Live Show Reviews

Live Review: Peter Hook & The Light at The Wiltern

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I was 10 years old when I first heard about Joy Division. Nine Inch Nails had a song on The Crow soundtrack called “Dead Souls.” I thought what Nine Inch Nails album is this on that I don’t have. Well it turned out to be a cover, and I immediately sought out to discover who the band was, which was Joy Division. From that point I started to really get into Joy Division, and could definitely hear where Trent got some of his inspiration and influence from. So when the opportunity came up to see Peter Hook play songs from Joy Division’s catalog, it was a no brainer, I had to go.

The first part of the night was dedicated to New Order. I’ve never really been a huge New Order fan, with the exception of their first couple albums, and the song “True Faith,” so the impact of the first set of the evening didn’t get me very excited. But the great thing about live music is that it has the ability to change your mind about things. I can honestly say that after the set which was full of great songs like “Ceremony,” “Blue Monday,” “In A Lonely Place,” “Thieves Like Us,” “Confusion,” and many more. Starting the night off with New Order was a great way to bring about energy to the almost full crowd.

 

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Now the second set of the night was what I was waiting for. I’ve waited a very long time to hear these songs live. I’ve heard plenty of other bands over the years cover their songs and it always seems to get crowds really excited. Peter Hook delivered a great set of classic soothing songs, so much so that if you looked around at the audience, you could tell that you were in a place that was full of joy. The signature sound of Peter’s bass rang through the venue with bombastic pleasure. Songs like “Shadowplay,” “She’s Lost Control,” “Atmosphere,” “Dead Souls,” “Warsaw,” “No Love Lost,” and “Love Will Tear Us Apart,” were absolutely done brilliantly and left me feeling like I could successfully cross this off my list of bands/shows I need to see.

The entire evening was great, seeing all the people in attendance feel right at home. No matter the age, fans were excited to be hearing these songs. There was a lot of dancing and singing along, which was astonishing to see. On two occasions Moby came out to join the band for a couple songs. Once in the New Order set to sing “Ceremony,” and again during the Joy Division set to sing “Transmission.” Moby was extraordinary as a guest. He was really into it, and you could tell these songs meant a lot to him as well. At the end of the night, Peter Hook came out for a final bow and took of his sweat drenched shirt and threw it in the crowd, showing off his ripped physique. That was quite a punk rock moment and a fantastic way to end the night.

 

New Order Set List:

In A Lonely Place
Procession
Cries and Whispers
Ceremony (with Moby)
Everything’s Gone Green
Temptation
Blue Monday
Confusion
Thieves Like Us
The Perfect Kiss
Subculture
Shellshock
State of the Nation
Bizarre Love Triangle
True Faith
1963

 

Joy Division Set List:

No Love Lost
Shadowplay
From Safety to Where?
Komakino
These Days
Warsaw
Leaders of Men
Digital
Autosuggestion
Transmission (with Moby)
She’s Lost Control
Incubation
Dead Souls
Atmosphere
Love Will Tear Us Apart

 

Review and Photos By: Brian Lacy

Live Review: With Our Arms To The Sun, Socionic, MAL, Kolm @ The Viper Room

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One of my favorite things about going to shows is when the lineup fits. Each band that plays the evening fits the bill, and nothing is out of place. Especially when you have a night full of artistic and progressive bands. Last night at the Viper Room, was just that. With Our Arms To The Sun, Socionic, Mal, and Kolm all delivered. The theme of the night for me was passion, and each band had it.

First up for the evening was Kolm. Their blend of prog rock, and metal really set the tone for the night. As a three piece, playing that style is no easy task but they pull it off with passion and great musicianship.

Next up was Mal. Their sound is a mesh of prog rock and 90’s rock. The three guys playing have the ability to mix genres and make something genuinely creative and passionate, and extremely tight. Amongst the songs are heavy grooves and sensible melodies led by singer/guitarist Kris Jung and bassist PJ. Their latest album Aqua Macabre is one album you should definitely check out!

