Rock

LIVE REVIEW: JERRY CANTRELL AT VENTURA THEATER

Going solo is never an easy thing but, when you are such a prolific songwriter and player, sometimes you need to go at it on your own to explore ideas that might not have fallen into the realm of the main band. For Jerry Cantrell the transition between being in Alice In Chains and his solo work carries over in such a way that you can still get a bit of the Alice touch but, the work on his own delves a bit deeper into the inspirations that have guided Jerry. When you listen to his latest album, I Want Blood, you can definitely hear the way Jerry lets those inspirations guide where the songs go and it’s quite the album and listening pleasure. So when the time came for this tour, it was an absolute necessity to go.

As the time hit 9:15 and the lights went down, the energy inside the musty and sweaty Ventura Theater got really going as Jerry Cantrell hit the stage and started things off with “Psychotic Break” from his wonderful second solo album, Degredation Trip. Then just as things were getting going… BAM, we get hit with “Them Bones.” Talk about a 1, 2 punch! From that point the audience was in the palm of Jerry and his band’s hands. The songs from I Want Blood seem to have taken quite the sip of blood as each song played had a ferociousness that kept growing as each song was played. Songs like “Villified,” “Afterglow,” “Off The Rails” really hit hard and vent straight for the veins. The songs from Brighten even hit in a different way than I remember giving them a bit more of an edgy turn. Even the older solo material played from Boggy Depot and Degredation Trip sounded fresh and full of gusto. Then there’s the handful of Alice In Chains songs that were played that still give me chills no matter how many times I’ve heard those songs or seen them played live. Getting to hear “Hate To Feel” live was beyond a treat. I’ve personally been waiting years to hear that song live and wow, what a performance it was.

I really must say that the live band that is accompanying Jerry on this tour is beyond fantastic. On drums you have one of my all time favorite drummers in Roy Mayorga. The way Roy plays is amazing. He hits so hard that you feel each drum beat pulsating through your body. And his style mixed with Jerry is a real treat. On bass Eliot Lorango held that low end down with precision and you could tell this guy was truly having fun up there. On second guitar with Jerry is Zach Throne. Zach is one hell of a player too and the way he approached these songs and plays off of Jerry is quite fun to watch and hear. Then you have Greg Puciato on vocals and I could seriously write a whole article on Greg (and one day I probably will). The way Greg sings and takes these songs on is exceptional. Being a giant Layne fan and a William DuVall fan, Greg really knows how to inhabit these songs and bring his style to them. Not to mention the sheer emotion he pours into them. Jerry and Greg’s voices together is something quite special just like how Jerry and Layne were magical and same with William. The sum of all these pieces make for one hell of a performance and band. It’s not Alice and it’s not supposed to be. This is Jerry solo and it’s got it’s own special charm.

Also playing this evening was Filter. It’s been a minute since I’ve seen Filter live and they delivered a really solid opening set. Their most recent album, The Algorithim is quite a good record and the couple songs from it that were performed this evening sounded great. Now when they got to playing “Jurrasitol” that’s when I could see the crowd start to get into the show. That song is one hell of a track and I’m glad it’s been a Filter staple for a long time. Though their set was short it was a very fun set that definitely set up the tone for the rest of the night. One other song that Filter played that I’ve always loved is “Welcome To The Fold.” That song and the riff is so damn good. And of course no Filter show is ever complete without “Hey Man Nice Shot.” No matter how many times I hear that song, I still love it.

What a night for rock music and on a rainy Wednesday night, this showed that rock is for sure not dead. The place was packed and full of people having a great night. I couldn’t help myself from singing along through most of the night. As a die hard Alice In Chains fan, getting to see Jerry do his thing solo is an absolute treat. He’s a legend for a reason and there’s no shortage of great songs that he has. I look forward to more Jerry and more from Alice In Chains. This show was one of those that I will look back on quite fondly and it’s also one of those shows that has left me inspired. So I thank Jerry, Greg, Roy, Zach and Eliot for that along with Filter. Do yourself a favor and go listen to Jerry’s solo albums if you haven’t. and go listen to Filter too!


Review and Photos By: Brian Lacy

Jerry Cantrell Photos:

FILTER PICTURES:


JERRY CANTRELL SET LIST:

01) Psychotic Break
02) Them Bones
03) Vilified
04) Afterglow
05) Atone
06) Off The Rails
07) Held Your Tongue
08) Down In A Hole
09) Cut You In
10) My Song
11) I Want Blood
12) Man In The Box
13) Had To Know
14) Angel Eyes
15) Hate To Feel
16) Would

Encore
17) Let It Lie
18) Brighten
19) Rooster

FILTER SET LIST:
01) You Walk Away
02) The Drowning
03) For The Beaten
04) (Can’t You) Trip Like I Do
05) Jurrasitol
06) Take A Picture
07) Drug Boy
08) Welcome To The Fold
09) Hey Man Nice Shot

LIVE REVIEW: KERRY KING AT THE FONDA

It’s not everyday that you get to have a second career this far into your career. 5 years ago when Slayer hung it up (or so they said- I even remember telling my friend Justin at the last Slayer show, “Give them 5 years and I would bet they will be back playing festivals at least.”). Well that premonition came true right at the same time Kerry King announced his debut solo album, From Hell I Rise. Technically I could say it’s his second since Slayer’s last album, Repentless, was basically a Kerry solo album but, From Hell I Rise, gave us all another chance to keep riding the Slayer wave.

A few months before this show at the Fonda, I went with a few friends to see Lamb Of God and Mastodon on the Ashes Of Leviathan tour. On that tour they had Kerry opening up for them. While the set was short, it definitely led me to want to see the show when they came through as a headliner as they left a lasting impression on me.

Kerry King’s live band is one hell of a group of guys. First on vocals you have Mark Osegueda from Death Angel. Mark’s one hell of a vocalist and does a superb job here. Even with the moments that sound like Tom Araya, Mark really has come into his own with these songs. On drums you have the ferocious Paul Bostaph. We all know what he’s capable of. Then on bass you have Kyle Sanders. Who if you don’t know if the older brother of Mastodon’s Troy Sanders and was a part of bands like Bloodsimple, Hellyeah, Medication and more. Kyle has one hell of a thunderous low end delivery and the way he plays is outstanding. And on the other lead guitar is one of my favorite guitar players, Phil Demmel. Phil is an absolute beast on the guitar. The leads he added to Kerry’s songs take those ones to all new heights.

The live show for Kerry and company is quite intense as you’d expect. There is no shortage of aggression and heaviness permeating from the stage to audience. The Fonda in Hollywood is one of my favorite spots to see a show as it’s big but not too big and just intimate enough to feel like you are really close. Kerry’s set included all songs from the debut album like my favorites such as “Toxic,” “Shrapnel,” “Tension,” and “Residue” as well as 2 stellar Iron Maiden covers (“Purgatory and “Killers”), and a handful of Slayer songs including of course “Raining Blood.” Though it was cool to hear “At Dawn They Sleep” from Hell Awaits as well as “Disciple” from God Hates Us All. The band throughout the set was on absolute fire from the get go. The way Kerry and Phil play off each other is quite the the sight to see and hear. If you are missing Slayer, get yourself to a Kerry show and it will help with the withdrawls. One other thing before I close this out, I get that this is the Kerry King solo band now but, with a lineup of gents like this, I really hope that when it comes time to write the next album, these guys especially Phil Demmel, are brought in to write cause, if they do, I can definitely see the next album being one that just DESTROYS!

Review By: Brian Lacy (sorry no photos- was too into watching the show)

Set List:

01) Where I Reign
02) Rage
03) Trophies Of The Tyrant
04) Residue
05) Two Fists
06) Idle Hands
07) Repentless (Slayer Cover)
08) Toxic
09) Tension
10) Everything I Hate About You
11) Disciple (Slayer Cover)
12) Purgatory (Iron Maiden Cover)
13) Killers (Iron Maiden Cover)
14) Crucifixation
15) At Dawn They Sleep (Slayer Cover)
16) Shrapnel
17) Raining Blood (Slayer Cover)
18) Black Magic (Slayer Cover)
19) From Hell I Rise

Audioeclectica’s 2024 End Of The Year Lists

Thank you all for your support through the years and especially 2024. This was a pretty strange year to say the least. Usually I do a bunch of different categories to wrap up the year but, since I took a bit of a break, I thought I’d just do a couple things to wrap things up. 2025 is going to be a great year for Audioeclectica! Stay tuned for all that is coming!

BEST ALBUMS OF 2024 (1-10 are in order, the rest are not):

01) Gouge Away- Deep Sage
02) Better Lovers- Highly Irresponsible
03) Linkin Park- From Zero
04) Jerry Cantrell- I Want Blood
05) The Smashing Pumpkins- Aghori Mhori Mei
06) Iress- Sleep Now, In Reverse
07) Kerry King- From Hell I Rise
08) Chelsea Wolfe- She Reaches Out To She…
09) The Cure- Songs Of A Lost World
10) Common Wounds- All Night Blood

11) Pearl Jam- Dark Matter
12) Drug Church- Prude
13) Planes Mistaken For Stars- Do You Still Love Me?
14) Spirit In The Room- Passengers EP
15) Unto Others- Never, Neverland
16) Cold Gawd- I’ll Drown On This Earth
17) Category 7- Category 7
18) Full Of Hell- Coagulated Bliss
19) Umbra Vitae- Light Of Death
20) Duhkha- A Place You Can Come Back From
21) Yellfire- Dear Gods
22) Darkest Hour- Perpetual Terminal
23) Erra- Cure
24) Marilyn Manson- One Assassination Under God
25) The Hope Conspiracy- Tools Of Oppression/Rule By Deception


TOP 10 PRODUCERS OF 2024:

01) Jack Shirley- Gouge Away: Deep Sage
02) Will Putney- Better Lovers: Highly Irresponsible
03) Mike Shinoda- Linkin Park: From Zero
04) Joe Baressi & Jerry Cantrell- Jerry Cantrell: I Want Blood
05) Billy Corgan- The Smashing Pumpkins: Aghori Mhori Mei
06) Alex Estrada- Iress: Sleep Now, In Reverse
07) Dave Sitek- Chelsea Wolfe: She Reaches Out To She…
08) Josh Wilbur- Kerry King: From Hell I Rise
09) Robert Smith & Paul Corkett- The Cure: Songs Of A Lost World
10) Zach Rippy & Scott Evans- Common Wounds: All Night Blood

TOP SHOWS OF 2024:

01) Linkin Park @ Forum
02) Lamb Of God, Mastodon and Kerry King @ Forum
03) Better Lovers @ Regent
04) Hatebreed, Carcass, Harm’s Way and Crypta @ Wiltern
05) Gouge Away @ 1720
06) Slipknot @ Intuit Dome
07) Korn and Gojira @ BMO Stadium
08) Poison The Well, Will Haven and Hopesfall @ Belasco
09) David Gilmour @ Hollywood Bowl
10) All Cobalt Presents Shows

What I’ve Been Listening To: November Edition


Since I took a break I’ve been trying to catch up on everything I’ve missed out on. I’m still catching up but I thought I’d put together a list of a few albums that I’ve been listening to. I recommend you all check these bands and albums. I can guarantee you’ll find something you like! Also on a side note, if any of you out there are graphic designers, Audioeclectica could use a new logo! Hit me up!

Enjoy The Tunes!
Brian

What I’ve Been Listening To:

Better Lovers- Highly Irresponsible:
This album is what it must feel like to be shot out of a cannon. It’s explosive and full of twists and turns that will leave you wanting more. It might even cause you to spontaneously start jumping up and down due to the energy this album emits. Listen to this as loud as possible!



Jerry Cantrell- I Want Blood:
Jerry’s new album feels like it picks up where Degredation Trip left off. The dark brooding vocals mixed with Jerry’s signature guitar playing makes this a great album. As much as I would love to have a new Alice In Chains album, this one will definitely hold you over till then!! Check out the track “Echoes Of Laughter” it’s my favorite on the album!

https://www.youtube.com/playlist?list=OLAK5uy_krvAUGLYK3GCL81obV1c-TpojnXdxeBxc

Linkin Park- From Zero:
I never thought this day would ever come but here I am praising a Linkin Park album. I’ll get into how this all came to be in an article to come. This new album featuring their new singer Emily Armstrong of Dead Sara and drummer Colin Brittain is fantastic. It’s a short and concise album that runs the gamut on all that the band has done and then some. There’s some really great throwback moments on this album as well as all sorts of new things to enjoy. Really give this one a shot. In a world where so many bands have tried to cop their style, the originators return to show how it’s done!

https://www.youtube.com/playlist?list=OLAK5uy_llu148Ny0qF6bSApqzcVOQ9MaiCYySEG8



The Smashing Pumpkins- Aghori Mhori Mei:
I love this album. It’s The Smashing Pumpkins through and through. It’s a great rock album that we’ve been wanting from them since their “reunion” was announced. Each listen makes me love this album more and more. This is another one that really deserves your attention!

https://www.youtube.com/playlist?list=OLAK5uy_nRnbe2-k5CxdkxL140Fs1baQuL8Dmrgf4

Iress- Sleep Now In Reverse:
Iress is one of my favorite bands I’ve heard in a long time. Each release of theirs gets better and better. This new one adds a heavier and darker vibe to their already dark atmospheric dreamy doomgaze sound. This is an album YOU NEED TO LISTEN TO!!!



Gouge Away- Deep Sage:
This is one of the best albums I’ve heard all year. I love this album. Every song on it is impactful and meaningful. This is another album that might find your spontaneously breaking out into a one person mosh pit. Listen to this album!!!



Common Wounds- All Night Blood:
I love a good post-hardcore band and Common Wounds has all the ingredients that I enjoy about the genre. This is their first full length and it delivers quite the punch. The latter half of the album is my favorite part as it tends to be a bit more experimental and epic which I love. I’m very excited to see where this band goes as I quite enjoy them!



Drug Church- Prude:
I’ve been a fan of Drug Church for a while and they keep getting better and better. Their new album continues on the path they’ve been on with some really cool new elements that remind me of Refused a bit. Sadly I just missed their LA show. I’ll have to catch them next time!



Planes Mistaken For Stars- Do You Still Love Me:
This one is a little bittersweet. I have been a Planes fan for many years and when the news came that Gared had passed away it was quite a sad moment. Thankfully though, we have one final album from this very underrated band. This album has all the classic elements that made Planes Mistaken For Stars such a great band as well as some really great melodic moments that will have you raising your glass in cheers!



Spirit In The Room- Passengers:
If you’ve been reading Audioeclectica long enough, you know that I absolutely love Spirit In The Room. I love that each release brings in something different yet it’s still volatile and dangerous, which is something that’s seriously missing from music these days. This EP is a little more subdued and introspective, showing off a different side of Dennis Sanders. Another really enjoyable album to check out!



Kerry King- From Hell I Rise:
I really like this album. Musically it sounds just like what you think it does but, that doesn’t stop it from being an all out assault. Kerry has quite the band backing him with Phil Demmel on guitar, Kyle Sanders on bass, Paul Bostaph on drums and the underrated and awesome Mark Osegueda on vocals. Live this band and these songs are so damn good. I saw Kerry and Co open for Lamb Of God and Mastodon a few months back and it made me really give this album a now outlook.



Cold Gawd- I’ll Drown On This Earth:
I’ve heard of this band for a while now and finally sat down to check them out and I enjoyed what I heard. Their shoegazey Deftones side really comes through in a good way. The dreaminess that this album has to it makes it a great driving album as well as one to put on while working. There’s some definite love for Siamese Dream on this album and that’s totally ok!



Unto Others- Never, Neverland:
The moment I put this album on the first thing I thought of was Type O Negative only a bit more positive. This album is one of the most surprising I’ve heard this year. I love the post-punk goth vibes this album has. I’m quite interested to see what they are like live and I would love to hear them take on a Type O songs to hear what it would be like.



Pearl Jam- Dark Matter:
I’ve been waiting a long time for Pearl Jam to come back with an album like this and FINALLY it’s here. This record has a very old school PJ vibe (Ten and VS with a dash of Vitalogy). The guitars are back to being at the forefront and everything finally clicks for the first time in a long time. This album really doesn’t have the usual filler either. Each time I listen I like this one more and more and find it climbing up my ranking chart for Pearl Jam.

https://www.youtube.com/playlist?list=OLAK5uy_ltWvB2Aqnf32SbAI0fhvx8l5O87oruvS0

Category 7- Category 7:
John Bush (Amored Saint, ex Anthrax), Phil Demmel (Kerry King, ex Machine Head), Jason Bittner (Shadows Fall, ex Overkill), Mike Orlando (Adrenaline Mob) and Jack Gibson (Exodus). On paper this band is killer and on their self titled debut they slay! I’ve always loved John Bush as a vocalist and to have such a lineup of great players writing some killer riffs and metal, this band has everything they need to rip it up!




Album Review: Better Lovers- Highly Irresponsible

Debut albums can tell a lot about a band. The inspiration and influence can be quite striking but, the thing I love most about a debut album is how all those elements come together. When Better Lovers first came out last year with their debut EP, it was something shot straight out of a cannon and exploded like a fireworks warehouse. Those songs became the building part for what would be Highly Irresponsible. This debut album packs that same cannon blast only with the full length album, we get to really dive into what this band is all about.

