The ever radtastic The Ocean are roaring back with a new album, Holocene. This new album finds the band putting together a finishing chapter on their paleontology album series while adding new elements but, still keeping with their brand of epic heaviness. Already two songs have been released from this grand album, “Parabiosis” and the more Radiohead tinged “Sea Of Reeds.” Throughout the years, The Ocean has developed a sound that while heavy, it’s more than just a band being “Heavy.” There is a deeper thought provoking aspect to the music as well as the lyrics. One of the things that makes The Ocean who they are is their ability to evolve within the songs and the subtle moments they add that make things more captivating and intriguing to the listener. In a day and age when the single song is ruling, The Ocean is making a statement with this album!
Emma Ruth Rundle has long been a favorite of mine. I’ll never forget the first time I heard that voice and the chills I got from what she was singing. From her time in Red Sparrows and Marriages, the collaboration with Thou and then to her solo work, there is no stopping this talent. I do remember when it all came to make sense to me and that was around the time of her album, On Dark Horses which features one of my all time favorite Emma songs (as well as my daughter’s) “Darkhorse.” Hearing that album and song was what did it for me. Fast forward to now and Emma is readying a new live release from the Roadburn Festival where she performed songs from her latest and breathtaking new album, Engine Of Hell. The first song being shared from the release (which is out on July 7th) is the ever cutting (pun totally intended), “Razor’s Edge.” This version of the song will give you chills in the best way possible along with all the feels in the right places. Speaking of the album, Rundle says; “Roadburn has been such an important place for me and my evolution as an artist. The opportunity to perform ‘Engine of Hell’ in full there in 2022 was the end of something… and the beginning of this whole new chapter in my life and art. I really do feel free in so many ways. I wanted to commemorate and honor the experience by making my ‘Live at Roadburn’ album my first self release in 13 years. I will always treasure the Roadburn community” This release is definitely one of those that makes the songs come to life even more and it hits a bit differently as the raw factor is very prevalent throughout.
Emma Ruth Rundle- Razor’s Edge (Live At Roadburn 2022):
Today is Bandcamp Friday (when they wave their fee for 24 hours) and why not showcase some great bands and their albums/singles that are out now! Check out these bands and show them some support! If I missed your band, let me know and I’ll add it to the list!
If you haven’t heard The Pretty Reckless’s album, Death By Rock N Roll, you are missing out on one hell of a good rock album. It’s seriously one of those albums that proves rock sure as hell isn’t dead. There is one song in particular on the album that I constantly have stuck in my head and that is “Only Love Can Save Me Now.” My daughter loves this songs and the video and every chance she gets to sing this song at the top of her lungs is so great. The song itself is superb. It’s not just a well written song but, one of those that has teeth and depth. Having Soundgarden’s Matt Cameron and Kim Thayil on the song doesn’t hurt either, especially with the solo by Kim, which shows he’s still a badass with that axe. Check out this song and album!
Every year there are always a handful of albums I eager anticipate. One of the albums I am most eager to be released this year is the Solace EP from the wonderful, Iress. From the first moment I heard this band, I knew I was in for something special. When you listen to Iress, there is this vibe that overtakes you it becomes something more. Their first single off this EP “Ricochet” has been in constant rotation for me and now their newest release “Blush” is right up there as well. Both songs are astonishing and hypnotic. The way these songs hit at the right moments draws you in and never lets go. I love when I hear a band that has all the right pieces and the end result is something that is not only powerful but, it connects on a whole other level. Iress is a band that is not only great for now but, for the future, as I can tell that their evolution as a band is only going to get bigger and better from here.
Back in 2006, VH1 put together a program to honor the band Heart. The show also featured a short set from Heart’s long time friends, Alice In Chains. Joining Alice In Chains this evening with Jerry Cantrell, Sean Kinney and Mike Inez were Duff McKagan on guitar, Phil Anselmo on Vocals (singing “Would?”) and the one and only William DuVall (singing “Man In The Box” and “Rooster”). I’ve written about the Phil performance before which you can read and watch HERE. This night however would actually be a sort of reveal to showcase William as the new singer of Alice In Chains and it didn’t disappoint one bit (and still 17 years later, William is so damn good). Watching this performance and hearing William inhabit the songs and words, is astounding. Also, this was William’s first “real” performance with the band and what a way to introduce yourself. I’ve said it many times before, William was a great choice for Alice to carry on their legacy. He’s his own voice and person and the way he respects the songs and what the band did beyond thoughtful. This performance is one of those that should live on in TV history, it’s that good!
