A Second Look: 10 Years

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It’s often easy to dismiss bands you hear on the radio. Most are just plain generic bands with no substance or truth behind them. For every 10 of those types of bands there is usually 1 in the bunch that really stands out, and defies those standards mentioned above. One of those bands is 10 Years. 10 Years was initially formed in Knoxville, Tennessee in 1999. In 2005 they released their major label debut, The Autumn Effect. The songs “Wasteland” and “Through The Iris” were released as singles and garnered solid radio play. During the album cycle for their debut, they toured with Korn, Sevendust, Deftones, Mudvayne and others. The follow up Division was released in 2008. This album has a different feel to it. Rick Parasher (Pearl Jam Ten) was chosen to produce this album. Some of the members of the band have gone on to say that this was a very difficult album to make, hence the name of the album. Songs like “Beautiful,” So Long, Goodbye,” “Actions and Motives,” are all standouts amongst others like “All Your Lies,” and “Focus” which was co-written by Dean DeLeo of Stone Temple Pilots. Touring saw 10 Years share the stage with  Sevendust, Chevelle, and was apart of the 2008 Projekt Revolution tour. For their third album Feeding The Wolves, Howard Benson was picked to produce (on a personal note, I think Howard Benson’s production is too polished and clean, taking away from the raw feeling of the band). During recording, the band went back and forth between putting on live shows and working on the album. During this time, they debuted a few new songs live, including “Dead in the Water”, “Now is the Time”, and the new album’s first single “Shoot It Out.” Other standouts from the album include “Fix Me” and the epic closer “Fade Into (The Ocean).” When it came time to write a new album, 10 Years had announced that they were leaving their label to become independent again. The result was Minus The Machine, which was their most organic album since The Autumn Effect. It was released on August 7, 2012 through their own independent label called Palehorse Records. Songs such as “Minus The Machine,” “Backlash,” “Knives,” and “Forever Fields (Sowing Season)” are all standouts from the album.  The bands live show has always been full of great energy and true emotion. Listening to singer Jesse Hasek, you can hear in his voice that the words really mean something. Guitar wise Ryan “Tater” Johnson has great ability to play heavy and delicate songs without overplaying. Lewis Cosby plays the bass with enough force to make the low end shine and it balances extremely well with Brian Vodinh’s powerful drums. 

10 Years is the real deal. They aren’t your typical radio friendly band. If you wrote them off, give them another listen. They really are a gem amongst a sea of nothings.

 

The Autumn Effect:

 

Division:

 

Feeding The Wolves:

 

Minus The Machine:

 

http://10yearsmusic.com/

https://www.facebook.com/10yearsmusic

 

By: Brian Lacy

 

 

 

Best Albums of 2014…So Far

In no particular order (wait till the end of the year for that). These are the best albums I’ve heard all year!

1. Mastodon- Once More Round The Sun
2. Every Time I Die- From Parts Unknown
3. Chevelle- La Gargola
4. Seether- Isolate and Medicate
5. Sevendust- Time Travelers and Bonfires
6. Crosses- Crosses
7. Royal Blood- Out Of The Black EP
8. Against Me- Transgender Dysphoria Blues
9. And We Are Them- Align
10. Wild Throne- Blood Maker
11. New Cathedral- Ghost
12. Machines Learning- Machines Learning
13. He Whose Ox Is Gored- Nightshade EP
14. With Our Arms To The Sun- A Far Away Wonder
15. Black Map- Driver EP
16. Royal Blood- Royal Blood
17. The Last Internationale- We Will Reign
18. Wovenwar- Wovenwar
19. And We Are Them- City Of Ghosts
20. Obliterations- Poison Everything
21. Black Map- And We Explode
22. Bush- Man On The Run
23. Slipknot- .5 The Gray Chapter
24. Aeges- Above and Down Below