With Our Arms To The Sun was the third band of the night and they absolutely killed it. Playing a set of all new material from their upcoming album Orenda, they didn’t miss a beat and left it all on stage. Each member of this band understands the statement of “playing with passion,” and it shows in each song they play. With Our Arms To The Sun is epic by nature, thus allowing the songs to feel like a journey of emotions as you listen. Singer/guitarist Josh Breckinridge, along with guitarist Joe Leary, bassist Joe Breckinridge and drummer John McLucas, have a unity on stage that is unrivaled by many bands of today. The band live is a different animal. It’s something you should see and won’t regret. I’d even say that if you are a band that has to play after With Our Arms To The Sun, you best bring it all, because they are the real deal.

Closing out the night was Socionic. Their artsy and theatrical set was played with a great deal of passion (there’s that word again). Musically the band is tight and really work to deliver a show. The majority of their set was comprised of songs off their newest album Dividing Horizon. Socionic is one of those bands that seeing them live is the best way. Their album is great to listen to, but just like With Our Arms To The Sun, the best way to experience it is in a live setting.

All in all this was a great night for music and for Los Angeles based bands. The Viper Room is fast becoming a favorite of mine again to see shows. It’s intimacy really gives off a vibe of community, something that has been missing in Los Angeles, especially in that area, for a long amount of time. Every band was meant to be on stage this evening and did it justice. With Our Arms To The Sun and Socionic are gearing up to go on tour together for a few weeks. So when they come through your area, I strongly suggest you make it out to see them. As well as if Mal, and Kolm are playing in Los Angeles. Nights like this and bands like those that played, really give me hope for the music.

With Our Arms To The Sun and Socionic Tour Dates:

*9/07 @ Lowbrow Palace       El Paso, TX
*9/08 @ The Mix                      San Antonio, TX
*9/09 @ Scout Bar                   Houston, TX
*9/10 @ The Door                     Dallas, TX
*9/11 @ Stickyz                          Little Rock, AR
*9/13 @ Foobar                          Nashville, TN
*9/14 @ Melody Inn                 Indianapolis, IN
*9/15 @ PJ’s Lager House       Detroit, MI
*9/16 @ Ottawa Tavern           Toledo, OH
9/18 @ Riot Fest                      Chicago, IL (With Our Arms To The Sun only)
*9/20 @ Lee’s Liquor Store   Minneapolis, MN
*9/22 @ Lost Lake                    Denver, CO
*9/25 @ The Shredder             Boise, ID
9/27 @ High Dive                    Seattle, WA (With Our Arms To The Sun only)
9/29 @ Black Forest               Eugene, OR (With Our Arms To The Sun only)

 

Live Review: The Dillinger Escape Plan and Author & Punisher @ Constellation Room

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An eruption of beautiful chaos is how I saw The Dillinger Escape Plan last night. It had been almost ten years since I last saw them play live and they didn’t disappoint at all. This band has always been one of the most energetic, dangerous and violent bands I’ve seen, and last night was no different. On this run the band is playing small tiny rooms, thus making the intimacy factor very intense. I myself haven’t even been in a pit in many many years, but last night I felt compelled to go and let it all out on the floor for a couple songs. Dillinger unleashed a fury live, that most bands would be jealous of. They are unrelenting in their prowess and dedication to play like each show is their last show.

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Opening the show was Author and Punisher. This one man band is a sight to see live. Tristan Shone, a mechanical engineer by trade, custom designed and fabricated most of his “instruments.” His music is best described as industrial doom metal. The sheer intensity that Tristan emits during his shows is gripping. This was my second time seeing him live and his live shows and material keeps getting better. I’d love to see him add some visuals to add to the already intense music he plays. Author and Punisher was a great opener for what was about to come.

