Title Tracks

TITLE TRACKS: TOOL- UNDERTOW

I have an interesting theory on title tracks. More often than not, the title track on an album is a deeper cut, towards the end of the album. My theory is that the “title track” is a bit of a summation of what the album encompasses. It could be musically, lyrically, thematic or the all around tonality of what the album is about. There are quite a few bands that do this on a consistent basis and I quite enjoy it. One of those bands is Tool. They have successfully done this three times (Undertow, Aenima and Lateralus). As much as I love “Lateralus” I really have to say “Undertow” might just be the best of the three. The song itself has a lot of different vibes to it. You have the heavy aspects, the syncopated rhythms, but the more progressive elements mixed with a bit of psychedelia puts this one over. “Undertow” is a song you can get lost in and it’s placement in the album sequence really lets the song become its own entity. I’m glad to see that “Undertow” made it back into the set list the past few years. More songs off of the album itself need to be played live. Less Fear Inoculum and more of the songs not played enough!!

Tool- Undertow:

Title Tracks: Tool- Lateralus

It’s been quite a while since I listened to Tool but, last night I was thinking something related to them and wound up putting Lateralus on for bed. As I listened and got to track 9, I remembered why I liked this album so much. I also believe that this was the last good thing they have put out in years (but that’s for another topic and another day). “Lateralus” was actually released as a single to radio in February of 2022 with a Radio Edit version that’s about 6 minutes long (5:47 to be exact). This is also the song most well known for using the Fibonacci sequence in its creation. I’ve also heard that this song is about an acid trip. Either way this song is awesome, epic and a phenomenal title track to a great album.

Tool- Lateralus (Album Version):

Tool- Lateralus (Live 2014):

NEW RELEASE: END- The Sin Of Human Frailty

END has unleashed the title track, “The Sin Of Human Frailty” ahead of the release of their new album (out Oct 27th). This track is one of those songs that really encapsulates what END is all about. It’s heavy, pummeling, punishing and has a groove to it that is sure to get you head-banging. With each release, be it a single or album, END keeps digging in and pushing the aggression. END’s new album, The Sin Of Human Frailty is going to be one of the best albums of the year and one of the best heavy albums of 2023. Ever since I first heard END, I’ve been hooked and it’s only getting better. So, make sure you listen to END!

END- The Sin Of Human Frailty:

Title Tracks: Fear Factory- Demanufacture

The year is 1995 and an album is about to be released that changes the heavy metal game for the future. This landmark album would not only put the band on the map but it would go on to be one of the most influential and inspirational albums of the 90’s metal scene and beyond. I’m talking about Fear Factory and their undeniable masterpiece, Demanufacture. There is one story I love about the making of this album that I have to share. The album was recorded at Bearsville Studios in rural New York. Also in residence at the studio was New Jersey rockers, Bon Jovi who were in the studio recording their album These Days (which is actually a really good album in the Bon Jovi catalog and quite dark too). Anyways the story goes that Fear Factory were in the studio next door and one of Bon Jovi’s engineers asked them to turn the sound down, as it was bleeding into Bon Jovi’s drum mics, during Bon Jovi’s recording sessions. But that’s a whole other story for another time. What I want is to focus on the title track of the album. The concept for the album is about a man’s struggles against a machine-controlled government, with each song a chapter in his life. The first song on the album is the title track “Demanufacture” and as a tone setter, WOW. This song is blistering. The riffs are pummeling and the drums blast like Thor’s hammer. Then when you add Burton C. Bell’s vocals of clean singing to heavier vocals, you just can’t beat it. What a way to start off an album and a classic one at best. This song has gone on to live in infamy as one of the best title tracks but also as a track one!


Fear Factory- Demanufacture:

Title Tracks: Slayer- Seasons In The Abyss

HIGHER CRITICISM: SLAYER (PART 7) - "SEASONS IN THE ABYSS" - NO CLEAN  SINGING

Slayer’s Seasons In The Abyss is my favorite album of theirs. As much as I love Reign In Blood, there is just something more intriguing about Seasons. There’s a complexity to this album and also a different vibe than their other albums. From the moment “War Ensemble” starts all the way through to the closing title track “Seasons In The Abyss” there’s no denying that this album is beyond impactful. The title track is quite a departure. It’s a slowed down song with Tom Araya almost singing. The lyrics too are a bit different as well since Tom Araya wrote them and not Jeff Hanneman or Kerry King. This album is a classic through and through. Even though Reign gets all the rah rah acclaim, I still think Seasons is better.