Classic Soundtracks: Underworld

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Soundtracks are a tricky thing to make. Songs have to fit perfectly with each scene. Sometimes the music chosen fits perfectly and becomes the best part of watching certain scenes. One such movie and soundtrack is the first Underworld. The film’s soundtrack was produced by Danny Lohner (former Nine Inch Nails multi instrumentalist). Danny contributed several songs to the soundtrack under his pseudonym Renholder (A Perfect Circles’s song Renholder off Mer De Noms is in reference to Danny Lohner). In addition to contributions from The Dillinger Escape Plan, Puscifer, A Perfect Circle, Page Hamilton of Helmet, and Skinny Puppy, there was a group called The Damning Well, that provided a song for the soundtrack. The Damning Well was a supergroup comprised of Wes Borland (Limp Bizkit), Danny Lohner (Nine Inch Nails), Josh Freese (A Perfect Circle), and Richard Patrick (Filter). Their contribution “Awakening,” was a real highlight of the soundtrack, and left listeners wondering what could’ve become of such a collaboration had they continued. It’s been said that much of the music that they created wound up being used for the first Black Light Burns album. One other song featured on the soundtrack called “Bring Me The Head Of The Disco King” is also a huge highlight. This song features David Bowie, Maynard James Keenan and John Frusciante.

The movie itself wasn’t that great but, there were a couple highlights. Kate Beckinsale and this fantastic soundtrack.

 

The Damning Well: Awakening

 

David Bowie and friends: Bring Me The Head Of The Disco King

 

A Perfect Circle: Weak and Powerless (Tilling My Grave Mix)

 

Puscifer: Rev 22: 20 (Renholder Mix)

 

By: Brian Lacy

Band Of The Week: He Whose Ox Is Gored

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Heavy music has a zillion sub genres ad sometimes it’s hard to keep up with them all. There are a few that have come about recently that really stick out above the rest. In particular doomgaze, which is equal parts doom metal and shoe gaze. One of the bands from that genre that has really grabbed my attention is He Whose Ox Is Gored. This Seattle band was founded by members Brian McClelland (guitar, vocals) and Lisa Mungo (synths, vocals), later joined by current members Mike Sparks (bass, vocals) and John O’Connell (drums). They have been decimating the underground of Seattle since 2009. The technical guitar work and atmospheric synths over walloping rhythms create a uniquely cinematic soundscape that paints a world ready to be thrown to the wolves. Currently He Whose Ox Is Gored is gearing up for a tour to promote their upcoming full length and recently released limited cassette. This band has what it takes to make it in the world of heavy music. 

 

https://www.facebook.com/hewhoseoxisgoredseattle

http://hewhoseoxisgored.bandcamp.com/

 

By: Brian Lacy

Unsung Masterpieces: Sunny Day Real Estate- Diary
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Music will always stand the test of time. Certain albums will forever be revered as timeless. Some albums though don’t get the recognition they deserve. Which brings me to Sunny Day Real Estate’s debut album Diary. The album is considered by many to be a defining emo album. It has also been called the bridge between post hardcore and the emo genre. Listening to this album you can tell where Brand New gets a lot of their influence from. Lyrically there is a sense of realism throughout the album. Jeremy Enigk has a real knack for creating vocal melodies that compliments his softer voice and the words. Dan Hoerner’s guitar tone is heavy yet crisp and bright, which accents the soft vocals and the delicate nature in which Jeremy plays. Nate Mendel’s bass has a nice dirty tinge to it, adding just the right amount of distortion to balance with William Goldsmith’s heavy hitting drums. Songs like “Seven,” “In Circles,” “47,” “Grendel,” and “48” are all stand out tracks. Diary was different from those released by all the other Seattle bands at the time. It’s melodic but has a slightly heavy sound that has had a clear impact on future emo groups. It is the seventh best selling album released on Sub Pop Records, having sold more than 231,000 copies. In 2013, Diary took the first place in LA Weekly’s  list of the “Top 20 Emo Albums in History”

 Diary:

 