 

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Starting off the set with “Prancer” from One Of Us Is The Killer was one hell of a way to kick it off. Following that was their newest song “Limerent Death,” which the crowd seemed to know the words to and were really happy to hear. When Dillinger played “Panasonic Youth,” that’s when it all came out. From that point on there was no escaping the fury the band and crowd were putting out. Singer Greg Puciato and guitarist Ben Weinman were like madmen jumping and climbing around on stage without losing a beat, while the rest of the band held down the rhythm yet were destructive in their own way. Other songs that stood out from the set were “Room Full Of Eyes,” “Hero Of The Soviet Union,” “One Of Us Is The Killer,” “Happiness Is A Smile,” and “Farewell, Mona Lisa.” Closing out the night was “The Mullet Burden” and “Sunshine The Werewolf.” At the end of the “Sunshine” the band invited everyone up on stage to sing and jump around , which was quite something cool to see. Not to mention the guys in the band diving on top of those on stage to finish off the song.

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What a show this was. It was everything I wanted it to be. Sure, it would have been nice if they had played some songs off of Calculating Infinity, but I was more than satisfied with what they played. Their upcoming album Dissociation will be their last for a while so I expect much more violence and chaos at their shows as they continue on for the next year or so. Shows like this are what’s missing from a lot of rock and metal shows. The element of danger and recklessness, really bring the music to life. These guys might be older but they still play like they are in their 20’s and bring it each and every night. I for one will have to go see them at least one more time before their end comes. I highly recommend you all go too. Even if you aren’t into the music, this is something that every fan of heavy music needs to experience in their life.

 

Set List:

Prancer
Limerent Death
Milk Lizard
Panasonic Youth
Room Full Of Eyes
Hero Of The Soviet Union
Nothing’s Funny
One Of Us Is The Killer
Happiness Is A Smile
Good Neighbor
Farewell, Mona Lisa
When I Lost My Bet

Encore:

The Mullet Burden
Sunshine The Werewolf

By: Brian Lacy

Live Review: Poison The Well @ The Roxy

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Two years ago I wrote a piece about how Poison The Well should get back together. They were one of those bands that really expanded their sound and evolved in a good way. Fast forward till now and they are back and playing shows again. After playing some festivals and east coast shows last year, Poison The Well finally made their way over to the west coast. I for one couldn’t have been happier that they are back.

Their show at the Roxy featured special guests, hardcore legends Strife. The pure unrelenting attitude that permeated from each individual on stage shows why Strife has always been a force to reckon with live. Their career spanning set was full of songs about unity, peace, and anti violence. Strife was one of the first hardcore bands that I ever listened to way back when. I saw them many years ago, and they still pack one hell of a punch live.

Poison The Well come out on stage in dramatic fashion. Dark stage then lit by blue lights and right into “Ghostchant.” The crowd couldn’t have been more ecstatic and the smile on my face was very bright. Their set which was career spanning as well focused a lot on the albums You Come Before You, The Opposite Of December and Tear From The Red. You could tell that the band was really happy with the crowd and the reaction they were getting. Singer Jeff Moreira would smile a lot during the set. Guitarist Ryan Primack was feeling the good vibes and having fun dressed in his best “Dad shirt.” Drummer Chris Hornbrook hit this drums with such fury and passion. Other highlight songs of the night were “Zombies Are Good For Your Health,” “Purple Sabbath” then straight into “Slice Paper Wrists,” “Karsey Street,” “Apathy Is A Cold Body,” “Crystal Lake,” “Botchla,” and closing out the evening “For A Bandaged Iris,” and “Nerdy.”

Poison The Well delivered just what I was wanting. It was a great night to revisit those songs and see so many people enjoy that Poison The Well came back. It’s amazing how certain albums and songs can hold up so well over time, and have a different meaning now than they did way back when. I for one am very intrigued to see if Poison The Well will continue on and release some new music. Based on the excitement from the crowd at the show, I’m sure most of them would welcome it with open arms.

