On October 11, Onesidezero will be re-releasing their self titled album (via WURMgroup). This album never got the due it fully deserved due to a very limited release and a label that was, well let’s not get into that. The re-release features a remastered version along with new artwork as well as the song “Chasing The Sun.” This song was written around the same time as the self titled album, so it’s only fitting that it should be released as part of this.
You can pre-order the album HERE
What do you get when you cross 80’s metal a la Iron Maiden, Metallica and Megadeth and 90’s rock in the vain of Nirvana and Soundgarden? Well I’ll tell you, Void Vator is the end result. This four piece Los Angeles based band, is a melodic heavy rock group that is really starting to leave their mark on the scene. Their debut EP Dehumanized, was produced by Ulrich Wild (Deftones, Pantera, Static X, OneSideZero). The five songs on the EP, especially “Time Has Come” and “No Return,” are chock full of rock, riffs, and melody, which is exactly what this band is all about. Check out Void Vator for all your melodic heavy rock needs.
Back in 1998 while I was waiting for a new Nine Inch Nails record, an album was released by Stabbing Westward that would hold my attention for years to come. Darkest Days is the album I’m talking about. Stabbing Westward took their industrial influences a few steps further on this album without sacrificing their knack for writing catchy melodic songs. Singer Chris Hall’s anguish, pain and suffering all show through in his vocal performance. Something I found interesting about the album is that it’s actually a concept record. It’s made up of 4 parts, with each depicting a different emotional phase after a break up. The Tracks 1-4 is about sabotaging the relationship. Tracks 5-9 is about lust, hope, and longing. Tracks 10-12 is about hitting rock bottom after it’s all over. The final part is about recovery and self-respect. When I found that out a few years back, the album made a lot more sense to me. I’m sure most of you will remember the song “Save Yourself,” as it was the first single released for the album. But there is way more to the album than just that song. Songs like ” Everything I Touch,” “Drugstore,” “You Complete Me,” “Haunting Me,” “When I’m Dead,” “Torn Apart,” and “On Your Way Down” are absolute standouts. That’s not to say that the other songs aren’t as good, these ones just always seemed to have a lasting effect on me.
Stabbing Westward called it quits in the early 2000’s. Chris Hall went on to start the band The Dreaming. I’ve had the pleasure of seeing them a few times over the years, and he is still one hell of a singer and frontman. During the early years of The Dreaming it wouldn’t be shocking to hear them play a couple Stabbing Westward songs live. It was announced recently that Stabbing Westward will be reuniting for a show to celebrate their 30th anniversary, but in Chicago. Let’s hope it goes well, so we can get a full on reunion tour!!!
There are certain albums in every bands catalog that get overlooked. Most people when they talk about Pantera talk about Vulgar Display of Power and Far Beyond Driven. In 1996, amongst a lot of band tension, Pantera was able to put together their most brutal and honest album The Great Southern Trendkill. This album is known for relentless screaming throughout the album most notably on “Suicide Note Pt.II.” Also featured on the album are some of the fastest tempos and most down-tuned guitars that the band ever recorded. It also has a more experimental nature to its songs, such as the acoustic guitar and keyboard-laden “Suicide Note Pt. I”, the long breakdowns in the middle or near the end of songs like “Suicide Note Pt. II”, “Sandblasted Skin”, “Drag The Waters” and “War Nerve”. Some of the more intricate vocals that Philip Anselmo has doen can be heard on songs such as “Suicide Note Pt. II”, “The Underground In America”, “Sandblasted Skin”, “War Nerve” and “Living Through Me (Hell’s Wrath)”. A very interesting fact about the making of Trendkill was that Phil Anselmo recorded the vocals for this release in Trent Reznor’s studio in New Orleans, while the rest of the band stayed in Dallas to work on their parts. Of all the albums Pantera released, this one is by far my favorite. The lyrics go beyond just the normal anger. Topics such as hate for the media (“War Nerve”), suicide (“Suicide Note”), drug abuse (“10’s”, “Living Through Me (Hell’s Wrath)”) the end of the world (“Floods”), trends (“The Great Southern Trendkill”, “Sandblasted Skin”) and teenage taboo on life (“The Underground In America”) are all brought up.
1996 saw the release of Metallica’s Load, Sepultura’s Roots, Rage Against The Machine’s Evil Empire, and Korn’s Life Is Peachy. The Great Southern Trendkill stood out amongst all the other metal bands releases of 96. with the exception of Neurosis’s Through Silver and Blood. Do yourself a favor and take another listen to The Great Southern Trendkill and you’ll have a totally different appreciation for it!
AUDIOECLECTICA 