Author: audioeclectica

New Release: Converge (Blood Moon)- Coil

As they prepare for the release of their collaborative new album— featuring Chelsea Wolfe, Ben Chisholm and Stephen Brodsky, Converge have unveiled the second single from Bloodmoon: I, “Coil.” Speaking on the song, Jacob Bannon comments, “’Coil’ turned out to be one of my favorite songs I’ve ever been a part of. There is an infectious slow build that ends up becoming theatrical in tone. Lyrically it was a true collaboration, with all of us expanding on each other’s ideas as they came to be. I believe Chelsea’s vocal was the starting point in that for this one. Kurt really pushed vocal harmonies to a new level as well. Encouraging many of Steve’s ideas while we were in the studio tracking together. This one really has everyone of us firing on all cylinders creatively.” When you hear this song, you’ll get it. It’s such a tremendous track. I personally can’t wait for this album. Ever since they performed at Roadburn I’ve been waiting for this to finally come to fruition. Bloodmoon: I, out November 19th on CD/Digital and on Vinyl June 24th.


Converge- Coil:

Converge- Blood Moon:

Alternate Versions: Mrs. Piss- Self Surgery (LIVE)

Sargent House - Mrs. Piss

This is one of my favorite side projects I’ve heard in quite a while. If you aren’t familiar with Mrs. Piss you have been missing out. Comprised of Chelsea Wolfe (vocals/guitar) and Jess Gowrie (drums), Mrs. Piss is a departure from what they do in Chelsea’s solo stuff. The project began while the two were touring around together during Wolfe’s Hiss Spun album in 2017. This music is heavier and channels some of the gnarliest, noisiest grunge-sludge sounds of the Nineties, plus plenty of the era’s riot grrrl attitude. This session was recorded in December of 2020 in Northern California and it offers a different take from the studio recordings.


Mrs. Piss- Self Surgery (LIVE):

Self Surgery (STUDIO):

Great Comedy Albums: Mitch Hedberg- Mitch All Together

Mitch Hedberg - Mitch All Together - Amazon.com Music

Mitch Hedberg is one of my top 5 favorite comedians of all time. His brand of humor and delivery was astounding. He was beyond gifted and talented. His unique style is one that if you hear others try to copy it, it just falls way short and feels like a really bad imitation. Mitch’s first album Strategic Grill Locations was superb but, when his second album Mitch All Together came out, it catapulted him to another echelon of legendary status. This album is a comedy classic and rightfully so. This album was recorded in 2003 in Minnesota at the Acme Comedy Club in Minneapolis, for a Comedy Central special. The title Mitch All Together is a reference to a joke which is not included on the album (the joke is on track seven of the 1999 self-released edition of his previous album. “You know how they call corn on the cob “corn on the cob”, right? But that’s how it comes out of the ground, man. They should call that “corn”. They should call every other version “corn off the cob”. It’s not like if you cut off my arm, you would call my arm “Mitch”; but then reattach it and call it “Mitch all together”.” Personally, I could listen to Mitch tell jokes for hours. And if you ever saw his interviews on Howard Stern, he’s even more intriguing as you get to know more about Mitch as Howard is one of the best interviewers. Some other interesting tidbits about Mitch, Hedberg appeared on Letterman nine times, signed a half-million dollar deal with Fox for a television sitcom, and was dubbed “the next Seinfeld” by Time Magazine. Not to mention that comedians like George Carlin, Norm MacDonald, Lewis Black and Dave Chappelle all loved him and raved about Mitch. If you’ve never heard Mitch All Together, you are in for one hell of a treat!


Mitch Hedberg- Mitch All Together:

Band Of The Week: Killer Hill

Ever since I heard Cream when I was a little kid, the three-piece band has always intrigued me. To be able to get all that intensity and volume with just a trio is something spectacular. There is a new three piece band on my radar and I’m really digging what they are up to. Allow me to introduce you to Killer Hill, a new trio featuring two members of Helmet – guitarist/vocalist Dan Beeman and bassist Dave Case – along with drummer Pete Beeman whose resumé includes Amphetamine Reptile greats Guzzard. These guys pack one hell of a punch. Taking their cues from bands like Mastodon, Red Fang and Helmet, it’s no wonder that Killer Hill’s new EP, Frozen Head rocks. The six songs on the EP are brute alt rock force. The riffs are chunky and groovy while the rhythm section grinds and pummels. The first song released “Bent” is a groovy/thrashy fun time that live will be a beast. Killer Hill is a pretty rad band and I’m very intrigued to hear what else they do!


Killer Hill:

Those 80’s Songs: INXS- Devil Inside

INXS – Kick (1987, CD) - Discogs

One band from the 80’s that I’ve always enjoyed is Australia’s INXS. I remember being a little kid watching MTV and seeing the video for “Need You Tonight” and really liking the song and wanting a leather jacket like Michael Hutchence had in the video. Their album KICK, is one of the best of the 1980’s and it still holds up quite well today. That album produced so many hit songs (“Need You Tonight, “New Sensation,” and “Never Tear Us Apart.”) and one in particular “Devil Inside” has always stuck out to me. Released as a single in Feb of 1988, it hit number 2 on the Billboard 100 for two weeks. The video for the song was directed by Joel Schumacher (The Lost Boys, Flatliners, Falling Down, Batman Forever). This song is incredible and it’s one of those that should always be played loudly.