Slayer- Seasons In The Abyss:

Track One: The Velvet Underground- White Light/White Heat

The Velvet Underground White Light/White Heat | Classic Rock Review

The Velvet Underground is one of my Top 10 all time favorite bands. My mom got me into them when I was still a toddler. There’s something majestic about this band and what they create. Just when you think they are writing a “pop song” they flip the script and out comes something otherworldly. Lou Reed had one hell of a way of telling stories through songs. He was a profound writer and often doesn’t get the credit and respect he deserves. This song “White Light/White Heat” is also the title track of the same name. This song was released in January of 1968. Interestingly the song is about the sensations produced by intravenous injection of methamphetamines. “White Light/White Heat” was also a staple of the Velvet Underground’s live performances from 1967 on. The tune appears on numerous live bootleg albums, and the nearly nine-minute version included on the group’s posthumous 1969 Live double LP is one of the album’s centerpieces. This song holds such a candle with many artists, so much so that David Bowie even recorded a version of it. This track every time I hear it, I have to turn it up super loud and sing along! What a tremendous way to kickstart an album!

The Velvet Underground- White Light/White Heat:

David Bowie- White Light/White Heat:

Title Tracks: Converge- Jane Doe

Jane Doe | Converge

2021 marks the 20th anniversary of Converge’s astounding album, Jane Doe. This was the bands first album with bassist Nate Newton and drummer Ben Koller, as well as the bands first with guitarist Kurt Ballou behind the board. This album not only put Converge on the map it was a commercial breakthrough and received immediate acclaim, with critics praising its poetic lyrics, dynamics, ferocity and production. Through the years this album has gone on to inspire and influence countless bands. The intensity on this album is often copied but you can’t match the original. The title track on the album is quite interesting. Singer Jacob Bannon stated in an interview that many of the songs on Jane Doe came from the side project Supermachiner. That project was claimed to inspire Jane Doe‘s experimental side.The title track “Jane Doe” as well as “Phoenix in Flight” were initially intended for the Supermachiner album Rise of the Great Machine. I personally remember hearing this album for the first time. A friend recommended I check it out. At first I wasn’t too into it but, I opened up the booklet, put on some headphones listened again and read the lyrics as the album played and it all made sense. This album is an absolute modern masterpiece. The title track is epic and ahead of its time! Converge is a force to be reckoned with any day of the week.


Converge- Jane Doe:

Lyrics:

These floods of you are unforgiving
Pushing past me spilling through the banks
And I fall Faster than light and faster than time
That’s how memory works
At least in the dark where I’m searching for meaning
When I’m just searching for something I want out
Out of every awkward day
Out of every tongue tied loss I want out
Out of the burdening night sweats
Out of the rising seas of blood
Lost in you like Saturday nights
Searching the streets with bedroom eyes
Just dying to be saved
Run on girl
Run on

Title Tracks: Black Map- And We Explode

And We Explode | Black Map

Since I first heard about Black Map, I’ve been super stoked about them. I’ve had the pleasure to see them a few times as well as sit down with Ben and Mark for an interview. They are one of the best rock bands out there today and continue to impress and get better with each release. Their debut album has one of my favorite title tracks I’ve ever heard in “And We Explode Parts 1 & 2.” This song (let’s just call it one song), packs so much passion and awesomeness in it. The melody that accompanies the riffs and rhythms are pristine and are smooth as butter. It’s really a great showcase for how good of songwriters Black Map are along with players. If you haven’t heard Black Map before, you should definitely change that! Also, if you are in the Los Angeles area at the end of September (Sept 28 to be exact), Black Map is playing at The Whisky with my homies in Centershift.


Black Map- And We Explode Part I:


Black Map- And We Explode Part II:



Title Tracks: Pantera- The Great Southern Trendkill

Pantera – The Great Southern Trendkill (2012, 180, Vinyl) - Discogs

I’m probably in a very small minority with what I’m about to say. To me, the best Pantera album is, The Great Southern Trendkill. This album emits a level of heavy that I think even surprised everyone involved in the making of it. I’ve always been very fond of the vocal production on this one too (courtesy of the masterful Sean Beavan working out of Trent Reznor’s studio in New Orleans). There’s something a bit more powerful and in your face about Philip’s delivery on this album. One thing is for certain, the first song on the album, the title track, “The Great Southern Trendkill” is one of the best title tracks. Everything about this song is badass. This is one of those title tracks that stands out amongst them all!


Pantera- The Great Southern Trendkill:

Title Tracks: Coheed and Cambria- In Keeping Secrets of Silent Earth

Image result for coheed and cambria in keeping secrets of silent earth 3

The more and more I listen to Coheed and Cambria, I keep finding endless things to love about this band. The musicianship, the concept, the lyrics, etc, it all shows how damn talented this band is. One of the songs that I’ve been stuck on of theirs is, “In Keeping Secrets Of Silent Earth: 3.” This song is epically huge, a bit proggy but, full of rock. As a title track, it’s pretty spectacular. Live this song is even more powerful. Over the years too, it’s become a live staple. Interestingly too, this was the third single from the album of same name.


Coheed and Cambria- In Keeping Secrets Of Silent Earth: 3-