procession 02) Lifer 03) Hail The Leaf 04) Ghosts Along The Mississippi 05) Pillars Of Eternity 06) Temptation’s Wings 07) Stone The Crow 08) Eyes Of The South 09) Bury Me In Smoke
DANZIG Set List: 01) Skin Carver 02) Brand New God 03) Twist Of Cain 04) Evil Thing 05) Hammer Of The Gods 06) How The Gods Kill 07) Her Black Wings 08) Killer Wolf 09) Black Hell 10) Tired Of Being Alive 11) The Hunter (Albert King Cover) 12) Am I Demon 13) Not Of This World 14) Mother ENCORE: 15) She Rides 16) Dirty Black Summer 17) Do You Wear The Mark
The year is 1992 and most of the musical world is caught up in the Seattle sound. It seems as though metal and music of that ilk has been swept aside. But was it really? No it wasn’t, instead it quietly stayed in the shadows and began to create it’s own entity just as punk music did in the 80’s and early 90’s. During this time many bands found a new way to evolve and grow to create albums that would become monumental and impactful. One such album is Danzig III: How The Gods Kill.
AUDIOECLECTICA 