Poison The Well Set List:

1. Ghostchant

2. Parks And What You Meant To Me

3. Letter Thing

4. Zombies Are Good For Your Health

5. Karsey Street

6. Cinema

7. Purple Sabbath

8. Slice Paper Wrists

9. Apathy Is A Cold Body

10. Pamplemousse

11. Artist’s Rendering Of Me

12. Crystal Lake

13. You Will Not Be Welcomed

14. Botchla

15. To Mandate Heaven

16. For A Bandaged Iris

17. Nerdy

Live Show Review: The Cure at the Hollywood Bowl

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When you go to see a “big” band there are lots of expectations. You hope they will play for a long time, sound good and of course play the songs you want to hear. When it was announced last year that The Cure would be touring, I told my wife we need to go and that they are one of those bands you should see before they or you die. So naturally she agreed and we got tickets. After many months of waiting, the day arrived for us to go to the show. Armed with the criteria mentioned above, The Cure didn’t disappoint at all. We got to see the third and final night of their stay at the Hollywood Bowl and boy was it a show.

Taking the stage a couple minutes after 8pm and continuing on till a little after 11pm, The Cure played through 33 songs spanning their entire career in three hours. Lucky for us, my wife and I happen to be big fans of the albums Disintegration and Bloodflowers, and this evening they played a large chunk of songs from those albums. Songs like “Lullaby,” “Pictures Of You,” “Closedown,” and my all time favorite “Fascination Street” were played from Disintegration. And from Bloodflowers “39,” “Watching Me Fall,” “The Last Day Of Summer,” “Out Of This World,” and the title track. Those songs from those albums alone made this one hell of a spectacular night. Other highlights include “A Night Like This,” “In Between Days” “Just Like Heaven,” “Friday I’m In Love,” “Us Or Them,” “Want” “Burn (another one of my all time favorite songs by The Cure),” and not one, not two but three encores.

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Robert Smith sounded amazing and was hitting every note beautifully. I had chills up and down my arms and spine during certain moments when he would sing. Robert was even joking around with the audience and dancing around a bit, really enjoying the night. Bassist Simon Gallup was extremely into playing. His tone alone is legendary. He’s got a presence that really invokes the spirit of the band. On drums Jason Cooper played with great prowess and precision. As did guitarist Reeves Gabrels and keyboardist Roget O’Donnell.

This is the second time I’ve seen The Cure, and it was truly magical. There is something to be said for a band that is 40 years into their career and can pull off a show like this. The crowd was beyond into it. You could tell who were real fans that knew the deep cuts and rarities. And of course there were those who just knew the hits. But it all made for a night of great music and memories.

Setlist:

1. Out Of This World

2. Watching Me Fall

3. Pictures Of You

4. Closedown

5. A Night Like This

6. Push

7. In Between Days

8. Doing The Unstuck

9. Lullaby

10. Fascination Street

11. (I Don’t Know What’s Going) On

12. The Walk

13. Lovesong

14. Just Like Heaven

15. The Last Day Of Summer

16. Want

17. 39

18. Bloodflowers

Encore 1:

19. It Can Never Be The Same

20. Shake Dog Shake

21. Burn

22. A Forest

Encore 2:

23. Step Into The Light

24. Us Or Them

25. Never Enough

26. Wrong Number

Encore 3:

27. The Perfect Girl

28. Hot Hot Hot!!!

29. Friday I’m In Love

30. Freakshow

31. Close To Me

32. Why Can’t I Be You?

33. Boys Don’t Cry

By: Brian Lacy

Photos: Alisa Lacy

Live Review: Filter at the Roxy

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I’ve been going to shows for many many years. I’ve seen a lot of bands. They all vary from amazing, what the hell was that and everything in between. There are a good amount that I’ve seen many times. This past weekend I ventured out to see Filter at the Roxy, but this evening however didn’t get started quite right.