Alice In Chains w/ Heart- Rooster (Live On VH1 Decades Live- 2006):
One of the more positive things about the last couple years, especially during the height of the pandemic, was that during that time, I went on some really great catalog deep dives. There were quite a few bands I did this with and the end result was rather positive. One of the bands that I went down the rabbit hole with was Garbage. I still remember going to the store to buy their first album when it came out as well as the second one. Both of those albums were in constant rotation back in the day for me. Now after going through all their albums and then some, I have come up with a pretty solid ranking of their albums. If you’ve never delved into the Garbage catalog, I strongly suggest you do. They have some absolutely great albums and songs. Plus, their evolution throughout the years has made their music intriguing and reinvigorating to the genre.
07) Bleed Like Me: This one gets the bottom not because it’s a bad album by any means, it’s just that it’s a very front loaded album that when you get to the halfway point, a lot of the songs fall into familiar territory. The album feels like it’s trying to recapture a feeling or time but in the end it just falls a bit flat.
06) Beautiful Garbage: This album is a bit of a departure for the band only in that it doesn’t embrace a particular sound or style. Instead it’s a more experimental album, that finds the band looking to expand upon their sound. At times there are songs that are more “pop” than alternative, and other times you will find songs that are more aligned with an R&B style. This album for me is one of those that has to be listened to under the right circumstances. Put it this way, if you were really into the first 2 albums, this one leaves you a little bit more on the side of “it’s not bad but, it’s not what you thought it would or could be.”
05) Not Your Kind Of People: This album was the bands first in about 7 years after Bleed Like Me. This album is a sort of return to form for the band with some new modern production elements added. It’s a very solid album though it drags a bit as there could have been a couple songs cut off. As a comeback album, this is quite good and worth a good listen. I wouldn’t be shocked that if I did an album rank revisited on Garbage in a year or so, this one could move up a notch or two.
04) No Gods No Masters: Their most recent album is an absolute blast of a listen. It explores a lot of ground without being a nostalgic trip. The lyrical content on this album is quite thought provoking as well. You could even say that this is a very mature album both in the thematic sense as well as musically. After 7 albums together, they know what works best and doesn’t and it shows on this album very well. I really enjoyed this album and keep finding new things to like with each listen.
03) Strange Little Birds: The first time I heard this album all the way through, I felt like this was a sort of sequel or logical follow up to the band’s first 2 albums. There’s a really cool element of mixing the old with the new on this album. Strange Little Birds is a rather deep album lyrically and compelling. The album has some really catchy moments just like the first 2 have. There’s also an anger to this album that you can hear musically as well that really compliments every component well. Each time I listen to this album especially the final song “Amends,” I feel compelled to start it again.
02) Garbage: The debut and the one that started it all. What a superb debut album. It’s got all the great things that made music in the 90’s such a game changer. I love this album and think it’s one of the quintessential debut albums of all time. There is no doubt about the quality of the album from the songs, production, and performances. I also believe that this album became a blueprint for a lot of other bands/artists that have come out since.
01) Version 2.0: The band’s second album and my personal favorite gets the top spot. This one adds to their superb start and goes even further into what they are capable of. The darker elements, especially the lyrical content is quite a trip. Musically, there is so much to discover on this album as the band pulled inspiration from bands from the 60’s, 70’s and 80’s. One of the things I love most about the album is the production on it. There’s a really cool Hi-Fi meets Lo-Fi compliment to the way the instruments sound as well as the vocals. This is one of those second albums, that (like myself) you might enjoy more than the first one. That’s not to say the first one isn’t the tops, it’s all a matter of preference.
AUDIOECLECTICA 