INXS- Devil Inside:

Dream Tour/Set List: Thrice, Every Time I Die & Cave In

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It’s been a while since I did one of these and this one is pretty damn awesome. Earlier this year, this dream tour came to me when Two Minutes To Late Night started their series where 2 bands cover each other. The first one was Every Time I Die taking on a Cave In song (Youth Overrided from Antenna) and Cave In taking on an Every Time I Die song (Moor from From Parts Unknown). When that was announced it got me thinking that those two bands should tour together. Then I started seeing comments from other bands and Riley Breckenridge from Thrice was super stoked on these covers and that’s when I had the idea. Dream Tour and Set List featuring Thrice, Every Time I Die and Cave In. Imagine the possibilities of these three awesome bands on one bill for a whole tour! So much awesomeness happening with this line up. Now the set lists are where it gets interesting and tricky. And as always I set up some parameters to make it more fun.

1: Where would you want to see the show

2: What is the order/set lengths of the bands

3: What line up of the band would it be (If necessary)

4: Set List (In order of how the set should go)


1) Hollywood Palladium

2) Headliner= Thrice
Direct Support= Every Time I Die
Opener= Cave In

3) All Current Lineups of each band

4) Set Lists:


Cave In:

01) Juggernaut
02) Lanterna
03) Trepanning
04) Halo Of Flies
05) Joy Opposites
06) Retina Sees Rewind
07) Big Riff
08) Youth Overrided
09) Dark Driving
10) Sing My Loves


Every Time I Die:

01) Dark Distance
02) I Suck (Blood)
03) Depressionista
04) Glitches
05) Planet Shit
06) Underwater Bimbos From Outer Space
07) Wanderlust
08) Bored Stiff
09) INRIhab
10) White Void
11) C++ (Love Will Get You Killed)
12) Post-Bordem
13) It Remembers
14) AWOL
15) The Coin Has A Say
16) Romeo A Go-Go
17) We’rewolf
18) Ebolarama
19) Thing With Feathers
20) Map Change

Thrice:

01) The Color Of The Sky
02) Scavengers
03) Under A Killing Moon
04) The Grey
05) Hurricane
06) Silhouette
07) All The World Is Mad
08) Promises
09) Don’t Tell And We Won’t Ask
10) Like Moths To Flame
11) Summer Set Fire To The Rain
12) In Exile
13) Just Breathe
14) Blood Clots And Black Holes
15) Robot Soft Exorcism
16) The Long Defeat
17) The Earth Will Shake
18) Paper Tigers
19) The Artist In The Ambulance
20) Come All You Weary
21) Yellow Belly
22) Hold Fast Hope
23) Red Sky
24) Beggars
25) Black Honey

Op Ed: Stop Begging For Money

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I have a huge bone to pick with bands these days. There’s a plethora of things I could discuss here but I really want to focus on one in particular. And that one aspect is bands begging for money these days. Whether it’s crowd funding or straight up using go fund me’s to get money. It’s absolutely disgusting.

Crowd Funding your album is a tricky one. On one hand you labels that aren’t giving money to record or the amounts are limited. So now you have bands resorting to crowd funding. The ones that really put thought into this process are the ones that put together the packages that make it a pre-sale purchase and that does make sense and hold merit. At least you are getting something out of it in the end. Provided it gets completed and released accordingly. There was that whole debacle about Pledge Music and the CEO taking the money. I’ve contributed to a couple crowd funded albums but, the ones I did contribute to were straight up pre-sales. If you are a band and need to raise lets say $50,000 towards the whole cost of your album, perhaps you might want to think about getting a job. Relying on other people who already spend their hard earned money on your band be it concert tickets, records, merch, etc is downright wrong. It’s taking advantage plain and simple. I think back a few months ago to when Dino from Fear Factory set up a gofundme to help “finish” the new Fear Factory album. He needed $25,000 to get studio time to record drums, finish the mix & mastering, and some other things. The money was funded and the album was finished but, it’s so lackluster that it makes it seem like a waste of money. And were there any perks for donating? Nope, not a single thing. Not even a downloadable version of the album. Again another example of begging.

My other issue are bands that use go fund me and are straight up begging for money. If you can’t afford to go on tour, GET A JOB AND SAVE MONEY TO AFFORD TO GO. Don’t be asking people to give you money. That’s the upmost of lazy and pathetic. Offering lame incentives isn’t worth it either. Asking people to support you is one thing, begging for money is not ok. If you have to resort to this practice and you are in a band, you should really take a look in the mirror and have a talk with yourselves. If you can’t afford it, than this isn’t the place for you. I know labels don’t have tour support these days, especially for small bands but, don’t be taking advantage of your fans or family. It’s not a good look and it carries over to the rest of the bands that really need help. There are plenty of places people can go to earn money but, it seems like people just want the easy way out. Seriously, if you can’t afford to do something wait till you can. Begging is sad and pathetic and like I mentioned, it makes those of us in this look bad. It’s taking advantage plain and simple!