The tour that Filter was on brought along 3 other bands that certainly didn’t make sense. I arrived late for the first band Death Valley High. But after checking them out later on, I didn’t miss anything at all. I did however see and listen to the atrocity that is Vampires Everywhere. Oh my! They definitely fall under the category of what the hell was that. This band is so wrapped up in their image and use of electronics, I’m not even sure they were actually playing their instruments. They were all dolled up in makeup and back paint. The singer had this cocky creeper grin on his face all night thus overcompensating for his lack of vocal ability. This band really didn’t get me in the mood for the evening. They even played a cover of the Hozier song “Take Me To Church,” which they proceeded to absolutely ruin. I couldn’t be happier when they were finally off the stage.

Next up was Orgy. The last time I saw them was in the late 90’s or early 2000’s. I can’t remember the exact time, but it was during their run for their first album Candyass. Back then, they were quite a good live band. This evening, however, they were just awful. Of course when you only have one original member, it’s kind of hard to carry on doing what you once were able to capture. Arriving on stage late, singer Jay Gordon and company all dressed up in some weird silly goth EDM attire, tried to get the crowd going but unless you were drunk, you really didn’t care like me. I didn’t even know any of the songs they played with the exception of maybe three. They did of course play their version of New Order’s “Blue Monday,” which made the crowd happy. Jay jumped into the crowd and let people in the audience sing parts of the song, and that was about the only highlight of their set other than it being over after that point.

So now after all that nonsense my expectations and patience were really low, there wasn’t much to bring me back up. When Filter took the stage they arrived in dramatic fashion with a white sheet in front of singer Richard Patrick displaying video images representing the first few songs of the night,  which were from their new album Crazy Eyes. Finally after that part was over and the sheet was gone, they got down to business with an older song “Can’t You Trip Like I Do,” which got the crowd engaged at that point. Throughout the rest of the night new songs were played in batches with old songs like “Jurassitol,” and “You Walk Away” scattered in to keep the crowd interested in their set. Certain new songs like “Nothing In My Hands,” “Pride Flag,” and “Welcome To The Suck (Destiny Not Luck)” were stellar live. I actually thought they should have started their set with “Welcome To The Suck.” I’ve seen Filter a few times really firing on all cylinders, but this line up just didn’t have the energy, with the exception of their guitarist/keyboardist Bobby Miller, who was doing his best to carry the energy load for everyone. Richard was energized while playing certain songs, but you could tell he was about spent halfway through their set. When they inevitably played “Take A Picture” all the ladies in the audience started to really pay attention. As I looked around the room, I could see them all singing along. It was quite funny to see. Closing out the night was of course “Hey Man, Nice Shot.”

There was just something about the night that didn’t sit right with me. Perhaps it being the last night of the tour for the bands, the opening bands being terrible, or even just the sheer exhaustion of being on the road for six weeks, this show all together didn’t really do it for me. All in all this was a night to forget. Hopefully next time, Filter can tour with bands that really fit with them, and are good.

By: Brian Lacy

 

Live Review: Aeges at The Viper Room

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Rock music is very much alive and kicking. Since starting Audioeclectica, I’ve come across so many great bands. I’ve made it a point to try to go to as many shows of the bands I’ve written about, so I can see first hand how good they really are. Last night at the Viper Room, Aeges absolutely killed it. These gents really know how to put on a show. I would even dare many “bigger” bands to try to compete with the presence and energy that Aeges has when they are on stage. The dual vocals and guitar playing of Kemble Walters and Cory Clark go to another level live. They are so in tune with each other. The rhythm section of drummer Mike Land and bassist Tony Baumeister is one of the best I’ve seen in a long time. Mike plays with such tenacity and power, I was almost waiting for him to beat through his drums and Tony fits in the pocket perfectly. Their set consisted of songs from their albums The Bridge, Above and Down Below and their upcoming album Weightless. The new songs are quite good and are full of sweet melodies and riffs that will leave you playing air guitar for days. After the show was over not only did I want more, but they inspired me to go home and pick up my guitar and play around for a bit. That is what great music and bands like Aeges do. It’s bands like this that carry the torch and continue the tradition of what rock music was built upon.