By: Brian Lacy

Live Review: And We Are Them at The Viper Room

One of the ways to really captivate an audience is through energy. Tuesday night the gents in And We Are Them did just that. Armed with songs from their recent EP Align and a slew of new songs from a yet to be titled EP, And We Are Them brought their game to The Viper Room stage. Chris Matalone sings with great passion and conviction while playing the rhythm on his guitar. Nick Bradford, plays the leads with precision all the while being highly invigorated by the songs. The combination of the drummer Brian and bassist Jeff really pack a loud punch. Stand outs from their set included “Present Tense,” “Charm Offensive,” the great instrumental “City/State,” “Socialite,” and the closing song “So It Goes.” This band is making a name for themselves with their energetic live shows and solid songs. Be sure to catch them when they are playing!

https://www.facebook.com/AndWeAreThem

 

By: Brian Lacy

Interview with Black Map

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Recently I had the pleasure of sitting down with Mark Engles and Ben Flanagan of Black Map before their show at The Wiltern as part of Chevelle’s La Gargola tour. Here’s what went down.

Thank you guys for sitting down talking and hanging out. My fiancé and I were at the Viper Room Show and even with technical difficulties, which made it punk rock, it was still a great show.

Ben:
Yeah glad it was towards the end, we had a good time, we had a good show. Last 2 songs were totally fucked, but I still left the stage thinking that was good show, even though we couldn’t play the last 2 songs.

Being that this is your first tour as Black Map, what has the crowd reaction been like and what are the ups and downs so far?

Mark:
It’s been amazing. Spoiling even. Having a headliner who’s so kind. I already had a relationship with them, from when Dredg did some touring with Chevelle. So that part is spoiling. We walk into the venue on the first show and there is no awkwardness and just start talking right away. Some tours it takes weeks to even talk to each other. On this tour we are playing great venues in front of great crowds. The crowd is very open-minded. The Chevelle crowd wants to listen to some rock n roll. And if you’re good at what you do they’re gonna accept it.

Ben:
This crowd wants to like us and the other band Highly Suspect who is great. It’s been nice getting out there. It’s warm from the get go. And it’s been our job to elevate that. Their fans are a bunch of sweethearts. It’s been great

Mark:
Nothing’s been thrown at us so that’s a great start.

The Driver EP came out earlier in the year, I bought it when it came out. My fiancé has it in her car, we both can’t stop listening to it. With everything that’s on your plate, I know you’ve been working on your full length. What is the time table on that?

Ben:
We are close to done with it and that some Tuesday in mid October we hope to release it. We have one more full song to record and some tweaks, mixing and mastering. We’re about 85% done with the whole thing.

What made you want to be in a heavier band considering that you’ve been in more of experimental/alternative melodic bands?

Mark:
We’ve been talking about it loosely for quite a while, when we’ve been out to dinner at a bar or watching a baseball game. We both know that we have the type of chops the way we play music. We know we are capable of it. I grew up listening to heavy stuff, we both did. Also, having Chris Robyn being down to do it, he’s a heavy hitter, it’s what he specializes in. So with all that, why not go back to a power trio or simple rock band. It’s just fun. When we walked in the room the first day, we said let’s just have fun. We had a 12 pack of beer and just rocked like we were 18 again.

Ben:
There is kind of a void to fill. I loved and still love the type of music the Trophy Fire is, the lighter alternative rock. I miss when I was younger, just playing the drop d brutal just kind of heavy riffs. Getting in a room and be able to do that as very cathartic, and then to still apply that sense of melody that we have in our other bands, brings out a really good feeling.

What bands really brought you together, especially in the writing?

Mark:
The obvious are our former bands. There are elements of Dredg, Far and The Trophy Fire. And other things from that era. Failure came up a couple times. Sepultura and Entomed on the guitar side of life, Helmet’s in there. I think all the stuff that influenced us in the mid nineties. Even the stuff that we looked as that was kind of underrated, like Faith No More, bands that did well, but weren’t the big pop radio hit bands.

What’s the driving factor of being a power trio? What really encapsulates your sound?