It’s come to a point with all these “crowd funding” tools that it’s out of hand. I understand in certain cases where it’s necessary. For example, the band Russian Circles recently had their gear stolen and a go fund me page was set up after it was discovered that the insurance had lapsed so this was a last resort option. Not only did they pass their goal, they did it in a day. The cause was a good one as they had no choice but to do this. If it’s a good cause like helping cover their bills after a medial procedure, funeral costs, or things like that, I can understand. But to be straight up begging cause you are too lazy or stupid to save money or get a job that pays well, that’s on you. I will not stand by watching people feel like they are entitled to something they aren’t. Get off your asses and work! Get a job and save the money you will need. Be smart about it. Don’t be lazy and pathetic. Do the right thing!

Great Music Videos: Aphex Twin- Come To Daddy

Aphex Twin: Come to Daddy (Video 1997) - IMDb

The 1990’s produced some of the best music videos ever. Without a doubt there was a sense of true art and endless possibilities of things to try out and boundaries to push. One video that comes to mind when thinking about all that is “Come To Daddy” by Aphex Twin. This video is one of the best ever and it’s an absolute masterwork. The video was directed by Chris Cunningham (who’s done videos for Bjork, Placebo, and Portishead). Interestingly the video was shot on the same council estate that Stanley Kubrick filmed many scenes for A Clockwork Orange. A video like this to accompany a song that is quite unique would need to stand out and that it does. It’s artsy and different while at the same time very unsettling and disturbing at times. It’s also worth noting that Aphex Twin mastermind Richard D. James wasn’t thrilled with the reception the song got. So much so that after its successful release, James claimed that he removed the record from circulation for one week, hoping to prevent it from reaching number one; it peaked at 36. Even with all that, this video and song are still one of the best of the 90’s.


Aphex Twin- Come To Daddy (Director’s Cut):

New Music Friday: October 22

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So many great songs came out this week along with the phenomenal new album Radical, by Every Time I Die (which is this weeks ALBUM YOU MUST HEAR at the bottom of the list). In this edition of New Music Friday we have new jams from Nvision, Centershift, Jerry Cantrell, Silent Planet, Arch Enemy, The Lurking Fear, See You Space Cowboy HEALTH & Poppy and Mastodon. Check them out and let me know what your favorite is! And don’t forget to listen to the new EVERY TIME I DIE album!!!

Nvision- Fake Friends:

Centershift- 9:

Jerry Cantrell- Siren Song:

Silent Planet- Anhedonia:

Arch Enemy- Deciever, Deceiver:

Health & Poppy- Dead Flowers:

The Lurking Fear (feat. members of At The Gates)- Death Reborn:

See You Space Cowboy- The End To A Brief Moment Of Lasting Intamacy:

Mastodon- Sickle and Peace:

ALBUM YOU MUST HEAR:

Every Time I Die- Radical:

Album Review: Every Time I Die- Radical

ALBUM REVIEW: Radical - Every Time I Die - Distorted Sound Magazine

Radical is one hell of a way to describe the new Every Time I Die album of the same name. Throughout their career, Every Time I Die have continued to get better and better with each release. Like a fine wine or scotch, the older these guys get, the more ferocious and unrelenting they get. This being the band’s ninth studio album, the absolute urgency felt throughout the album is unparalleled. To top it all off too, there are 16 blistering tracks on this one and the moment it ends, you are compelled to start it over.

Tracks 1-16 are phenomenal. The riffs, beats, bass lines, vocals, lyrics, and melodies are some of the best ETID have come up with. There are moments throughout the album that hark back to previous albums like The Big Dirty and Hot Damn but, there is no denying that these new songs push through what they’ve done in the past. I could go through the album track by track but as I’ve said many times before, that would just ruin it for you, the listener. Instead what I will do is say that there isn’t one track on this album that doesn’t belong or feels out of place. The poetic nature and introspective lyrics of singer Keith Buckley are striking and vulnerable in a different way than on Low Teens. His ability to tell stories and make you think while at the same time rocking out is something that not many people can do. Then you put that together with the crushing riffs of Andy Williams and Jordan Buckley plus the pummeling rhythm section of Steve Micciche and Clayton “Goose” Holyoak and you have the recipe for one of the best bands of the century. Radical also features guest appearances by Josh Scogin from ’68 and Andy Hull from Manchester Orchestra, adding another color to these songs. To top it all off is the stunning production from Will Putney (who also helmed Low Teens).

This album is one that will hold up for years to come. Their ability to expand their sound and take risks only make this album stronger. There is a polarizing sensibility to the record but also a delicate tinge that allows the listener to really soak it all in. You’d think that after over 20 years of being a band and all the miles on the road that they’d slow down but, you’re totally wrong. There is no stopping Every Time I Die and Radical proves that!

Overall Rating: A

Review By: Brian Lacy

Every Time I Die- Radical: