Post Grunge

THOSE 90’S SONGS: COLLECTIVE SOUL- DECEMBER

The other day when I put together my Those 80’s Songs post, I had another song pop in my head but I couldn’t think of who it was. While out and about with my friend and podcast co-host Justin yesterday, the song and artist revealed itself to me. The band was Collective Soul and the song is “December.” You might very well recognize this songs as it was all over the radio in 1995. So much so that it reached number 21 on Top 40 radio too. You can find this song on the bands second album which is often referred to as their Blue Album. Another hit of theirs is found on this album, “The World I Know.” If you look into the history of Collective Soul, it’s quite interesting. From the amount of songs they’ve released as singles that we all know to even some deep cuts that have been in TV and Film. Collective Soul are definitely one of those 90’s bands that make you remember those times!

Collective Soul- December:

ALBUM REVIEW: BUSH- I BEAT LONELINESS

I’ve been having these mind blowing moments when I think about bands and albums these days. Mainly it’s realizing that I’ve been listening to a band or album for over 20-30 years. Growing up with all this music really has become “the soundtrack to my life.” One such band that really has me in this trance is Bush. I’ve been a fan since I first heard them at 10/11 years old. They’ve been one of those constant bands in my life. Even when Gavin went to do the Institute side project or his solo album, Gavin and especially Bush have really played a big part in my musical life. 

Now on their tenth studio album, and after riding quite high off of two fantastic albums in The Kingdom and The Art Of Survival, it’s only fitting that I Beat Loneliness is the follow up to those two albums. While the past two records have really accentuated the heavy down-tuned riffs and got the band back on track, this new album really focuses on the lyrical messages and vocal delivery. From start to finish, I Beat Loneliness really connects and the relationship between the listener and these songs will definitely tap into your inner self. There is still an anger and edge to some of these songs, while others really delve more into those thoughts and feelings that can be uncomfortable. Gavin’s voice and delivery of the lyrics really shines on this album. 

Another aspect of I Beat Loneliness that I find interesting is, it’s the album all the critics said their third album, The Science Of Things was production wise. The only thing that really takes the album down a notch is that the drums sound super programmed as well as flat. Because when you see the band live, it’s so in your face and bombastic that this just doesn’t sound right. The songs are there and Gavin sounds great. The heavy songs have solid good riffs and the more delicate songs are good songs but the production lacks the full emotional depth needed to convey some of these. If Steve Albini were still alive he would have been perfect to record Gavin’s vocals let alone this whole album. 

All in all Bush has delivered yet again with a tremendous album. Gavin Rossdale really is underrated when it comes to songwriting as well as lyrics, melodies and vocals. As much as I love the classic Bush, the new line up with Chris Traynor, Corey Britz and Nik Hughes is the perfect complement to what Bush is doing these days. 

Overall Rating: B or 8.5/10

Standout Tracks: I Beat Loneliness, I’m Here To Save Your Life, Love Me Till The Pain Fades, Don’t Be Afraid, Footsteps In The Sand

Bush- I Beat Loneliness:

Unsung Masterpieces: Filter- Short Bus
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The early 90’s were a great time for bands. There seemed to be a huge creative explosion. Albums had substance, grit and provoked raw emotion. I could talk about certain bands all day like Nine Inch Nails and Alice In Chains who embodied such traits. One band that came out in this era and had all that in their debut album and that was Filter. The band was formed when Richard Patrick left Nine Inch Nails just before the recording of The Downward Spiral, and formed a new project with Brian Liesegang. Their debut album Short Bus combined industrial and hard rock. The live band was rounded out by Geno Lenardo, Frank Cavanagh, and Matt Walker. Short Bus has now gone on to sell over 1 million albums thanks to the success of “Hey Man Nice Shot.”

Kicking things off is “Hey Man Nice Shot.” This song is great, it has that quiet bass rumble start then explodes with force and Richard Patrick’s signature scream. “Dose” continues with the powerful riffs and heaviness and adds bits of melody. “Under” has a scratchy guitar intro that blends perfectly into a sort of industrial/dance beat. Lyrically and vocally it’s heavy without compromising the melody. “Spent” is another song that has the quiet to loud structure dialed in. “Take Another” uses the distorted bass line to really get the song going before getting to grit of Richard’s vocal delivery. “Stuck In Here” is a stripped down song that shows the true vulnerability of the group. It’s subtle in the way it pushes the albums direction as well. “It’s Over” follows the outro of “Stuck In Here” to a building verse then when the chorus comes, it opens up in a louder realm. “Gerbil” is solid heavy rock track. “White Like That” has a great intro leading into Richard’s voice then goes into subtle chorus. “Consider This” is another track that could almost foreshadow what would ultimately be their sound on the next album. Ending the album is “So Cool.” This song really slows things down and brings the album to an end with it’s string arrangement.

Short Bus is an album that often gets overlooked just like the band. The sheer creativity and artistic expression is vert prevalent on this album.  Sadly, when their second album “Title Of Record” came out and “Take A Picture” exploded on the radio, it seemed that Filter had lost what they once were. Luckily as time went on, they brought back elements of Short Bus into their albums. Especially on The Inevitable Relapse and their newest album The Sun Comes Out Tonight. Filter is and has been a great live band and solid songwriters. Richard Patrick has one of the most unique voices in the rock genre. This band deserves their due. Take a listen back to Short Bus and you’ll see what I mean.

 Short Bus:

 

By: Brian Lacy

Unsung Masterpieces: Year Of The Rabbit- Self Titled
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Year Of The Rabbit was assembled and fronted by Ken Andrews of Failure fame. Soon after Ken stopped writing and performing music as ON, Andrews and ON’s drummer Tim Dow (formerly of Shiner) reached out to Dow’s friend Jeff Garber, and Solomon Snyder joined shortly thereafter. ON’s material had been created mostly by Andrews as a solo project, the harder-rocking sound of Year of the Rabbit is much closer to that of his previous band, Failure.

Their first release, the 2003 EP Hunted, was made available online only from outlets such as CD Baby, itunes, and the band themselves. The buzz from sales of the EP was enough to attract the attention of Elektra Records, who released their debut album shortly thereafter. Sadly as thing in the music business were in constant flux, Warner Music Company, was sold to a group of private investors, and many of the labels’ acts, including Year of the Rabbit, were dropped from their rosters. Two months later, Andrews declared on his official website that due to the shakeup at their label, the band had been put on indefinite hiatus.

The album itself though is a gem. This was as close as anyone who was a Failure fan was going to get to that vibe. The entire album is full of melody, hooks, and that signature tone, that so many guitarists have tried to duplicate. Lyrically this album is very deep and personal. There is not one ounce of filler either. Tracks like “Lie Down,” “Last Defense,” “Hunted,” and “Say Goodbye” are beyond stand out tracks. The instrumentation on here is simple and raw but with the right amount of polish to make it all shine through.

Though they released only one album, 10 years later this album still holds up, and sound like it fits in today more than ever. Ken Andrews was always ahead of his time it seems.

Year Of The Rabbit:

By: Brian Lacy