Mark:
I really like the fact that Ben is playing bass. He’s a guitar player and we really lock up on riffs and it allows us to get more intricate. I think when a trio is tight, it sounds so much tighter than that of a quartet being tight. You can really back up what you are playing. That was a fun part for us at first. Let’s write things that are very tight and intricate. It’s just simpler that way. And when you load into shows you have a lot less gear and all that other shit that goes with it too. It’s great.

While in Black Map, do you have any ideal tour mates or what’s your ideal bill?

Mark:
I think any band we enjoy that’s a loud, guitar-driven band would be great for us. Chevelle is actually one of them. Ben brought up months ago, before we were offered the tour.We’d be happy to play with any band that sounds similar or we’ve been influenced by. With my previous band, we’d over analyze things more. Like if someone offered us a tour, we’d think is this good for us. It this a good look? With this band, if the band is loud and we respect them, we’d probably say yes.

Personal Influence wise, who is the one that made you pick up the guitar and sing?

Ben:
It’s pretty simple for me and actually cliché. When I was 11, I got Nevermind. I basically wanted to be Kurt Cobain. That’s why I started playing guitar. So definitely that started it and went in a million different directions after that. I almost got a little sentimental the other day when we pulled into Seattle. We’re on this tour and it’s going great and I was kind of back to where it all started for me wanting to play guitar and be a singer.

Mark:
I gotta go with a lot of the metal from the 70’s and 80’s. I was listening to music at a young age. I had an older brother, but it wasn’t until Black Sabbath, Iron Maiden, Metallica, Randy Rhodes, that sort of thing. That whole group of bands really made me want to start playing.

That’s really cool actually. Ok If you could pick your top 5 favorite albums and I know its one of those crazy put you on the spot questions…

Mark:
How much time do you have?

Until you need to go to sound check

Mark:
It’s tough for me, because whenever this question is asked I automatically go to certain albums like Dark Side Of The Moon and OK Computer. Then I start thinking of genres and different stages of life too. For me Pink Floyd and Radiohead, bands like that came a bit later, even Portishead. But early on it was the metal stuff. Sepultura Chaos AD is in there. Though it all becomes very convoluted in my mind. Like when I was 10 this album changed my likes, then you go through a renaissance of other styles in your 20’s and makes you listen to other things.

Ben:
We’ve talked a lot about different bands with their records that influenced us like Fantastic Planet by Failure, King For A Day Fool For A Life Time by Faith No More, The Shape Of Punk To Come by Refused. Albums like that. From start to finish they are beautifully executed and tell a story.

Mark:
I know one for you and me too. California by Mr. Bungle.

Did you get a chance to go to any of the Failure reunion shows?

Mark:
Saw them twice got to see them open for Tool and their headliner.

Ben:
Them opening for Tool was cool but their headliner with the 2 sets was fucking cool.

Oh I’d throw Tool Aenima in the mix too.

You guys mentioned that you are going release the album in October. Are you going to do a fall winter tour or wait till the next year to get out there?

Mark:
It’s all up in the air. We are trying to get anything we feel would be productive. We are definitely thinking about what we could be doing and what not. There are things in the works but nothing confirmed so I really can’t say much about it…

Ok for my one cliché type question, what’s the status of Dredg and The Trophy Fire? I know you Mark went with Dredg over to Europe recently.

Mark:
Europe was great and successful. We all agreed we have another record in us but there isn’t a rush to do it at this point.

Ben:
Same with Trophy Fire. Love the guys and we all get along, I’ve just been focusing on this and there are only so many hours in the day. Cool thing about being in a band is that there is no boss looking over your shoulder telling you to clock in.

Ben and Mark:
We’ll do it when we feel the time is right to go back to those projects.

Thank you guys for sitting with me and letting me ask you some questions and taking the time.

Ben and Mark:
Oh you are welcome, it’s our pleasure.

 

 

Interview by: Brian Lacy

Live Review: Chevelle and Black Map at The Wiltern

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With the times changing and album sales decreasing, longevity isn’t one of the most promising things to relate to in the music industry today. There are a few bands that have been able to really hold their place and still pack a punch. Chevelle is one of those bands. Since the release of their album Wonder What’s Next, they have been packing venues and releasing a steady catalog of solid rock albums. Friday night at the Wiltern, was tremendous. Chevelle’s 90 minute set blazed through their hits, deep cuts from their album Wonder What’s Next, and songs from their latest release La Gargola. The light show that accompanied the band was stunning. The blasts of light matched perfectly with every beat of Sam Loeffler’s drums. Pete Loeffler’s voice live, mixed with that of brother-in-law, Dean Bernardini (bass/vocals), were in perfect unison. The crowd’s age ranged from late teens all the way to late 30’s and even early 40’s. You could definitely tell the long time fans, especially when songs like “Closure,” “Forfeit,” “Comfortable Liar,” and “Grab Thy Hand” were played.

BlackMap_1

The direct support was the exceptional Black Map from San Francisco. This power trio of Ben Flanagan (bass/vocals), Mark Engles (guitar/vocals) and Chris Robyn (drums) left the Wiltern in shambles after their set. Formed only a year ago and featuring members of Dredg, Far, and The Trophy Fire, Black Map is definitely a site to see! All the songs off their debut EP Driver and those from their upcoming full length were played and to great reaction. Ben’s voice is one of the purest and uncompromising voices in the rock genre today. The tone of the guitar of Mark still has some of the elements from Dredg, but adds more of a heavier grit. Chris still has the fury he played with in Far and some new energy, thanks to his new bandmates. Black Map has come out at the right place and right time. They are on their way to stealing the show from anyone they play with and making a name for themselves.

Opening the show was another trio called Highly Suspect from New York. While they were a decent opening band, there was something missing with them. The singer/guitarist was the most enjoyable part of the band. His voice was stellar and reminded me of the singer from Kings Of Leon (in a total good way). Though, throughout their set I couldn’t contain my excitement for seeing Black Map and Chevelle.

All in all this was a great night for rock music. Having Chevelle firing on all cylinders (no pun intended), and Black Map rocking the stage was the perfect blend of melodic heaviness.

Chevelle Set List:

1. The Clincher
2. Grab Thy Hand
3. Send The Pain Below
4. Sleep Apnea
5. Take Out The Gunman
6. An Island
7. Closure
8. Forfeit
9. Vitamin R (Leading Us Along)
10. Envy
11. Hunter Eats Hunter
12. Hats Off To The Bull
13. I Get It

Encore:

14. The Red
15. Comfortable Liar
16. Face To The Floor

Black Map Set List: (abridged names)

1. Code
2. Gold
3. Hills
4. Eyes
5. Ropes
6. Mellee
7. Chinaski
8. Gemini
9. I’m Just The Driver

By: Brian Lacy

Photos by: Alisa Diaz

Band Of The Week: Abloom

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In 2004 there was a band that broke onto the Los Angeles music scene and turned it upside down. They had all the right elements of melody, heaviness, sultry sounds, and a live performance that rivaled any big name. Abloom was formed by Jasan Radford and Levon Sultanian of One Side Zero, Mikey Doling, Roy Mayorga and Marcello Dias (Who all played together in Soulfly amongst other bands). Now in 2014 they have returned in a revitalized form to decimate audiences. The first song they released back then was “What You Came For,” a great track with tons of emotion and intricacies. The other song released ” After That Quiet” has that genuine sensual melody mixed with sultry vocals, all the while still packing quite a punch. There are some other songs of theirs floating around the interweb, and its definitely worth searching out! During their time the first go around, I saw them at least a dozen times (I’m not kidding). They are that good!!

What  You Came For:

 

After That Quiet:

 

By: Brian Lacy

Cover Thursday: Deftones (Helmet)- Sinatra

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In 1990, Helmet came on to the scene with their debut album Strap It On. It was hailed by critics at the time as innovative for its explosive, propulsive, riff style. The song “Sinatra” was talked about as moody and atmospheric. With a description like that it’s no wonder that the Deftones would go on to cover this song.

 

By: Brian Lacy