music-news

ALBUM OF THE WEEK: PUSCIFER- NORMAL ISN’T

The evolution of a side project into a full fledged band is quite something to witness. As I’ve stated in other articles pertaining to Puscifer, what started out as a side project and tongue in cheek has truly blossomed into a band. Normal Isn’t, their latest offering and fifth studio album, is truly a remarkable record. It’s also the first album of theirs that I’ve truly been excited about. What Maynard James Keenan, Carina Round and Mat Mitchell have composed and created with Normal Isn’t feels visceral and direct.

Normal Isn’t is an album that evokes as much emotion as it does thought. Lyrically throughout, the themes of the songs illuminate different concepts be it political, sociological, or psychological. Musically, the way the post-punk elements are the foundation thus making all the other parts be it the electronics, guitars, bass and drums stand out on their own merit. It’s interesting to listen and feel the inspiration of other bands be it Nine Inch Nails and Killing Joke to something more in the electronic realm. The dark undertones contrast really well against the glistening of the vocals. Carina and Maynard have really found a stride on this album both solo and together that feels more uplifting than haunting.

The songs themselves are captivating and compelling. As much fun as it would be to go into each song, it’s better to just listen without any preconceived notions. There are though, certain songs here that need to be highlighted without giving anything away. As of this review and writing, “A Public Stoning” is my favorite song here. The epic nature of this one along with all the intensity is truly remarkable. And to have a song like this smack dab in the middle, what a treat! Then you get into “The Quiet Parts” and it’s sprawling yet melodic aspects make that one/two punch repeatable. I do find myself gravitating to the back half of this album more. There’s an eclecticism to this album that is rich in its delivery and pseudo-minimalism.

Puscifer has produced quite possibly their best album yet. This is their most meticulously put together album that stays cohesive throughout. There is still all the artistic aspects of the root of the project but, everything that is here is in service of the song. The end result of Normal Isn’t shows that this “project” is now a full fledged band that has found it’s stride. Seriously, this album is one of the best of 2026 (and it’s only February 06) and I’m here for it all!

Overall Rating: A

By: Brian Lacy

Puscifer- Normal Isn’t:

ANTICIPATED ALBUMS: BLACKWATER HOLYLIGHT- NOT HERE NOT GONE

There’s something about the feeling that comes over you when you hear a band that strikes at the right time. It’s not that I haven’t listened to this band before but, the way their new music sparked a sense of “Yes! This is what I’m looking for and I wasn’t even looking.” With that in mind, Blackwater Holylight is the band I’m talking about and if you haven’t heard this fantastic band, you’ve been missing out. In 2026, January 30th to be exact, Blackwater Holylight will be releasing their new album, Not Here Not Gone (via Suicide Squeeze Records). Packed with a sound that is as much intoxicating as it is hypnotic is quite the treat. The elements of shoegaze, doom and metal mixed with the atmospheric/cinematic synths, underlying pulsing rhythms that feel like waves and vocals that soar and swoon, are exactly what I hear in Blackwater Holylight. The two songs released so far, “Heavy, Why?” and “Involuntary Haze” are whimsical and the perfect way to introduce what’s to come. A full US tour will be happening next year with two bands that have been featured on Audioeclectica, Glassing and SOM. The idea of SOM and Blackwater Holylight on the same bill is actually blowing my mind as I think and write this. Truly, I can’t wait for this new album to hit right out of 2026. Now, go check out Blackwater Holylight!

Heavy, Why?:

Involuntary Haze:


Pre-Order NOT HERE NOT GONE:

TOUR DATES:

Glassing supports 2/13-2/27. SOM supports 2/27-3/14.

Fri 2/13 – San Diego, CA – Casbah
Sat 2/14 – Phoenix, AZ – Last Exit
Sun 2/15 – Albuquerque, NM – Sister
Tue 2/17 – Austin, TX – Radio/East
Wed 2/18 – Houston, TX – White Oak
Thu 2/19 – New Orleans, LA – Siberia
Fri 2/20 – Pensacola, FL – Handlebar
Sat 2/21 – Atlanta, GA – Drunken Unicorn
Sun 2/22 – Asheville, NC – Eulogy
Tue 2/24 – Charlottesville, VA – Southern Cafe
Wed 2/25 – Baltimore, MD – Metro
Thu 2/26 – Philadelphia, PA – Johnny Brenda’s
Fri 2/27 – Brooklyn, NY – Meadows
Sat 2/28 – Braintree, MA – Widowmaker Brewing
Mon 3/02 – Youngstown, OH – Westside Bowl
Tue 3/03 – Indianapolis, IN – Black Circle
Wed 3/04 – Chicago, IL – Sleeping Village
Fri 3/06 – Denver, CO – Hi-Dive
Sat 3/07 – Denver, CO – Hi-Dive
Sun 3/08 – Salt Lake City, UT – Aces High
Tue 3/10 – Seattle, WA – Neumos
Wed 3/11 – Portland, OR – Aladdin Theater
Thu 3/12 – Sacramento, CA – Starlet
Fri 3/13 – San Francisco, CA – The Chapel
Sat 3/14 – Santa Cruz, CA – Moe’s Alley
Sat 3/21 – Los Angeles, CA – Pacific Electric