Aeges are a band to look out for. Weightless is definitely an album that is very anticipated for me.  If they are in your area, go see them. You won’t be disappointed. If you like big hooks, soaring vocals, thick riffs, and thumping rhythms then Aeges is the band for you.

 

Another Wasteland:


Above and Down Below:

The Bridge:

 

 

By: Brian Lacy

Photo: Alisa Lacy

Live Review: 1000 Suns, And We Are Them, Ghost Idols @ Silverlake Lounge

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There is a lot of talk out in the mainstream about rock music being a dying part of music. Well I’m here to tell you that it’s not true at all. There are a slew of bands out there that are carrying the torch for the rock genre and doing it with extreme amounts of passion and love for the music. Last night at the Silverlake lounge, three of the most solid rock bands shared the stage last night and showed those who were in attendance that rock is still very much alive.

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1000 Suns started the night off with their blend of instrumental post-rock . Through the 45 minutes during their set you could feel the passion in their music as it permeated through the venue. Armed as a three piece, these guys led by guitarist Andy Scott, have a sound with influences ranging from Radiohead, Tool, and a slew of 90’s bands like Failure. 1000 Suns were the perfect band to open up the night.

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Next up was And We Are Them. These gents brought it last night. Their high energy filled music mixed with passionate lyrics really left a statement on the night. During certain songs you can hear the influences of bands like At The Drive In, Quicksand, and Failure. I’ve mentioned before that this band really believes in what they do and it shows in their performances. Playing songs from their newest EP A Subtle Tyranny and some other older gems, And We Are Them had the crowd intrigued and glued to watching them play, as they left it all on stage.

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Closing out the night was Ghost Idols, another band that delivers passionate music with a 90’s tinge and some sludge. They deliver a wall of thunderous sound live. They three of them all play with conviction and belief in what they do. They played a slew of new songs that up their game from their previous EP. Ghost Idols were the perfect band to close out the night.

All three of these bands are proof that rock music is alive and well. They deliver music they believe in and it shows. You can tell they all do this for the love of music and the creation of art. With bands like this out there, it’s only a matter of time before more people start to clue in that there are great bands out there playing good music. So get out there people and support bands like this!!!

 

1000 Suns:

https://www.facebook.com/1000sunsband
And We Are Them:

https://www.facebook.com/AndWeAreThem
Ghost Idols:

https://www.facebook.com/GhostIdols

 

 

Live Review: Killswitch Engage @ Fox Theater

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There are certain bands that I have an affinity for and have made it a personal mission to go see them live. I’ve been a Killswitch Engage fan for many years. I’ve seen them a handful of times, but never with Jesse Leach. So after the release of their new album Incarnate, I knew I had to go see themJesse’s lyrics and voice are powerful and inspiring. So this night was full of great expectations, and I was full of excitement.

Kicking the night off was the band Toothgrinder. Their blend of prog and metal created a sense that this night was going to be heavy. Their short set was decent and full of energy. Enough to get the crowd pouring in to the venue into a frenzy in the pit.

Next up was 36 Crazyfists. These guys have been at it a long time and still deliver. Their first two albums especially A Snow Capped Romance, were in heavy rotation with my way back when. So this was very cool to see them playing with Killswitch. When the band got to the point in the set which they played songs off Snow Capped, the crowd erupted and got into it. You could tell who knew them from that era.

The direct support slot of the night went to relative newcomers Memphis May Fire. These guys are definitely not my cup of tea, but there sure were a lot of youngsters that were really digging them. Thankfully I had seats upstairs, so it was nice to take a break from standing while watching their energetic set. While they had great crowd interaction, I couldn’t help but be bored by their generic music. Plus I just wanted Killswitch to be on.