The first track starts with this really delicate intro before it goes straight into the heaviness. From that point you know it’s on! With each song and there is more and more to unpack as the spastic and schizophrenic nature of the music uncoils into a very meticulous regiment of riffs and rhythms that will find you tapping your feet and hands and possibly a mosh pit (if you can find enough people). This album is unrelenting in the way it grabs your attention and doesn’t let go. Guitarists Jordan Buckley and Will Putney have done a wonderful job of crating songs that will appease the fans of all the bands these gents are/were a part of and new ones as well. The rhythm section of Stephen Micciche and Clayton “Goose” Holyoak is devastatingly pummeling in such a way that the bounce from the low end will have you jumping out of your chair. Vocally this is quite the performance from Greg Puciato. Like a fine wine or scotch, Greg seems to only have gotten better with age. His screams are reaching new heights and the melodic sensibilities are in the foreground showcasing the versatile vocalist that he is. Found throughout too are lyrics that are quite introspective and full of emotion be it anger, frustration, depression, and dare I even say love.

Throughout the 10 songs that appear on Highly Irresponsible, there isn’t one that feels out of place. In fact, there are certain songs that when they end you wish they were longer specifically, “Deliver Us From Life,” “At All Times, and “Love As An Act Of Rebellion.” The diversity on this album explores so much that with each listen you find more and more to love about it. Their live shows are already ones you shouldn’t miss as the energy that emits from stage to audience is not only contagious it’s infectious. Each member of this band has a highlight moment (though I’m not going to point those out as it would take away from the fun) on the record and it shows. One other thing I love about this album is that there aren’t any constraints on it. Sure there are moments that hark back to other times and bands but, these songs stand out as Better Lovers and Better Lovers only. If you are looking for one hell of a good time and an album that will lift you off your feet, then be responsible and pick up a copy. Enjoy!

Overall Rating: A

Review By: Brian Lacy

Better Lovers- Highly Irresponsible:

Album Review: Jerry Cantrell- I Want Blood

During my time away from Audioeclectica, I was in a deeply contemplative state and when I was searching for answers through music, I found myself digging into familiar favorites. One of the albums that I went deep on was Jerry Cantrell’s excellent album, Degredation Trip. I highly recommend any of you out there to take a listen to that album (the deluxe 2 disc version!!!). The moment I heard there was going to be a new Jerry Cantrell solo album in 2024, I became quite excited. As much as I would love a new Alice In Chains album, it felt right that Jerry continue where he was at. The previous solo album, Brighten, was a nice change of pace and added some really beautiful songs to the catalog Jerry has written over the years but, there was something missing on that album. All that was missing on Brighten can most definitely be found on I Want Blood.

I Want Blood is a very direct and in your face album that goes deep in the way the lyrics and melodies hit you but, also the way the music shapes and leads you to places in your mind that are quite a trip. Jerry is never one to have a shortage of great riffs and throughout the album there are plenty of those signature notes that we’ve come to love. The way this album starts with “Villified” and weaves it’s intricate web all the way till “It Comes,” shows that I Want Blood is an album that is not only striking but also very emotional. One song in particular that gets me every time I listen to it is “Echoes Of Laughter.” This song could have easily been on an Alice album but, I don’t know that it would hit the same. The way this song encapsulates everything Jerry is uncompromising. Also, the backing vocals of Greg Puciato on this track adds to the haunting soundscape and deep feels this songs brings to the table.

One of the other things I love about I Want Blood is that Jerry brought back drummer Mike Bordin (Faith No More) and bassist Robert Trujillo (Metallica) both of whom performed on Degredation Trip. I’ve always loved the sound of that album and the way the three of them created an auditory assault on your ears in a good way and that continues on this album. Also on the album is Guns N Roses’s Duff McKagen, longtime Jerry collaborator drummer Gil Sharone and keyboardist Vincent Jones. The engineering and production of Joe Barresi is quite good. The tones on the guitars are exquisite and they really shine. Put on some really good headphones and you’ll hear all these great nuances that the guitars build on. Joe and Jerry working together really is a solid pairing and the end result is this killer album.

I Want Blood is one of my top 5 favorite albums of 2024. Jerry really went for it on this album and it really does have some of his best work on it. This is one of those solo albums that really shine and highlight a solo career. I can’t wait for Jerry to tour on this record and bring these songs to life. Do yourself a favor, go out to your favorite record store, buy this album, then put it on and blast it. I also had the fun pleasure of being in Seattle the week I Want Blood came out and got my vinyl copy of the album signed by Jerry at Easy Street Records! Even in the rain, this album was worth it!