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Finally the time arrived for Killswitch Engage, the main event of the evening. And they didn’t disappoint. The set began with “Strength Of The Mind,” and went straight into “A Bid Farewell,” and “Numbered Days,” signaling this was going to be one of those heavy nights. Getting to hear Jesse live was tremendous. Even with him being sick, he put his all into the show and delivered with his heart on his sleeve. The crowd participation was astounding, singing along to every song, helping out Jesse throughout the night. The rest of the set was a nice mix of hit songs, and deep cuts. Jesse brings a new sense of belief and urgency to the songs that former singer Howard Jones wrote. The new songs that were played “Alone I Stand,” “Hate By Design,” and one of my favorites “Embrace The Journey…Upraised” all were top notch. Closing out the set was the majors, “The End Of Heartache,” “My Curse,” and “In Due Time.”

At the end of the night my voice was nearly lost and my neck was hurting from head banging. Getting to watch and hear someone I’ve been inspired by for his words and voice give it his all was worth it for me. I’ve always believed that Killswitch with Jesse is the way it should be. Not to take away from what Howard did with the band, Jesse just has a certain personality that fits with the band. This was the best Killswitch show I’ve seen in a long time. I can’t wait for the next tour!

 

Killswitch Engage Set List:

Strength Of The Mind
A Bid Farewell
Numbered Days
No End In Sight
Beyond The Flames
Alone I Stand
This Fire Burns
Vide Infra
Always
Breathe Life
Hate By Design
Rose Of Sharyn
Embrace The Journey…Upraised
My Last Serenade
The End Of Heartache
My Curse
In Due Time

 

By: Brian Lacy

Photos: Alisa Lacy

Live Review: Vision Of Disorder at The Whisky

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One of my favorite things about going to see bands that I’ve loved for years and years, is looking around at the crowd and seeing fans from the beginning till now reveling in the music. Vision Of Disorder has that effect on people. The legends that they are still pack one hell of a punch live and deliver with all their might. More on them in a bit.

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The night began for my friend and I with the band Matriarchs. This 5 piece hardcore band from Los Angeles was the surprise of the night. Not only did they pummel the crowd with their brutal intense brand of hardcore, they managed to get a Los Angeles crowd on a Sunday night into quite a frenzy. It’s been a while since I listened to this type of hardcore. They reminded me of old school Hatebreed and Terror. Matriarchs are legit and deliver the goods as each song goes into the next. This band is on my radar for sure.

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Next up was a band called Critic. These guys had something really cool going on. Musically they had elements of prog, industrial and hardcore, making for quite an intriguing set. Just as Matriarchs did, the crowd got into a bit of a frenzy during their set. Even the security guards at the venue were into them and Matriarchs. This band as well will see some more attention as time goes on.

After Critic, the reformed Pissing Razors took the stage. I have to say that while enjoyable, I couldn’t help but think they were taking their groove metal love of Pantera a bit too far. While watching them, I could see and hear the distinct similarities of Pantera in their music and stage personas. Not to take anything away from them, but when you start singing Pantera songs over their songs, you might want to revisit your own songs.

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The highlight of the night was of course the legendary Vision Of Disorder. Their unrelenting set consisted of songs from their beginning to their latest release Razed To The Ground (which by the way is a great album). The sheer magnitude of intensity that lives within each member of the band was left on stage last night. Songs like “DTO,” “Suffer,” “What You Are,” “Set To Fail,” and “Loveless,” killed. One of the coolest things during their set was watching a swarm of fans push forward to the front of the stage to sing along with Tim Williams. Amongst the crowd and singing along was Dave Peters of Throwdown. Seeing him in the crowd pushing to sing along instead of jumping on stage was quite an awesome move on his part. Very punk rock Dave!!!

The entire night was outstanding. Vision Of Disorder are still the real deal and continue to put out great new music. Matriarchs and Critic are two bands I will be following and writing about soon. It’s shows like this that make it fun for me still. As I get older I’ve noticed I’ve become more selective in the shows I go to, but as long as my favorite bands keep playing in Los Angeles, like VOD, I will be there.

 

 

By: Brian Lacy