Overall Rating: A

Review By: Brian Lacy

Jerry Cantrell- I Want Blood:

Album Review: Frank Carter & The Rattlesnakes- End Of Suffering

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I still remember the first time I heard that raspy snarl. The charisma that could ignite a crowd into a frenzy. Far removed now from his time in Gallows, Frank Carter and The Rattlesnakes have solidified their place in modern rock today. End Of Suffering, the bands third album, sees the group moving along in away that still connects with their roots but lays down a foundation of where this band can go. 2017’s Modern Ruin was a great benchmark for just how talented this group is. End Of Suffering takes that level and adds a few layers of optimism as well as tenacity.

The entire album is quite interesting. There are many different speeds to this record. On one hand you have a song like the opener “Why A Butterfly Can’t Love A Spider.” This track sets up the album in a tonal way by the feel of the music and the lyrics. There’s a sense of pain but hope in the way it’s delivered and that carries through the rest of the album. Songs like “Anxiety,” “Crowbar,” “Heartbreaker,” “Kitty Sucker,” and “Tyrant Lizard,” which features Tom Morello ripping it up,  all provide the uptempo tenacity that Frank is known for. Then songs like “Love Games,” “Angel Wings,” “Supervillain,” and “Latex Dreams” have a bit more of sensitive side but still contain a sharp edge and gruffness. Ending the album is the title track “End Of Suffering.” This soul bearing song gives a deeper glimpse into the mindset of Frank and where this album is truly coming from.

End Of Suffering is the kind of album that has something for everyone. It’s diverse and full of life. Nothing about this is phoned in or fake. If you’ve been following Frank since his days in Gallows, you know you are going to get a guy giving his all. While this album may seem to be more “straight forward” in terms of sound, it does show what the band is capable of doing as songwriters and how not to constantly repeat what they’ve done before. Frank and The Rattlesnakes (Dean Richardson, Tom Barclay, Gareth Grover and Thomas Mitchener) have really found themselves as a band. End Of Suffering was a not where you think they would have gone after Modern Ruin but, it’s definitely the right move.

Overall Rating: 7.5/10

Frank Carter & The Rattlesnakes- End Of Suffering:

Unsung Masterpiece: Rage Against The Machine- The Battle Of Los Angeles
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The year is 1999, people are starting to get hysterical over Y2K and Rage Against The Machine are about to release their final album, the very underrated unsung masterpiece, The Battle Of Los Angeles. Debuting at number one on the billboard charts, the twelve songs on the album are armed with heavy influence from George Orwell’s 1984, making for some very eerie foreshadowing statements on what the future will bring us. Songs like “Testify,” Guerrilla Radio,” “Sleep Now In The Fire,” “Voice of the Voiceless,” and a few others have direct quotes from the book, and go on to mention more Orwellian terms. The album kicks off with 3 songs of explosive rage (pun intended haha) with “Testify,” “Guerrilla Radio,” and “Calm Like A Bomb.” Then the album shifts for a song with “Mic Check.” “Sleep Now In The Fire” takes the album back up a few notches with anger and fury, leading us into one of the best songs on the album “Born Of A Broken Man.” The next couple songs musically, tend to lean towards showing off Tom Morello’s talents with a whammy bar and a fuzz pedal. Lyrically though “Born As Ghosts” and “Maria” are strong and angry, showing off Zach De La Rocha’s venomous lyrics. “Voice Of The Voiceless” has strong connections to a favorite of the band in Mumia Abu Jamal, as well as 1984, as I mentioned above and has a bit of a funk vibe to the music. “New Millennium Homes” is a solid song, with a cool groove, that perfectly sets up my favorite Rage Against The Machine song appears on The Battle Of L.A., “Ashes In The Fall.” Lyrically and musically, Ashes brings something different to the table. This is along the same lines as how epic some songs on the first album were. The song also brings a brilliance to how tight and good Brad Wilk and Tim Commerford are together. Tom Morello’s guitar work especially in the bridge section and the ending highlight his talents even more. Closing out the album is “War Within A Breath” which picks up where Ashes leaves off, then finishes with a fury of signature Rage.

The Battle of Los Angeles to me is the second best album the band put out. In terms of songwriting and passion, this album soars above Evil Empire. Tom Morello, Brad Wilk, Tim Commerford and Zach De La Rocha were magical together. They were able to create awareness and invoke the youth to open their eyes and stand up. Something that is missing from music today. Battle is an album that upped the game a bit more for the band. Their albums stand the test of time. Keeping in mind that the band hasn’t released anything new since 1999, not much has changed in the world, making their albums more relatable than ever.

 

Rage Against The Machine- The Battle Of Los Angeles: